Three accordion players, Alfredo Costa Monteiro, Jonas Kocher, and Luca Venitucci, form 300 Basses, an unconventional trio that explores new ways to play this traditional instrument.

This meeting of 5 EA-Improv heavyweights from Europe and the Pacific US happened during the MKM trio tour in Northern America 2010, capturing this extended performance at CalArts for 40 minutes of engaging, burbling electronics, pulses, and short wave introspection.

The duo of Miguel A. Garcia on electronics and Lali Barriere on objects and no-input mixer for an album of investigative, detailed improvisation that's well paced and calmly complex.

Electro-acoustic improv from the Phosphor grouping, an amazing set of musicians who began working together in 2001 and have developed a complex and incredible form of interplay.

A short and succinct album of free improvisation from the Russian quartet of Ilia Belorukov (sax), Hapakahylo (drums, objects), Patryk Lichota (sax, objects), and Kim_Nasung (Guzheng), using unusual techniques to conjur unexpected audio environments.

Extended improvisations using a mix of acoustic and electric instruments from the sextet of Ernesto Rodrigues, d'incise, Cyril Bondi, Abdul Moiemem, Eduardo Chagas, and Nuno Torres.

An aural map of extended pianist Charity Chan's techniques, in unusual non-invasive, object interactive and excursive approaches to the acoustic piano.

Portuguese composer and pianist Simao Costa in an album of solo prepared piano in the style of John Cage, using transducers, speaker & objects, paced like a Morton Feldman composition, balancing tones and percussive sound in exquisite compositions.

An extended group improvisation and compositions by Lely, Sarah Hughes, and Jurg Frey, subtle and beautiful performances by Angharad Davies (violin), Rhodri Davies (electric harp), Michael Duch (bass), Lina Lapelyte (violin), John Lely (objects & electronics) & John Tilbury (piano).

Frequent Squidco in-store performer Electric Bird Noise returns defying expectation with an album of new wave dance & 1970s synth experiments, taking influence from bands like New Order, The Cure, Depeche Mode, Duran Duran, & Gary Numan

A collection of southeast darkwave & post rock band Electric Bird Noise (Brian Lea McKenzie) from 2000-2010, cinematic, richly eclectic, and absorbing instrumental music.

A slowly-unfolding and wonderful work of unusual acoustic and electronic sound from the Argentinian trio of Alexander Elgier (piano), Victor Grinenco (violin, hardingfele, objects & electronics), and Samuel Sahlieh (synth, electric bass & tapes).

The Eventless Plot trio hails from Thessaloniki, Greece, borrowing elements from different genres and aesthetics to build a hybrid of free improv, noise, new electronica, electroacoustic composition and jazz.

Mixing backgrounds from impprov, electronics, composition, noise & contemporary performance, Fenaison explore texturally driven dynamic improvisations.

Electricity and metal trash object meet in a banging and sparking session of minimal improvisation from percussionist Elisabeth Flunger and electronic artist Tomas Tello.

The improvising quartet of Canaries on the Pole (Foschia / goyvaerts / Irmer / Wissel) in their second release after their self-titled debut on the Free Elephant label.

Clarinetist Lori Freedman brought together 3 distinct trios over the course of 3 consecutive nights with a total of 6 other Montreal musicians for live encounters of improvisation.

Helen Mirra uses the index of a W.G. Sebald's novel to create a mysterious, intriguing and fascinating audio world, performed by Mirra on printing press and acoustic guitar, and Fred Frith on rainsticks, mbira, charango, music box, voice, shoes and other objects.

Sound artist Jason Kahn performing in Zurich at the Kunstraum Walcheturm arts organization, recording fourteen short improvised sections, focusing on heavily effected drums and percussive elements augmented with synthetics, radio, plus work exclusively for voice.

A dynamic set of wind and object improvisations from multi-reedist Hans Koch, using extended techniques to elicit a diverse and astounding range of sounds from his instruments, and Thomas Peter creating indescribable sound on amplified objects and live electronics.

A series of electroacoustic compositions from composer Slawomir Kupczak, combining the sounds of instruments via electronic means to create new hybrid sounds of alien character, released in carefully building works from near-minimal to unsettling eruptions of sound.

Taking their name from the German Town Bad Fallingbostel, this album collects recordings from the 3 year collaboration of these two improvising sound artists: Gunnar Lettow on prepared bass guitar, electronics & objects; and Korhan Erel on computer & controllers.

The string duo Bobun celebrates ten years of creative collaboration with this six piece suite, a studio recording of diverse improvisations that runs the gamut from lowercase minimalism to dense and technically exuberant interaction.

The first solo electronics and percussion album by radical and legendary British improvisor Paul Lytton since 1979, recorded in the studio in Germany, and using a wealth of homemade instruments, laptop, percussive devices, objects, and electro-mechanical devices.

A 2-CD release from Japanese percussionist Seijiro Murayama, performing solo on "objects" which combines clearly percussive objects and other electroacoustic items of obscure origin, creating active, rich and curious sonic environments that envelop the listener.

Bassist Duboc's two part symphony with dual drummers and dual trumpeters is a journey that aims at the creative free improvisation of groups like the Art Ensemble, AACM, BAG, &c.

