Paying homage to recordings from Mingus, Sanders, Thornton, &c, albums that shaped his approach to jazz composition and playing, trumpeter Frank London and his band The Elders--Marilyn Lerner, piano; Hilliard Greene, bass; Newman Taylor Baker, drums; and Greg Wall on sax on 3 tracks--perform six sophisticated London compositions that bridge modern improv with 60s post-bop lyricism.

The fourth book in New York improvising bassist William Parker's interview with other improvisers, here with 29 interviews, and 24 works of art by Jeff Schlangler; interviews include Peter Brötzmann, Darius Jones, Ava Mendoza, Zeena Parkins, Tom Rainey, Bobby Zankel, Evan Parker, James Brandon Lewis, Micheal Bisio, Mario Pavone, Taylor Ho Bynum, &c.

A beautifully recorded session at Germany's Club Lila Eule for Radio Bremen from 1969 by the Marion Brown Quartet, his touring band at the time with AACM legendary drummer Steve McCall and German double bassist Siggi Busch and trombonist Ed Kröger, performing eight solid free jazz pieces including "Ode to Coltrane" and "Juba Lee"; a spectacular addition to Brown's discography.

Expanding on the history of Henry Cow in new recordings discovered after the 19-CD Cow Redux box, including: a well-recorded concert at the the first Glastonbury Fayre in 1972, the earliest recordings of the quartet of Martin Ditcham, Fred Frith, John Greaves and Tim Hodgkinson; a 1978 grouping with Phil Minton; unrecorded compositions from 1977 in Bilbao; and a 1976 Chaumont Concert.

Few quintets deserve the designation of super-group more than pianist Myra Melford's quintet with Mary Halvorson on guitar, Ingrid Laubrock on tenor & soprano saxophones, Tomeka Reid on cello and Susie Ibarra on drums & percussion, performing Melford's wonderfully inventive 10-part composition.

Meeting in France in 2017 for the Festival Météo de Mulhouse, Evan Parker alternating between soprano and tenor saxophones and Matthew Shipp on acoustic piano, present an epic extended improvisation that naturally evolves through several sections, followed by a brief post-script, each musician attentively focused as they support the clarity of each other's playing.

Presenting 3 CDs, a DVD, and a solid 80-page book of images and text, capturing 3 nights at Cafe Oto from the trio of Evan Parker (tenor sax), John Edwards (double bass), and Eddie Prevost (drums), joined one night by Alexander v. Schlippenbach, and another night by Christof Thewes.

Recorded live at the Huddersfield Festival of Contemporary Music in 2006, this is the 3rd and final volume of works by Morton Feldman performed by the Smith Quartet with John Tilbury on piano, recorded in high quality DVD audio and with extensive liner notes by Tilbury.

A rare meeting between Japanese minimalist Sachiko M and AMM's Eddie Prévost and John Tilbury, recorded in 2004 at London's Museum of Garden History, where sine wave precision meets tactile percussion and spacious piano in an intricate electroacoustic improvisation that explores silence, texture, and the fragile tension of deep collective listening.

Breaking from the AMM collective, British percussionist Eddie Prévost's 1996 solo debut showcases six studio-recorded works highlighting expressive momentum and textural nuance through innovative drumming and cymbal techniques, crafting layered and intense sonic landscapes with extraordinary skill and the inventive application of external objects.

3 recordings from 3 live concerts in 3 London boroughs, including the 2012 Freedom of the City Festival, bringing together master improvisers Evan Parker (saxophone), Eddie Prevost (Percussion) and Sebastian Lexer (piano) for unpredictable and exhilarating dialog.

Recorded in concert at The Network Theatre, Waterloo in London, 2012, the trio of Tom Chant on saxophone, John Edwards on bass and Eddie Prevost on drums present a tour de force of modern free jazz with great technical and conversational power.

Superb free improvisation from the UK trio of Nathaniel Catchpole on tenor sax, John Edwards on double bass, and Eddie Prevost on drums and bowed tam-tam, three generations of improvisers pushing the envelope of spontaneous composition in accomplished and playful dialog.

