Four text scores composed by Ryoko Akama and performed by himself on VCS3 synthesizer with Bruno Duplant on percussion & tone generator and Dominic Lash on double bass, clarinet & laptop; four beautifully evolving and carefully paced works.

Rinus van Alebeek plays a CD copy of the late composer Luc Ferrari's "Cycles Des Souvenirs" in Luc Ferrari's house, while his widow Brunhild Ferrari reads the liner notes and Van Alebeek makes recording inside the house and its surroundings.

Five fascinating works composed from old cassette tapes accelerated or slowed down, layered and transformed with analog devices, with the addition of sources from movies soundtracks and classical or liturgical music extracts.

Bete Tete's first album, "Ji Mo De" was recorded in Jiangxi, Ganzhou, China during the winter of 2006, designed as a play on verbal structure developed in mandarin.

The eclectic, transformative and fascinating Biota (Mnemonists) in their 6th ReR CD of freeform sound, with video files and 13 images of paintings, drawing and woodcuts.

"Spirtual AM radio classics" and unusual plunder song structures from the "Dollson Family" (Jaren Blum aka Blanketship), colliding pop, prog, gospel, electronics and much more.

Jared Blum, aka Blanketship, in an eclectic album of strange audio collage, constructed songs with absurd twists in a Negativland or Plunderphonics mold.

Borful Tang returns after a 3 year hiatus with this plunderphonic narrative work that cuts up vinyl, field recordings, Christian broadcasts and alien worshippers.

Borful Tang, the outer inter-dimensional exile, in a 2 CD set of live collaged field recordings, instrument recordings and dusty vinyl found-sound.

A sound work about freedom, choice and politics, performed at Arika's Festival Episode 4 "Freedom is a Constant Struggle" in Glasgow, 2013, from the duo of Mattin (computer and feedback) and written with Lebanese philosopher Ray Brassier.

A collection of experimental, electroacoustic, and comprovized works from composer, sound artist, performer, and improviser Arturas Bumsteinas, inspired by Central European cultural landscape, including a radio play commisioned by Bolt Records.

Composer Gregory Buttner captured recordings from the 19th century French Performance Arts Forum in St. Erme, Picardy in 2011, using the house as a sound generator, resonant space and instrument, organizing the recordings into this excursive and exploratory composition.

Using field recordings collected around the world, Kim Cascone has constructed a CD which is neither an exploration of inner space nor a meditation on hearing.

A continuation of Chrysakis' "inscapes" series, compositions based on the structural and aesthetic capacity of sonic matter using field-recordings, synthesized & acoustic sounds.

Aural Terrains label leader and electronic composer Thanos Chrysakis in a work in five movements based on field recordings, synthesized, and acoustic instrumental sounds.

Italian composer Osvaldo Coluccino performed these minimal works using acoustic objects only: no musical instruments, no power tools, nor appliances, nor other electric machines, and no post electronic processing.

From an exploration of volcanoes in Japan to the ambience of a nap in France, composer Eric Cordier organizes field recordings made in his travels to create exotic and engaging audio environments that transport the listener.

Peter Cusak's field recordings from the ice flows in the Baikal Lake of Siberia, documenting the ice, ice flows, and the trip itself through a series of interesting and well-captured recordings.

An organized sound work paying homage to German cartographer Karl Ortmann; and a piece built around the video installation "MSTM Wall" by British media artist Ian W. Coel.

An electroacoustic composition from Herbert Distel, a "Travelogue" of field recordings organized into two long works that present hallucinatory sound with an illusive rhythmic component, structured into a long journey with a departure, journey and arrival.

Unusual, head-scratching works of sound & noise or cracked pludnerphonics with a good sense of pacing that lulls and befuddles on it's own schedule.

Sound and noise artists Kevin Drumm and Jason Lescalleet collaborate on this 2 CD set, a diverse set of sound pieces from slowly building drones to unsettling environments, with tapes punctuating the hallucinatory aspects of their rich and impressive aural tapestries.

Fred's '88 SST release, one of his finest instrumental releases, with Tenko, John Zorn, Christian Marclay in an intense mix of melodic, rhythmic and technological brilliance.

A hybrid acoustic tape piece of solo violin on four track tape, and a work for four violins, composed in 1974 by Harley Gaber, delicate pieces that he considered complements to his large work "The Winds Rise in the North".

