Sophie Agnel uses a startling array of objects and techniques in playing inside the prepared piano, demonstrated in these digital concerts recordings from 2008.

Pedal Steel guitar innovator Susan Alcorn in a mostly solo release, beautifully performing 4 lush compositions by Astor Piazzolla, with bassist Michael Formanek joining for the Alcorn-penned "Suite for AHL".

Paolo Angeli presents an experimental album that explores the entire range of his modified, extended, and prepared Sardinian guitar with beautiful compositions that defy categorization.

The DVD movie and CD soundtrack of 10 years of Nanni Angeli's photo documentation of the strange story of Paolo Angelis exotic, extended giant Sardinian guitar.

Piano prodigy Ariel, performing complex jazz compositions at the age of 9 (!) with infuences from Matthew Shipp, John Hicks, Kirk Lightsey, Uri Caine, Aaron Goldberg, &c.

A much-needed reissue of Derek Bailey's 1978 2-CD Japanese release on the Morgue label, the first disc a series of studio improvisations and the second presenting two live performances in Nagoya and Kalavinka.

Thirteen tracks by Avant vocalist Jaap Blonk using unusual techniques and electronics in his own original compositions and works for Thelonious Monk, Dylan Thomas, etc.

Legendary improvising vocalist Jaap Blonk in a solo work, a mesmerizing and hallucinating piece of electronic music presenting myriads of voices and melodies that never repeat themselves.

Making extensive use of sampling and computer electronics, composer and guitarist Tim Brady combines a major work for 20 guitars on his debut record for Ambiances Magnetiques.

Improvising pianist Alberto Braida combines the styles of jazz, 20th Century music, and European piano improvisation to create his own unique method of piano playing.

Using sopranino, sorano and decayed tenor saxophone, Mark Brown recorded these unusual improvisations, generating a huge variety of sounds and tones, and then constructing those recordings into this curious and captivating 40 minute work.

UK saxophone phenomenon John Butcher in 10 live solo recordings using the unique sonic environments of Richmond Hall, a Houston art gallery that has been compared to a bowling alley, and Issue Project Room's high-ceilinged marble room in Brooklyn, NY.

Aural Terrains label leader and electronic composer Thanos Chrysakis in a work in three movements based on a blending of electronics and acoustic instruments.

Twenty-four engrossing improvisations by Nicola Cipani that were made on broken and untuned pianos, keyboards, and even a clavichord that the artist found, from recordings over a two-year period across New York City.

Italian composer Osvaldo Coluccino performed these minimal works using acoustic objects only: no musical instruments, no power tools, nor appliances, nor other electric machines, and no post electronic processing.

From an exploration of volcanoes in Japan to the ambience of a nap in France, composer Eric Cordier organizes field recordings made in his travels to create exotic and engaging audio environments that transport the listener.

Portuguese composer and pianist Simao Costa in an album of solo prepared piano in the style of John Cage, using transducers, speaker & objects, paced like a Morton Feldman composition, balancing tones and percussive sound in exquisite compositions.

Clarinetist Jeremiah Cymerman's solo work with clarinet, electronics and amplifier is a dark and aggressive work that mutates the potential of the single reed into a monstrous instrument of surprising properties.

Percussionist Chris Dadge recorded these two drones using amplified cymbals, violin, and snare drum inside a replica of a Saskatchewan-prairies-style grain silo erected by artist Mark Lowe at the 2011 Calgary Folk Festival.

Drummer and percussionist Chris Dadge plays a personal set that was recorded live and includes a variety of percussive stylings varying from minimal ideas to junk-oriented textural play.

Terry Day plays a wide variety of instruments including piano, saxophones, drums, cello, mandolin, voice and many more in these analogue studio recordings made between 1978 and 1981.

Recorded live in an Australian National Park on a 15-day walk, saxophonist Jim Denley performs solo on the alto saxophone in response to and in conversation with the environment around him using the natural acoustics of this rugged and awe-inspiring region.

Recorded and performed without loops, overlays or other technological aid, Norwegian drummer and composer Ola Djupvik explores his limits in a mix of European free improvisation, minimalism and contemporary composers like John Cage and Morton Feldman.

A collection of solo pieces from forward-thinking French soprano saxophonist Michel Doneda, using extended techniques and utilizing every inch of the horn, creating unconventional and captivating sonic expressions from the instrument.

Influenced by Cecil Taylor, Kaja Draksler is a Slovene piano player living in Amsterdam, performing inside and out of the piano in a unique style that approaches performing as a vision of the piano as a miniature orchestra.

A solo poetic album by Andre Duchesne on acoustic guitar playing 14 beautiful songs.

Marc Ducret's Tower series continues, skipping a beat as we jump from Vol 2. to Vol. 4, in this live solo acoustic guitar release from his 2012 Baltic tour, where he reassembles and builds bridges to offer a new vision of the Tower's cycle.

UK Composer Michael Edwards wrote these quiet compositions using his "slippery chicken" software, originally written as a challenge to pianist Rei Nakamura, in contrast to his technical skills, instead requiring pensive accuracy over a steady line of quiet chords.

