Three live guitar improvisations from Swedish guitarist Kasper Agnas performing at Stockholm's New Music and Intermedia Art venue Fylkingen, each piece uniquely approached, starting with a lap guitar dulcimer-like approach of rapid rhythmic attacks, to a warm sound world using mallets on the guitar neck, and finally a work of decaying chords that evolve in complexity, strength and skew.

Exploring the low end of the clarinet family with Jason Alder on bass, contra bass, B flat & E flat clarinets, Yoni Silver on bass clarinet, plus Caroline Kraabel on baritone saxophone & voice, Thanos Chrysakis expanding the sonic space with laptop & synthesizers, in a 5-part series of beautifully paced, absorbing and subtly detailed collective improvisations.

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Axioms is based around the core trio of Boston multi-reedist, percussionist and composer David Peck, and Cecil Taylor associates Albey onBass (on bass) and poet Jane SpokenWord, here in a performance with collective core cellist & aquasonic performer Glynis Lomon, and guest improviser from New Orleans, Chris Alford on guitar, stomp box and percussion.

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Tenor saxophonist Albert Ayler's 1966 quintet brought a unique orchestration to his music, heard in these live performances in Berlin, Lörrach, Paris & Stockholm in November of 1966, four concerts presented chronologically as performed with the exemplary playing of brother Donald Ayler on trumpet, Michel Samson on violin, William Folwell on bass, and Beaver Harris on drums.

An album of dark atmospheric electroacoustic sound with voice and introductory narrative from Zu bassist Massimo Pupillo and Gordon Sharp of Cindytalk, the first meeting between the two, performed live at Cafe Oto for four pieces of rich sonics, emotional and hypnotic playing from two creative masters with a long history of powerful and passionate music.

The 3rd in Jean-Jacques Birgé's collaborative Pique-nique au Labo series, recorded between 2021 and 2023, bringing together Birgé with 20 musicians — including Sophie Agnel, Hélène Breschand, Élise Caron, and François Corneloup — in spontaneous duets and trios, each piece sparked by a randomly chosen theme, creating a rich and exploratory mosaic of improvisation and sonic experimentation.

An unusual pairing of effected accordion and a 3D printer from Czech accordionist living in NY, Lucie Vitkova, also performing on harmonica, Korg Volca Bass and Moog, and NY multimedia artist Merch Blasco, the album titled for the name of Blasco's 3D printer "Anette", which also printed the thimble-microphones she wears on her fingers to capture parts of this performance.

Developed using recordings made in Oregon and in North Carolina from West Coast sound and multimedia artists Cody Brand and Carl Kruger, Brant expanding Kruger's initial tracks with his own rhythmic additions and sonic embellishments to create twelve compositions with a recommended use of "reflective open-road journeys", noted as "Reality-dream boundary: blurred".

A multimedia box set of Anthony Braxton's opera work "Trillium J", containing live performance video on Blu-ray disc of a 2014 performance at Roulette in NY, and studio recording on 4-CD set, with 12 vocalists, 12 instrumental soloists and a full orchestra.

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Reissuing the 2013 box set of the 1980s UK/Euro improvising rock band Cassiber, including their 4 remastered studio albums + 2 additional CDs, a 2 hour DVD, and a 32-page color book, revealing an amazing band merging experimental rock, fringe jazz, punk, pop, plunderphonics, improvisation, & musique concrete with an energetic and complex form of studio composition - superb!

Reissuing the 2013 box set of the 1980s UK/Euro improvising rock band Cassiber, including their 4 remastered studio albums + 2 additional CDs, a 2 hour DVD, and a 32-page color book, revealing an amazing band merging experimental rock, fringe jazz, punk, pop, plunderphonics, improvisation, & musique concrete with an energetic and complex form of studio composition - superb!

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Part of a series of 100 portraits in sound iniated by Anne James Chaton, a journey into the texts and columns of newspapaper and radio broadcasts of a single journalist.