The Portugese trio of Pedro Sousa (sax), Tiago Sousa (keys & percussion) and Travassos (tapes and electronics), using amplified objects and circuit bending amidst acoustic and electric sources that blends melodic sound sources in rich and unexpected ways.

David Payne (Fossils, Slut Mouth, Middle James Co.) solo offers a wasted take on the acoustic guitar, which is mangled, scraped, rubbed, fingered, bent, and subjected to a variety of preparations.

Quartetski Does Stravinsky with drummer Isaiah Ceccarelli, guitarist Bernard Falaise, reedist Phillipe Lauzier, viole de gamaba player Pierre-Yves Martel and violinist Joshua Zubot reinterpret Stravinsky's Rite of Spring in honor of its 100th anniversary.

A book and 2 CDs celebrating the 25th anniversary of this unusual and fascinating musical instrument designed and built by Hal Rammel, an artist's palette outfitted with a contact mic and vertically-mounted rods, played with a variety of uniquely designed bows and mallets.

The Remote Viewers' 10th album, with David Petts, Caroline Kraabel, Sue Lynch, Adrian Northover, John Edwards, Rosa Lynch-Northover, and Adam Bohman, in mysterious works of dissonance and wonderfully idiosyncratic expression.

UK's Remote Viewers latest blends electronics, rock, composition and improv in unusual and seductive ways, with guests John Edwards, Steve Noble, Caroline Kraabel, &c.

Two freely improvised works performed on cello, sine waves, cracklebox, bottle, synth, cornet and objects from the quartet of frequent collaborators Guilherme Rodrigue, David Area Guillermo Torres, and Tomas Gris, a mix of subtle improvisation and subsuming sound.

A large group under the direction of violinist Ernesto Rodrigues (also on harp, metronome & objects) in 4 extended improvisations of great suspense and tension through sound and silence.

Remarkably detailed, slowly moving improvisation from the trio of Katsura Yamauchi on alto sax, Carlos Santos on electronics, and Ernesto Rodrigues on viola, harp and objects, a beautiful balance of acoustic and electronic sound in intensely concentrated music.

Christoph Schiller's first solo work for spinet, amplified objects and piano, using a simple but brilliant structure which combines improvised pieces in a unique chain-like pattern of repetition and development.

Free and unusual improvisation with the strange vocal stylings of Jean-Michel Van Schouwburg, bassist Demey, and percussion and bicycle pump player Vanderstraeten.

Hypnotic lo-fi space pop from Azalia Snail, whose 20 year career of 4-track era work is heard in this musical journey paying tribute to the power of the sun & the hope it can bring to us all.

Sontag Shogun is the trio of pianist Ian Temple and sound artists Jesse Perlstein and Jeremy Young, setting the piano against intricately designed sonic textures and cut-ups of choral voice and acoustic guitar, as well as processed field recordings, here in a 10" 4 track EP.

Fascinating compositions combining improvisation and organized sound from Martusciello, Lella, & Fega, using acoustic and electronic instruments to frightening effect.

A diverse and fascinating release from clarinetist Michael Thieke, also on zither and providing field recordings, with guitarist Martin Siewert, accordionist Luca Venitucci, and two bassists--Christian Weber & Derek Shirley, and two drummers--Steve Heather and Eric Schaefer.

A powerful mix of rock and jazz in this extraordinary debut album by a young trio comprised of Luca Serrapiglio, Antonio Bertoni, and Carlo Garof playing a variety of acoustic and electronic instruments in fresh variations.

Triple CD from Variable Geometry Orchestra, who create music by juxtaposing acoustic and electronic sound matter with subliminal and psycho-acoustic side effects.

The French WPB3 trio explores areas between abstract minimalist, contemporary concrete instrumental improvised music and energetic noisy free jazz with an uncompromisingly totally free approach.

Turntablist/sine wave artist Ignaz Schnick with laptop artist Dawid Szczesny in a series of minimalist recordings created around live performances in Wroclaw and Germany.

Roman philosopher Titus Lucretius Carus named "Clinamen" the unpredictable (in time and space) swerve of atoms falling in the void, which aptly describes the unexpected directions taken in subtle free improvisation from this French trio, led by bassist Louis-Michel Marion, with Jacques Di Donato on clarinet, and Philippe Berger on viola.

Two saxophones, two voices; two gargoyles, two satyrs; two forces of nature that agitate, whistle, squeak, scrape, blow, and bite, transforming music into a secular incantation and a banquet of sound.

Montreal/Actuelle turntablist Martin Tetreault and Berlin turntablist Ignaz Shcick in two sets of recordings from two encounters in Belgium and Switzerland, 2006.

Trio Sowari's second recording, subtle interactions using a wide palette of sound and approaches, mixing electronics and acoustics in amazing improvisation.

Six focused quartet improvisations with complex, independent layers of rich textures. Featuring Dutch vocalist/sound-poet Jaap Blonk and three Texas improvisors: Damon Smith (bass), Sandy Ewen (guitar & objects), Chris Cogburn (percussion).

