Toronto's amazing husband & wife team drummer Jean Martin and unusual vocalist Christine Duncan with guest guitarist Justin Haynes and Bernard Falaise, recommended!

Drummer and electronic artist Jean Martin joins forces with amazing vocalist Christine Duncan for an album of rhythmic soundscapes and free vocal improvisation.

John Boyle & Aya Onishi of Nihilist Spasm Band with Arnaud Riviere of Textile Orchestra from their first set of unrelenting primal improv at Sonic Protest 2007 in France.

Sinister looping and shimmering works from Mr. Dorgon taking on the trumpet - or at least, a dead trumpeter: an unusual homage to cool dead player Miles Davis.

Beautiful, mysterious improvised compositions with spoken interludes, recorded live in March 2003 at the first Montréal/Nouvelles Musiques (MNM) festival.

Improv meeting with Dutch master vocalist Jaap Blonk, turntablist Claus van Bebber and Carl Ludwig Hubsch on tuba.

Improvising artists Catherine Jauniaux on voice, bird call, cupule, cazoo and eRikm on turntables, electronics, live sampling, architect lamp recorded these 17 pieces for the radio show A L'improviste by Anne Montaron for France Culture Radio.

After touring Canada extensively for 3 years the trio of Jean Martin, Justin Haynes and Kevin Turcotte released this CD of wide-ranging and excellent recordings.

Jonathan Webb and Robert Hopps combine processed field recordings with guitar, turntables, electronics, and found sounds in long form drone-oriented improvisations.

A 2nd outing for this electronics-based trio using field recordings, zithers, turntables, amplified knitting machine, &c.; a 60 minute improvisation recorded in concert in Hull in November 2010.

Triple CD from Variable Geometry Orchestra, who create music by juxtaposing acoustic and electronic sound matter with subliminal and psycho-acoustic side effects.

The quartet of Cosottini, Melano, Pisani, Miano (EAQuartet Electroacoustic) in compositions referring to the 4 cardinal map points using graphic scores, games, open readings, &c.

Hypnotic lo-fi space pop from Azalia Snail, whose 20 year career of 4-track era work is heard in this musical journey paying tribute to the power of the sun & the hope it can bring to us all.

Jean Derome, Joane Hetu, Danielle Palardy Roger, Alexandre St-Onge and Martin Tetreault each composed works for this stellar group of nine Montreal-based musique actuelle players, a startling and wonderful release of style, approach and concept.

Montreal/Actuelle turntablist Martin Tetreault and Berlin turntablist Ignaz Shcick in two sets of recordings from two encounters in Belgium and Switzerland, 2006.

Montreal Musique Actuelle turntablist Martin Tetreault and sound artist Erick d' Orion created this project as a tribute to the original explorers of electronic music and musique concrete -- GRM, Stockhausen, Henry, Oram, Schaeffer, &c. -- using historic sound recordings and new sources, presenting this incredible concert live at Au Mois in Quebec.

1. History Of The Lisbon Chaplaincy 43:10

An unusual and thickly strung album bridging dark rock and improvised music from saxophonist Noah Kaplan, bassist and prepared bassis Giacomo Merega, bassist and prepared painist Wes Matthews, and vocalist Rosalie Kaplan.

The debut studio recordings from Calgary, Canada's Mark Fleischhaker and Scott Munro, electronically manipulated vocals with a loose sense of the word.

Electronic music theater orchestrated by Yannis Kyriakides in collaboration with the Dutch musical theater group, VeenFabriek, that's centralized around the concepts of Spinoza's texts.

"Quell" is an aural sound journey, using music and field recordings to investigate and present a deeply emotional exploration of Sinha's second home: India.

The second album from the trio of Ferran Fages (acoustic turntable), Ruth Barberan (trumpet), and Alfredo Costa Monteiro (accordion) expands on their first "Atolon" album with these two recordings of intense electroacoustic improvisation, a mixture of ritual, controlled chaos, mysterious and often disruptively provocative sound, and other inexplicable evolutions.

