Part of a series of 8 split release cassettes, all hand-painted & numbered; this release presents the collaborative long-form improvisation noise project Amalgamated backed with Odd Person, the ongoing project of Bicephalic label leader August Traeger.

Part of a series of 8 split release cassettes, hand-painted & numbered; Side A is Dog Hallucination (D. Petri) for manipulated guitars, textural element, and organized sound; Side B is Ichtyor Tides (Nikola Akileus) for synthetic ambience, glitches, hazy drones, & field recordings.

Meridian percussionist and frequent collaborator with Vic Rawlings and Annie Lewandowski, Tim Feeney presents a fascinating solo album of "four improvised poundings" using "a drum, a pair of sticks, a metal plate, a pair of dowels, a heavy cymbal, a large room, a small squirrel, a static listening, a punishing listening, a boring listening, a quickening listening".

Electronic Artist Larry Jefferson explores issues of philosophy and loss and this is reflected in this collection of 9 songs & music in a professionally manufactured cassette.

Multi-instrumentalist improviser Harutaka Mochizuki releases this solo album performing on saxophone, performing two extended improvisations that explore the instrument as a whole, producing unusual sounds from the physical and mechanical aspects of the horn alongside more traditional playing, using an expanded range of dynamics to build tension and interest.

A collaboration mixing improvisation with sound & noise from sound artist Adam Denton, working primarily with the slithery tones that live within improvisation, and Sean Cotterill, whose work straddles the ocean of skronk guitar to live programming 'ones' and 'zeros'.

Brooklyn-based Ben Owen recorded this work in 2010 at the Experimental Television Center in Owego, NY, presenting the original work "Birds And Water" and two edits, which are mastered by Giuseppe Ielasi.

Guitarist Barry Chabala's interpretation of composer Pisaro's piece, instructing the performer on structure and pitch but allowing the precise timing and sound to the player; plus a reworking of Chabala's recording taking advantage of cassette hiss and sine tones.

Polyorchard founder and double bassist David Menestres leads the quartet of Jeb Bishop on trombone, Shawn Galvin on percussion, and Laurent Estoppey on saxophone, using skills drawn from both improvisation and compositional music to present six free dialogs showing intent listening amongst the four as they create complex, interweaving, sophisticated statements; impressive!

New York drummer Federico Ughi in a band with long time collaborator David Schnug on sax, Mike Irwin on trumpet, and Jeff Snyder on electronics, more of a creative jazz album than electric, with Leila Adu on vocals and Zach Swanson on bass on 2 tracks each; informed, intelligent and lyrical free improvisation from a tight-knit group of superb players.

The NY based, long-running trio The Gate led by Dan Peck on tuba and effects, with double bassist Tom Blancarte and drummer Brian Osborne, in a cassette culled from live concerts in Hannover and Brussels while on a European tour in November of 2015, "a brutally unfiltered representation of The Gate's special brand of spontaneous composition."

Reflecting on the passing of artist and musician Robert Ryman, double bassist Damon Smith dedicated this concert of outstanding playing, technique and momentum at Cafe Fixe in Brookline, MA to Ryman, as Smith sought to present a definitive solo concert as an overview of his own work, ably realizing Ryman's concept of finding all the things you can do with your instrument.

Sound and visual artist Gen Ken Montgomery released this album on cassette on the Directions Music label in 1990, here reissued in 2020; the two side-long pieces were performed live and then remixed, creating a fascinating and elaborate tapestry of tapes, concrete and mechanical sounds alongside instrumentation of percussion, violin, voice, &c.

Electronic Artist Larry Jefferson explores issues of philosophy and loss and this is reflected in this collection of 9 songs & music in a professionally manufactured cassette.

Previously played Squidco store copy, used for cataloging and samples, in excellent condition.

Review Copy, not new but in mint condition. May have a strike, the word "Promo" or a drill hole. Inquire on condition if you are concern...

Beginning in 1995 in Seattle, audio explorers Jeph Jerman & David Knotts explore lo-fi approaches using cassettes, mini-cassettes, dictaphones, various assortments of homemade instruments & collected materials, this 2020 cassette including recordings of mouth, stone, wood, glass, metal, paper, plastic, radio, and input from a number of contributors.

Free improvisations and a few fascinating covers of work by Cecil Taylor, Chico Hamilton, and Johnny Dyani from the duo of double bassist Damon Smith and legendary drummer Alvin Fielder, showing intense and unusual approaches in great rhythmic dialog.

