During cellist and Confront label-leader Mark Wastell's 2022 residency at the East London Hundred Years Gallery he recorded four solo recordings, using his acutely creative approach to the strings in unique ways for each recording, which he then layered in the studio without edits to create this wildly and often psychedelically stochastic orchestral work.
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Mark Wastell-violoncello
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Label: Hundred Years Gallery
Catalog ID: HYG 8
Squidco Product Code: 34021
Format: CDR
Condition: New
Released: 2023
Country: UK
Packaging: Cardboard Gatefold
Recorded at Hundred Years Gallery, in in Hoxton, East London, England, August to November 2022, by Graham MacKeachan .
"Pre-existing Commitments is a composition comprising of four multi-tracked violoncello parts. Each of the four solos were recorded during Mark's monthly Cello-intern residency at the gallery. The individual solos were then layered upon one another, without edits, to create a richly textured, quasi-orchestral arrangement."-Hundred Years Gallery
Artist Biographies
• Show Bio for Mark Wastell "Mark Wastell Born 1968; cello. Much of Mark Wastell's relationship with his chosen instrument is concentrated on the tactile, textural and sonic possibilities of both violoncello and bow. He is increasingly interested in working with extreme elements drawn from frequency, timbre and pitch. His early activity was consciously and subconsciously influenced by a variety of improvising musicians including John Stevens, Barry Guy, Phil Durrant and John Russell. Subsequent exposure to contemporary composers lead to a greater understanding and appreciation of the works written for strings by Feldman, Cage, Nono, Lachenmann and Sciarrino. The use of live electronics and music concrete by Tudor, Parmegiani, Xenakis and others was another important early influence. Wastell's current instrumental material primarily focuses on using abstract principles of space and texture - encompassing elements of new London silence, pro-instrument minimalism, new complexity and electro-acoustics. Because of the very nature of his chosen instrument, he tends to favour 'chamber' style ensembles and is a member of a number of regular groups: Mark Wastell has also performed with many other leading musicians including John Zorn, Keith Rowe, Peter Kowald, Hugh Davies, Roger Turner, Veryan Weston, Lol Coxhill, Mark Sanders, Axel Dorner, Hans Koch, Phil Minton, Max Eastley and Steve Beresford. As a soloist he has played at the Micro-classical Festival (London 1996), LMC Festival (London 2000) and the Huddersfield Contemporary Music Festival (2000). He has travelled extensively with various groups, performing on tour and at festivals in the USA, France, Spain, Italy, Germany, Sweden, Denmark and Greece. Other work includes the launch in 1996 of his own record label, Confront Recordings. Wastell is also joint co-ordinator of the concert venue All Angels, together with Rhodri Davies." ^ Hide Bio for Mark Wastell
• Derek Bailey's Company - with, for example, Will Gaines, Simon H. Fell and Rhodri Davies
• Evan Parker's String Project, with Peter Cusack, Hugh Davies, Rhodri Davies, Phil Durrant, John Edwards, Kaffe Matthews, Marcio Mattos, John Russell
• Assumed possibilities, with Chris Burn, Rhodri Davies and Phil Durrant
• The Sealed Knot, with Burkhard Beins and Rhodri Davies
• Necessaire with Alessandro Bosetti, Ignaz Schick and Burkhard Beins
• IST with Simon Fell and Rhodri Davies
• Quatuor Accorde with Tony Wren, Phil Durrant and Charlotte Hug
• Broken Concort, a duo with Rhodri Davies
4/24/2024
Have a better biography or biography source? Please Contact Us so that we can update this biography.
Track Listing:
1. Pre-Existing Commitments 43:15
Improvised Music
Free Improvisation
Electro-Acoustic
Electroacoustic Composition
Stringed Instruments
Solo Artist Recordings
London & UK Improv & Related Scenes
New in Improvised Music
New in Compositional Music
Search for other titles on the label:
Hundred Years Gallery.
 | Eastley, Max / Fergus Kelly / Mark Wastell The Map Is Not The Territory (Confront) |
| The 8th release on Confront's Core series of factory-pressed CDs brings together improvisers Max Eastley, Fergus Kelly and Mark Wastell, employing electroacoustic devices, invented instruments, metal percussion, a piano frame and tam tam to create a rich and mysterious sound world, darkly hopeful emanations in a nighttime traversal across unknown lands. | |
 | Collusion Duo (Nick Smith / Mark Wastell) Refraction (Confront) |
| Violinist and percussionist Nick Smith, having access to St. Mary's Church at Great Baddow for music performance and rehearsals, made his first use of the space in 1996 in a duo with Mark Wastell on violincello, preparations and percussion, where they used the acoustics of the church to enhance their detailed and absorbing improvisations. | |
 | BEFOREHAND (Lazaridou / Wastell) Live at Hundred Years Gallery (Confront) |
| The duo of Dimitra Lazaridou-Chatzigoga on zither and Mark Wastell on his electronics set including bowls and shruti box, formed for the release concert for Angharad Davies' "Six Studies" in 2014, recording this excellent improvised dialog of rich and unusual sound. | |
| Ist (Davies / Fell / Wastell) Consequences (of Time and Place) (Confront) | |
| ist (The Improvising String Trio) of Rhodri Davies (harp), Simon H. Fell (bass) and Mark Wastell (violincello) performing at The Natural Music Club in London, 1997, using unorthodox techniques in indeterminate systems and free improvisation for fascinating results. | |
 | Sealed Knot, The (Beins / Davies / Wastell) and we disappear (Another Timbre) |
| For a decade this trio has created some of the most interesting electroacoustic improvisation, captured in a 38 minute performance at the Ear We Are Festival in Biel, Switzerland, 2007. | |
