"Paul Lytton (born 8 March 1947, London) is an English free jazz percussionist.

Lytton began on drums at age 16. He played jazz in London in the late 1960s while taking lessons on the tabla from P.R. Desai. In 1969 he began experimenting with free improvisational music, working in a duo with saxophonist Evan Parker. After adding bassist Barry Guy, the ensemble became the Evan Parker Trio. He and Parker continued to work together into the 2000s; more recent releases include trio releases with Marilyn Crispell in 1996 (Natives and Aliens) and 1999 (After Appleby).

A founding member of the London Musicians Collective, Lytton worked extensively on the London free improvisation scene in the 1970s, and aided Paul Lovens in the foundation of the Aachen Musicians' Cooperative in 1976.

Lytton has toured North America and Japan both solo and with improvisational ensembles. In 1999, he toured with Ken Vandermark and Kent Kessler, and recorded with Vandermark on English Suites. Lytton also collaborated with Jeffrey Morgan (alto & tenor saxophone), with whom he recorded the CD "Terra Incognita" Live in Cologne, Germany.

He played also on White Noise's pioneer electronic pop music album An Electric Storm in 1969."

"Erhard Hirt (born October 31, 1951 in Bonn ) is a German jazz and improvisation musician ( guitar, electronics).

Hirt initially played self-taught blues before working with jazz-oriented rock bands from 1970. From 1974 he played in the experimental group "Jazz community," but in addition also with blues bands like the "Delta Blues Band" or "Matt Walsh blues band" before he founded his own improvisation ensemble in 1979, with whom he on the 1981 Moers Festival occurred. He then played with Wolfgang Fuchs, Hans Schneider and Paul Lytton in the group XPACT, which recorded the album "Frogman's View" in 1984, but also in a trio with Schneider and Radu Malfatti. In addition to Fuchs, Malfatti and Lytton, he was involved in founding the European "King Übü Orchestrü" in the mid-1980s. He appeared in a trio with Phil Minton and Willi Kellers, and in a duo with Lol Coxhill. In 1990 he formed a duo with Dietmar Diesner, in 1992 he was a member of the Humannoise Ensemble, along with Helmut Bieler-Wendt, Maud Sauer and Uwe Oberg. He continued to work with Anne LeBaron, Phil Wachsmann and Alfred Zimmerlin, with Minton and John Butcher (CD 1996) and with the multi-instrumentalist Martin Klapperand with the Swiss vocalist Dorothea Schürch. But since 1977 he has also performed solo projects, presented solo albums and toured the United States with them. He has also performed with other guitarists such as Derek Bailey, Hans Reichel, Joe Sachse, Uwe Kropinski, Eugene Chadbourne, Jean-Marc Montera and Stephan Wittwer. In the guitar quartet Extended Guitars he meets Keith Rowe, Hans Tammen and Nick Didkovsky. Since 1997 he has been part of the Ensemble Realtime, in which improvisers from North Rhine-Westphalia such as Mark Charig,Gunda Gottschalk, Ute Völker, Melvyn Poore, Stefan Keune and Thomas Lehn work together. He recorded the album "Trinidad" (1999) with Lehn and Martin Theurer.

In 1984 Hirt received the WDR's "Town Music Prize". According to the journal "Guitar Techniques", he is "one of the most original and fascinating experimental solo guitarists at the moment..." "