Six mysterious soundscapes from Sophie Agnel's bowed, plucked, strummed and struck prepared piano timbres in duo with Minton's grunts, gurgles and growls.

Toronto's amazing husband & wife team drummer Jean Martin and unusual vocalist Christine Duncan with guest guitarist Justin Haynes and Bernard Falaise, recommended!

Drummer and electronic artist Jean Martin joins forces with amazing vocalist Christine Duncan for an album of rhythmic soundscapes and free vocal improvisation.

The Bent Spoon Trio + 3 (Thom Golub, Jay Crocker, Danny Meichel) from their monthly series at Theatre Junction in Calgary.

Legendary improvising vocalist Jaap Blonk in a solo work, a mesmerizing and hallucinating piece of electronic music presenting myriads of voices and melodies that never repeat themselves.

The 2nd release from Italian composer/performer Alessandro Bosetti and Australian pianist Chris Abrahams (The Necks), a very intimate album of sonic explorations that spans improvised fragments and original renditions of compositions like Steve Lacy's "Esteem" with Bosetti's lyrics.

Necks pianist Chris Abrahams teams up with electronic artist and sound poet Alessandro Bosetti for 6 introspective and mysterious tracks that mix Necks-like playing with ambient electronics and curious monologs, plus one waltz.

The 2nd recording from cornetist Bynum's improvising chamber ensemble SpiderMonkey Strings in a narrative coming of age work using Bynum arrangements of Ornette, Sun Ra, & Elligton.

An audio and acousmatic documentary of the sounds along the St. Lawrence River, above and below water, and the voices of the people living around the shore.

A 1998 soundtrack by composer Jean Derome that was created for a film by John Walker that was conceived as a "suite in black and white" that gradually builds as it progresses.

An unusual and thickly strung album bridging dark rock and improvised music from saxophonist Noah Kaplan, bassist and prepared bassis Giacomo Merega, bassist and prepared painist Wes Matthews, and vocalist Rosalie Kaplan.

The Texas duo of amplified & acoustic trombonist David Dove and Jawwaad Taylor on electronics, voice and trumpet, urban-oriented creative free improvisation in slowly evolving and evocative forms.

The debut studio recordings from Calgary, Canada's Mark Fleischhaker and Scott Munro, electronically manipulated vocals with a loose sense of the word.

With lyrics inspired by Hindu erotic books, Arabic love games, and sensual songs; Joane Hetu presents her first CD of her own music with accompaniment from Jean Derome, Diane Labrosse, and Pierre Tanguay.

Joane Hetu in her first solo album for alto saxophone and voice that is poetic and intimate.

Out free improvising vocalist Viviane Houle's debut solo release in duos with a veritable who's-who of Vancouver's finest improvisers including Peggy Lee, Jesse Zubot, &c. &c.

Improv meeting with Dutch master vocalist Jaap Blonk, turntablist Claus van Bebber and Carl Ludwig Hubsch on tuba.

Toronto percussionist Debashis Sinha's first release as the Ima Ensemble features the vocals of Toronto world music singers Jayne Brown and Sophia Grigoriadis.

Improvising artists Catherine Jauniaux on voice, bird call, cupule, cazoo and eRikm on turntables, electronics, live sampling, architect lamp recorded these 17 pieces for the radio show A L'improviste by Anne Montaron for France Culture Radio.

Sound artist Jason Kahn performing in Zurich at the Kunstraum Walcheturm arts organization, recording fourteen short improvised sections, focusing on heavily effected drums and percussive elements augmented with synthetics, radio, plus work exclusively for voice.

Recorded in Paris in 1979, Steve Lacy (soprano sax) and Steve Potts (alto sax) perform music for the aphorisms of Georges Braque, as sung by Irene Aebi; originally issued on Hat Hut records, this reiusse remasters the original release and includes images from the score.

Austrian composer in a work for flute, viola, percussion, and voice aboout the inner state and flow we perceive when listening and concentrating on a piece of music.

After touring Canada extensively for 3 years the trio of Jean Martin, Justin Haynes and Kevin Turcotte released this CD of wide-ranging and excellent recordings.

Merging Hannes Strobl's electric bass and effects with David Moss' unusual vocal approach into stream of consciousness observations and rich music of momentum and mood that are evocative, mysterious and fully engaging.

Patrick McGinley (Murmer) in a series of bold experiments with untreated field recordings, exploring notions of musicality within the structures of found sound, written partially as a reaction against the idea of documentary or objective presentation of found sound.