Inspired by Jeroen Diepenmaat's Xerox collage art book, "co//age co//py", sound artist Jos Smolders developed these tracks as a response through 9 brief works and one larger construction, intersecting voice, synth, sax, piano and field recordings in a mix of oddly and abruptly sliced sound offset with periods of beauty; a compellingly curious album.

Frond, aka Richard Bultitude, is a UK sound artist who creates rich soundscapes of guitar, synthetics, field recordings and other ethereal elements, the mix of live instrumentation over drone and ambient environments adding warmth and personality to beautifully crafted works, each exuding a sense of inner calm through innately melodic music replete with detail.

The electroacoustic duo of singer Andrea Silvia Giordano and drummer Nicholas Remondino, working with Pierre Bastien, E-cor Ensemble, Gianluca Verlingieri, Maria Dybbroe and Torstein Lavik Larsen, create uniquely motioned works of decay, deconstruction and destruction, percussion and voice weaving amid unusual sonic sources both abstract and rhythmic.

Recorded primarily at Issue Project Room in Brooklyn and leveraging the natural resonance of that performance space, the New York trio of innovative improvisers Henry Frase on double bass, John McCowen on Bb and contrabass clarinets and Sam Weinberg on tenor & soprano saxophones explore the peripheries of their instruments in intense and reflective interplay.

Spanish double bassist Alex Reviriego (Memoria Uno) in a solo album recorded by Ferran Fages in 2019, the second chapter of his "German Poets Trilogy" following his 2018 Blaue Tauben album, here inspired by the writings of Romanian-born poet Paul Celan in an intense and moving album of dense foreboding depicted through nine improvisations of heavy bowing, ruminative harmonics and dark friction.

Initiating like a jet shaking the sky, the trio of Kevin Corcoran on percussion & objects, Giacomo Salis on percussion, objects & field recordings and Paolo Sanna on percussion & objects create otherworldly sonic environments that project collapsing and ringing events above often turbulent foundations, creating side-long journeys that engage through mysterious and surmisable sound.

A series of unusual improvisations between London free improvising trombonist Edward Lucas (Hyperion Ensemble, London Experimental Ensemble) and experimental sound artist, turntablist & percussionist Graham Dunning, merging acoustic sources with controlled feedback, objects and field recordings, pressed to dubplate to create these engagingly strange and concise dialogs.

Using small objects and contact microphones to create peacefully clacking, mewling and idiosyncratic utterances, sound artists Takamitsu Ohta and Anne-Francoise Jacques developed this installation shown in 2019 at the Bonjour! Gendaibunmei gallery in Kyoto, recorded by Jacques as a tour of the various sonic manifestations that a visitor to the gallery might experience.

The fourth release from the long-standing sonic research duo of Montreal sound artist Anne-F Jacques, who uses "rotating devices" based around small amplified motors, and Montreal ex-patriot living in Kobe, Japan Tim Olive (845 Audio), using magnetic pickups on objects and self-built instruments, here in six richly detailed and sometimes curiously menacing recordings.

Working with sculpture and objects in sound installations and live performance, Rie Nakajima captured this appealing set of kinetic performances named for the objects featured in each: a handle of a Japanese sliding door (fusuma), Japanese rice bowls, coils, jars, shells, flower pots, plastic bags, tin foil, tin cans, chopsticks, a bamboo pot, stones, cups, &c.

Applying techniques similar to those of the prepared piano, Japanese experimental artist Kayu Nakada uses circuit bending--circuit boards from electronic instruments short circuited for new effects--joining forces with Japan-based Canadian electronic instrument maker Tim Olive (845 Audio) for four works of intriguingly interactive glitch, hum, static and sonic inexplicables.

Thirteen succinct improvisations pitting Gordon Grdina's swinging middle-eastern flavors on the oud offset by gritty, experimental guitar work against drummer Jim Black's well-chosen and rock-solid grooves, an engaging album that shifts and explores a tremendous range of ideas and adventurous attitudes that span jazz, rock and experimental genres with ease.

With virtually the same lineup as their Feeding Tube album Ourania, the Chicago-based duo of Mako Sica--Brent Fuscaldo (electric bass, voice, harmonica & percussion) and Przemyslaw Krys Drazek (electric trumpet, electric guitar & mandolin)--again join with Tatsu Aoki on bass & shamisen and Thymme Jones on keyboards, trumpet, balloon & voice, subbing drummer Jacob Fawcett.