Performing live at Cafe OTO in London, 2018, Japanese sound artist and composer Ken Ikeda comes together with percussionist and Matchless label-leader Eddie Prevost for a concert of resonant, rich improvisation, Ikeda's electronics complementing Prevost's bowed cymbals as the duo builds to a diverse offering of powerful yet controlled sonic uproar; stunning.

A series of inspired solo and duo performances from AMM founder, percussionist Eddie Prevost and free improvising saxophonist John Butcher, captured live at London's Iklectik in 2018, splitting the album between solo and duo work as the two morph their instruments into incredible sonic devices, with intense concentration and dialog nothing short of fantastic.

As part of his annual concert series with local & international artists & musicians, in 2006 Montreal saxophonist Francois Carrier reached out to Polish trumpeter Tomasz Stanko to perform at Theatre La Chapelle, recording over two days as a quintet with long-time collaborator, drummer Michel Lambert, and legendary improvisers Mat Maneri on viola and Gary Peacock on double bass.

A powerful live performance recorded at Barcelona's L'Auditori in tribute to the late patron of free improvisation, Marianne Brull, capturing the first meeting of soprano saxophonist Michel Doneda, percussionist Lê Quan Ninh, and Barcelona-based improviser Núria Andorrà in a set of radical listening and deep interaction exploring spontaneous collective expression.

A 2009 live performance at the 15th Magyarkanizsa Jazz Festival in Serbia between Hungarian violist and composer Szilárd Mezei and US saxophonist Charles Gayle, an evocative meeting of transcendent free jazz and compositional precision, weaving Mezei's intricate scores with Gayle's profound, soul-searching improvisations; a dynamic and fiery celebration of freedom and expression.

After performing at the Ad Libitum Festival 2021, FSR's Maciej Karlowski organized this recording at Agnieszka Osiecka Polish Radio Concert Hall in Warsaw, bringing together four masterful improvisers from four countries: pianist Izumi Kimura (Japan/Ireland), cornetist Artur Majewski (Poland), bassist Barry Guy (The UK) and drummer/percussionist Ramon Lopez (Spain).

A riveting live performance from the 2023 Copenhagen Jazz Festival by Joëlle Léandre, Lotte Anker, and Kresten Osgood, whose trio of bass, saxophones, and drums delivers an enthralling journey through three improvisational worlds, blending spontaneity, profound interplay, and virtuosic intensity in a masterful exploration of sound and emotion.

A fearless and fluid exchange between saxophonist Ivo Perelman and drummer/pianist Tyshawn Sorey, this double album captures the duo's extraordinary chemistry, shifting between blistering intensity and spacious, exploratory passages as Sorey alternates between drums and piano, forging intricate dialogues with Perelman's masterful phrasing in a boundless and deeply expressive sonic journey.

A far-ranging transatlantic trio session from pianist Simon Nabatov, bassist Mark Helias, and drummer Tom Rainey, capturing a dynamic fusion of composed and collective free jazz, as Nabatov's intricate compositions burst with frenetic energy, shifting between exuberant rhythmic interplay, explosive improvisation, and richly textured sonic landscapes in an electrifying set of performances.

Formed from a transatlantic friendship and deep musical rapport, the trio of clarinetist Christophe Rocher, bassist Joe Fonda, and drummer Harvey Sorgen create an inspired and richly expressive set of improvisations, balancing melodic clarity and spontaneous invention in a lyrical program that reflects themes of presence, connection, and creative renewal.

The enduring and innately lyrical collaboration of Japanese pianist Satoko Fujii and NY bassist Joe Fonda, first heard in 2016 with Duet, through 2019's Four with trumpeter Natsuki Tamura, continues despite the constraints of a pandemic in these 10 improvisations recorded separately in Kobe and at Fonda's home, with Fonda also performing on cello & flute.