Percussionist Tatsuya Nakatani presents thirteen pieces that take the listener on an expedition in the modern use of percussion, beautifully paced with rich sound, unexpected harmonic properties, fascinating punctuation, a mesmerizing journey.

"Texturen" for seven musicians and eight other works from composer Katharina Rosenberger, blending acoustics, electronics and voice in inventive ways, as performed by the NY Wet Ink Ensemble.

Free and unusual improvisation with the strange vocal stylings of Jean-Michel Van Schouwburg, bassist Demey, and percussion and bicycle pump player Vanderstraeten.

Vocalist and guitarist Jerry Snell in his first album of twelve songs that are based on a text he wrote about social and political conflicts around the world.

Formed in 2008 Speak Easy brings free vocal improvisers Ute Wassermann and Phil Minton together with drummer Martin Blume and synth player Thomas Lehn for 5 tracks recorded in concert.

Combining composition & improvisation, percussionist Luis Tabuenca based each of these 9 pieces on a print from Goya's critical series "Los Caprichos", orchestrating with saxophone, cello, clarinets, piano, & voice, allowing freedom around determined structure.

Vocalist Sophie Tassignon & saxophonist Peter Van Huffel in a series of improvisations showing an intimate dialog amidst Tassignon's uniquely inventive vocal styling.

The quartet of Cosottini, Melano, Pisani, Miano (EAQuartet Electroacoustic) in compositions referring to the 4 cardinal map points using graphic scores, games, open readings, &c.

Electronic music theater orchestrated by Yannis Kyriakides in collaboration with the Dutch musical theater group, VeenFabriek, that's centralized around the concepts of Spinoza's texts.

Other Dimension with Roy Campbell, Daniel Carter, William Parker, & Charles Downs, plus vocalist Fay Victor for an album influenced by Kaiso, a music of African and Spanish colonial influences.

The sophomore release by The Subliminator (Serson Brannen), "Rake" features 11 new tracks of sonic sublimination, spoken word techno-psychedelia with a threatening edge.

Melodic music recorded live in a Quebec church in 1989 with Jean-Denis Levasseur and Jean Derome on saxophones, Pierre Cartier on bass, and Pierre Tanguay on percussion.

The Bozzini string quartet working with the melodic and unique universe of Toronto-based composer and performer Martin Arnold, whose roots are in the music of avant and improvisational work.

Quartetski Does Stravinsky with drummer Isaiah Ceccarelli, guitarist Bernard Falaise, reedist Phillipe Lauzier, viole de gamaba player Pierre-Yves Martel and violinist Joshua Zubot reinterpret Stravinsky's Rite of Spring in honor of its 100th anniversary.

Collective improvisation from Ho Bynum's Book of Three with bassist John Hebert & drummer Gerald Cleaver, following their RogueArt CD with this exceptional album of original compositions plus works from Bobby Bradford, Salim Washington, and Jim Hobbs.

Four tracks produced by file-exchange from 2010-2012 between sound artist Lee Patterson in Austin, Texas and Manchester, UK-based Vanessa Rossetto, impressive works on a large geographic and sound scale.

Dutch vocalist and electronic artist Jaap Blonk takes on insomnia in 13 short works celebrating sleeplessness, including one piece for Dada sound poet Raoul Hausmann, and other "songs" using effective electronics and bizarre vocal utterances to accompany your own sleepless nights.

Eight meditations on just intonations from electroacoustic artist and vocalist Jaap Blonk, here focusing on instrumental aspects while creating beautiful environments of serene and shimmering sound.

Amorfon continues their exploration of the "voice" of babies, started with "Kindermusik: Improvised Music by Babies" and expanded here as 14 babies are recorded in a single take, expressing themselves before the learning of language, volume, timbre and speech intervals.

Jurg Frey on clarinet and Irene Kurka on soprano vocals perform Wandelweiser composer Antoine Beuger's extended composition "Two"; then the duo of Rhodri Davies on harp and Ko Ishikawa on sho are layered on the first recording, creating a refreshingly new take on the piece.

The trio of Richard Scott on modular synths, Emilio Gordoa on vibraphone & percussion, and Ute Wasserman on voice, in uniquely orchestrated free improvisations that focuses on sound interaction with detail and restraint, while still bringing a sense of wonder and exuberation.

Two concert improvisations for unamplified voice recorded in Canberra, Australia at the 2015 SoundOut Festival and in Tokyo, Japan at the Kid Ailack Art Hall in 2014, using extended vocal techniques and leveraging the room acoustics and social space between Kahn and the audience.