Classical pianist Joana Gama and live electronic processing artist Luis Fernandes bridge compositional and experimental forms in this lyrical work, where Fernandes transforms, dissects, loops and otherwise mutates the Gama's playing in unexpected and elegant ways.

Gintas K, in a moment of frustration, took more than 40 elements from some recent work he was preparing and put them into multichannel software which, with a few corrections, became this surprising and complex work of organized and detailed sound.

Six pieces for strings, wind and percussion, free improvisation using unusual and extended techniques from the quartet of Ernesto Rodrigues (viola), Chris Heenan (alto saxophone, contrabass clarinet), Alexander Frangenheim (double bass),and Ofer Bymel (percussion).

Recordings from the Elektronic Studio at the TU Berlin, the Studio of the Institut International de Musique Electroacoustique de Bourges, and at Patrick Kosk's own studio.

Guitarist and electroacoustic musician Krebs met harpist and electronicist Rhodri Davies in 2008 for these recordings, which Krebs then organized for these fascinating recordings.

A series of unusual electronic constructions from Malaysian sound artist Goh Lee Kwang, Herbal International's label boss, a diverse set from indistinct squiggly sound to full-on noise, with lengths from 31 seconds to 37 minutes; unusual, peculiar, and fascinating.

A diverse set of electronic compositions from hauntingly beautiful to tormented soundscapes, composed by Goh Lee Kwang for a multimedia stage work based on Rashomon, a short story about moral ambiguity written in 1915 and based on a 1000-year-old Japanese tale.

Eric La Casa and Cedric Peyronnet collected sounds in a triangular area in the north of the Creuse departement, France, giving the landscape a sonic corporeality by each initiating a sound work based on a specific site, which the other composer expanded upon.

Site specific recordings made for two live performances in Le Havre and Liege (2010) by sound artists Eric La Casa and Cedric Peyronnet, one disc each of sound sculpted from the same field recordings, but with vastly different results.

A journey in sound from composer Eric La Casa, who organized these recordings of water and wind captured over 12 years as a sonic journal of the various geographic locations he visited, transforming them into an absorbing story about the living world.

Using improvisation, interactive listening and radical exploration, electronic artists Diane Labrosse and Michel F. Cote play with constructing and deconstructing 11 pieces.

An incredible and twisted journey in sound from sonic explorers Graham Lambkin and Jason Lescalleet, who alternately hypnotize and startle the listeners in a series of "photographs" documenting their personal histories in sound.

Balancing active organized sound worlds from Graham Lambkin with Wandelweiser discretion from Michael Pisaro-Liu in five tracks that punctuate concrete sound compositions with Feldman-esque piano progressions, bound together by a short poem; captivating and elusive.

Producer and Gigante co-founder, Dominic Cramp, moves his plunderphonics into more melodic and beat driven territory with crumpled beats and fractured dubs over rolling hills of heavyweight bass.

A soundtrack for their first retrospective exhibition at Mori Art Center in Tokyo in 2009-2010 commissioned to Yoshio Machida by legendary French jeweler Van Cleef & Arpels.

A live performance at Ephemere, Studio Loos in The Netherlands from Rutger Zuydervelt, AKA Machinefabriek, in a set that mixes his sources with recordings from the room, creating a dynamic and vibrant recording that ranges from subtle near-silence to thick electronic excitement.

Beautiful studio works created by Steve MacLean (Dr. Nerve) using guitar and field recordings from the water's edge of frogs, bugs, birds, and pond ambiance.

Paal Nilssen-Love with Lasse Marhaug, recorded and edited by Fe-mail/Spunk Hild Sofie Tafjord to create 6 fascinating free-form compositions of sound and texture.

A map of the latitudes delineating the geographical area where the European - North American history of deforestation and resforestation has played out, in a work of guitar and field effects from Portugese artist Helen Mirra and sound artist Ernst Karel.

Blending field recordings of temples, rain, bells, cicadas, radios, and other regional sounds from Khmer & Siam with native music to create a rich audioscape of those exotic lands, both mysterious and liltingly melodic on a beautiful journey in sound.

A beautifully paced and uniquely voiced album of electronic soundscapes from luminary New York performer Ikue Mori, 10 works including a realization of Izumi Kyoka's story "Koya Hijuri", 3 pieces for Mozu birds, the 2-part "Pomegranate Seeds", and one of Zorn's Masada compositions.

