Using an electric 12-string shruti stick, a Harry Partch guitar & percussion Anandan & Gzowski create amazing microtonal environments with growling vocal interventions.

Shakuhachi duets from veteran player Clive Bell and Lebanese improviser Bechir Saade recorded in England, 2007; lyrical, haunting and unexpected.

John Wolf Brennan, Marco Jencarelli, and Tony Majdalani in a musical trip reflecting a spiritual journey through sound and unusual instrumentation, with an extensive and insightful 17 page booklet to guide the listener.

Percussionist Scott Davidson, whose music is informed by jazz, classical Indian and Middle Eastern music, teamed up with pianist Matthew Shipp, bassist Michael Bisio, drummer Whit Dickey and reedist Lloyd Shorter for this album of world encompassing and rhythmic jazz.

NY based Iraqi-American trumpeter ElSaffar in an emotionally charged work that invokes ancient Iraqi musical traditions and frames them in a modern jazz setting.

A sound track to the Malaysian stage play "Butterfly Lovers", which explores the themes of human relationships and emotions through a Zen perspective, from sound artist Goh Lee Kwang in a sextet that merges traditional Malaysian instrumentation and electronics.

Blending field recordings of temples, rain, bells, cicadas, radios, and other regional sounds from Khmer & Siam with native music to create a rich audioscape of those exotic lands, both mysterious and liltingly melodic on a beautiful journey in sound.

Orchestra of the National Center for Korean Traditional Performing Arts performs selection of Korean Classical Music, including "Yomillak", first performed in 1447, along with 3 other historic works.

The quartet of Cosottini, Melano, Pisani, Miano (EAQuartet Electroacoustic) in compositions referring to the 4 cardinal map points using graphic scores, games, open readings, &c.

Yoshio Machida's steelpan live recordings in Europe and Japan between 2001-2008; including early pieces by combination of self-made steelpan Gamelan sound and computer to recent acoustic steelpan pieces.

Electroacoustic improviser Thanos Chrysakis performing on the chamber organ at the University of Gloucestershire, UK in a collaboration with Chris Cundy on contra bass clarinet, for a subtle, mysterious and uncompromising four-part improvisation.

Italian violinist and multi-instrumentalist Stefano Pastor with the amazing cellist and Indian instrument master Kash Killion in a mix of original avant jazz and 2 Monk standards.

Roman philosopher Titus Lucretius Carus named "Clinamen" the unpredictable (in time and space) swerve of atoms falling in the void, which aptly describes the unexpected directions taken in subtle free improvisation from this French trio, led by bassist Louis-Michel Marion, with Jacques Di Donato on clarinet, and Philippe Berger on viola.

Perhaps referring to their "Pan"-global membership, with improvisers from Europe, Iran, Palestine and South Korea, and unusual instrumentation including the kanun and keneche, the Pan quintet recorded this album using unconventional composing methods and the integration of sound processing and extraneous interjections, a truly unique album of encompassing improvisation.

Restricted by pandemic, bassist John Edwards took compositions for Remote Viewers written by Dave Petts along with recordings from himself and saxophonists Caroline Kraabel, Sue Lynch, Adrian Northover & David Petts, using digital compositional methods to maintain Petts' concepts while manipulating and inverting each piece in wonderfully riotous and unexpected ways.

Bassist Sebastien Beliah leads this French-Polish quartet with Louis Laurain on cornet, Pierre Borel on alto saxophone, and Olga Koziel on voice & percussions, blending free jazz and traditional Polish music & songs with an experimental bent and the flourish of East European folk energy, a passionate mix that entertains and surprises the listener with unexpected twists & turns.

Since 2010 the Indonesian duo Senyawa of vocalist Rully Shabara and instrumentalist Wukir Suryadi have merged traditional Indonesian music with experimental approaches, heard here in their seventh album, released through a cooperative arrangement with more than 30 labels across the globe, in an attempt to decentralize the hierarchical structures of the music industry.

An exotic album of tradition-spanning improvisation from the trio of tenor saxophonist Ivo Perleman, oud player Gordon Grdina and percussionist Hamin Honari on tombak and daf, avoiding any cliches of "world fusion" as the effusive Middle Eastern rhythmic devices propel Perelman and Grdina into joyful flights of ecstatic playing that bridge the East and West.

David Peck's Grand Aesthetic approach to compositional structures for groupings of any size and orchestral combination leads to unexpected and sometimes exotic results, as heard in this live and monumental performance of his Expanse project expanded with percussionist Michael Knoblach, David Welans on flutes, Eric Dahlman on trumpet and Jimmy Zhao on Chinese instruments.

