The Squid's Ear Magazine


Hetu, Joane : Tryptique Musique d'hiver (Ambiances Magnetiques)

A specially priced box set bringing together all three CDs from Joane Hetu of music about the winter: Musique d'hiver, Nouvelle musique d'hiver and Recits de neige.
 

Price: $35.95



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product information:

Personnel:



Jean Derome-flutes, saxophones, objects, voice

Gilles Derome-recorded narration

Guillaume Dostaler-piano, synthesizer

Joane Hetu-alto saxophone, voice

Lori Freedman-clarinets

Diane Labrosse-accordian, sampler, voice

Alexandre St-Onge-doublebass, electric bass, electronics, voice

Pierre Tanguay-drums, objects, voice

Martin TŽtreault-turntables

Scott Thomson-trombone, voice


Click an artist name above to see in-stock items for that artist.




UPC: 771028190423

Label: Ambiances Magnetiques
Catalog ID: AM_904
Squidco Product Code: 14588

Format: 3 CDs
Condition: New
Released: 2011
Country: Canada
Packaging: Box Set - 3 CDs
'Recits de Neige' was recorded on January 31st and February 1st and 2nd, 2008 at Theatre La Chapelle in Montreal, CA. 'Musique d'hiver' was recorded at Radio-Canada's Studio 12 on February 22nd, 2000 by Alain Chenier. 'Nouvelle musique d'hiver' was recorded live in concert on March 6th, 2003 by Salle Beverly Wesbter Rolph.

Descriptions, Reviews, &c.

A specially priced box set bringing together all three CDs from Joane Hétu about the winter music: Musique d'hiver, Nouvelle musique d'hiver and Récits de neige.



Musique d'hiver:

"Musique d'hiver, by the prolific Joane Hétu, is a work in four movements that pays homage to chilly northwest winds, sparkling winter light, the February moon, and the tedium and the exasperation of March, all of which allow the emotional excitement of winter to show through.

You will be charmed by the freshness of this winter poetry and by the acoustic and metaphoric tones that pigment this picturesque canvas."-Ambiances Magnetique

Nouvelle Musique d'Hiver:

Beautiful, mysterious improvised compositions with spoken interludes, recorded live in March 2003 at the first Montréal/Nouvelles Musiques (MNM) festival. This is music that pays attention to both atmosphere and unusual impulse, from an amazing cast of techinical and sonically gifted players, a who's who of the Actuelle scene. Highly recommended.

" "Nouvelle musique d'hiver" consists of four movements in which musicians improvise from a canvas and compositional design. - 1. Joyeux temps; evocation of the first snowfalls and the Holiday season - 2. Être dans le vent; a tribute to wind and fire - 3. La marmotte; hibernation, boredom and pleasure - 4. Calcium sloche; a blend of end-of-winter madness and springtime activity.

In "Nouvelle musique d'hiver," Hétu is amplifying the microscopic aspect of natural sounds and integrating them to the sporadic interventions from electronic and pre-recorded sounds, and the pre-recorded recitation. Abandoning the melodic and tonal nature of the first installment, Hétu has produced an evocation of winter sounds set in a stripped-down sonic amalgam - a real audio documentary about winter.

"Nouvelle musique d'hiver" was recorded live in March 2003 by Bernard Grenon at the Musée d'art contemporain de Montréal, during the first Montréal/Nouvelles Musiques (MNM) festival. The work was performed by Ensemble SuperMusique, consisting of Jean Derome, Guillaume Dostaler, Joane Hétu, Diane Labrosse, Pierre Tanguay (all featured on the first installment), and also Lori Freedman, Martin Tétreault and Gilles Derome."-Ambiances Magnetiques

Recits de Neige:

"Piece in four movements (Neige (Snow), Jamais Froid (Never Cold), Rafales (Gusts), Paysages (Landscapes)) written for acoustic and electric instruments Récits de neige invites the listener to a real snowfall performed by six musicians improvising masters who are familiar with the language of new music. This third installment of Winter Music offers an amalgam of sounds, images and stories intertwined in the winter. Touching and amusing anecdotes, told by the musicians and short songs, performed by all punctuate the winter road to strong sounds."-Ambiances Magnetiques


Artist Biographies

"Jean Derome. Born Montréal, Québec, 1955. esidence: Montréal, Québec. Composer, Performer (saxophones (alto, baritone, soprano), flutes (flute, bass flute, piccolo, alto flute, recorders), keyboards, small wind instruments (ocarinas, jew's harp, game calls, toys...), percussion, invented instruments, voice)

One of the most active and eclectic musicians on the Canadian creative music scene, Jean Derome has managed to earn the recognition of a larger public, a rare feat in that field. Thanks to his large-scale musique actuelle projects, his compositions, his work as an improviser, his jazz groups and his music for the screen and the stage, Derome ranks as a major creative force, in Québec and abroad. He is experienced and innovative on both saxophone and flute, and his unique writing style cannot be mistaken for anyone else's. Sensitive and powerful, his music often features a funny strike that makes its complex nature more inviting.