Bernard Falaise's debut solo album in 15 peieces for guitar ensembles played by one guitarist with the help of overdubbing and digital processing.

First-time CD releases of three Pierre Favre solo albums from 40 years ago: Drum Conversations [originally an LP from Calig-Verlag label]; Abanaba [LP on Futura]; Mountain Wind [LP on Gemini].

Six distinct "phases" of entrancing drones performed on an unprepared but slightly damaged harmonium by French improviser Monsieur Favriou, demonstrating the timbral range of the pedal-pumped reed organ.

Solo clarinetist Lori Freedman in 13 new pieces of improvisation for soprano and bass clarinets that are vibrant, captivating, and full of texture.

A remarkable solo guitar CD from Bill Frisell, filled with complex harmonies, bizarre voicings, rich orchestral sonorities, intense screams, delicate phrasing, wild noises and an incredible simultaneity.

A hauntingly beautiful set of solo piano works from Japanese pianist Satoko Fujii, subtle work that belies her incredible techincal skill through beautifully paced and meditative music.

Lithuanian sound and industrial artist Gintas K (Gintas Kraptavicius) in an album of abstract electronics composed on the computer, 11 tracks of burbling and glitching sound.

Georg Graewe in a series of 13 piano fantasies from 2 to 7 minutes long, non-idiomatic improvisation incorporating diverse modern styles in rich variety, from introspective work to elaborate and inventive playing using great technical and dramatic control.

Saxophonist Alexandra Grimal recorded this double CD with pianist Giovanni Di Domenico a the Theatre Du Chatelet, in Paris, France, for adventurous dialog in a dynamic set of original Di Domenico compositions plus freely improvised work, both duo and solo.

Stepping away from the saxophone, composer/improviser Jean-Luc Guionnet presents two large compositions for the organ, each taking a single CD to explore the organ's border effects, resonances, natural saturations, all artefacts that sign the acoustic, analogic, digital, process.

Joane Hetu in her first solo album for alto saxophone and voice that is poetic and intimate.

A compendium of compositions and improvisations from 2009-13 by undersea acoustician and audio engineer A.F. Jones, who uses stringed instruments and analog devices, hand-crafted and found, in works that emphasize structural components such as timbre, tone, or attack over form.

Vancouver-based Jay Crocker, half of Bent Spoon with Chris Dadge, in an album of electronics using homebuilt instruments and treatments, rhythmically based music with effective melodies and a quirky, sometimes lo-fi, but always engaging approach.

Sound artist Jason Kahn performing in Zurich at the Kunstraum Walcheturm arts organization, recording fourteen short improvised sections, focusing on heavily effected drums and percussive elements augmented with synthetics, radio, plus work exclusively for voice.

Henry Kaiser in a solo album paying tribute to a handful of his heroes who have tragically died in the past few years, including Basho, Stockhausen, Randy California, Sun Ra, Morton Feldman, Masayuki Takayanagi, Toru Takemitsu, Pete Cosey, Sonny Sharrock, &c.

During his residency in Vienna as part of Johannes Heuer's "Vor Anker", Kuchen recorded these curious solo works using saxophone and preparations, 6 pieces of understated intent using unconventional approaches rewarding the active listener.

A journey in sound from composer Eric La Casa, who organized these recordings of water and wind captured over 12 years as a sonic journal of the various geographic locations he visited, transforming them into an absorbing story about the living world.

The second volume of Steve Lacy's solo soprano saxophone concerts, starting off with the three short versions of Billy Strayhorn tunes which opened his first solo concert at Avignon in 1972.

Solo saxophone performances of three of Steve Lacy's cycles--"Shots", "Sands", and "Hedges"--recorded in concert and in the studio in the late 70's and 1980, with the majority of the material previously unreleased; thoughtful, technical, lyrical, astounding music from a true master!

Four realisations of composer John Lely's simple but brilliant composition 'The Harmonics of Real Strings', a very slow glissando along the full length of one bowed string, performed by Anton Lukoszevieze; one realization for each string of the cello.

Pianist Marilyn Lerner in a compilation of improvisations created by setting up different microphones in various configurations to highlight different sound qualities of the piano.

Rene Lussier on solo electric guitar in fourteen improvisational pieces that were not overdubbed or processed post-recording.

The first solo electronics and percussion album by radical and legendary British improvisor Paul Lytton since 1979, recorded in the studio in Germany, and using a wealth of homemade instruments, laptop, percussive devices, objects, and electro-mechanical devices.

Machinefabriek (Rutger Zuydervelt) in an EP of a long sine save compositions that creates a minimally moving piece of consonance and dissonance using beautifully recorded tones.

Composer & pianist Marcin Masecki wrote this work, inspired by Frederic Rzewski and presenting variations on the Chilean song "El pueblo unido jamas sera vencido" (The town united will never be defeated) and invited pianist Piotr Nowicki to perform it for this recording.

Surprisingly the first solo album from bassist Marcio Mattos, an important member of the London free improv and jazz scenes since the 70's, here presenting recordings from late 90s and 2000's, and a live recording at St. Mary's Old Church in Stoke Newington, 2010.