A relentless and electrifying improv performance from the sextet Metal Chaos Ensemble blending the raw energy of electric bass and drums with an expansive arsenal of metallic percussion, electronics, and winds as the group takes listeners on a dynamic and unpredictable sonic journey, pushing the boundaries of structured free improvisation with "chaotic" precision.

A sprawling improvisational storm from Evil Clown's Turbulence ensemble blending an expansive arsenal of woodwinds, brass, percussion, electronics, and custom instruments in a dynamic, shape-shifting performance where dense waves of sonority, shifting textures, and extended techniques collide, creating a jazz-inflected yet genre-defying exploration of sound from the Boston's ever-evolving collective.

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A deeply expressive trio session recorded in New Jersey in 2024, where Robin Verheyen's fluid and lyrical saxophone lines intertwine with Drew Gress' subtle yet solid bass work and Billy Hart's masterfully restrained drumming, shaping an intimate and spacious album of striking original compositions along with a rendition a Harold Arlen/Yip Harburg piece and one from Marc Copland.

Expanding their sonic universe with an arsenal of unconventional instruments, the core duo of PEK and Glynis Lomon, joined by trumpeter John Fugarino and percussionist Michael Knoblach, craft an immersive free improvisation rich in textural transformations, balancing restraint and intensity as they navigate shifting sonorities, extended techniques, and the expansive possibilities of their distinctive Evil Clown aesthetic.

Following their acclaimed 2024 album Samsara, Painkiller returns with Mick Harris (beats, electronics), Bill Laswell (bass), and John Zorn (alto saxophone) delivering six intense and genre-blurring tracks that fuse jazz, grindcore, metal, noise, and techno into an exhilarating, multilayered sonic journey inspired by the magickal practices of Aleister Crowley.

With snaking guitar lines and psychedelic drumming, the collaboration of Myrtle Beach experimental guitarist Brian McKenzie (Electric Bird Noise) and extreme metal drumming virtuoso Derek Roddy creates a mesmerizing fusion of looping sustain, hypnotic textures, and dynamic percussive energy, captured live in an unfiltered improvisational session that pulses with atmospheric tension and spontaneous synergy.

The quartet of David Peck, Michael Caglianone, Bob Moores, and Joel Simches craft a dense, immersive electroacoustic improvisation, using an arsenal of woodwinds, electronics, prepared percussion, and manipulated sound, navigating shifting textures and dynamic transformations as Simches' real-time signal processing shape-shifts their constantly evolving sonic landscape.

"Full Spectrum Records is honored to present a new long-form collaborative release from Liang YiYuan and Li Daiguo: 'Sonic Talismans.'

Both prominent figures in China's experimental, world, and new music communities whose resp...

Weston Olencki deconstructs and reimagines the banjo across two longform compositions, transforming it into a percussive, polyrhythmic engine and a harmonic resonator, navigating glitch-driven algorithmic textures and richly detuned sonorities, juxtaposing the kinetic, minimalist grooves of "The Rocks Are Different, Here" with the spectral, ring-modulated drones of "Brothers".

A powerful duo of resonant harmonic interaction between Patrick Shiroishi & Marta Tiesenga, both on soprano sax, recorded in an underground tunnel below the Jazz Cat in Monterey Park, CA during the pandemic, the tunnel's natural reverb becoming a 'third performer' in shaping an evocative sonic dialogue that contrasts isolation and connection through long tones, fragmented utterances, and immersive resonance.

"Concept: Like our bodies and our planet this composition is made up of mostly water. An appreciation of water in all its forms liquid, vapor and solid. An homage to the magic stuff that makes us and makes our imperiled garden planet. P...

Trumpeter & vocalist Jacob Wick leads an ensemble of Mexico City's vibrant experimental musicians with Gibran Andrade, Mabe Fratti, Alina Maldonado, Saul Ojeda, and Federico Sanchez, in a deconstructed exploration of pop, jazz, and country, transforming fragments of songs by Emmylou Harris, Alice Coltrane, Kylie Minogue, and Billie Holiday into improv scores that transform tradition into new sonic forms.

A visceral and texturally rich exploration of free improv from longtime Bay Area collaborators Danishta Rivero (voice, electronics), Kanoko Nishi-Smith (koto), Jacob Felix Heule (bass drum, drum set), and Kyle Bruckmann (English horn, electronics), blending raw acoustic noise, extended techniques, and deep sonic interactions into a dynamic and unpredictable suite of expressive intensity.

"Originally conceived for a performance at the 2017 edition of the Slow SD festival at UCSD in San Diego, California, 'In the Garden of Eating' takes its core inspiration from Karlheinz Stockhausen's 'Gold Dust,' wherein the participati...