Skronky multi-faceted NY Downtown-style improvisation with an electric edge from the quintet of Chris Pitsiokis on alto sax, winds, electronics & samples, Wendy Eisenberg on electric guitar, Richard Lenz on electric bass, Kevin Murray on acoustic & electronic drums and Nick Neuburg on percussion, rolling and rollicking through riffs and scrabbly exploration.

The Nick Mazzarella Trio, here configured as Mazzarella on alto saxophone & bells, Ingebrigt Haker Flaten on bass and Avreeayl Ra on drums, are heard live at Constellation in Chicago in 2019, bringing together two generations of Chicago improvisers with Norwegian/US drummer Haker-Flaten for seven pieces espousing both tradition and innovative creative approaches.

Sonic exploration and studio composition from Kobe, Japan-based, Canadian sound artist Tim Olive, using amplified objects, cast-off electronics and home made instruments including metal teeth, tuning forks, clockwork motors, electromagnets, cassette playback heads and magnetic pickups, recording each and layering them in the studio to create corrosively captivating aural journeys.

A joint release between Astral Spirts and Relative Pitch, guitarist Ava Mendoza conjures five assertive and rugged "spells" performed on solo electric guitar, passionate works of raw technical skill and bold power as she improvises over two songs composed by herself, alongside pieces written for her from Devin Hoff, Trevor Dunn and John Dikeman.

Travelling through the US & Greece to join with performers for duos and trios, in six recordings between pianist Thollem McDonas in a trio with Amy Denio & Samantha Boshnack; a duo with Seetha Shivaswamy; a trio with Mat Weisman and Rick Kodramaz; a duo with Djallo Djakate; a hand percussion duo with Jason Finkelman; and a vocal duo with Maria Karamouza.

Drummer Hampus Ohman-Frolund (Apuh!) leads the Huvudbry septet of structured rock forms, with an intriguing orchestration of trumpet, lap steel, double bass, guitars, keyboard and voice, using intervals of unusual sonic experimentation and field recordings to create a unique album that bassist Mats Dimming refers to as "A mix of Captain Beefheart, Yann Tiersen & Swedish House Mafia".

Essentially a solo album from composer and improviser based in NYC Hampus Öhman-Frölund, this extended work uses a zither as its basis, augmented by a MicroKorg and the voice of Huvudbry bandmate Avery Leigh Draut, using no set tempo and framed and inspired around a picture of the woods near where Öhman-Frölund grew up; really lovely and inspired work.

The first collaboration between Brooklyn-based experimental improvising drummer Hampus Ohman-Frolund (Apuh!) and guitarist John Lindaman (True Love Always), blurring rock forms and experimental electronics into a hybrid space rock that takes unexpected twists and turns, with the goal to produce compelling psychedelic inspired sound; headphones recommended!

An intensely experimental journey in sound through guitars, electronics and percussion from the Brooklyn-based duo of John Lindaman and Hampus Ohman, a diverse set of pieces improvised using sound sculpting, noise and melodic elements, creating a great balance between darkness and light amidst solid conceptual and technical approaches to their instruments.

Aubjects label leader D. Petri (Amalgamated, Dog Hallucination) continues his work in unusual and sometimes aggressive exploration of the guitar as a sound source, looking for "novel anomalies" in amorphous compositions, seeking an extreme mixture of audio fidelities, peculiar equipment configurations, personally significant field recordings & various multi-level manipulations, in parts joined by Hillary Ulman on percussion.

Strange environments of sound from the French trio of Simon Le Vigouroux on double bass, Cyril Noël on electronics and Thomas Coquelet on electronics, in two morphing works connected by name through each side of the cassette, expeditions guided by murky rythmic elements and mutated field recordings, surrounded by rich and darkly tinged sonic elements.

The 2nd installment in percussionist Matt Weston's opera for percussion and electronics in a limited cassette + download, a cantankerous set of recordings that alternate disruption with introspectively unusual techniques realized through graphic, multidimensional and instantaneous scores, each piece a narrative exploring mental health struggles as they develop over time.

The third release from the Barcelona-based experimental improvising duo L'Ocell of Chilean acoustic guitarist Fernando Carraso and Spanish double bassist Àlex Reviriego-double bass, here joined by guitarist Ferran Fages (a member of Phicus and Radium with Reviriego), for a set of mysteriously dark improvisations recorded live at Sant Roma de Mianigues church.