Fellow Canadians, Montreal's Ambiances Magnetiques collective member, turntablist and electronics artist Martin Tetrault meets Japan-based electronic explorer Tim Olive performing on magnetic pickups, in their first album despite having performed sporadically across three decades: 4 rich improvisations minimally edited, shaping sound in compelling ways.

A split 7" release between Cremaster (Alfredo Costa Monteiro (electronics) and Ferran Fages (feedback mixing board and electroacoustic devices); and the Komora A trio of Karol Koszniec (electronics), Dominik Kowalczyk (laptop) and Jakub Mikolajczyk (modular synth).

This mercurial and impressive 2021 Victoriaville Festival concert brought together improvisers from three duos as a quartet: guitarist Rene Lussier, who has a long running duo with turntablist Martin Tetreault; Erick d'Orion on computer and electronics, who also has a experimental sound duo with Tetrault; and frequently collaborator with Lussier, drummer Robbie Kuster.

The 4th of NI-VU-NI-CONNU's 5-LP John Butcher series and part of a 2 night residency at ausland in Berlin coinciding with his 65th birthday, tenor & soprano saxophonist John Butcher is joined in a quartet by electroacoustic improvisers, trumpeter Liz Allbee, Ignaz Shick on turntables, sampler & electronics and Marta Zapparoli on tapes, reel-to-reel tape machines and antennas.

Price Reduction: A startling and energetically exciting collision of cleverly eclectic sound sources when Swiss turntablist and sound artist Joke Lanz met Austrian improviser and turntablist Dieb13 (Dieter Kovacic) for this amazing 2020 concert at GrillX in Vienna, using three turntables to create an incredible collage of sounds from the humorous to the awe inspiring.

Jean Derome's extended Dangereux Zhomes opened the 25th Victo Festival in 2008, adding Joane Hetu, Lori Freedman, Bernard Falaise, &c. for an incredible and expressive orchestra.

Recorded live at Victoriaville in 2008, Rene Lussier, Martin Tetreault, and Otomo Yoshihide collide guitars, turntables, and a spy-mic in a sharp, unpredictable set, shifting between searching interplay and bursts of tightly-locked exchange, their contrasting approaches sparking inventive textures and raw electroacoustic energy.

Actuelle turntablist Martin Tetrault meets with radical hip-hop DJ Kid Koala at the 22nd Festival International de Musique Actuelle de Victoriaville in energetic duos filled with humor and instrumental acrobatics.

Describing their approach to their submersive electroacoustic music as a seance, the Czech Republic septet IQ+1 with Peter Vrba, George Bagdasarov, Veronika Hladka, Jana Kneschke, Michal Zboril, and Katerina Bilejova release their 3rd album, a mix of strings, trumpet, clarinet, harmonium, synth, electronics & field recordings, creating a virtual acousmatic music of great detail.

A series of works from improvising DJ Lenar (Marcin Lenarczyk), using material from the large volumes of miniatures created by Polish Radio Experimental Studio (PRES) artist Eugeniusz Rudnik, transformed into new concrete compositions; in other words, reprising PRES.

Unusual textures, unlikely orchestration and unconventional rhythmic directions from the Chicago electroacoustic improv trio of Allen Moore on turntables & records casted with various material, Ishmael Ali on cello, guitar & electronics and Bill Harris on drums & percussion, captured live at Marmalade in Chicago in 2021 for a diverse set of experimental and absorbing improvisations.

Chicago-based pianist Paul Giallorenzo trio with fellow Chicago drummer Tim Daisy and Norwegian bassist Ingebrigt Haker Flaten performing a set of Giallorenzo compositions that balance melodic and free moments with authoritative playing.

Recorded at the 2017 Improfest (Festival Internacional de Improvisacao e Arte Sonora) in Sao Paulo, the quartet of Marco Scarassatti, Antonio Panda Gianfratti, Paulo Hartmann, & Otomo Yoshide bring viola de cocho, percussion, self-made instruments, turntable, guitar, and prepared chiquita to a superb concert of wide-ranging improvisations named by geographical location.