Contrasts of noise exploration and melodic interventions from Mr. Stonecipher, aka Ryan Lewis, employing a variety of approaches to soundwork both attractive and brutal.

Twelve recordings constructed from 2012 field recordings of public locations in Paris by Eric La Casa and Seijiro Murayama, including subway stations, parks, open gardens, tunnels and fountains; a fascinating portrait of communal sound in this great city.

Patrick McGinley (Murmer) in a series of bold experiments with untreated field recordings, exploring notions of musicality within the structures of found sound, written partially as a reaction against the idea of documentary or objective presentation of found sound.

Overlays and constructs rhythmic and harmonic vignettes of transparent sound (at once complex and simple) from electronic, acoustic and documentary sources, taking ethnic field recordings as it's thematic centre.

Erstwhile's debut of percussionist, microphone and electronic artist Will Guthrie in a duo with tape machine Revox and electronic artist Jerome Noetinger ("Hands of Caravaggio") in an interactive "face off" between the two.

Four tracks produced by file-exchange from 2010-2012 between sound artist Lee Patterson in Austin, Texas and Manchester, UK-based Vanessa Rossetto, impressive works on a large geographic and sound scale.

"Two compositional responses upon the same sonic matter from two sound artists" - Tomas Phillips, and Francisco Lopez each creating extended works using the same source materials.

An investigation of the sounding properties of pipes and streets interspersed with a duo for bass clarinet and electric guitar in the form of ten three-minute episodes.

Unorthodox vocalist and electroacoustic composer Maja Solveig Kjestrup Ratkje, half of FE-Mail, in a collection of compositions from chamber music to works for electronics and voice.

Two CD set of electronic and concrete compositions from German composer Riedl, with recordings from Siemens-Studio for elektronische Musik and Studio for konkrete Musik.

Compositions by Lasse-Marc Riek of the Gruenrekorder label, created from field recordings of sounds in harbors, recorded between 1999 & 2007 in Finland's Bjorkoby and Ostero harbors, and in Germany in Wismar and Hamburg harbors, rich evocations of the sea.

Percussionist Robair placed an Ebow over a street-sweeper blade or a short length of guitar string, and then placed those on the head of a snare drum or floor tom, recording without effects to allow natural rhythms and harmonic modulation to come forth.

Italian Dario Sanfilippo presents compositions for his feedback network based non-linear digital signal processing system, complex, demanding & amazing sound work.

"Quell" is an aural sound journey, using music and field recordings to investigate and present a deeply emotional exploration of Sinha's second home: India.

A compilation of various unreleased songs, remixes and compilation appearances from Somnaphon (A. Traeger), a varied and eclectic exploration of Somnaphon's work.

Acoustic guitars, voices, digeridoo, bagpipes, cello and an array of machines swirl together, in and out of unison and/or cacophony to produce an elaborate and breathtaking journey for the listener.

Somnaphon's dark sound work, the 2nd part of a trilogy made from broken clips of melody, clanging metal and found sounds, composed from disturbances in an active haunted house.

Sontag Shogun is the trio of pianist Ian Temple and sound artists Jesse Perlstein and Jeremy Young, setting the piano against intricately designed sonic textures and cut-ups of choral voice and acoustic guitar, as well as processed field recordings, here in a 10" 4 track EP.

Sound and installation pioneer Akio Suzuki in a work based on field recordings from the bay and caves of Takano, Tango-cho in the northern-most coast of Kyoto, Japan.

The trio of Roberto Fega (electronics), Elio Martusciello (guitar, electronics) and Graziano Lella (laptop) in a series of compositions and improvisations that explore the syncretism between different musical codes.

Fascinating compositions combining improvisation and organized sound from Martusciello, Lella, & Fega, using acoustic and electronic instruments to frightening effect.

A suite of fiendishly complex compositions for mixed real (Bob Drake, Chris Cutler, Djorge Delibasic, Pegja Milosavljevic) and virtual resources.

Traw (Welsh for pitch or encompassing wholeness) is harpist and electronic artist Rhodri Davies with sampling and real-time processing artists Owen Martell, Richard Llewellyn, and Simon Proffitt, here in 6 pieces about water using layers of Davies' sonic output.