The duo of Jean-Luc Cappozzo on trumpet, horns and objects, and Geraldine Keller on voice flute & objects in an album of tones and tongues, an unusual set of adventurous free improvisation.

An experimental sound and voice duet featuring eRikm and Natacha Muslera: extreme, convulsive and immersive sounds that alternately surprises and seduces in brutal and beautiful ways.

Live recordings of JC Jones in duo settings, 14 different collaborations including Ned Rothenberg, Victoria Hanna, Harold Rubin, Josef Sprinzak, Nori Jacoby, &c.

"Fracture Mechanics" is the scientific study of cracks in any material, an apt title from these European experimental innovators--Burkhard Beins, Lucio Capece, Martin Kuchen, and Paul Vogel--pulling back the curtain on process and creating an impressive album crossing acoustic and electronic improv, organized sound, and inexplicable interaction; recommended.

Two recordings from the lowercase acoustic improvising trio of Portuguese players Ernesto Rodriduges on viola and Nuno Torres on alto saxophone and objects with Saint Petersburg alto saxophonist Ilia Belorukov, recording at Belorukov's Spina! label's studio, and again live at Vertikal' Gallery in Saint Petersburg in 2016.

A live recording at POP in Berlin between synth and electronics player Jean-Marc Foussat and vocalist and electronicist Maria Luisa Capurso, subverting the voice through electronics and effects to create wildly encompassing sound environments that contrast Foussat's synthetics with the organic quality of the human voice; rich, hallucinatory, wonderful.

The NY duo of accordionist Andrea Parkins, using self-designed virtual instruments, field recordings, everyday objects and small instruments, and drummer Brian Chase, applying guitar pedals to his percussion, create fascinating sculpted works of electroacoustic improvisation.

Using principles similar to Pauline Oliveros' Deep Listening, the quartet of Thanos Chrysakis, Christian Kobi, Christian Skjodt, and Zsolt Sores use acoustic and electronic instruments in carefully developed improvisations based around dynamics, densities & textures.

Three works, two for large ensembles of performers on sax, guitar, clarinet, voice, percussion, horn, flute, vibes, and objects that belie the size of the group in its fragile presences, with a shorter trio of Frey, Greg Stuart and Erik Carlson transitioning the large pieces; compositions conceived as both short presences within abundant orchestration.

Of interest to lowercase/Wandelweiser fans, the quartet of Billy Gomberg, Anne Guthrie, Richard Kamerman and Takahiro Kawaguchi use synthesizer, french horn, found objects, & field recordings, frequency generators, to create evolving sound environments of unique sound and timbre.

A live performance at the Loft in Cologne, Germany, 2015 from the recording and performing trio of Carl Ludwig Hubsch on tuba & objects, Pierre Yves Martel on viola da Gamba & harmonica, and Philip Zoubek on the prepared piano, restrained yet highly active playing.

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An extended improvisation of muted sound from the long-running duo of Jeph Jerman and Tim Barnes, performing live at Non-Event in Boston, creating mysterious analog sounds and cycles of drones with underlaying metallic textures creating an environment of suspense.

A collaboration between American sound artist Jeph Jerman and Italian percussionists Paolo Sanna and Giacomo Salis, twelve intriguing short improvisations using extended techniques and lowercase approaches that include minimal textures, field recordings, abstract atmospheres and organic sounds.

A rich and building improvisation from this French 10 piece ensemble, using 4 reeds, piano, zither, gangsa gantung, Indian harmonium, harmonium, mixing desk, contact microphones, banjo, objects, electric & acoustic guitars, effects, gong and drums to create a expansive audio universe that owes its sound to free improvisation and Ligeti.

Silom is a Slovenian creative music trio using a variety of string, percussive, and melodic percussive instruments, focused on the acoustic aspects of complex evolving works that combine composed and improvised aspects to create rich music with ancient ethnic overtones.

At the same event in Scotland that John Butcher recorded his excellent "Resonant Spaces" album, he also joined forces with sound artist Akio Suzuki on a variety of objects and sound devices to record the first 5 tracks of this unusual album of very free improv, the last track by the duo recording at the 2015 Ftarri Festival at SuperDeluxe in Tokyo.

"Exosphere is the follow up to Mekhaanu-La Foret des Mecanismes Sauvages(Insubordinations Netlabel, 2013) and like that album, Exosphere features Moimeme on his two home-made electric guitars, enhancers and assorted sound devices. The s...

Translating to "Fever Counts" and "At Lightening", the trio of Jean-Luc Petit on bass clarinet and alto & sopranino sax, Fabrice Favriou on electric guitar, and Julien Touery on piano and objects create impressive improvisations, the first a disruptive piece of detailed electracoustic colective interaction, the second a swelling work of sonic landscape.

"Argentinian pianist (by way of Amsterdam) Nicolas Chientaroli delivers a solo performance that demonstrates the piano's architectural sound beyond the usual demarcation points of its 88 keys. Cada Fuego Es El Primero opens with plucked str...

"Rumor is a studio session by four musicians who had recently performed together for the first time during the 2014 MIA improvisation festival in Lisbon. It joins two international visitors - Brazilian Marco Scarassatti on sound sculptu...