A series of improvised performances with the central idea of acoustic and electronic artists experimenting with the electronic medium in a live setting with musicians with whom they have never played with before.

Recorded during cellist Okkyung Lee's 2019 residency at OTO Cafe, this album presents two duos: the A side with Jerome Noetinger performing on tapes & electronics, processing Lee's cello live to create a virtual trio of incredible technical skill; the B side with a master of the historic keyboard Ondes Martenot, Nadia Ratsimandresy, in an uncommon dialog of strings and synthetics.

An astonishingly diverse album of solo piano works performed by pianist and composer Claudio Sanna, performing works from eight Sardinian composers including his own, weaving improvisation, acousmatic & musique concrete elements, turntablism, electronics, inside piano playing, chalk-board writing and more into lyrical and experimental pieces that flow together exquisitely.

A conduction of an absolutely impressive ensemble of free and ea- improvisers on a powerfully diverse journey, from Anna Högberg & Gustafsson on sax, Susana Santos Silva on trumpet, Per-Åke Holmlander on tuba, Hedvig Mollestad on guitar, Dieb13 on turntables, Christof Kurzmann on lloopp & voice, Massimo Pupillo on bass, Gert-Jan Prins on drums & electronics, and Ivar Loe Bjørnstad on drums.

Combining concerts from a number of festivals and venues between 2009 & 2017, this album presents the best of the collaboration between London free improvising vocalist Phil Minton and Austrian turntablist and experimenter Dieb13, each of them masterfully unleashed in overwhelmingly creative, outlandish, sometimes frightening/sometimes uproarious, truly unique music.

The first meeting for the trio of Tuvan free improvising vocalist & throat singer Sainkho Namtchylak, saxophonist Ned Rothenberg and turntablist Dieb13, captured in performance at Music Unlimited 33, at Alter Schlachthof Wels, Austria in 2019 for 2 improvisations — the 40 minute "Shave and a Haircut" and the 11 minute "Two Bits" — in incredibly creative and formidable music.

Beaks Plinth (Jared Blum) takes on a stack of organ-based records slowed to a dragging 16 2/3 and 81/3 rpms of all genres; Easy, Church, Jazz, Ice Skating music and more.

Recording to 4 track cassette, this unusual and experimental Boston-area trio of active sound artists--Stella Silbert, Arkm Foam and Neil 'Cloaca' Young--improvise over abstract territory using turntables, a no-input mixer, objects, an open reel tape machine, contact mics, and cassette players, emerging with equally tongue-in-cheek and serious aural interactions.

Part of a 2022 creative residency at the Abbey of Saint-Benoît-Labre, in Beauce at the invitation of the organization EXEcentrer, this duo recording captures the September concert of two magnificent Montreal sound artists: Érick d'Orion performing on electronics & synthesizers, and Martin Tétreault on turntables, vinyl records & synthesizer.

Seeking to extend the guitar trio into new and unique territory, the Quebec trio of Eric Normand on electric bass, Louis Beaudoin-de-la-Sablonniere on electric guitar, and Louis-Vincent Hamel on drums, reference performers like Jim Hall, Sonny Sharrock, John Abercrombie, & Bill Frisell while focusing on harmolodic force and unusual melodic lines.

Dutch vocalist and electronic artist Jaap Blonk takes on insomnia in 13 short works celebrating sleeplessness, including one piece for Dada sound poet Raoul Hausmann, and other "songs" using effective electronics and bizarre vocal utterances to accompany your own sleepless nights.