Ever since Nébu (one of Québec's first avant-garde jazz groups) in the early '70s, Derome has been consistently renewing and diversifying his approach of composition. He impressed audience and critics first with the flute, then with the saxophone, as a lead character in the musique actuelle underground. He took part to the various artists' collectives looking for new ways to express themselves freely, without esthetic or social constraints, including the Ensemble de musique improvisée de Montréal. Later, in the early '80s, he co-founded Ambiances Magnétiques, a collective and record label that raised his profile at home and introduced his name to the outside world. Among his numerous projects, let us mention the duos Les Granules, Nous perçons les oreilles and Plinc! Plonc!, the dynamic group Jean Derome et les Dangereux Zhoms, and the large-scale projects Confitures de gagaku, Je me souviens - Hommage à Georges Perec and Canot-camping. Most of these projects are based on a unique form of synergy between composition, structured improvisation and genuine creative madness, all this articulated with unmatched playfulness. In 1992, Derome became the second artist to be presented with the Freddie Stone Award (bassist Lisle Ellis was the first).

Besides improvising on a regular basis with Ambiances Magnétiques' members and appearing in their projects, Derome has also shared the stage with several musicians of international stature, among others Fred Frith, Lars Hollmer, Louis Sclavis and Han Bennink. He performs regularly all over Canada, in the US and in Europe. He received a Prix Opus in 2001 for his exposure abroad.

Lately, jazz circles have been praising his undisputable qualities as a jazzman, thanks to the Thelonious Monk tribute project Évidence, the Normand Guilbeault Ensemble (whose Mingus Erectus CD is devoted to Charles Mingus' music), and the much-lauded Derome Guilbeault Tanguay Trio.

Although Jean Derome writes tirelessly for his own projects, he is much in demand in the fields of film, theatre and dance. A short list of this side of his work would have to include his numerous scores for the National Film Board of Canada (NFB), especially for films by John Walker, Jacques Leduc, Fernand Bélanger and animated films by Pierre Hébert, Michèle Cournoyer and Jean Detheux; his incidental music for Théâtre UBU, Théâtre de Quat'Sous and Théâtre du Nouveau Monde; not forgetting his work with several top choreographers, including Louise Bédard, Andrew de Lotbinière Harwood, Daniel Soulières and Ginette Laurin. Other music ensembles have commissioned works from him, including Tuyo, Bradyworks, the Hard Rubber Orchestra from Vancouver and Fanfare Pourpour. Incidentally, Derome is the musical director of the latter.

Over thirty years of music and 70 record credits later, Jean Derome still has sleeves bursting with tricks."

-ActuelleCD (http://www.actuellecd.com/en/bio/derome_je/)
3/13/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Guillaume Dostaler studied classical piano at the École de musique Vincent-d'Indy in Montréal. Since the beginning of the 1980s he has played in many jazz, musique actuelle, and funk groups with musicians drawn from both the local and the international scenes, such as Jean Derome, Michel Ratté, Yannick Rieu, Malcolm Goldstein, Butch Morris, Karen Young, and Greg Abatte. He took part in the performance of Nathalie Derome's Les 4 ronds sont allumés with René Lussier in 1999; in the same year he began playing with the rock/funk group Cosmik Débris. In 2000 he took part in the Les Moyens du Bord project with poet Patrice Desbiens and René Lussier as well as in Pierre Hébert's etching-on-film improvisation project. Since 2001 he has participated in René Lussier's Grand Vent project with François Chauvette, Maxime Lepage, Tom Walsh, and Lori Freedman and in the funk/techno group Rollan 77 with Benoît Charest, François Chauvette, and Maxime Lepage. He has also collaborated on music for films, plays, dance performances, and radio broadcasts and has taken part in a number of large-scale events. He can be heard on a number of compact discs."