A beautifully dramatic album from the trio of electronic artist Rutger Zydervelt (Machinefabriek), violinist Anne Bakker, and vocalist Edita Karkoschka, a sculpted work full of dramatic turns, immersive drones, glitchy electronics and intimate gestures.

NY saxophonist Steve Lehman merges his sophisticated jazz roots with the experimental hip-hop community, including French saxophonist Maciek Lasserre, vocalists HPrizm & Gaston Bandimic alongside bassist Drew Gress, drummer Damion Reid, and pianist Carlos Homs.

A live recording at POP in Berlin between synth and electronics player Jean-Marc Foussat and vocalist and electronicist Maria Luisa Capurso, subverting the voice through electronics and effects to create wildly encompassing sound environments that contrast Foussat's synthetics with the organic quality of the human voice; rich, hallucinatory, wonderful.

Two large works of improvisation using electric guitar, synth and alto saxophone from the trio of Augustin Brousseloux, Jean-Marc Foussat, and Quentin Rollet, complex and evolving works with a psychedelic edge, blending experimental, rock and jazz into something truly unique.

An absolutely impressive album blending advanced/progressive rock forms with improvisation, starting from collective improvisation and layering in the studio to create a sophisticated psychedelic music, the second album from this ensemble that is headed by Martin Archer (reeds & keys), Chris Bywater (keys & synth), and Steve Dinsdale (drums & percussion).

Draksler's interest in poetry drives this 2-CD release, with a chamber octet of improvisers and orchestra players, with 2 vocalists, two reedists (inc. Ab Baars), violin, piano, double bass, drums & orchestral percussion, performing Draksler's compositions for the words of Pablo Neruda and Andriana Minou.

French free vocalist Isabelle Duthoit met world traveling improviser and Zeitkratzer trumpeter Franz Hautzinger in New York City to record these highly unusual duos, using extreme techniques and inexplicable intent to create 9 uniquely aberrant accompaniments to your most subtle and strange dreams; reference Phil Minton, Axel Dorner, Freddie Kruger.

Bizarre, disruptive, aberrant sound from twisted experts in the field Lambs Gamble, comprised of George Cremaschi on bass & electronics, Fritz Welch on drums, percussion and voice, and Eric Boros (Vialka) on electronics and voice, recording in Switzerland for a fantastic album of intelligent abnormality.

Two saxophones, two voices; two gargoyles, two satyrs; two forces of nature that agitate, whistle, squeak, scrape, blow, and bite, transforming music into a secular incantation and a banquet of sound.

Multi-instrumentalist improviser Novak, who has worked with Tim Daisy and Tatsuya Nakatani, in an eclectic and complex solo release of colliding genres.

Vocalist Lina Nyberg in a quintet with David Stackenas (guitar), Cecilia Persson (piano), Josef Kallerdahl (bass) & Peter Danemo (drums), singing original works plus one by poet Coleman Barks, and Paul Simon's "So Long Frank Lloyd Wright".

Kadima collective saxophonist Ariel Shibolet and 4 California Bay Area players in impressive and intense improvisation that make for an unusual and open-minded discourse.

Composer John Shiurba with an impressive West Coast octet including vocalists Lara Bruckmann & Morgan Guberman, trumpeter Tom Djll, drummer Gino Robair, and bassist Matthew Sperry, &c. conducting them through five twisted compositions.

Confront initiates their new Core Series with the text piece "There Is No Love" with David Sylvian on voice, vocal treatments and electronics, Rhodri Davies on harp, vibraphone and radio, and Mark Wastel on tam tam and percussion, a sophisticated spoken word piece of shadowy atmosphere and innuendo, leveraging approaches from experimental, improvised and composed music.

Recorded live in an Australian National Park on a 15-day walk, saxophonist Jim Denley performs solo on the alto saxophone in response to and in conversation with the environment around him using the natural acoustics of this rugged and awe-inspiring region.

Guitarist Joacim Nyberg, also performing on double bass, bell and recorder, in a live performance in Stockholm, Sweden at Fylkingen in 2014, using "Wood, steel, air. Hands, fingers, heart" in an open-ended and ardent exposition of his interpretation of jazz.

The duo of Jean-Luc Cappozzo on trumpet, horns and objects, and Geraldine Keller on voice flute & objects in an album of tones and tongues, an unusual set of adventurous free improvisation.

Percussionist Isaiah Ceccarelli's work for percussion, two voices, two bass clarinets and viola da gamba, woven from the delicate fabric of the tension between darkness and light.

A collection of guitar, electronic and voice pieces from Anne-James Chaton and Andy Moor, originally released as a series of four seven inch singles here combined into a single CD with 3 bonus tracks.