Complementing their 2022 release Kind Of Light, recorded the same day at Agnieszka Osiecka Polish Radio Concert Hall in Warsaw in 2021 after their performance at the Ad Libitum Festival, the quartet of Izumi Kimura on piano, Artur Majewski on trumpet & electronics, Barry Guy on bass and Ramon Lopez on drums & percussion release this magnificent 11-part improvisation.

Delicately forceful, the live concert at Real Art Ways, in Hartford, Connecticut as part of the ImprovisatioNOW concert series, is a perfect encounter between two legendary New York improvisers--trumpeter Wadada Leo Smith and guitarist Joe Morris--capturing five dialogs of impressive technique and creative expression, including references to Monk and Ma Rainey.

Performing the lyrical compositions from the band's leader, this quartet — featuring Joe Fonda (bass), Michael Rabinowitz (bassoon), Jeff Lederer (clarinets & flutes), and Harvey Sorgen (drums) — explores a uniquely chamber-like soundscape, blending jazz and classical influences through intricately arranged compositions and inspired improvisations with a distinctively rich and unexpected ensemble voice.

A previously unreleased 1988 live performance from the legendary partnership of pianist Cecil Taylor and drummer Tony Oxley, recorded at the Outside In Festival in the UK just months after their initial collaboration, presenting a fiercely dynamic and poetic duo of free improvisation, revealing the spark and spiritual force that would define their decades-long artistic relationship.

A deeply intuitive trio session from Swedish bass clarinetist Christer Bothen with bassist Kansan Zetterberg (aka Torbjourn Zetterberg) and vibraphonist/drummer Kjell Nordeson, balancing lyrically meditative spaciousness with surging energy through dreamlike, open-ended improvisations that reflect Bothen's lifelong pursuit of spiritual expression in sound.

A stunning second album from Swedish bassist and composer Vilhelm Bromander's Unfolding Orchestra, expanding on his acclaimed debut with richly textured, spiritually resonant compositions inspired by political urgency and environmental reflection, featuring a 13-piece ensemble delivering lush orchestrations, patient development, and profound, hopeful expression.

Inspired by John Coltrane’s A Love Supreme, the second album from the Berlin-based quartet Das B — Mazen Kerbaj (trumpet), Mike Majkowski (bass), Magda Mayas (piano), and Tony Buck (percussion) — subverts the tribute format with a radical re-imagining built on free improvisation, textural exploration, and structural homage, resulting in a deeply immersive and conceptually rich work.

Joe Morris wrote this book to discuss aspects of free music, including responses to his questionnaire written by Joe McPhee, William Parker, Jamie Saft, Ken Vandermark, Marilyn Crispell, Nate Wooley, Jack Wright, Matthew Shipp, &c.

Brooklyn trumpeter Adam O'Farrill leads a superb octet — Mary Halvorson (guitar), Patricia Brennan (vibes), Tomas Fujiwara (drums), and others — through dramatically inventive compositions inspired by the literature and arts of the 1930s, balancing angular rhythmic intensity, rich melodic lyricism, and expressive improvisational depth with adventurous sophistication.

Celebrating the profound compositional legacy of Julius Hemphill through inventive string adaptations of his saxophone quartet and sextet works, violinists Curtis Stewart and Sam Bardfeld, violist Stephanie Griffin, and cellist Tomeka Reid channel Abdul Wadud's expressive spirit, transforming Hemphill's blues-inflected jazz into vividly textured chamber improvisations with lyrical intensity.

A collection of songs exploring intimacy under colonialism by the writing duo of bassist and singer/lyricist Mali Obomsawin, a member of the Odanak First Nation and known for her work with the band Lula Wiles, and Chicago guitarist Magdalena Abrego, based in Cambridge, MA, featuring eight beautifully crafted pieces that showcase lyrical strength and astute observation.

The 2nd recording from cornetist Bynum's improvising chamber ensemble SpiderMonkey Strings in a narrative coming of age work using Bynum arrangements of Ornette, Sun Ra, & Elligton.

Brooklyn guitarist Mary Halvorson in her 1st release with her trio of bassist John Hebert & drummer Ches Smith, experimenting with harmonic, melodic & rhythmic components.