-Ambiances Magnetiques Website (https://www.actuellecd.com/en/bio/dostaler_gu/)
3/13/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Joane Hétu. Born Montréal, Québec, 1958. Residence: Montréal, Québec. Composer, Performer (alto saxophone, voice), Author/

It has been more than 30 years now since self-taught composer, vocalist and saxophonist Joane Hétu has been following her own highly distinctive path through the vast territory of creative, contemporary music. From her beginnings with song-based new-rock bands such as Wondeur Brass, Justine and Les Poules, Hétu turned to composition (the evocative triptych comprising Musique d'hiver, Filature and La femme territoire ou 21 fragments d'humus) and improvisation, more often than not combining both within her general approach to music. She has co-directed the Ensemble SuperMusique since its founding in 1998, as well as the weekly series Mercredimusics since 2002. More recently she gave birth to La chorale bruitiste Joker (2012). Joane Hétu was awarded the prestigious Freddie Stone Award in 2006."

-ActuelleCD (http://www.actuellecd.com/en/bio/hetu_jo/)
3/13/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Lori Freedman. Born Toronto, Ontario, Canada, 1958. Residence: Montréal, Québec. Composer, Performer (clarinet, bass clarinet)

Qualified as "a musical revolutionary in the front ranks of the avant-garde" by Alex Varty of the Georgia Straight (Vancouver), Lori Freedman (clarinets) is internationally recognized as one of the most creative and provocative performers. She is a member of a select group known as "renaissance musicians" as her artistic activities cover many fields: performer of written music (well over one hundred works have been written for or premiered by her), composer, improviser, teacher, and on occasion, writer. While managing a full performance schedule of more than 75 public appearances a year, Freedman has been receiving commissions to write music for ensembles such as Orkestra Futura, Arraymusic Ensemble, Ensemble Transmission, Continuum Contemporary Music Ensemble, Ensemble SuperMusique, Ensemble Paramirabo, Upstream Orchestra, Queen Mab Trio, Crowbar Trio, Lott Dance, Oberlander Films, Foresite Theatre, Cooke Productions and Autumn Leaf Productions. Her current discography comprises over 59 recordings, the most recent of which include Greffes (Empreintes digitales), On No (Mode Records), Bridge (Collection QB), Plumb (Barnyard Records), 3 and À un moment donné (Ambiances Magnétiques), Huskless! (Artifact), See Saw and Thin Air (Wig). Highlight collaborations include work with Rohan de Saram, Barre Phillips, Helmut Lachenmann, Frances-Marie Uitti, Monique Jean, Joëlle Léandre, Axel Dörner, George Lewis, the Jack Quartet and Richard Barrett."

-ActuelleCD (http://www.actuellecd.com/en/bio/freedman_lo/)
3/13/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Diane Labrosse. Born Montréal, Québec, 1950. Residence: Montréal, Québec. Composer, Performer (sampler, accordion, voice).

Working mainly with electronic samplers, Diane Labrosse has a very personnal approach to sounds, exploring different textures and timbres and creating an abstract but evocative music. She is a regular on several different music scenes and has performed at internationally known festivals of musique actuelle, electronic, avant-garde and improvised music all over the world (Canada, USA, Europe, Japan, Australia).

Her most recent projects take different forms: Endangered Species, a sound and visual installation/performance based on obsolete objects such as rotary dial phones and ticking alarmclocks; Dactylotactiles, performance for 3 typewriters and live video (Sébastien Cliche); Petit Bestiaire, naïve songs for a quintet (texts by Guy Marchamps); Sagesse pratique, a series of miniature pieces based on proverbs and O.V.N.I., a sign language for an improvising orchestra of variable sizes.

As a composer, using conventionnal or graphic scores, she wrote for many different ensembles: Array Music and The Burdocks (Toronto), L'Ensemble SuperMusique and Espaces Sonores Illimités (Montréal), NOW Orchestra and 999 years of Music, (Vancouver). She also wrote for less conventionnal instruments, such as ship horns (Harbour Symphonies), train whistles, air bottles and toy pianos. She worked with director Robert Lepage and co-signed (with percussionist Michel F Côté) the music for two of his plays: La Géométrie des miracles and Zulu Time.

As sound designer, she created music for dance (Louise Bédard, Crystal Pite, Andrew Harwood, Marc Boivin, Deborah Dunn, Catherine Tardif, Harold Rhéaume, Richard Siegal), film (Montréal vu par..., Pendant que les arbres tombent, L'Entrevue, Plan de fuite) and radio (Le Navire Night, Les Décrocheurs d'étoiles) and theatre (Nuit d'orage, Je suis d'un would-be pays, Bliss, 38 Contes shakespiriens...).