Initially based around improvisations on a mbira and a tiny accordion, NY improvisor Ted Reichman expanded the concept through complex systems of electronic treatments, developing layers of feedback, transpositions, distortions, intentional or accidental patterning that were performed in real time, creating an extended, deeply aquatic work split between the sides of a cassette.

Bringing together New York City and Philadelphia improvisers, the trio of T.J. Borden on cello, James McKain on tenor sax and Leo Suarez on drums, freely improvising through a "personally refined approach to pointillistic communication, interplay and the construction/demolition of static foundations" evolved through repeated sessions and live recordings.

Rich sound worlds or mysterious space and controlled chaos in this work commission by the TAK ensemble, the score devised partly in text and partly through instruction, giving directions for interpretation to the performers--Laura Cocks, Madison Greenstone, Marina Kifferstein, Charlotte Mundy, Ellery Trafford & Lopez himself--allowing each to become part composer, part improviser.

Delicate abrasions and corruption of their instruments from the NY duo of Erica Dicker (Till by Turning) on violin and Dennis Sullivan (Radical 2), 9 works of improvised soundscape and avant-raw chamber music through prepared strings, tapes, looped feedback, resonant metals, modified snares and liberally bowed surfaces, richly constrained and luxuriously blood-curdling.

Sebastien Branche (Insub Meta Orchestra, Miguel A. Garcia) uses the tenor saxophone as a sound source, meticulously applying extended techniques, circular breathing and the resonance of the saxophone itself during improvisation, using Supercollider software in a two-way collaboration where the instrument also transforms the sounds provided by the computer.

Part of a series of 8 split release cassettes, hand-painted & numbered; Side A presents dark soundscapes from Jeff Winter, aka Faint Glow, in slowly unfolding electronic works; Side B a variety of electronic approaches from arpeggiated to slowly abrasive grumbling.

During 2012 Patrick Farmer walked half of the Welsh Coast, writing a series of observations, which on this release are read in environmental settings by Antoine Beuger, Jeph Jerman, Bruno Guastalla, Sally Ann McIntyre, Holly Pester, Daniela Cascella, & Michael Pisaro-Liu.

Electro-psychedelic explorer Chester Hawkins presenting two live performances in Washington DC -- one recorded in isolation at Intangible Arts' studio (4th September 2018) and one in public at Rhizome community arts space (8th September 2018) -- improvised autopsies of Lutoslawski's String Quartet by means of three granular synth engines and one tape-edit/concrete emulator.

A contemplative solo work of subtle nuance and laden atmospheres, slowly drifting through a virtual landscape of dampened details, from London composer and improviser Sarah Hughes, performing on zither, piano, Hammond organ, sine tones, white noise, electric harpsichord, and objects, using an eBow to draw sustained tones over which delicate progressions advance.

Sonic sources of a wide variety of timbre, rhythm and tone, mixed with voice, feedback, even bird sounds, make up the strata of this intriguing album from Oslo Improvisers Agnes Hvizdalek (voice), Magnus Skavhaug Nergaard (electric bass, electronics, field recordings), Utku Tavil (snare drum, no input mixer, sampler), and Natali Abrahamsen Garner (voice, electronics).

An unissued album from Bavarian experimenter & songwriter Konrad Strumpfel and "The Set", the Czech duo of Herbert Lukundra & Josif Afkak, who added their contributions to Strumpfel's work which had been sent to them by post, the strengthening of the "Iron Curtain" between the USSR & Europe in the late 80s then prohibiting the release of their collaboration.

A split cassette between Wilmington sound artists Joshua Marquez, a Filipino-American composer, guitarist, and activist who explores the liminal space between tone and noise; and Mr. Stonecipher, aka Ryan L Lewis IV, a sound artist and filmmaker who works with dramatic sound and feedback of a cinematic quality, often employing unusual objects as source.

A cassette release joining 910 Noise and Ack Recordings from Ryan Lewis and August Traeger, harsh American noise that "will destroy the speakers" (Feast of Hate and Fear).

Takamitsu Ohta, known for his work with artists Anne-F Jacques & Ryoko Akama, in three unexpected recordings using the microphone and speaker of small devices with recording and playback ability, from five to fifteen such linked devices creating surprisingly stacatto and expressive voices from feedback, each piece aptly named for the resulting articulation each combination creates.