1. Ma(R)Ker #1 4:32

2. Ma(R)Ker #2 4:38

3. Ma(R)Ker #3 3:30

4. Ma(R)Ker #4 5:55

5. Ma(R)Ker #5 6:15

6. Ma(R)Ker #6 3:04

7. Ma(R)Ker #7 5:23

8. Ma(R)Ker #8 4:59

9. Ma(R)Ker #9 3:42

10. Ma(R)Ker #10 8:13

11. Ma(R)Ker #11 5:34

Pianist Richard Grossman in a trio with double bassist Ken Filiano and percussionist Alex Cline, playing freely improvised jazz in a live setting.

Antonio Bertoni's solo Ongon project, trying to remove the mistreatment that the Moroccan Gnawa Music suffers due to the heavy western productions, as he performs on the trance-inducing bass instrument guimbri, his hypnotic and exotic music set into a rich weaving of electronics, samples and concrete synthesis built ad hoc by Bertoni himself; reference Natural Information Society.

Pianist Paul Plimley leads a trio with bassist Lisle Ellis and drummer Scott Amendola in a dynamic program that moves fluidly between adventurous free improv, modal lyricism, and inventive reinterpretations of jazz tradition, the ensemble's intuitive interplay shaping intricate counterpoint, playful rhythmic turns, and spacious harmonic explorations that highlight Plimley's distinctive compositional voice.

"As Frogworth says in one review: 'Two giants of Australian avant-garde music getting together here, dedicating their record to Australian composer Peggy Glanville-Hicks, whose house in Paddington, Sydney is used for residencies/sabbatic...

Bringing together two noise improvisers and experimenters, Guro Skumsnes Moe from Sult and MoE performing on octabass & electric bass, and Philippe Petit (who has albums on Aural Terrains, Monotype and Bolt) performing on synthesizer and turntables, both also providing vocal utterance, for two thick journeys of twisted, diverse and often deep sonics bridged by an abstract interlude.

The third volume of NY bassist, composer, and electronic/computer musician Carl Testa's amazing Sway project, giving an interactive electronic processor its own voice interfacing with any size ensemble, here with two new works--one for quintet among a set of Chicago improvisers, the other in Portland, Maine with a sextet--each uniquely voiced and excitingly unpredictable.

A collection of compositions from drummer/composer Federico Ughi dedicated to the four cities where he's lived: Rome, London, Montreal and New York, performed in a quartet with Darius Jones (sax), Eri Yamamoto (piano) and Ed Schuller (bass).

An excellent compilation of modern Musique Concrete featuring compositions by Chin, Kosk, Cee, Donato, Minard, Mitterer, Dhomont, Karlsson, and Wishart.

Cantankerously informed and paced like a perfect tumble, the duo improvisations of Massachusetts collaborator Stella Silber on turntables and Nat Baldwin on upright bass augment their work through turntable preparations and static, Baldwin performing all over his instrument, as the duo surprise and maintain interest through accessible abrasiveness.

Two improvisations by saxophonist Jean-Luc Guionnet & violinist Dan Warburton recorded in Paris & Melbourne parking garages 14 years apart, registering the behavior and characteristics of environmental and instrumental sound within these unique spaces, edited by Eric La Casa and Philip Samartzis as a 4-channel master by synchronizing two sets of independent stereo recordings.

Part of the split series from Swedish label FRIM (Association For Free Improvised Music), this album presents the two solo concerts from an evening at Rönnells Antikvariat during the 2022 Sound of Stockholm festival, first from drummer Henrik Olsson performing on turntables & objects; then from Aviva Endean on clarinets, electronics, voice & plastic pipes.

Part of a concert to mark the 10th anniversary of the opening of Ftarri's physical store in Suidobashi, Tokyo, drawing on performers from the Improvised Music From Japan imprint, turntable and sonic legend Otomo Yoshihide performed this solo concert in two sets, first using a turntable and the Ftarri store's harmonium (pump organ), and then on the turntable alone.

The Ironing project of Gainesville, Florida turntable and electronic artist joins with the Oregon-based Juice Machine duo of Roger Smith and late experimental musician Heather Chessman, both on electronics, tapes & sampler, for six unusual constructions of strange grooves over which concrete and obscure sounds swim about with a sense of wonder and humor.