She has created multimedia installations for Danish company Tura-ya-moya (in situ performances in an old chalk mine), and Scottish-based Theatre Cryptic (Wall of Secrets in situ installation for 20 speakers) as well as the Centre de Musique Canadienne (a sound garden playing ramdom sound tracks on surround speakers).

In 1980, she founded Productions SuperMémé/SuperMusique with Joane Hétu and Danielle P Roger. She remained Co-Artistic Director of this company presenting many concerts and events of innovative music from 1980 to 2008. With long-time colleagues Hétu and Roger she created the groups Wondeur Brass, Justine, and Les Poules. She collaborated with many musicians such as Jean Derome, Pierre Tanguay, Michel F Côté, Martin Tétreault, Ikue Mori, Philippe Lauzier.

Her discography comprises more than 50 recordings mostly recorded on Montreal based label Ambiances Magnétiques. She has received several grants from Canada Arts Council as well as Conseil des arts et des lettres du Québec."

-ActuelleCD (http://www.actuellecd.com/en/bio/labrosse_di/)
3/13/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Alexandre St-Onge. Born Montréal, Québec, 1976. Residence: Montréal, Québec. Composer, Performer (double bass).

Alexandre St-Onge is an audio artist, a musician/improviser (acoustic bass, bass, voice and electronics) and a sound performer. He has studied literature and philosophy and he is currently doing his PhD in art. He is fascinated by creativity as a pragmatic approach of the ineffable and he has released seven solo CDs: Entités (Oral), Joseph Carey Merrick (Oral), Mon animal est possible (Alien8 Recordings), L'amitié ou les rumeurs insoutenables du désir (Squint Fucker Press), kasi naigo (Squint Fucker Press), Une mâchoire et deux trous (Namskéio Records), Image/négation (Alien8 Recordings). He also plays in quite a few bands, including Et Sans, K.A.N.T.N.A.G.A.N.O., Klaxon Gueule, Pink Saliva, Mineminemine, Shalabi Effect and Undo. As a composer he has worked for interactive/mixed-media company kondition pluriel, as well as composing for artists such as Marie Brassard, Karine Denault, Lynda Gaudreau, Line Nault, Jérémie Niel, Maryse Poulin and Mariko Tanabe."

-ActuelleCD (http://www.actuellecd.com/en/bio/stonge_al/)
3/13/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Quebec City, Québec, 1956: Composer, Performer (drum set, percussion, voice)

A percussionist, composer and inveterate inventor, Pierre Tanguay is one of the most sought-after Montréal musicians on the Quebec scene. Since the beginning of the 80s, he has participated in an impressive number of ensembles, including Jean Derome and the dangereux zhoms, Évidence, Castor et compagnie, the Jean-François Groulx Trio, the ODD (a danse orchestra), Villemure Ô Carré, the Pierre Cartier Ensemble and Projet Riel. Among his collaborators are Jean Derome, Normand Guilbeault, Pierre Langevin, René Lussier, Karen Young, Fred Frith, Michel Donato, Daniel Mille, André Duchesne and Antoine Berthiaume. He is very active in the fileds of medieval and traditional music, jazz and musique actuelle. He is the co-founder of Strada, Midi Tapant, Derome/Tanguay.

He has composed works for dance (Lucie Grégoire, Andrew Harwood, Irène Stamou and Francine Gagné), as well as works for the theatre and film (Allan Booth, Imago and Roberto Ariganello). He regularly tours throughout Canada and Europe."

-SMCQ (http://www.smcq.qc.ca/smcq/en/artistes/t/tanguay_pi/)
3/13/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.

"Scott Thomson is an improvising trombonist and composer. He works extensively with singer and dance artist, Susanna Hood, and writes songs for her based on published authors' texts to be played in many contexts, from duo to octet and sometimes including Susanna' s choreography. Monicker (with Arthur Bull and Roger Turner), for example, exemplifies Scott's commitment to open improvisation. He co-founded the Association of Improvising Musicians Toronto (AIMToronto) in 2004 and served as a director until 2009, and co- directed the AIMToronto Orchestra, formed for a project with Anthony Braxton in 2007. In 2016, he convened the Montreal-Toronto Art Orchestra to play Roscoe Mitchell's music. He founded Somewhere There, a Toronto creative music venue that hosted 850 concerts during his tenure, 2007-10. Scott has composed a series of site- specific works, "cartographic compositions" for mobile musicians and audiences in unconventional performance contexts including, notably, the National Gallery of Canada and the Art Gallery of Ontario. Scott programs the Guelph Jazz Festival."