"Full Spectrum Records presents the enveloping debut of a new trio featuring Jessica Ackerley, Nick Turner, and Chaz Prymek: 'All Hope With Sleeping Minds.'

'All Hope With Sleeping Minds' had its genesis during a years-long di...

Recorded at Monhegan Community Church on a remote Maine island, this environmental work by Evan Lindorff-Ellery captures the interplay between improvised percussive textures and the resonant acoustics of the space, using frame drum, piano, acoustic guitar, bells, and found objects to leverage the church's natural reverb, while ambient sounds filter through its windows.

A rare solo outing from percussionist Jordan Glenn, weaving an adventurous and dynamic series of improvised drum and percussion explorations, shifting between deep grooves, cymbal rushes, and near-musique concrète textures, with playful yet tenacious pacing that balances free-jazz intensity, experimental soundscaping, and custom-instrument innovation in a cohesive and captivating sonic journey.

Bassist and composer Michael Bisio leads an exceptional quartet with Melanie Dyer on viola, Marianne Osiel on English horn, and Jay Rosen on percussion, blending Third Stream nuance with the fire of free jazz in an ever-flowing, deeply expressive set of improvisations, channeling rich orchestral textures and spontaneous interplay into a powerful and fluid genre-blurring journey.

A powerful and insightful fusion of jazz, spoken word, and improvisation, this evocative album led by Christopher Parker and Kelley Hurt explores themes of resilience, justice, and shared humanity through compositions by Oliver Lake, Donald Brown, and Bobby LaVell, with gripping performances by a stellar ensemble that includes Marc Franklin, Chad Fowler, Rodney Jordan, Darrian Douglas, Treasure Shields Redmond, &c.

An energetic trio session of collective free improvisation from NY alto saxophonist Rob Brown, bassist Brandon Lopez, and drummer Juan Pablo Carletti, recorded in the studio and driven by an intense energy that maintains a powerful swing, with Brown's incisive phrasing, Lopez's commanding bass, and Carletti's dynamic percussion merging into a spontaneous and deeply expressive musical force.

This small-format Turbulence performance led by David Peck features an ensemble of six musicians — including Michael Caglianone, John Fugarino, Bob Moores, Scott Samenfeld, and Jim Lucchese — navigating broad-palette improvisation across a constantly shifting landscape of horns, percussion, strings, and electronics yielding evolving textures and intricate sonic interactions.

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"It's the best cover I have seen in some time. The musicians are T. Mikawa (electronics), Jun Numata (guitar and electronics) and Martin Escalante (saxophone), so it spells MNE, which sounds like NME, the New Musical Express, one of the...

Recorded in March 2024 using an 8-track borrowed from Peter Duimelinks, Frans de Waard's Modelbau project presents a dark drone piece that envelops listeners in rich, immersive textures, exemplifying his adept manipulation of lo-fi equipment to create profound ambient soundscapes.

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Exploring the intersection of harsh noise, spoken word, and conceptual composition, Peter J. Woods constructs a sonic meditation on Samuel Beckett's Molloy, weaving fragmented text, tense ambience, and intense sonic ruptures into a dynamic and gripping experience, where shifting textures and calculated silences evoke both philosophical depth and visceral tension.

"Whenever I see a train with graffiti on it I try to film it. To make these videos a bit more interesting I created a bit of music to go with them. I never expected these tracks to make it onto a physical media they were quickly made al...

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"The new media and technologies by which we amplify and extend ourselves constitute huge collective surgery carried out on the social body with complete disregard for antiseptics. If the operations are needed, the inevitability of infec...

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"Music with a lot of attention paid to panning and sound spacing. Meant for listening with headphones or stereo speakers."-Love Earth Music

A relentless and immersive sonic experience from Estonian experimental guitarist Threes And Will and noise artist Huerequeque, through two unrelenting compositions of heavy, pulsating guitar noise, evoking a throbbing, menacing atmosphere with an almost meditative intensity, channeling the South African Boer War into a raw and uncompromising exploration of texture, density, and sound.

A free way to seek and connect with the only greed that man must obtain during his tragic years of life on this bitter earth, submit to his freedom and distance himself from the evils he has when enslaving other men.

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A large-scale and meticulously deconstructed sonic exploration from Howard Stelzer, weaving layers of manipulated cassette tapes, tape players, and speakers with extensive processing from sonic luminaries Ralf Wehowsky, Brendan Murray, Linda Aubry Bullock, Bruno Duplant, Fani Konstantidou, and Andrew Zukerman — for a dense and unpredictable landscape where textures dissolve and reform in shifting abstractions.

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