Brooklyn-based guitarist/composer Mary Halvorson's second recording with her amazing working quintet of trumpeter Jonathan Finlayson, saxophonist Jon Irabagon, bassist John Hebert, and drummer Ches Smith.

Limited edition LP of Brooklyn-based guitarist/composer Mary Halvorson's second recording with her amazing working quintet of trumpeter Jonathan Finlayson, saxophonist Jon Irabagon, bassist John Hebert, and drummer Ches Smith.

Mary Halvorson leads her Septet with Jonathan Finlayson (trumpet), Jon Irabagon (alto sax), Ingrid Laubrock (tenor saxophone), Jacob Garchik (trombone), John Hebert (bass) & Ches Smith (drums) through 6 original compositions and a Robert Wyatt cover!

Mary Halvorson leads her Septet with Jonathan Finlayson (trumpet), Jon Irabagon (alto sax), Ingrid Laubrock (tenor saxophone), Jacob Garchik (trombone), John Hebert (bass) & Ches Smith (drums) through 6 original compositions and a Robert Wyatt cover!

The 2nd of 3 releases documenting composer/cornetist Taylor Ho Bynums' Navigation project, in 2 LPs of studio recordings with his Sextet: Jim Hobbs on saxophone, Bill Lowe on trombone & tuba, Mary Halvorson on guitar, Ken Filiano on bass, and Tomas Fujiwara on drums & vibraphone.

NY guitarist Mary Halvorson's solo album, worked out after a tour opening for King Buzzo, has her performing creative interpretations of works from modern composers like Roscoe Mitchell, Ornette Coleman, Oliver Nelson, & Tomas Fujiwara, back to Duke Ellington's "Solitude".

Mary Halvorson continues her string of excellent modern jazz albums with this octet release with fellow guitarist Susan Alcorn, Jonathan Finlayson (trumpet), Jon Irabagon & Ingrid Laubrock (sax), Jacob Garchik (trombone), John Hebert (bass) and Ches Smith (drums).

Drummer Tomas Fujiwara's sextet is actually two trios interacting, with fellow drummer Gerald Cleaver, both Mary Halvorson and Brandon Seabrook on guitar, and Taylor Ho Bynum on cornet and Ralph Alessi on trumpet, the pairings forming unisons and contrasts that add an unrestrained sense of enthusiasm and excitement to Fujiwara's sophisticated compositions.

Mary Halvorson continues her string of excellent modern jazz albums with this octet release with fellow guitarist Susan Alcorn, Jonathan Finlayson (trumpet), Jon Irabagon & Ingrid Laubrock (sax), Jacob Garchik (trombone), John Hebert (bass) and Ches Smith (drums).

Cornetist Taylor Ho Bynum draws on a variety of techniques from improvised conduction to big band orchestration to deconstructed fanfares, with a large 15 member ensemble of impressive improvisers embodying a diversity of generations, backgrounds, ethnicities, and gender, presenting three large scale compositions that are ambitious and wonderfully accomplished.

Cornetist Taylor Ho Bynum draws on a variety of techniques from improvised conduction to big band orchestration to deconstructed fanfares, with a large 15 member ensemble of impressive improvisers embodying a diversity of generations, backgrounds, ethnicities, and gender, presenting three large scale compositions that are ambitious and wonderfully accomplished.

Always open to new approaches, NY guitarist Mary Halvorson takes her trio with drummer Tomas Fujiwara and bassist Michael Formanek, adds trumpeter Ambrose Akinmusire and, in a twist of the thumbscrew, vocalist Amirtha Kidambi, for a mix of song and instrumental pieces that balance jazz and rock sensibilities with lyricism, intricate lines, and creative spirit.

Drummer Tomas Fujiwara's sextet is actually two trios interacting, with fellow drummer Gerald Cleaver, both Mary Halvorson and Brandon Seabrook on guitar, and Taylor Ho Bynum on cornet and Ralph Alessi on trumpet, the pairings forming unisons and contrasts that add an unrestrained sense of enthusiasm and excitement to Fujiwara's sophisticated compositions.