-Bug Incision (http://www.bugincision.com/events-2014.html)
3/13/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.


Track Listing:



Recits de Neige



1. Neige 1-2 5:14

2. Neige 5-3 3:51

3. Neige 4-2 3:30

4. Regarder la Neige Tomber 5:52

5. Il Neige 2:23

6. Flakes 4:43

7. Jamis Froid 4:18

8. Paysages 1-2-3 4:07

9. Rafales 2 6:43

10. Rafales 1 5:41

11. Rafales 3 2:44

12. Mais y'est ou l' ch'min 5:37

13. Paysages 5 + Paysages/neige 2 3:29

14. Neige Silencieuse 6:01

15. Deja l' eau qui coule 4:41

Musique d'Hiver



1. La chute 3:51

2. La joie 2:48

3. La plus froide 4:40

4. Le silence de la tempete 4:27

5. On s'les gele 4:34

6. Cristaux cristalises 2:01

7. Bourrasque 2:44

8. Nord/ouest 1:49

9. Epaisse la couverture 3:05

10. Tension on gele 3:11

11. Bleu ciel 5:47

12. Blanc sur terre 6:03

13. Nuits d'hiver 3:07

14. Danse de chandelle 2:16

15. Hemisphere nord 5:07

16. C'est trop long 4:11

17. Perdu le nord 1:47

18. Je dors 4:37

Nouvelle musique d'hiver



1. Joyeux Temps 7:02

2. Joyeux Temps 2 5:14

3. Joyeux Temps 3 4:02

4. Etre Dans Le Vent 6:46

5. Etre Dans Le Vent 2 3:43

6. Etre Dans Le Vent 3 4:01

7. Etre Dans Le Vent 4 4:16

8. La Marmotte 10:38

9. La Marmotte 2 2:01

10. Calcium Sloche 6:40

11. Calcium Sloche 2 5:20

12. Calcium Sloche 3 3:46

13. Calcium Sloche 4 3:59

Related Categories of Interest:


Improvised Music
Musique Actuelle
Hetu, Joane
Jean Derome
Unusual Vocal Forms
Turntablists
Objects and Home-made Instruments
Ambiances Magnetiques
Canadian Composition & Improvisation

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Chorale JOKER: Les Lucioles
(Ambiances Magnetiques)
The Montreal-based Chorale Joker ensemble directed and conducted by Joane Hétu, Danielle Palardy, and Jean Derome, who are also participants, is one of the most unusual and fascinating improvising vocal ensembles active, heard here in a concert coordinated with Productions SuperMusique at Le Vivier, Amphiteatre du Gesu, Montreal in early 2020; indescribably fascinating!
Klaxon Gueule
Entierement Unamies
(Ambiances Magnetiques)
Perhaps one of the quirkiest releases from the Klaxon Gueule trio of Michel F Côté, Bernard Falaise and Alexandre St-Onge, performing respectively on drums, guitar and bass, and all on synthesizers and computer, recalling early electronic albums while adding a whimsical and alluring edge to their often darker and more experimental prior releases.
Monicker (Scott Thomson / Arthur Bull / Roger Turner)
Libr'aerie
(Bug Incision Records)
The second release from the trio of legendary London improvising drummer Roger Turner, Montreal trombonist Scott Thomson and guitarist Arthur Bull, aka Moniker, after their 2018 Ambiances Magnetiques album "Spine", in three improvisations about "Books", quick witted active improvisation with a carefree and bright approach to exceptionally detailed interaction.
Roger, Danielle Palardy
Cannibale
(Ambiances Magnetiques)
Composer/percussionist Danielle Palardy Roger's musical satire about capitalism, performed with some of Montreal's finest improvisers using conventional & unconventional instruments and voice, captured live at the Gesu Amphitheater, in Montreal in 2018: Michel F Cote, Andre Duchesne, Joane Hetu, Elizabeth Lima, Isaiah Ceccarelli, Alexander St-Onge, and Ida Toniato.
Roger, Danielle Palardy
Le Caillou 1998-2013
(Ambiances Magnetiques)
Written in 1998, Danielle Palardy Roger's game piece composition was performed at the first Ensemble SuperMusique concert, here in 7 versions recorded at various locations in bands including Joelle Leandre, Joane Hetu, Guido Del Fabbro, Jean Derome, &c. &c.



The Squid's Ear Magazine

The Squid's Ear Magazine

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