Collecting work from Philip Jeck's life and collaborations, including projects with Fennesz, Jah Wobble, Faith Coloccia, Gavin Bryars and Chris Watson, including Oxmardyke completed from Watson's recordings, Jana Winderen's pilot whale track, and reflections on Jeck's groundbreaking audiovisual work Vinyl Requiem (1993), showcasing his legacy of innovation in sound and performance.

A collaborative tribute to Nordic poet Nils Christian Moe-Repstad (1972-2022), Wunderkammer blends live recordings from Punkt Festival 2023 with Moe-Repstad's 2014 voice recordings, as Jan Bang, Erik Honoré, Michael Francis Duch, David Toop, and Mark Wastell weave a spectral and meditative ea-improv work of minimalism, poetic tension, and reverent sonic exploration.

Two 2024 sessions from the free improvising trio of John Butcher (tenor and soprano saxophones), Phil Durrant (electric mandolin and electronics), and Mark Wastell (drums and percussion): the two-part dialog "Around", recorded live at London's Vortex Jazz Club, and the four-part collective improvisation "Above", captured at The Rose Hill in Brighton, UK.

Recorded live in Kassel and Cologne, Germany, in May 2023, turntablist Ignaz Schick, prepared pianist Anaïs Tuerlinckx, and bass clarinetist/soprano saxophonist Joachim Zoepf deliver two wild and extended electroacoustic improvisations, blending tactile textures, dynamic interplay, and outside approaches to redefine the sonic possibilities of their respective instruments.

Returning to the duo format that launched their series, Evan Parker on soprano saxophone and Matthew Wright on turntables with live processing and sound design deliver two studio improvisations from Ramsgate, UK, with Wright transforming Parker's virtuosity through layers of electronic interaction, crafting a dynamic and intricate virtual symphony of technique and intent.

An exciting meeting of French pianist Sophie Agnel, known for her extended and prepared piano techniques, and Swiss turntablist Joke Lanz, renowned for his work in noise, experimental music, and performance art, presenting a dynamic and playful duo of spontaneous improvisation blending percussive textures, sonic collage, and energetic interaction revealing a sense of humor and awe.

Recorded live at KM28 in Berlin in 2023, trumpeter Franz Hautzinger, turntablist Ignaz Schick, and percussionist/accordionist Sven-Ake Johansson create fragile yet dynamic collective improvisations focused on color, texture, and interplay, moving between structured rhythmic support and delicate free forms in an elevated and nuanced spontaneous sound sculpture.

Recording to 4 track cassette, this unusual and experimental Boston-area trio of active sound artists--Stella Silbert, Arkm Foam and Neil 'Cloaca' Young--improvise over abstract territory using turntables, a no-input mixer, objects, an open reel tape machine, contact mics, and cassette players, emerging with equally tongue-in-cheek and serious aural interactions.

An electrifying session of genre-defying free improvisation from the international quartet of Gabriele Mitelli (trumpet & electronics), Mette Rasmussen (sax), Mariam Rezaei (turntables), and Lukas Koenig (drums & bass synth), delivering an explosive, high-energy album that blurs the lines between noise, jazz, and avant-electronic intensity with visceral spontaneity and tightly channeled chaos.

With discographies reaching back to the 80s, the trio of Beat Unternahrer on trombone and Furst-Pless-Horn, Jan Schacher on contrabass, objects and voice, and Pelayo Arrizabalaga, known for his reed work, on turntables and sine-generator, create 16 mostly improvised, succinct works that are influenced by free jazz, ea-improv, and sonic composition.

The trio Hearsay — turntablist Allen Moore, cellist/guitarist Ishmael Ali, and drummer Bill Harris — craft a restless and texturally rich improvisational set that bends time through fractured grooves, looping vinyl gestures, and agile acoustic interplay, balancing rhythmic tension, abstract sound manipulation, and aural exploration with striking restraint and spontaneity.