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Cilantro is the duo of multi-instrumentalists Angelica Castello on paetzold, ukulele, organ, tapes, & electronics, and Billy Roisz on electric bass, organ, tv, piezzo, computer & electronics, scrutinizing the activity in bordering areas between noise and silence, tenderness and rudeness, beat and drone, inner consciousness and outer awareness, control and freedom.

The 2nd volume from tenor & soprano saxophonist John Coltrane 1962 tour of Europe and Scandinavia, heard here in late November at Stefaniensaal, Graz with his quartet of pianist McCoy Tyner, bassist Jimmy Garrison, and drummer Elvin Jones, the band playing classic numbers under the influence of Coltrane's expanding drive to transform his music toward greater freedom.

Translating to "Cross Black", French guitarist Richard Comte provides a set of four diverse soundtracks, from deep turbulent darkness and sonic decay to crisply ringing guitar resonance, over which sound poet Sébastien Lespinasse intones with solemn import his dark words of imagery and observation.

Guitarist & vocalist Fred Frith leads the highly creative quintet of Zeena Parkins on keys & voice, Carla Kihlstedt on violin & voice, Mathias Bossi on drums and Shahzad Ismaily on bass, merging free improv, rock and experimental forms; drawn from live performances recorded by The Normal Conquest, this set of compositions captures the group's dynamic interplay and remarkable inventiveness.

A split 7" release between Cremaster (Alfredo Costa Monteiro (electronics) and Ferran Fages (feedback mixing board and electroacoustic devices); and the Komora A trio of Karol Koszniec (electronics), Dominik Kowalczyk (laptop) and Jakub Mikolajczyk (modular synth).

A split 7" release between Cremaster (Alfredo Costa Monteiro (electronics) and Ferran Fages (feedback mixing board and electroacoustic devices); and the Komora A trio of Karol Koszniec (electronics), Dominik Kowalczyk (laptop) and Jakub Mikolajczyk (modular synth).

Elton Dean's 1989 performance at the Covent Garden Jazz Saxophone Festival in London is reissued, bringing to light the powerful performance from saxophonists Dean on alto sax & saxello, Paul Dunmall on tenor & baritone saxophones, Trevor Watts on alto saxophone, Simon Pickard on tenor saxophone, plus the rhythm section of Paul Rogers on double bass and Tony Levin on drums.

A series of unusual compositions originally written by Jacques Demmiere and Vincent Barras, here reworked by Demmiere and violinist Anouck Genthon, each piece focusing on sounds, breaths, frictions, silences, vowels and consonants, weaving and complementing each other through a mix of traditional, extended and unconventional techniques; fascinating.

Having worked together as sidemen in various bands but never together as a duo, Ayler Records brought electric guitarists Noel Akchote and Philippe Deschepper together to record in the studio in Zurich, choosing an informed selection of jazz repertoire that includes works by each performer, and compositions from Paul Motian, Henri Texier, Steve Swallow and Ornette Coleman.

Expanding their genre-defying vision, the Italian trio Doortri — Tiziano Pellizzari (reeds, electronics), Geoffrey Copplestone (noise, vocals), and Giampaolo Mattiello (percussion) — deliver a bold follow-up with their second zOaR release, fusing free jazz, noise, post-punk, and anarchic wit into an infectious, unpredictable sonic landscape, mixed and mastered by Elliott Sharp.

The pairing of German trumpeter Axel Dorner, and NY-born experimental artist Jason Kahn living and performing in Zurich, brings the tradition of avant free jazz and nonidiomatic improvisation into an unusual merging of techniques and approaches, each applying their advanced virtuosity to this intense concert, recorded during Hamburg's Zoom In Festival, 2017.

A great set of 11 succinct songs and instrumentals from multi-instrumentalist, prog icon Bob Drake of Thinking Plague, The Science Group, VRIL, and Peter Blegvad fame, vignettes that play with pop formats in insidious ways around recurring Drake themes including a Planet of Dogs, three rustic tales, and a perturbing room in the tower, all noted in a colored foldout poster with lyrics.