Grown from a sextet to this 9-tette, cornetist/composer Taylor Ho Bynum's ensemble brings together some of the finest improvisers from the Boston and New York scenes for compositions that merge orchestration and allow flexibility in interpretation, as heard in these 7 lyrical pieces, the last 3 turning the first 3 on their heads in reworked, expanded versions.

Grown from a sextet to this 9-tette, cornetist/composer Taylor Ho Bynum's ensemble brings together some of the finest improvisers from the Boston and New York scenes for compositions that merge orchestration and allow flexibility in interpretation, as heard in these 7 lyrical pieces, the last 3 turning the first 3 on their heads in reworked, expanded versions.

The 2nd Code Girl release from guitarist Mary Halvorson presents an embraceable and ambitious set of songs from 8 poetic forms for which Halvorson composed words & music, 3 of which are sung by Robert Wyatt, the others by Amirtha Kidambi, in a band with Thumbscrew members Michael Formanek (bass), Tomas Fujiwara (drums), plus Maria Grand (sax) and Adam O'Farrill (trumpet).

The 2nd Code Girl release from guitarist Mary Halvorson presents an embraceable and ambitious set of songs from 8 poetic forms for which Halvorson composed words & music, 3 of which are sung by Robert Wyatt, the others by Amirtha Kidambi, in a band with Thumbscrew members Michael Formanek (bass), Tomas Fujiwara (drums), plus Maria Grand (sax) and Adam O'Farrill (trumpet).

The UK and Vancouver meet for a second release under the Way Out Northwest name - British saxophone master John Butcher with bassist Torsten Muller and drummer Dylan van der Schyff - recording for Sonarchy Radio.

Frequent collaborators, Matthew Shipp (piano) and Michael Bisio (bass) are joined by fellow Downtown New Yorker Mat Maneri on viola create what they refer to as a chamber ensemble, performing the 15 improvised and inspired chapters of Shipp & Bisio's "Gospel".

Drawing on several years and many shared projects, the duo of Ingrid Laubrock (sax) and Tom Rainey (drums) recorded this excellent album of sophisticated improvisation at the end of a 17-date tour, performing for a studio audience at Audio for the Arts in Madison, Wisconsin.

Pioneering improvising pianist Fred Van Hove at UK's Cafe OTO for the first time, captured in a duo with UK drummer/percussionist Roger Turner, their first recording together, for a night of exceptional improvised interplay, sophisticated and complex playing that is constantly buoyant and charming, an enthralling conversation between two veteran players.

A joint release between Astral Spirts and Relative Pitch, guitarist Ava Mendoza conjures five assertive and rugged "spells" performed on solo electric guitar, passionate works of raw technical skill and bold power as she improvises over two songs composed by herself, alongside pieces written for her from Devin Hoff, Trevor Dunn and John Dikeman.

An assertive album of collective free jazz from three masterful NYC players — John Blum (piano), David Murray (tenor sax) and Chad Taylor (drums) — recording in the studio for eight high-octane improvisations inspired by the mathematical and natural concept of recursion, comparing nature's expansive growth with the growth of jazz through the incremental expansion of ideas and influences.

Only the second solo album from Swiss-born pianist and composer Sylvie Courvoisier, now based in New York, presenting twelve studio recordings that explore the full range of the piano inside and out, recorded in Germany and showcasing the breadth of her expressive power and spontaneous creativity, shaped by decades of work in innovative transatlantic ensembles.

The late soprano saxophonist Steve Lacy performing his final solo set in 2003 at the Unerhort! Festival in Zurich, a very personal and introspective set that goes straight to the heart.

Brooklyn based bassist Stephan Crump (Rosetta Trio) and guitarist Mary Halvorson (MAP, Braxton, &c) perform duos recorded at Butler Plaza in Brooklyn, 2011, thoroughly modern improvisation from two of NY's finest young players.