Matt Weston (Arthur Brooks Ensemble V, Arc Pair) initiates a series of limited cassette releases with this solo album, seven works of percussion using traditional and idiosyncratic percussive sources with a pensive pace and somewhat irascible attitude, each piece fully notated and executed live in the studio, using a similar aesthetic to link each work.

The 3rd installment in percussionist & composer Matt Weston's serialized opera for percussion ensemble + electronics, a set of narratives and counter-narratives that explore mental health struggles as they develop over time in varying circumstances, realized through a combination of site-specific graphic, multidimensional and instantaneous scores.

The first studio recording for the performing quartet of New York improvisers, Cecilia Lopez (synthesizer), Michael Foster (tenor & soprano saxophones), Sean Ali (double bass) and Eli Wallace (upright piano), taking listeners on an inflating journey from "Stratosphere" to "Exosphere" through unorthodox approaches, from sparse intensity to dense textural interaction.

A short book of fiction depicting dark scenes from the ambience of extraordinary normalcy, descriptive texts insinuating horror from everyday occurrence, written by double bassist Nat Baldwin and published by Calamari Press in 2017, here in an audio version of excerpts narrated by Baldwin himself, performing on double bass through two panned tracks of unusual improvisations.

Multi-instrumentalist & experimental composer Weston Olencki in three historically-driven sound works, recording with saxophonist Anna Webber as they explore the tenor sax in jazz and recording studio technology; the banjo with bluegrass and the mechanized modernism of the Carolinas; and a pump organ with Sacred Harp hymnody and the aging marble industries of Vermont.

The 4th installment in percussionist & composer Matt Weston's serialized opera for percussion ensemble + electronics, a set of narratives and counter-narratives that explore mental health struggles as they develop over time in varying circumstances, realized through a combination of site-specific graphic, multidimensional and instantaneous scores.

The second album on Notice Recordings for West Coast free improvising saxophonist Patrick Shiroishi is a duo with San Diego-based double bassist Kyle Motl, in an exceptionally well-balanced example of powerful expression from both players, free blowing and turbulent exchanges offset by experimental introspective passages in four extended and excellent improvisations.

Unusual interactions between electronically manipulated violin and an AMPIRI--an electronically enhanced Korean double reed instrument--from the Brooklyn duo of Leo Chang and Adrianne Munden Dixon, seven improvisations numbered "Sixteen" to "Twenty-Two", each a uniquely idiosyncratic exchange from quick slippery dialog to raspy dissonance of unexpected directions.

Atlanta, GA sound artist Craig Lee Dempsey (US Prisms, Ben Trickey Full Band, The Weight, Thoroughbred) issues his first fully solo album of ambient drones developed from guitar and synthesizer sources, with rich implied rhythmic pulses that slowly evolve through the six pieces on this cassette & download release, all six pieces adding up to 22 minutes of sound.

Four recordings from the collaboration of Italian sound artists Giovanni Di Domenico and Giovanni Lami, two prolific experimenters using real time manipulation of sounds that include piano, electronics and subliminal pulses, creating haunting cycles of muted progressions enveloped in harmonic environments, both tranquil and energetically compelling.

Rapid and lucid activity of mechanical and organic activity, a mad mechanism under the control of master machinists perking the ears in inexplicable ways, from the collaboration of Japanese sound artists Rie Nakajima and Takahiro Kawaguchi, their uncredited sources seemingly a mix of motors, bells, squeaky toys, material flurries, whistles, &c. &c.; playfully fascinating.

A followup to The Latest Research From The Department Of Electrical Engineering, Dutch experimental sound artist Michel Banabila shows his most explorative side through eleven compositions using electronics, found sounds, field recordings, synthetics and acousmatic sources, a wonderfully inspired set of contructions that float like machines in a dream.

A split cassette of dark industrial noise from the long-running experimental sound unit The Haters founded by G.X. Jupitter-Larsen, in a cantankerous 10 minute buzz saw drone; and a "Venemous Agent" from the Israeli noise band Kadaver, aka Michael Zolotov, in a cycling work that builds to an oscillating throb of metalic and rumbling sources; edition of 75.

A handsome spiral-bound book to accompany experimental sound artist and turntablist Marin Rosenfeld's roygbiv&b project riffing on the title through performance memory exercises, with text including a "User's Manual", a foreward by musicologist Benjamin Piekut, color & b/w images from the performance & exhibition, and four fold-out pages with scores.

