Sophie Agnel uses a startling array of objects and techniques in playing inside the prepared piano, demonstrated in these digital concerts recordings from 2008.

Antoine Berthiaume (guitar, effects) and MaryClare Brzytwa (flute, laptop, electronics) in twelve pieces of intriguing improvisation.

Thirteen tracks by Avant vocalist Jaap Blonk using unusual techniques and electronics in his own original compositions and works for Thelonious Monk, Dylan Thomas, etc.

Legendary improvising vocalist Jaap Blonk in a solo work, a mesmerizing and hallucinating piece of electronic music presenting myriads of voices and melodies that never repeat themselves.

CD & DVD of Tim Brady's first installment in a triptych documenting a series of 24 pieces for guitar, here presenting Frames 19-24 for electric guitar, electronics and video.

A split LP from two Bay area electronic composers inspired by the masters of tape and electronic music: Vulcanus 68 in a nostalgic rendering of spliced and collaged tape techniques; and Thomas Carnacki in an engaging collage of identifiable or sinister sound.

Eugene Chadbourne's electric rake ensemble, with Chadbourne's hopeful comment on the back: "Perhaps now The Rake will be taken seriously" !

Sound artist Stephen Cornford performs realtime feedback treatment of pianist Samuel Rodgers, creating tense and spacious sound works, intensifying Rodgers' sparse keyboard work.

Clarinetist Jeremiah Cymerman's solo work with clarinet, electronics and amplifier is a dark and aggressive work that mutates the potential of the single reed into a monstrous instrument of surprising properties.

Acousmatic work from electronic composer Degrassi: two serial pieces using algorithmic software, an elabration of recorded sounds, and an improvisation using real-time synthesizers.

A curious and remarkably enjoyable collection of works from Jorrit Dijkstra (sax, lyricon and electronics) in a quintet with Phillip Greenlief (reeds), Kyle Bruckman (double reeds & electronics), Frank Gratkowski (reeds), and Jon Raskin (sax & electronics).

The 4th release by EKG (Bruckmann/Karel) presents live electroacoustic recordings extracted and restructured by Bruckman, emphasizing the electronic nature of their work.

WPG is John Ferguson and Robert van Heumen, blending a fractured pulse with dynamic texture into an immersive and disorientating music, from subtle to invasive sound.

The debut studio recordings from Calgary, Canada's Mark Fleischhaker and Scott Munro, electronically manipulated vocals with a loose sense of the word.

The followup to Furt's expanded format as heard on Spin Networks in 2005, in electroacoustic trios with John Butcher, Phil Minton, Rhodri Davies, Ute Wassermann, &c.

Classical pianist Joana Gama and live electronic processing artist Luis Fernandes bridge compositional and experimental forms in this lyrical work, where Fernandes transforms, dissects, loops and otherwise mutates the Gama's playing in unexpected and elegant ways.

Lithuanian sound and industrial artist Gintas K (Gintas Kraptavicius) in an album of abstract electronics composed on the computer, 11 tracks of burbling and glitching sound.

Compiling 3 very limited solo LPs from Swedish saxophonist Mats Gustafsson, performing intimate and unusual renditions of the music of Duke Ellington, Albert & Donald Ayler, and the important post-bop baritone player Lars Gullin; liner notes by Robert Crumb.

Dutch improviser van Heumen (N Collective, OfficeR, &c.) in a dynamic and shifting solo work of laptop electronics, noise textures, and text.

Brighton, UK turntable/electronics improvisor Daniel Jones and the American guitarist Barry Chabala meet for an album of ringing and beautiful lowercase sound.

The first meeting of Jason Kahn and Phil Julian, both performing on analogue modular synthesiser, intended to be recorded as material for studio sound compositions, but which was so compelling as improvised work that they chose to release the album as recorded.

Unusual electroacoustic improv from the duo of Christof Kurzmann on lloopp and Irena Tomazin on voice and dictaphone, recording at Radio Student and at Amann Studio in 2012 and 2013.

A series of unusual electronic constructions from Malaysian sound artist Goh Lee Kwang, Herbal International's label boss, a diverse set from indistinct squiggly sound to full-on noise, with lengths from 31 seconds to 37 minutes; unusual, peculiar, and fascinating.

