Thirteen tracks by Avant vocalist Jaap Blonk using unusual techniques and electronics in his own original compositions and works for Thelonious Monk, Dylan Thomas, etc.

Legendary improvising vocalist Jaap Blonk in a solo work, a mesmerizing and hallucinating piece of electronic music presenting myriads of voices and melodies that never repeat themselves.

Acousmatic work from electronic composer Degrassi: two serial pieces using algorithmic software, an elabration of recorded sounds, and an improvisation using real-time synthesizers.

A curious and remarkably enjoyable collection of works from Jorrit Dijkstra (sax, lyricon and electronics) in a quintet with Phillip Greenlief (reeds), Kyle Bruckman (double reeds & electronics), Frank Gratkowski (reeds), and Jon Raskin (sax & electronics).

WPG is John Ferguson and Robert van Heumen, blending a fractured pulse with dynamic texture into an immersive and disorientating music, from subtle to invasive sound.

The debut studio recordings from Calgary, Canada's Mark Fleischhaker and Scott Munro, electronically manipulated vocals with a loose sense of the word.

The followup to Furt's expanded format as heard on Spin Networks in 2005, in electroacoustic trios with John Butcher, Phil Minton, Rhodri Davies, Ute Wassermann, &c.

Classical pianist Joana Gama and live electronic processing artist Luis Fernandes bridge compositional and experimental forms in this lyrical work, where Fernandes transforms, dissects, loops and otherwise mutates the Gama's playing in unexpected and elegant ways.

Dutch improviser van Heumen (N Collective, OfficeR, &c.) in a dynamic and shifting solo work of laptop electronics, noise textures, and text.

Brighton, UK turntable/electronics improvisor Daniel Jones and the American guitarist Barry Chabala meet for an album of ringing and beautiful lowercase sound.

The first meeting of Jason Kahn and Phil Julian, both performing on analogue modular synthesiser, intended to be recorded as material for studio sound compositions, but which was so compelling as improvised work that they chose to release the album as recorded.

A series of unusual electronic constructions from Malaysian sound artist Goh Lee Kwang, Herbal International's label boss, a diverse set from indistinct squiggly sound to full-on noise, with lengths from 31 seconds to 37 minutes; unusual, peculiar, and fascinating.

Using improvisation, interactive listening and radical exploration, electronic artists Diane Labrosse and Michel F. Cote play with constructing and deconstructing 11 pieces.

Using a minimal mixture of electronic and sound material, Ikue Mori, Martin Tetreault, and Diane Labrosse collage raw noises and spatial elements into elaborate sound clusters.

Diane Labrosse's first solo CD on Ambiances Magnetiques is a collection of digital samples of various objects undergoing mysterious electronic treatments.

Machinefabriek (Rutger Zuydervelt) in an EP of a long sine save compositions that creates a minimally moving piece of consonance and dissonance using beautifully recorded tones.

Three compositions by Luigi Nono, recorded at the Berlin festival "Inventionen", live electronics moving away from clear spatial and timbral assignations rendering the acoustic instruments barely recognizable.

Jonathan Webb and Robert Hopps combine processed field recordings with guitar, turntables, electronics, and found sounds in long form drone-oriented improvisations.

Recordings from Cork, Ireland (home of O'Leary) and Basel, Switzerland, of subtle, dark and powerful experimental improv from two masters of the form.

An eclectic collection of mostly improvisational songs that use sampling and other electronic processing on raw instrumental material, that is then combined with new improvisation to reshape the material even further.

The second part of composer Michael Pisaro's "Hearing Metal" series, Pisaro performing on field recordings, radio, guitar, sine tones, with Greg Stuart performing on a diverse set of percussive instruments.

The third part of composer and performer Michael Pisaro's "Hearing Metal" series, Pisaro providing sine tones, performing with Greg Stuart on 16 suspended cymbals plus grains/surfaces.

Sound artist Annabelle Playe blends electroacoustic, experimental and electronic noise music in her debut album.

Portugese harpist Eduardo Raon uses harp, daxophone, electronics, voice & percussion to create dramatic music that applies his classical training to improvisational methods, using real-time electronic processing to create encompassing yet intricate and unusual sonic environments.

"Texturen" for seven musicians and eight other works from composer Katharina Rosenberger, blending acoustics, electronics and voice in inventive ways, as performed by the NY Wet Ink Ensemble.

Assembling 13 tracks from obscure compilations released from 2011-2012 by the various monikers of 910 Noise artist August (September) Traeger, a wide-ranging and captivating set of approaches to sound & noise work.

Jeremy Young, aka Szilard, in his debut full-length release as a solo performer on guitar and sine waves, with texts from Charles Baudelaire's "Les Fleurs Du Mal" (1857) read by Aki Onda, Ella Joyce Buckley, Liam Singer and Catherine Metayer.

Electronic sound artist Franck Vigroux uses electronics, guitar, percussion, and his voice in this dark release with vocalist Annabelle Playe.

German composer, cellist and fluxus artist Michael von Biel in 5 works, two performed by the Pellegrini-Quartett in 2003, a string quartet from '67, and two electronic works from '64 & '68.

A series of vignettes inspired by and dedicated to the Saami people living at the top of Fenno-Scandinavian peninsula from Chandra Shukla (Xambuka), in absorbing beats and effects, synthetic sound sculptures and exotic sound.

The quartet of Cosottini, Melano, Pisani, Miano (EAQuartet Electroacoustic) in compositions referring to the 4 cardinal map points using graphic scores, games, open readings, &c.

Large scale composition for piano, electronics and ambient recordings by Marko Ciciliani with a diverse musical landscape of sounds performed by Ciciliani and Josh Dillon.