With a booklet of images showing the riverside location of the first performances of French guitarist Marc Ducret's sophisticated compositions reflecting tidal river flows & fluctuations by season, the four meticulous recordings on this album were captured in the studio with Fabrice Martinez on trumpet, flugelhorn & tuba, Christophe Monniot on saxophones and Samuel Blaser on trombone.

A duo of Brussels audio explorers, Jean-Jacques Duerinckx on sopranino saxophone and Anatole Damien on tabletop guitar and electronics, contrasting acoustic "dry" and highly effected "wet" sounds, the two develop sonic environments that build and release using unusual reed techniques and mutated string scrabbling in a strangely compelling set of dialogs.

The improvising string duo of stalwart London improvisers, Daniel Thompson on acoustic guitar and Phil Durrant on the octave mandola, are heard in two settings of texturally rich, intricate interactions, first at Cafe OTO in 2022 for an extended improvisation, then at Cable Street Studios two months later for six succint, impressively diverse dialogs.

A fascinating conceptual work on CD and printed score that attempts to sonically represent celestial events through guided improvisations, providing the performers an abstract of the main musical ideas and options on how to execute them, exploring microtonal sounds, harmonic interactions and sound as moments within physical boundaries, here in a studio realization in Zurich.

NY free jazz drummer and composer Harris Eisenstadt brings his talents to the compositional world with this four movement suite performed by the Mivos Quartet of Olivia De Prato, Josh Modney, Victor Lowrie and Mariel Roberts, a creative composition blending melodic and textural approaches to the strings in a bold rendering of Eisenstandt's work.

Ensemble Supermusique, Montreal's premiere open-minded improvising ensemble, here led by saxophonist & vocalist Joane Hetu and conducted by percussionist Danielle Palardy Roger, present a live concert of graphic scores dating back to 1920, with works from Fred Frith (Stone, Brick, Glass, Wood, Wire), Luigi Russolo, Maxime Daigneault, Emilie Girard-Charest & Anestis Logothetis.

Ensemble SuperMusique devotes itself to Montreal's "Musique Actuelle" and free improv community in assemblages of some of their finest players, here in a live concert in 2016 at Amphitheater du Gesu in Montreal with a stunning set of performers presenting the work of 4 composer.

The third release in Editions Verde's series "Seeing the Forest in a Tree" are three iterations of interpretations realized by Joseph Clayton Mills, Fraufraulein, and the duo Sarah Hughes and Patrick Farmer, who were invited to interact with Morgan Evans-Weiler's score intended to be interpreted as both sound and sculpture, presented in three unique sets of recordings.

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Guitarist Falaise (Klaxon Gueule, Les Projectionnistes) in pieces that reference Aksak Maboul, Braxton, Beefheart, Donatoni, Les Granules, Nancarrow, Stravinsky, & Wyatt.

Quebecois guitarist Bernard Falaise of Miriodor, Klaxon Gueule, Papa Boa and Les Projectionnistes fame, continues his solo series with the fifth note of the scale, "Sol (G)", reflected in a series of eight inventive guitar improvisations using timbral effects and looping structures to expand his virtual ensemble as does in his live performances.

Austrian drummer percussionist Rudi Fischerlehner (RM, Xenofox, Parrot Feathers, &c) in his first solo album of energetic, polyrhythmic construction, titled for a chance proximity to a note on 15/8 rhythms and Rene Pollesch's book "www-slums", apt for the blend of precise playing and creative abstractions heard in this engaging and propulsive album.

Promo copy with line thru bar code. An album of raw and emotional "love songs", 17 unique solo violin improvisations and vocal utterance as the New York improviser runs her bow with passionate openness and intimacy through raspy edges, ardent plucking, introspective aching, and moments of beauty, all displayed through immense technique and powerful control over her instrument.

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Four journeys in passionately rich sound merging synthetics, acousmatic sources, field recordings and acoustic violin from the duo of Anne Foucher, who has worked with the Acousmaki collective, on violin and electronics, and Jean-Marc Foussat on Synthi AKS, piano, toys and voice, captured live in 2022 at rue Floreal, in Montpellier and at rue de Genac, in Bignac, France.