| Scotch Of St James, The Live at Amplify 2004 (Confront) | |
| Tim Barnes on snare drum and amplification and Mark Wastell on amplified textures, tuned metal, making small, mostly unidentifiable sounds with a Cage-style open flair. | |
 | Nicols, Maggie / Matilda Rolfsson / Mark Wastell Semiotic Drift (Confront) |
| Extending the duo of British improvisers, legendary vocalist and leader of London's The Gathering, Maggie Nicols, also performing on taps and percussion, and Confront label-leader, percussionist Mark Wastell performing on cymbals and frame drum, with Swedish percussionist Matilda Rolfsson on bass drum, captured in a captivating concert at All Ears in Oslo in 2023. | |
 | Jones / Lash / Wastel Meditating With The Father, Son, And Holy Ghost (Confront) |
| An interpretation and reimagining of the opening track of Coltrane's Meditations, from the UK trio of Ed Jones on tenor & soprano saxophones, Dominic Lash on double bass and Mark Wastell on tam tam, gongs, cymbal & percussion, performed live at Cafe OTO in London in 2023, transforming the original recording's density into a slowly opening, evolving work of beauty. | |
 | Wastell, Mark Cello-intern Solos (Confront) |
| Beginning in February 2022 on the 1st Saturday of the month Mark Wastell would bring his cello to the Hundred Years Gallery in London with the grace of gallery owners Graham MacKeachan and Montse Gallego and play, not as a performance, not as a rehearsal, just to play and record his improvisations as he expands his reach on the instrument, heard here in 17 fascinating excerpts. | |
 | Bang, Jan / David Toop / Mark Wastell Compound Full Of Bones, Translucent Thousands (Confront) |
| An extended improvisation interweaving acoustic and electronic instruments in a beautifully coherent evolution of mysterious and approachable sources, from the trio of Jan Bang, David Toop and Mark Wastell, combining tam tams, gongs, flutes, lapsteel, live sampling, gongs, brushes, elastic, paper and more to captivate the curious listener. | |
 | Oceans Of Silver & Blood Acetate [CD EP] (Confront) |
| Reissuing their limited 2014 release on Joachim Nordwall Editions, the Oceans Of Silver & Blood duo of Joachim Nordwall on analog synthesizer, effects & tape and percussionist Mark Wastell on tam tam and timpani present two pieces, the first an environmental work underpinned by subtle percussion, the second a richly resonating work of threatening warmth. | |
 | Sealed Knot, The (Beins / Davies / Wastell) Twenty (Confront) |
| After twenty years playing together, the Sealed Knot trio of Burkhard Beins on amplified percussion, Rhodri Davies on amplified lap harp, and Mark Wastell on dual 32 past tam tams, gongs & nepalese singing bowls, performed live at Cafe OTO to record this beautifully captured, contemplative concert of tone, texture and ringing sound, like a 20-year dream reflected. | |
 | Grady, Spencer / Fermata Ark / Mark Wastell Thus : Excerpts From A Smaller Work (Confront) |
| UK sound artist Fermata Ark, aka Harry Smith, composed this work from improvisations recorded by Mark Wastell performing on cello, double bass and harmonium, and Spencer Grady performing on 5-string banjo, ebow, violin bow and brass slide, creating an extended work of immersive and mesmerizing textures and tones, sounds rising and falling in sublime and passionate ways. | |
 | Seen, The For Sake Of Joy Of Study Of Oneself Together (Confront) |
| Inspired by a work by John Stevens from 1991, Mark Wastell developed this work merging narration and improvisation by transcribing the text from Steven's performance, preseanted here by an electroacoustic ensemble including Phil Durrant, Dominic Lash, Bertrand Denzler, Jennifer Allum &c, yielding an enveloping and fascinatingly mysterious piece presented in two versions. | |
 | Virtual Company (Fell / Wastell / Bailey / Gaines) Virtual Company (Confront) |
| IST, configured as the duo of double bassist Simon H. Fell and cellist/percussionist Mark Wastell, performing a virtual quartet at London's Cafe OTO, using using pre-recorded fragments of solo work from late guitarist Derek Bailey and tap dancer Will Gaines, combined with sections of silence of unforeseeable length, and then combined with the live musicians; amazing. | |
 | Cooper, Mike / Mark Wastell Sound Mirrors (Confront) |
| Lapsteel guitarist and electronic artist Mike Cooper and percussionist Mark Wastell, employing a paiste 32" tam tam and a shruti box, pay homage to the large acoustic sound mirrors used in Britain from 1916 to 1930 as an early form or radar, each of their detailed improvisation referencing one of the locations on the British south and northeast coasts. | |
 | Andersen, Arild / Clive Bell / Mark Wastell Tales Of Hackney (Confront) |
| World instrumentation of shakuhachi, thai flute, shinobue, thai mouth organ, and shruti box blends with western orchestration of double bass, percussion and electronics as Clive Bell, Arild Andersen, and Mark Wastell come together in the studio after their well-received concert at Cafe Oto in London to develop these beautifully lyrical improvisations. | |
| Butcher, John / Burkhard Beins / Mark Wastell Membrane (Confront) | |
| Mysteriously dark electroacoustic improv from the adept trio of John Butcher on acoustic and amplified saxophones, Burkhard Beins on amplified bass drum and electronics, and Mark Wastell on amplified 32" paiste tam-tam, slowly evolving, rich environments in sound. | |
 | Davis, Matt / Phil Durrant / Mark Wastell Confront Collectors Series (Confront) |
| Re-issue of one of the earliest Confront releases, the trio of trumpeter Matt Davis, violinist Phil Durrant and cellist Mark Wastell performing subtle and sophisticated free improvisation at St. Michael's and All Angels church, Chiswick, London in 2000. | |
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