An effusive album of violin and percussion, fueled by the Iranian zarb drum and augmented with an eclectic mix of frame drums, nyckelharp and Tibetan bowls, from the French duo of violinist Frederic Aurier and percussionist Sylvain Lemetre, both trained classical musicians drawn to jazz forms, their duo an eclectically enjoyable blend of experimental and danceable, joyful music.

The Australian duo of pianist Chris Abrahams (Necks) & Berlin harpist Clare Cooper in a series of 198 short improvisations performed on Yamaha DX7 and the 14th century Guzheng harp, presented with 198 illustrations in an unusual and obsessively rewarding project.

Blind guitarist and singer Solo Dja Kabako is an important figure in Burkina Faso in West Africa, whose talent took him from begging on the streets as a kid to being a treasured artist in his country, here in an album recorded in his home in Ougadougou by saxophonist Assif Tsahar after a festival where they met; a record of warm, sincere music and song.

A collaboration between the China based Italian pianist Gabriele Meirano and the Berlin based Chinese musician Xu Fengxia, a pioneer in combining Chinese music with improvisation; the two first played together when Peter Brotzmann invited them to join him in a trio concert at the Shanghai Art Center in 2011, here in a duo that fuses Far East sounds and the blues.

Improvised music using traditional Alpine horn music as its roots, as performed by a quartet of alphorns, büchels, and voice.

Unprecedented music for Shakuhachi by Frank Denyer (releases on Tzadik, Mode) with Yoshikazu Iwamoto on shakuhachi and Paul Hiley joining Denyer on percussion.

A beautiful and contemplative performance of "Raga Marwa", a a hexatonic Indian raga and the eponymous raga of the "Marva thaat", peformed by Dutch-Czech master vocalist Marianne Svašek, and recorded in Stockholm, with Svašek and Swedish bass player Vilhelm Bromander both performing on the tanpura, a long-necked plucked string instrument used to create a sonic canvas behind the raga.

Drawing listeners into a meditative state, Oregon-based sitar player and experimental musician J.J. Gregg's album presents a lilting and bright rendition of Raag Rageshree, Raag Yaman offers a uniquely developed and comprehensive journey through the beauty of South Asian Classical music and Raag Chandrakauns, an interesting melodic to aid in personal meditation.

Referencing the "queen of morning ragas" Raag Bhairavi, Oregon-based sitar player and experimental musician J.J. Gregg performed these three improvisations immediately following a group meditation, each raga providing a distinct mood to take their listeners on a journey to complement their state of mind, weaving themes of inspiration and experience.

A suite based on raag todi from sitar player J.J. Gregg with Pavan Kanekal on tabla; five tracks revised in the studio to create compositions of both sitar music and more experimental forms, the music tying together concepts of water's effect on geologic formation, as illustrated and contemplated in a description from the albums's liner notes.

A beautifully hypnotic album of saxophone, accompanied by Pan-Ney, Shruti Box and Organ, recorded in overdubs by composer/wind player Werner Durand in this 2nd chapter of his trilogy focused on the Pan-Ney, a self-built instrument for repetitive foundations, as Durand draws on elements of nature, mythology, dance, religion, literature and folklore.

The first release from Corbett vs. Dempsey drawing on the Paul Lytton Archives, this recording of electronic & acoustic improvisation from UK percussionist Paul Lytton and German guitarist Erhard Hirt was recorded in Belgium in 1981 for the German Po Torch label, founded in 1976 by Paul Lovens & Paul Lytton to release forward-looking forms of free improvisation.

Expanding the collaboration between guitarist, saxophonist and electronic artist Elliott Sharp and electric & acoustic harpist Helene Breschand, in a quartet with Zafer Tawil performing on oud, violin & percussion and Floy Krouchi on electric bass, for an exotic, globe-embracing, groove-oriented album of unusual and often ecstatic acoustic and electric orchestration.

Drawing on ideas from the 60s and 70--Ornette Coleman, John and Alice Coltrane, Don Cherry, and Charlie Haden--bassist Vilhelm Bromander assembles an accomplished ensemble of Stockholm improvisers to perform three works of warmth and spiritual power, incorporating jazz, world and contemporary music in a stunning and rich album that exudes a wealth of experience and musical clarity.

