Powerful debut release for three young musicians emerging onto the European electroacoustic improv scene, one of whom, Kanngiesser, has recently performed with AMM.

Twelve short improvised pieces by Mike Adcock on a variety of different instruments that were recorded over a three year period.

Pianist Agnel, saxophonist Gauguet, and electronic/piano frame artist Neumann in 4 beautifully crafted pieces recorded using a spatialised sound system developed by Benjamin Maumus.

A live recording at the famous Meteo Festival from the trio of Sophie Agnel (piano), John Edwards (double bass) and Steve Noble (drums), three of Europe's most active improvisers in an intense extended performance.

Six mysterious soundscapes from Sophie Agnel's bowed, plucked, strummed and struck prepared piano timbres in duo with Minton's grunts, gurgles and growls.

Sophie Agnel uses a startling array of objects and techniques in playing inside the prepared piano, demonstrated in these digital concerts recordings from 2008.

Confront/Sound 323's Mark Wastell meets three of Japan's most interesting minimal improvisers at Offsite in Tokyo, 2003 to perform this extraordinary two part work.

Ingar Zach in a trio with Spanish accordionist Esteban Algora and Italian flutist Alessandra Rombola in 6 varied pieces recorded in a stone church.

AMM percussionist Eddie Prevost playing all bowed sources in a subtle and ringing duet of bowing approaches with violinist Jennifer Allum of the London Post Quartet.

Members of Eddie Prevost's weekly improvisation workshops, violinist Jennifer Allum and cellist Ute Kanngiesser, recorded these 3 improvisations, running the gamut from spacious harmonics to vigorously weaving dialog, in 3 rooms of St Augustine's Bell Tower in London.

This duet between cellist Altenburger and guitarist Russell was recorded at the Musique en Mouvement Festival Theatre du Jarnisy in 2008, an intense and intricate dialog of great dynamics.

AMM (Eddie Prevost on percussion and John Tilbury on piano(+)) performing a 1 hour, 1 minute and 1 second live concert at the 2012 Festival of Traditional and Avant-Garde Music in Lublin, Poland in a beautiful melding of unconventional approaches to improvisation.

Perhaps the most iconic and "classic" of AMM albums, recorded at The Crypt in London in 1968 with AMM as the quartet of Cornelius Cardew on piano & cello, Lou Gare on saxophone and violin, Christopher Hobbs on percussion, Eddie Prevost on percussion, and Keith Rowe on guitar & electronics.

A smaller than usual Freezone Appleby Festival, 2007 presents duos and trios with the excellent lineup of Paolo Angeli, Evan Parker and Ned Rothenberg.

ap'strophe began working together in 2006 in search of a common sonoric space, which they found in the investigation of distinctive timbres between acoustic guitar and zither.

Since 1988 ARC have developed through improvisation a collective language that draws on the European textures of the violin family with a little bit of voice added.

The trio of Mats Gustafsson on saxophone and electronics, keyboardist Pat Thomas and percussionist Roger Turner performing live in Derby in 1998, a challenging and fascinating set.

Live recording from Oxford Improv Club in 2010 opposite Red Square with Paul Dunmall on saxophones, Phil Gibbs on electric guitar and electronics, Nik Stevens on double bass and Trevor Taylor electronic percussion.

Belgian multi-reedist Joachim Badenhorst organized this trio with saxophonist John Butcher & percussionist Paul Lytton as part of a series of concerts in his home town, where they recorded this album, an impressive suite of extended techniques and intense dialog.

John Butcher and Derek Bailey performed together starting in 1989, and in 2000 the duo was joined by percussionist Gino Robair for this studio session at Moat Studios, London.

Live recordings from 1973-74 from the trio of drummer John Stevens, guitarist Derek Bailey, and saxophonist Trevor Watts, dynamic works performed "impromptu" with a wealth of ideas as these innovators demonstrate the skills that helped define them as masterful players.

Recorded by Agusti Fernandez himself, these are lovely dialogs between the pianist and Derek Bailey on electric; rich and reserved conversation with free improv's elder statesman.