Diane Labrosse is on sampler with Martin Tetreault on turntables in this abstract release of electronic improvisation.

Using improvisation, interactive listening and radical exploration, electronic artists Diane Labrosse and Michel F. Cote play with constructing and deconstructing 11 pieces.

Using a minimal mixture of electronic and sound material, Ikue Mori, Martin Tetreault, and Diane Labrosse collage raw noises and spatial elements into elaborate sound clusters.

Diane Labrosse's first solo CD on Ambiances Magnetiques is a collection of digital samples of various objects undergoing mysterious electronic treatments.

A collection of miniature songs with mocking, satirical lyrics that reform out-of-date proverbs into modern pearls of wisdom, paired with improvisation and written composition.

Dazwischen means in-between, and these works by pianist, electronic artist and AMM associate Sebastian Lexer bridge the electronic, compositional, and free improv worlds with subtlety.

Machinefabriek (Rutger Zuydervelt) in an EP of a long sine save compositions that creates a minimally moving piece of consonance and dissonance using beautifully recorded tones.

An emotional solo concert performed at Chicago's Corbett vs. Dempsey gallery, an ode to Mazurek's mother a few months after her passing, on cornet, flutes, bells, books, maracas, apples, and little electronics, in a touching and beautiful celebration of her life.

In 1996, to celebrate the 20th anniversary of Joe McPhee's first solo release, McPhee recorded this remarkable album of solo reeds, pocket cornet, and electronics, using overdubbing to create gripping music including an homage to Miles Davis and unique versions of standards.

Six works recorded in Amsterdam from electric guitarist Enrique Mendoza, performed by himself or saxophonist Boglarka Nagy, or flutist Jos Zwaanenburg, each track featuring live electronics.

The 20th volume of the Book of Angels series is led by virtuoso guitarist Pet Metheny as he creatively plays John Zorn's compositions with a large assortment of instruments and electronics.

A beautifully paced and uniquely voiced album of electronic soundscapes from luminary New York performer Ikue Mori, 10 works including a realization of Izumi Kyoka's story "Koya Hijuri", 3 pieces for Mozu birds, the 2-part "Pomegranate Seeds", and one of Zorn's Masada compositions.

Three compositions by Luigi Nono, recorded at the Berlin festival "Inventionen", live electronics moving away from clear spatial and timbral assignations rendering the acoustic instruments barely recognizable.

3 works by composer Luigi Nono: "A Carlo Scarpa" for orchestra; "A Pierre..." for bass flute, bass clarinet and live elektronics; and "Guai ai Gelidi Mostri" for ensemble, voices and live elektronics.

Jonathan Webb and Robert Hopps combine processed field recordings with guitar, turntables, electronics, and found sounds in long form drone-oriented improvisations.

Recordings from Cork, Ireland (home of O'Leary) and Basel, Switzerland, of subtle, dark and powerful experimental improv from two masters of the form.

An eclectic collection of mostly improvisational songs that use sampling and other electronic processing on raw instrumental material, that is then combined with new improvisation to reshape the material even further.

Expanding their duo into a sextet with the addition of strings (Sara Parkins, Maggie Parkins), piano (Sylvie Courvoisier) and voice (Maja Solveig Kjestrup Ratkje), Ikue Mori and Zeena Parkins have created a compelling and varied soundscape inspired by fairy stories the world over.

The second part of composer Michael Pisaro's "Hearing Metal" series, Pisaro performing on field recordings, radio, guitar, sine tones, with Greg Stuart performing on a diverse set of percussive instruments.

The third part of composer and performer Michael Pisaro's "Hearing Metal" series, Pisaro providing sine tones, performing with Greg Stuart on 16 suspended cymbals plus grains/surfaces.

Beautiful, subtle improvisations from electronic artist Michael Pisaro and guitarist Taku Sugimoto, who composed & recorded their tracks separately and collaborated on the mixing.

Pisaro's "fields have ears" started as a simple work for solo classical guitar and sine tones, but has developed into this extended work augmented with turntables, radios, records, field recordings, and earlier Pisaro pieces.

Pisaro's fascinating composition created with guitar, bass, percussion, radio, electronics, and field recordings, using long gaps of silence resolved through a dynamic set of rich audio sections.

Sound artist Annabelle Playe blends electroacoustic, experimental and electronic noise music in her debut album.