With a rare ability to play hard-hitting jazz while maintaining a lyrical sense to his compositions, tenor saxophonist James Brandon Lewis' new studio album from his quartet of Aruan Ortiz on piano, Brad Jones on bass and Chad Taylor on drums is the fourth album from this working band, demonstrating their strong group affinity that invokes impressive soloing from all four.

The first live recordings from 2021 in Switzerland of NY saxophonist James Brandon Lewis' Molecular concept of composition, inspired by molecular biology and yielding lyrical and sophisticated structures for his players, heard in nine compositions performed with the exemplary quartet of Brad Jones on bass, Chad Taylor on drums, Aruán Ortiz on piano and Lewis on tenor sax.

Inspired by the civil rights movement and the iconic Rosa Parks, trumpeter Wadada Leo Smith's album pays tribute through impressive compositional skills that merge work with RedKoral Quartet, Blue Trumpet Quartet, Diamond Voices, and Janus duo, featuring excerpts from Anthony Braxton, Steve McCall, Leroy Jenkins, and words from Martin Luther King Jr and a text by Rosa Parks.

Inspired by Don Cherry's 1966 Symphony For Improvisers and intended to illustrate the profound cultural contributions Chicagoans & Midwesterners have made, trumpeter Leo Smith's presents four expansive symphonies, three performed with Henry Threadgill (sax & flute), John Lindberg (bass) and Jack DeJohnette (drums), the fourth with Jonathon Haffner (sax) plus Smith, Lindberg and DeJohnette.

The seventh chapter in Darius Jones' visionary Man'ish Boy series, this powerful trio recording with Gerald Cleaver and Chris Lightcap presents five new compositions and a Lomax-arranged spiritual, confronting themes of Black mental health, trauma, and healing through richly expressive alto saxophone, deep rhythmic interplay, and emotional resonance.

The seventh chapter in Darius Jones' visionary Man'ish Boy series, this powerful trio recording with Gerald Cleaver and Chris Lightcap presents five new compositions and a Lomax-arranged spiritual, confronting themes of Black mental health, trauma, and healing through richly expressive alto saxophone, deep rhythmic interplay, and emotional resonance.

The debut of guitarist Ava Mendoza, violinist Gabby Fluke-Mogul, and drummer Carolina Perez as a power trio, invoking the Inca moon goddess Mama Killa through eight electrifying tracks that fuse free improvisation with the raw energy of doom, death, and black metal, channeling country, blues, and psychedelia into a ferocious and feedback-laden sonic onslaught.

A sophisticated and delightful cinematic work from Seattle multi-instrumentalist Amy Denio, who composes and leads a 12-piece ensemble in a dynamic new soundtrack to the 1925 silent film Varieté, blending electric guitar, accordion, voice, and hammered dulcimer with a chamber orchestra of woodwinds, strings, and percussion in a rich, genre-defying studio recording.

Recorded in 2005 with an ensemble of like-minded instrumentalists and then edited and collaged for the next year and a half, this was a project of Charles Hayward during his time at The Albany in Deptford, London, using their digital recording suite to create a large work using a variety of strategies and developed in a dramatic story form, issued here for the 1st time.

The first meeting for the trio of Tuvan free improvising vocalist & throat singer Sainkho Namtchylak, saxophonist Ned Rothenberg and turntablist Dieb13, captured in performance at Music Unlimited 33, at Alter Schlachthof Wels, Austria in 2019 for 2 improvisations — the 40 minute "Shave and a Haircut" and the 11 minute "Two Bits" — in incredibly creative and formidable music.

Combining concerts from a number of festivals and venues between 2009 & 2017, this album presents the best of the collaboration between London free improvising vocalist Phil Minton and Austrian turntablist and experimenter Dieb13, each of them masterfully unleashed in overwhelmingly creative, outlandish, sometimes frightening/sometimes uproarious, truly unique music.