Led by New York wind and reed player Chad Fowler, who performs here on stritch, saxello & alto flute, this collective free jazz album brings together frequent collaborators, bassist William Parker (with whom Fowler plays in Dopolarians) and drummer & trumpeter Anders Griffen (heard on Thinking Unthinking and the Music of Frank Lowe) for two extended improvisations from contemplative to assertive.

Focusing on lyrically inclined grooves with a relaxed pace, the details and thoughtfully "unthought" playing from the NY trio of Chad Fowler on stritch, saxello & alto flute, William Parker on bass and Anders Griffen on drums, are heard in the Park West Studios in Brooklyn for three extended collective improvisations of passionate, expressive and empathetic playing.

Six compositions for solo piano written by English composer Christopher Fox between 1991 and 2015, performed by Netherlands pianist John Snijders at Abbey Road Studios in London, each work uniquely approached in both writing and performance, each a concept or style that brings something unique to Fox's music while still retaining his voice and character in composition.

Pianist Danny Fox's trio with bassist Chris van Voorst van Beest and drummer Max Goldman in an album showing how the tight rapport this touring band has developed on the road, performing Fox's melodic and inventive compositions with a wealth of influences and style.

Pianist Danny Fox's trio with bassist Chris van Voorst van Beest and drummer Max Goldman in an album showing how the tight rapport this touring band has developed on the road, performing Fox's melodic and inventive compositions with a wealth of influences and style.

Sporadic sonic exchanges exploring guidelines, graphic scores, or completely improvised, with an expansive instrumentorium from the sextet of Magali Babin, Andrea-Jane Cornell, Martine H Crispo, Anne-Francoise Jacques, Emilie Mouchous, and Erin Sexton.

Sporadic sonic exchanges exploring guidelines, graphic scores, or completely improvised, with an expansive instrumentorium from the sextet of Magali Babin, Andrea-Jane Cornell, Martine H Crispo, Anne-Francoise Jacques, Emilie Mouchous, and Erin Sexton.

Sporadic sonic exchanges exploring guidelines, graphic scores, or completely improvised, with an expansive instrumentorium from the sextet of Magali Babin, Andrea-Jane Cornell, Martine H Crispo, Anne-Francoise Jacques, Emilie Mouchous, and Erin Sexton.

Bringing together exemplary jazz musicians from three cities--Virginia-based pianist Joel Futterman, Bary Area multi-reedist Ike Levin, and Portland, OR percussionist Tim DuRochse, for two sets of dynamic collective free jazz with a lyrical intent, joyfully spontaneous music that unfolds in ways that appear composed through the compatibility and familiarity of each artist.

With exceptionally quick spontaneity and astute anticipation, free improvising pianist Joel Futterman and drummer Steve Hirsh engage in a series of extended dialogs across two CDs of "Warp" & "Weft" in multiple parts, pushing each other in both technical and expressive interaction, weaving complex interplay with startling ease and creative intention.

Joel Futterman delivers a coherent and expansive studio performance presented in three parts, seamlessly weaving beautiful melodic passages, rapid harmonic and rhythmic development, and a profound sense of jazz history that evokes the finest players while remaining distinctly and unmistakably his own — an absolutely masterful achievement.

The third volume in this free improvising series, starting with the collaboration of Polish violinist Patryk Zakrocki and guitarist Marcin Olak, varying the additional players as they explore chamber-oriented free improvisation, here with the impressive vocal improvisation of Anna Gadt and cellist Annemie Osborne, ripping apart the calendar in 14 monthly machinations.

Recorded at Przeswit in Warsaw, Poland, Voiceact brings together Polish vocalists Anna Gadt, Natalia Kordiak, Marta Grzywacz, and Gosia Zagajewska in an avant exploration of the art of the voice, blending ancient music, contemporary classics, and folk influences across eleven improvised pieces that showcase a captivating range of vocal styles and possibilities.

Joining with two of London's finest free improvisers, Swiss saxophonist Christoph Gallio of DAY & TAXI fame and performing on alto, soprano & c-melody saxophones, meets drummer Mark Sanders and double bassist Dominic Lash at London's Cafe OTO for a remarkable concert of free collective playing in two large works: "Wildlife" in three parts, and "Homelife" in two parts.