A live recording from zentri-fuge in Berlin, led by trombonist Jeb Bishop, with Milan bassist Antonio Borghini (Mike Patton's Mondo Cane) and German drummer Michael Griener (Carl-Ludwig Hübsch' Primordial Soup), in a collective set of free and energetic improvisations, five pieces that "Jounce", "Jitter", "Plumb" and "Dither" through an exciting and expressive concert.

Three free improvisations for voice & double bass + improvisations on Hugo Ball's Six Sound Poems from the duo of free improvising vocalist Jaap Blonk and double bassist Damon Smith.

Chicago tenor saxophonist Gerrit Hatcher, known for his duos with Anton Hatwich and with Julian Kirshner, the improvising trio Devouring the Guilt with Eli Namay & Bill Harris and a trio with Mars Williams & Lia Kohl, is heard here in three extended solo improvisations, with strong tone riffing on grooves, exuding warm melodies, and running demanding technical passages on his horn.

Two side-long compositions from audio explorer Jeph Jerman, assembled using recordings of objects including "mouth, stone, wood, glass, metal, paper, plastic, radio" plus field recordings made through the spring and summer of 2020 in and around Cottonwood, AZ, joined with audio contributions from Doug Theriault, Chris Reider, Julie Schubert, &c.

The of trio of Lisa Cameron on percussion, Damon Smith on double bass and Alex Cunningham on violin, continue their work after 2020's Dawn Throws Its First Knife with this cassette and download releases of five collective improvisations, using extended techniques amidst cogent conversation, from assertively exciting to darkly moody atmospheric interplay.

A mysterious set of four works using magnetic pickups to create a diverse set of soundscapes, from ringing tones to cantankerous scratchy earthquake zones, with radio captures alone or on top of those environments adding a sense of mystery to each piece, sometimes providing enigmatic voices, sometimes static, sometimes strange signal and carrier waves; fascinating.

The 5th installment in percussionist & composer Matt Weston's serialized opera for percussion ensemble + electronics, a set of narratives and counter-narratives that explore mental health struggles as they develop over time in varying circumstances, realized through a combination of site-specific graphic, multidimensional and instantaneous scores.

Sound artist and electroacoustic improviser Dave Knott (aka Vague Johnson) presenting compositions created from the sounds of frogs, toads, insects, periodic sounds of fire and snapping branches; "a microphone attached to a reed brings the listener to the water's edge of these swampy sounds"; an album to transform your dull room into a swampy wonderland.

A reissue of the Bailey solo guitar cassette tape release of a 1983 concert in Milwaukee, Wisconsin from the same year, originally sold by Bailey in concert during his tour of Japan in the same year.

Chilean double bassist, vocalist, improviser & composer Amanda Irarrázabal and Brooklyn double bassist Nat Baldwin in a live performance first-time meeting at the IRL concert space during Irarrázabal's week-long tour through NYC, this concert a profound meeting of deep strings, bowed, plucked and mutated through unique technical approaches to their instruments.

An apt title for this collection of improvised works for double bass and feedback mixer between long-time collaborators Kyle Motl and Carlos Domínguez Reinhardt, both members of the band Not the Circus and having previously released the duo album Artabotrys Hexapetalus, this album recorded in 2020 at Rat's Mouth in Florida for five diverse and often abrasive interactions.

Amongst the most unique of early electronic music instruments, the Ondes Martenot is heard in six duo recordings performed at the Barcelona studio of Spanish Ondiste, Tomomi Kubo, in conversation with tenor saxophonist Camila Nebbia, both using loop pedals and Nebbia adding her voice at times, creating otherworldly and unconventional interactions of free improv.

Unusually orchestrated, spacious and exotic free improvisation from New York-based musicians Lucie Vítková, originally from Czech Republic and performing on accordion, hichiriki (a Japanese double reed flute), synth & harmonica, and Korean-born improviser Leo Chang performing on VOCALNORI (Amplified Gongs via Voice) and Piri (a Korean double reed instrument).

A mesmerizing album of rich percussion and synthetic sound floors from Odd Person, aka August Treager (Bicephalic, Somnaphon), in seven trance-like compositions based around grooves that slowly evolve in character while accompanied by haunting asides of ghostly melodic figures, casting a decidedly world music flavor to original music that transcends location.