An excellent example of the 80s Downtown NY approach to improvisation from the trio of wind player Ned Rothenberg on alto & tenor saxophones, bass clarinet & flute, Elliott Sharp on guitar, bass & violin, and Samm Bennett on drums, percussion & electronic drums, all in the height and excitement of the new music being developed and performed in NYC in the 1980s; awe-inspiring!

Recordings from two European jazz festivals in 2020--Klangspuren festival in Austria and Moers Festival in Germany--from the duo of pianist Elisabeth Harnik and multi-wind & reedist Frank Gratkowski performing on alto & soprano saxophones, clarinet & bass flute, both of whom bring classical training to their spirited, diverse and far-ranging improvisations.

Describing their improvisation as a chemical reaction of positive and negative ions, the central trio of the ensemble Skein--Achim Kaufmann (piano), Frank Gratkowski (winds) and Wilbert de Joode (bass)--are heard in this incredible 2018 concert at Konfrontationen Festival as a septet with Tony Buck (drums), Richard Barrett (electronics), Liz Allbee (trumpet) and Uchihashi Kazuhisa (guitar).

Recording in Switzerland at La Becque Residency Center, the experimental improvising duo of Francisco Meirino on synth & field recording and Jerome Noetinger using electronics, tape, reel to reel player & radio, create a 6-part series of unusual sonic interactions, patiently exposing unidentifiable sounds and synthetic punctuation, neither subtle nor explosive but wonderfully engaging.

Ten years after their last release, Northern California’s Bristle returns with a richly inventive chamber jazz album blending virtuosic improvisation and playful composition, as saxophonists Randy McKean and Cory Wright join violinist/oboist Murray Campbell and bassist Lisa Mezzacappa in a dynamic, Threadgill-esque ensemble sound full of counterpoint, wit, and imaginative sonic twists.

A focused and highly collaborative session from multi-reedist Steve Adams, bassist Lisa Mezzacappa, and drummer Jason Levis, whose long-standing connections through the Bay Area's creative music scene — including Mezzacappa and Levis's duo B and their co-led Experimental Band — inform these concise and sensitive 2022 improvisations with a compositional approach to form and balance.

Dutch vocal artist Jaap Blonk performs Kurt Schwitters' iconic Dada sound poem Ursonate with deeply internalized precision and theatrical nuance, drawing on decades of experience to present a vivid, expressive interpretation of the four-movement work, including both an improvised and written Kadenz, in this definitive 2024 studio recording.

27 concise poems written and read by saxophonist and multi-instrumentalist Joe McPhee, punctuated by 9 musical interludes between McPhee on soprano sax and Chicago reedist Ken Vandermark on clarinet and bass, fortifying McPhee's captivating words that mix life observations among jazz references to Dolphy, Monk, Brötzmann, Coleman, &c.; a truly embraceable "book" of poetry.

Originally issued on the Hat Hut label as a 3-LP set, this 1978 recording of Cecil Taylor compatriot, saxophonist Jimmy Lyons, performing live at Collective for Living Cinema in New York in a unique band with Karen Borca (bassoon), Munner Bernard Fennel (cello) and Roger Blank (drums).

British percussionist Tony Oxley returned to this piece multiple times after debuting it in the early 1970s, drawing on both European improv and contemporary composed music, heard in this previously unreleased 1992 live performance with the superb quintet of legendary trumpeter & flugelhornist Manfred Schoof, UK pianist Pat Thomas, US bassist Sirone and UK saxophonist Larry Stabbins.

A cosmic tribute to Sun Ra's legacy, this limited-edition LP opens with a rare 1950s home recording of Ra performing a cappella, followed by archival and new works from Joe McPhee, Raymond Boni, Jason Adasiewicz, Wolfgang Voigt, and Spaceways Inc. (Ken Vandermark/Nate McBride/Hamid Drake) with Zu, reimagining Ra's soundworld through homage, remix, and exploratory improvisation.

Inspired by John Coltrane’s A Love Supreme, the second album from the Berlin-based quartet Das B — Mazen Kerbaj (trumpet), Mike Majkowski (bass), Magda Mayas (piano), and Tony Buck (percussion) — subverts the tribute format with a radical re-imagining built on free improvisation, textural exploration, and structural homage, resulting in a deeply immersive and conceptually rich work.