The first release on his new imprint, Right Brain Records, French guitarist Guillaume Gargaud improvises on acoustic guitar on the seven part Kōenji, a district in Japan known for its temple and falconry, here envisioned through creatively dexterous and inventive passages, recorded live in Le Havre, France in the spring of 2023.

A subtle album of soundscape from the French trio of Violaine Gestalder on saxophones, Louis Michel Marion on double bass, and Stefania Becheanu on field recordings, depicting 3 virtual aural views of a single landscape, the field recordings conveying a sense of location as the bass and sax use extended techniques and subliminal playing to create their vista.

Recording at Studio CCAM Scene Nationale de Vandaeuvre-les-Nancy in France, the freely improvising duo of contemporary saxophonist Violaine Gestalder and double bassist Louis-Michel Marion approach the five improvisations on Marges with an ear to patient sonic interaction through extended and unusual techniques on their instruments.

Reissuing clarinetist Jimmy Giuffre's 1963 Columbia album Free Fall, presenting trio performances with bassist Steve Swallow and pianist Paul Bley recorded after their 1961 European tour, along with duos between Giuffre and Swallow and several solo tracks from the clarinetist himself, propelling himself and his band into his sophisticated, risk-taking chamber jazz compositions.

Previously played Squidco store copy, used for cataloging and samples, in excellent condition.

Review Copy, not new but in mint condition. May have a strike, the word "Promo" or a drill hole. Inquire on condition if you are concern...

French experimental improviser Jean-Brice Godet, a frequent collaborator with Joelle Leandre and a member of Cuir, in a solo album of 8 etudes for dictaphone, radio, and clarinet, a unique album of extreme and eccentric technique on reeds punctuated by unearthly voice and radio transmissions, a curious album that rewards detailed listening.

Portuguese pianist Luísa Gonçalves' second volume of solo improvisations extends her 2020 album Unno with eight new, lyrical works of succint and focused compositions that bring both her classical and improvisation skills to the foreground through beautifully structured and elegant works, ending with a lovely homage to "Bill Evans" that seemingly hangs in space.

Focusing on the harmonic interaction, delicate nuances and harmonic functionality of closely related tones, Chicago instrumentalists Zachary Good on clarinet and Ben Roidl-Ward on bassoon recorded these six works of acoustical and phenomenological events using the interplay between coinciding clarinet and bassoon notes, creating illusory and haunting tonal works.

Seven works composed in the 21st century by Sebastian Gottschick, who arranges and conducts the Ensemble Fur Neue Musick Zurich, configured as an ensemble with percussion, a sextet, a chamber ensemble with baritone and soprano, and performing himself solo on viola; sophisticated and modern works that employ complex tonality, timbre and playing techniques.

Promo copy with line thru bar code. An unusual set of electroacoustic improvisations recorded at Firehouse 12 from a New York trio led by trumpeter Forbes Graham, also on laptop and drum machine, Cecelia Lopez on analog synth, and bassist Brandon Lopez, Graham mutating his trumpet through sound processing, complemented by Cecelia Lopez's synthetic punctuations, all grounded by Brandon Lopez' solid bass work.

Previously played Squidco store copy, used for cataloging and samples, in excellent condition.

Review Copy, not new but in mint condition. May have a strike, the word "Promo" or a drill hole. Inquire on condition if you are concern...

A collection of poems written by and read by ninth Poet Laureate of North Carolina and the first African American and third woman to hold the title--Jaki Shelton GreenÐ-presenting 11 texts with experimental sound work arranged by Shirlette Ammons, a fascinating set of observations and an insightful selection of "political statement, cultural commentary, and an aesthetic milestone".

A CD EP from North Carolina Poet Laureate Jaki Shelton Green, the first African American and third woman to receive the appointment, persenting her work "I Want to Undie You" expressing her sorrow at the unexpected death of her daughter Imani and a celebration of her life, with audio arrangements by Alec Ferrel, plus versions of the text and music only.