London Scene guitar master Derek Bailey from a 2004 live recording performing solo on electric guitar at G's Club, originally issued as a CDR but here complete on DVD.

Reissue of Derek Bailey's 2nd Incus LP from 1974, fully remastered to bring Bailey's uniquely personal improvisation style clearly into the 21st century.

UK free jazz guitar icon in unreleased solo material remastered from the original reel-to-reel recordings recorded in London, 1974, Bailey playing mostly electric guitar.

A much-needed reissue of Derek Bailey's 1978 2-CD Japanese release on the Morgue label, the first disc a series of studio improvisations and the second presenting two live performances in Nagoya and Kalavinka.

American fingerstyle improvising guitarist Duck Baker in a collection of duos and trios recorded from 1993-2004, with Derek Bailey, Cyro Baptista, Roswell Rudd, and John Zorn.

The third CD by the trio of Rex Casswell (electric guitar), Phillip Marks (percussion) and Paul Obermayer (samples), creating beautiful jagged, sharp edged textures propelled by some of their tightest, strangest, most powerful rhythmic designs yet.

A quartet of four excellent young improvising musicians based in London and Oxford, none of whom have ever been to the outer London suburb of Barkingside.

The London based improvising string trio Barrel of Alison Blunt on violin, Ivor Kallin on violin & viola, and Hannah Marshall on cello, all members of London Improvisers Orchestra and performers at the 2007 Freedom of the City.

Three live performances of collaborative electroacoustic compositions from 2007-08, each exploring different points of contact between precomposed structures and spontaneous invention.

Shakuhachi duets from veteran player Clive Bell and Lebanese improviser Bechir Saade recorded in England, 2007; lyrical, haunting and unexpected.

Dutch percussionist Han Bennink meets tenor saxophonist Evan Parker for their first duo release recorded in the studio in Gateway Studios, London, 2000.

Two instruments - Bertoncini on violin; Lehn on analogue synth - with totally different histories come together and look for a connection across two great sets from 2006 & 2010.

Tony Bianco (drums) in a trio with Dave Liebman (saxophones, flute, piano) and Tony Marino (double bass) playing fiery jazz compositions as well as a few short improvisations.

Two energetic, extended improvisations led by drummer Tony Bianco, one with Paul Dunmall (saxophones) and Marcio Mattos (double bass), the other with Dunmall (saxophone) and Paul Rogers (bass).

Borrowing from Elvin Jones' concepts, drummer Bianco's band uses 2 saxophones (Mike Fletcher and Mark Hanslip), bass (Colin Somervell) and drums, for energetic and ecstatic jazz compositions creating a continual pulse with long lines and looped synchronicity.

The Blue Notes with Louis Moholo-Moholo, Chris McGregor, Dudu Pukwana & Johnny Dyani in the 2nd Ogun release from their 1979 tour of Belgium and Holland, performing their South African rooted jazz live at Jazzclub De Hoop.

The second album from the quintet of Martin Blume (percussion), Jim Denley (flutes, saxophone), Axel Dorner (trumpet), Marcio Mattos (cello, electronics) and Philipp Wachsmann (violin, electronics).

Pianist Bolleter has 5 "ruined" (abandoned & unpredictable) pianos set up in his kitchen so that he can play them simultaneously, as he does on these 14 night-time recordings.

Double CD reissue of Bobby Bradford with John Steven's SME including Trevor Watts and Julie Tippetts in 4 extended pieces of swinging and challenging improvisation.

The duo of trombonist Gail Brand and vocalist Morgan Guberman in a studio recording of creative improvisations.

A return to the group that kick-started Otoroku - the veteran German reedsman and free jazz pioneer Peter Brotzmann with the long-running London bass/drums partnership of John Edwards and Steve Noble, recording at the last set of a two-day residency at Cafe OTO in 2013.