The MaDam Electroacoustic Improvisation Collective based in Spain performs the first in Pisaro's 34 piece Harmony Series, which attempts to create the conditions for a harmonic situation without giving any actual notes, just numbers, durations of tones, and pauses; this work is based on "swell piece (for alison knowles)" (1967) by James Tenney.

Lawrence Casserley is a pioneer of real time electroacoustic music, since the 60s working with other artists and developing his Signal Processing Instrument, using physical gestures to process and morph sounds; here he works with British vocalist and Deep Listening teacher Viv Corringham in an other-worldly collaboration of voice and electonics.

A compendium of compositions and improvisations from 2009-13 by undersea acoustician and audio engineer A.F. Jones, who uses stringed instruments and analog devices, hand-crafted and found, in works that emphasize structural components such as timbre, tone, or attack over form.

Kevin Good organized this composition from four field recordings collected near Avon, CT, isolating sounds that he found interesting and then attempting to recreate them on other instruments, finally adding the human voice sparsely utilized throughout the piece, all to promote the idea of listeners actively paying attention to the sounds of their environment.

Two women in a duo of voice and amplified objects, Lali Barrier using a variety of devices that are clearly micro-amplifed and mixed in performance, as Marta Sainz intones vocal sounds, never speaking but creating innuendo and drama at a cautious pace, allowing Barrier's objects to interact, creating an unusual sonic environment of unpredictable and interesting discourse.

A free improvisation session with Gunter Christmann on cello and trombone, Alexander Fragenheim on double bass, and extended free vocalist Elke Schipper.

A collection of more than two hundred Hebrew religious chants compiled and published by cantor Abraham Berenstein in 1927 in Vilna, Poland (today Vilnius, Lithuania), re-composed by Arturas Bumsteinas using fragments of melodies found found in the Berenstein's book, with electronics recorded on the old Russian analogue synthezier Polyvox then mixed in EMS.

Composer Michael Winter uses the "maximally complex, incomputable number" known as Chaitin's Constant, plus text adapted from Gregory Chaitin's 1994 book "The Limits Of Mathematics", samples from 36 creative musicians, the voice of Muirgen Eleonore Gourgues, plus cello from Judith Hamann and piano from Winters, to create this curious and compelling narrative work.

Three compositions for voice and piano from German composer Eva-Maria Houben, also performing on piano with soprano vocalist Irene Kurka--"Adagio" in three pieces; "Lyri"; and "Lieder Fur Die Insel (Songs for the Island)--with texts from poet Felix Timmermans (adagio) and Hilde Domin (lyrik); beautiful, stark, haunting music that presents at its own pace.

Five works for harp and voice from composer Eva-Maria Houben and soprano Tatiana Kuzina, opening with a lovely "Aeolian Harp", and including two works from her "Voice and Piano" album recorded for harp--"Adagio" in 3 movements, and "Songs for the Island" in 5 movements--alongside "Hatid" and "Two Songs with Piano" in two movements.

A truly unique album of solo harmonica and voice from Bay Area performer and composer Laura Steenberge, whose studies in folk music, psycholinguistics, acoustics and medieval Byzantine chant brings a sense of the ancient to modern experimentalism, transforming the instrument in a variety of illusive ways that are both enigmatic and entirely embraceable.

Five recordings from the duo of Jason Kahn and Yan Jun, recording ostensibly on voice, though all recordings from their rehearsals and live performances were muted, deleted, or suffered technical issues, so what remains are the extraneous sound of the rooms and concert spaces, alone or layered, the final piece layering incidental sounds from 5 concerts.

Bridging contemporary and improvised music, Montreal double bassist Nicolas Caloia wrote these pieces for textured and impossible rhythms; blending pieces by Nancarrow and Grand Master Flash; and manipulating poems by Genevieve Letarte; with supporting improv from Jean Derome & Lori Freedman.

A series of musical "mobiles" from European composer Roman Haubenstock-Ramati, sonic transformations of the visual experiences of Alexander Calder's dynamic sculptures.

Nozen is a crossroads of contemporary jazz, musique actuelle and the musical traditions of Jewish Eastern Europe, contrasting styles giving birth to a deep and spontaneous music.

The Norwegian experimental collective improvising group of Henrik Munkeby Norstebo on trombone, Kjetil Jerve on piano, and Andreas Wildhagen on drums & percussion are the core trio here, presenting their third release by adding free improvising vocalist Sofia Jernberg, bringing a sense of unpredictability to a finely controlled chaos of technical mastery.