Drawing on ideas from the 60s and 70--Ornette Coleman, John and Alice Coltrane, Don Cherry, and Charlie Haden--bassist Vilhelm Bromander assembles an accomplished ensemble of Stockholm improvisers to perform three works of warmth and spiritual power, incorporating jazz, world and contemporary music in a stunning and rich album that exudes a wealth of experience and musical clarity.

San Francisco East Bay sonic artist and Public Eyesore/Eh? label-leader Bryan Day meets Omaha bass player and sound artist Dereck Higgins for four enveloping works of sound, sonically rich and epic journeys through terrains of identifiable musical elements and acousmatic curiosity, all with an ear to story-telling as the duo weave passages of fantastic elements.

The Little Village Foundation run by keyboardist Jim Pugh assembled this band through Indian blues harmonica player & singer Aki Kumar, who brought drummer June Core and guitarist Rome Yamilov, deciding to make the release a "crazy guitar album" by adding Henry Kaiser; along with vocalist Lisa Leuschnet they hit the mark in an exuberantly diverse set of blues performing the music of J.B. Lenoir.

Extending their previous collaborations during the time of pandemic, NY electronic improviser Ikue Mori and Japanese improvisers Natsuki Tamura on trumpet and Satoko Fujii on piano developed this extraordinary ea-improv album via file exchange, starting with Fujii's piano improvisations to which Mori & Tamura added their layers, with Mori mixing the final, startling results.

A series of intimate duets between Syrian-born, Vancouver-based oud, ney, flamenco guitar and singer Emad Armoush with aA series of intimate duets between Syrian-born, Vancouver-based Emad Armoush performing on oud, ney, flamenco guitar and song, with clarinetist Francois Houle, violinist Jesse Zubot, trumpeter JP Carter, drummer/percussionist Kenton Loewen and cellist Marina Hasselberg--Houle, Zubot and Carter also adding electronic layers--as Armoush reinvents Arabic tradition alongsie original compositions. Francois Houle, violinist Jesse Zubot, trumpeter JP Carter, drummer/percussionist Kenton Loewen and cellist Marina Hasselberg--Houle, Zubot and Carter also adding electronic layers--as Armoush reinvents Arabic tradition alongside original compositions.

Merging contemporary and traditional instruments, including the spilapipa (a fipple flute), hardanger fiddle, the Bilgoraj suka (a vertical fiddle), alongside prepared piano, organ, trumpet, tuba, baritone sax & voice, Mats Gustafsson's ensemble merges folk, experimental forms, improv & free jazz in a conduction shaped by the participants; absolutely unique & fascinating.

The improvising string duo of stalwart London improvisers, Daniel Thompson on acoustic guitar and Phil Durrant on the octave mandola, are heard in two settings of texturally rich, intricate interactions, first at Cafe OTO in 2022 for an extended improvisation, then at Cable Street Studios two months later for six succint, impressively diverse dialogs.

Two improvisations by saxophonist Jean-Luc Guionnet & violinist Dan Warburton recorded in Paris & Melbourne parking garages 14 years apart, registering the behavior and characteristics of environmental and instrumental sound within these unique spaces, edited by Eric La Casa and Philip Samartzis as a 4-channel master by synchronizing two sets of independent stereo recordings.

An exotic album of improvised music with a wide focus, founded in saxophonist David Leon's interest in Afrocuban folkloric music, expanded through DoYeon Kim's gayagum, a traditional 12-string Korean zither, and punctuated with the exploratory drumming, percussion and glockenspiel of Lesley Mok; assertively unpredictable and continuously intriguing improv.

The second duo release from J.J. Gregg on sitar and Pavan Kanekal on tabla, following their 2022 album re-cycling, is a rich work of sophisticated rhythm, sympathetic chords, and strong raga melodies, recorded at Steve Albini's Electrical Audio in Chicago, warmly capturing the duo's purposeful momentum and sincere joy in their playing.

Drawing from Moravian folk songs transcribed by her great-grandfather, vocalist Julia Úlehla leads the Vancouver ensemble Dálava in a haunting and emotionally charged set blending Czech and English vocals with experimental improvisation, as Aram Bajakian, Peggy Lee, and Joshua Zubot weave a deeply layered, otherworldly sonic journey that bridges ancestry and avant sound.

Commissioned by Geneva's Museum of Ethnography, Jean-Jacques Birgé crafts a richly imaginative sonic fiction using field recordings, archival folk material, and electroacoustic composition, with a remarkable ensemble including Nicolas Chedmail, Antonin-Tri Hoang, Jean-François Vrod, Sylvain Lemêtre, and Else Birgé, evoking a post-human journey through reinvention and memory.