A return to the group that kick-started Otoroku - the veteran German reedsman and free jazz pioneer Peter Brotzmann with the long-running London bass/drums partnership of John Edwards and Steve Noble, recording at the last set of a two-day residency at Cafe OTO in 2013.

Distilling the trio of Brotzmann/Noble/Edwards into a duo, saxophonist Brotzmann and drummer Noble recorded this powerful set of free improvisations live at Ateliers Claus, Brussels on January 19th, 2013.

Using sopranino, sorano and decayed tenor saxophone, Mark Brown recorded these unusual improvisations, generating a huge variety of sounds and tones, and then constructing those recordings into this curious and captivating 40 minute work.

A concert featuring exceptional unaccompanied solo improvisations by John Russell (guitar), Phil Minton (voice), John Edwards (double bass), Lol Coxhill (saxophone) and Chris Burn (piano, percussion) followed by an impromptu performance as a quintet.

Unconvention improvisation fueled by the influence of contempary compositions from bassist Simon H. Fell, pianist Philip Thomas, and prepared pianist Chris Burn.

Saxophonist Butcher on tenor and soprano saxophone meets inside and out pianist Claudia Ulla Binder in Switzerland for these beautifully recorded duo improvisations.

Recordings of improvisations from different rooms with unique resonant properties, manipulated and organized into 5 compositions mixing musique concrete and e-a improv.

Live recordings of this incredible improvising trio as influenced by a 'tempestuous' storm buffeting & rattling the windows of the church in which the performance took place.

Bringing together British and Vancouver artists in a set of improvisations with extended and unusual techniques, harmonics, microtones and texturally dense counterpoint.

Percussionist Hemingway with John Butcher on tenor and soprano sax performing live in 2005, demonstrating their extended language in a brilliant and eccentric dialog.

British saxophone phenomenon John Butcher meets Vancouver's premiere bassist Torsten Müller and drummer Dylan van der Schyff for an amazing live set at the Western Front.

The second volume of Eddie Prevost's 2011 series of concerts at Network Theatre, Waterloo, London meeting with remarkable saxophonists, here with John Butcher on tenor & soprano, with Guillaume Viltard on double bass.

Since working together in Thermal, saxophonist John Butcher and The Ex guitarist Andy Moor have collaborated in live performance, here recording in a cathedral in Berne, Switzerland in 2013, using its natural reverb to augment their impeccably paced and inspired dialog.

Mysteriously dark electroacoustic improv from the adept trio of John Butcher on acoustic and amplified saxophones, Burkhard Beins on amplified bass drum and electronics, and Mark Wastell on amplified 32" paiste tam-tam, slowly evolving, rich environments in sound.

The trio of John Butcher on saxophones (acoustic and feedback), Leonel Kaplan on trumpet and Christof Kurzmann on ppooll, performing live at the 2012 Ulrichsberg Kaleidophon Festival, a subtle yet rich dialog from 3 players who complement each other in surprising ways.

1999 release of the trio of John Butcher on soprano & tenor sax, Phil Durrant on violin, and John Russell on guitar, meticulous improvisation using outrageous technique, "unorthodox thematic development and off-center interplay which at times is odd and surreal".

Percussionist Mark Sanders and saxophonist John Butcher in recordings from two concerts: the 2010 Freedom of the City festival in London, and a year later at Southampton University; exceptionally expressive and technically unique playing.

"Somethingtobesaid" was commissioned by the Huddersfield Contemporary Music Fest in this 1st full performance by a band of long-time and recent colleagues brought together for this project.

UK saxophone phenomenon John Butcher in 10 live solo recordings using the unique sonic environments of Richmond Hall, a Houston art gallery that has been compared to a bowling alley, and Issue Project Room's high-ceilinged marble room in Brooklyn, NY.

Extreme acoustic space recordings from saxophonist John Butcher, part of Arika's Resonant Spaces event, with performances from resonant and remote corners of Scotland.

Sonic experiments and solo improvisations on tenor and soprano with 2 pieces using amplified feedback, and 1 piece dedicated to Derek Bailey.