Frequent Squidco in-store performer Electric Bird Noise returns defying expectation with an album of new wave dance & 1970s synth experiments, taking influence from bands like New Order, The Cure, Depeche Mode, Duran Duran, & Gary Numan

Guitarist Andy Moor of The Ex plays his guitar while electronic artist Kaffe Matthews reprocesses the sounds live into loops, drones, and static buzz, allowing Moor to respond to the manipulated sounds.

Drummer and percussionist Tatsuhisa Yamamoto meets steelpan player Yoshio Machida for an album of rhythmic and melodic intersections with electronic underpinnings.

Limited color edition of guitarist Barry Chabala's interpretation of composer Pisaro's piece, instructing the performer on structure and pitch but allowing the precise timing and sound to the player; plus a reworking of Chabala's recording taking advantage of cassette hiss and sine tones.

Guitarist Barry Chabala's interpretation of composer Pisaro's piece, instructing the performer on structure and pitch but allowing the precise timing and sound to the player; plus a reworking of Chabala's recording taking advantage of cassette hiss and sine tones.

The sophomore release by The Subliminator (Serson Brannen), "Rake" features 11 new tracks of sonic sublimination, spoken word techno-psychedelia with a threatening edge.

Ex-Spaceseed wordsmith/gizmoist Serson Brannen explores the outer limits of high tech spoken word space art .

Helmut Kajzar's theatrical play with themes of physicality and death with sound performed on synthesizers and electronics, in it's 4th recording including stage directions in the narrative (in Polish) with an insert providing English translations of a selection of dialog.

Fifty tracks, one minute and three seconds long each, of open circuit electronics miniatures from sound and noise artists Bryan Eubanks, an unusual suite that challenges the senses and expectations of a suite of sound.

Two slowly unfolding improvisations from trumpeter Leonel Kaplan using extended and unconventional techniques, and electronic artist Klaus Filip performing on sine waves, in a two part extended piece recorded in Buenos Aires after the two met in live performance.

Two guitarists from New York's Downtown and Montreal's Actuelle scenes in 11 guitar improvisations, experimental sounds constructed and deconstructed.

Vocalists DB Boyko and Christine Duncan turn gibberish into improvised poetry while accompanied by drummer Jean Martin who uses multi-timbered objects to create beautiful and absurd music.

Tim Brady with Bradyworks and Quatuor Molinari in a CD/DVD release of four synchronized musical, video & theater works, ambitious and fascinating compositional pieces.

Michel Banabila's excellent melodically experimental electroacoustic label Tapu in their 2016 double CD sampler, with tracks from Banabila, Asid & Banabila, Banabila & Van Geel, Banabila & Machinefabriek, Banabila & Erker, and Banabila/Erker/Samson.

Steelpan and electronics player and Amorfon label leader Yoshio Machida met the Serbian CINC band for these sophisticated and lovely post-rock pieces recorded in Belgrade, 2006.

Antoine Beuger's minimalist work for American painter Marcia Hafif, known for her monochrome paintings, in 24 tonal works each 3 minutes long using stationary waves of eight frequencies from a different octave and punctuated by silence.

Anthony Pateras & Valerio Tricoli worked 7 years transforming pianos, organs, harpsichords, tape machines and synthesizers into an expansive sonic otherworld that celebrates the "End of Times" in three parts; a meticulous and fascinating work.

A 6 part work based on immersive listening with a smartphone featuring a GPS and audio headphones made during a train trip across the Arc Jurassien, developed into 6 rich and detailed compositions, performed with violinist Julia Eckhardt and cellist Silvia Platzer.

Extended Pianos employ stochastic improvisations, live analogue processing, feedback experiments, atmospheric tape composition, and ultra-physical episodic structures to manipulate prepared piano performances in real time, creating an exceptional and engrossing work.

Part of a series of 8 split release cassettes, hand-painted & numbered; Side A is Dog Hallucination (D. Petri) for manipulated guitars, textural element, and organized sound; Side B is Ichtyor Tides (Nikola Akileus) for synthetic ambience, glitches, hazy drones, & field recordings.

A beautifully ambient album of analogue synthesiser, microtonal saxophone and electronics by Argentinian saxophonist Sergio Merce, a single long track that pauses and resumes its rich tones and harmonies at a deliberate and measured pace, allowing each environment to ring.

French composer Herve Boghossian pays hommage to electronic composer Eliane Radigue while asserting his own approach to continuous electronic sound in textures and pulsations, using a laptop recording feedback, plus harmonicas, drums, brooms, tuner and voice.

An extended electroacoustic piece recorded in 2011 and named as an apt description of the bubbling, dense and intense flow of sound Chrysakis generates using electronic devices, acoustic sounds and field recordings, an absorbing work of audio flux and percolation.

Using extended saxophone (Guionnet), microphones, prepared recordings & laptop (La Casa) and electronics, field recordings & laptop (Samartzis) this release comprises various live recordings made in 2007 while on tour in France, Germany and Italy.

Goh Lee Kwang recorded these tracks from 2012-2015, a diverse set of pieces using sound, noise, field recordings, even guitar and rhythm to create unique audio environments, a succint and interesting reflection on the inquisitive nature of this audio explorers work.

Layered and manipulated sound created in the studio and captured through live improvisation to create these rich, resonant compositions from Grant Stewart, a member of Machine Language, Daedal, A Perfect Mirror, The Eschaton Manifest, and The Inference Engine.

Guitarist Brian McKenzie is known best for his dramatic rock persona, where his multi-instrumental approach to song-writing shows great skill; on this album, McKenzie gets down to the guitar itself, with loops, effects and electronics creating a cohesive set of 9 pieces that maintain an edgy, discordant approach to enthralling sound.