Recorded live in the studio in Trieste, Italy, bassist Giovanni Maier and pianist Alexander Hawkins deliver a deeply expressive and adventurous duo session dedicated to the late, great Keith Tippett, weaving spontaneous improvisations and dynamic interplay in a heartfelt homage that reflects Tippett's profound influence and creative spirit.

NY Bassist-composer Joe Fonda leads an exceptional quartet featuring trumpeter Wadada Leo Smith, pianist Satoko Fujii, and drummer Tiziano Tononi in a profound tribute to his mentor Smith, skillfully blending compositional clarity with collective improvisation in a deeply resonant and lyrically intricate musical conversation that reflects inspiration, respect, and artistic integrity.

2010 recordings of AMM (pianist John Tilbury and percussionist Eddie Prevost) performing at the Dom Kultury Centre in Poland, three "paragraphs" of introspective and exceptional improvisation.

Quartet, the masterful grouping of Rachel Musson on tenor sax, NO Moore on electric guitar, Olie Brice on double bass and Eddie Prévost on drums, an improvising ensemble of wonderfully unpredictable momentum, from passages of quiet introspection to thunderous density, but always with attentive listening and imaginative responses, heard in this spectacular 2021 concert at Iklektic.

To celebrate drummer/percussionist Eddie Prévost's 80th birthday, Café Oto hosted four concerts once a week in June, 2022, each a differing configuration from Prévost's history; this final concert reconvened for an extended improvisation between Prévost & guitarist Keith Rowe, with a "Postscript" from pianist John Tilbury recorded at his home in January, 2023.

Long-time collaborators and iconoclastic improvisers, drummer Eddie Prévost and saxophonist John Butcher, met at All Hallows Church, in High Laver, Essex in 2023, using the natural ambience of the space to capture these three improvisations, Prévost playing primarily on a drum kit and both in a more jazz-oriented sax and drum duo, extended by both players' exceptional technique.

The third volume in the High Laver Levitations series that started with the duo of John Butcher and Eddie Prévost, continued with Silvan Schmid, Tom Wheatley & Prévost, now presents Ute Kanngiesser on cello, Seymour Wright on alto sax, and Eddie Prévost on drum kit, recording two extended improvisations that explore the resonant acoustics of All Saints Church in High Laver, Essex.

An engrossing solo statement from AMM percussionist Eddie Prévost, recorded in 2001, using bowed cymbals, found objects, resonant drums, and extended techniques to explore a wide sonic palette, transforming his percussion into a nuanced instrument of texture, tone, and timbral abstraction in a focused, contemplative, and remarkably expressive improvisation.

New 2008 recordings from AMM - Eddie Prevost & John Tilbury with John Butcher - performing at Trinity College of Music in Greenwich, England.

AMM's performance at the 2009 Freedom of the City Festival with AMM regular members Eddie Prevost and John Tilbury extended with John Butcher, Chritian Wolff and Ute Kanngiesser.

Two live recordings by master improvisers John Tilbury (piano) and Eddie Prevost (percussion) playing two emotional sets that are quiet at just the right times and allow for a balanced amount of white space, creating beautiful music.

AMM (Eddie Prevost on percussion and John Tilbury on piano(+)) performing a 1 hour, 1 minute and 1 second live concert at the 2012 Festival of Traditional and Avant-Garde Music in Lublin, Poland in a beautiful melding of unconventional approaches to improvisation.

Recorded at a concert in London, September 1984, this supersession brings AMM stalwarts Keith Rowe and Eddie Prevost together with saxophonist Evan Parker and bassist Barry Guy for an amazingly diverse and cohesive long improvisation.

Recorded at the festival Neposlusno (Sound Disobedience) in Ljubljana, Slovenia in 2012, the AMM duo of Eddie Prevost on percussion and John Tilbury on piano perform an extend improvisation of tension and dynamic, delicately balancing sound in a rich dialog.