Three accordion players, Alfredo Costa Monteiro, Jonas Kocher, and Luca Venitucci, form 300 Basses, an unconventional trio that explores new ways to play this traditional instrument.

Longtime collaborators Abbott and Dadge release their first album together, a dizzying array of ideas and sounds recorded live at the monthly Calgary based Bug Incision concert series.

The duo of Chris Abrahams (The Necks) and Burkhard Beins (Polweschel, The Sealed Knot) in an album of obscured percussion and keys, insinuating melody in shadowy and beautiful ways, a journey in unexpected sound and dynamics.

Acid Mother Temple SWR merge's AMT's Kawabata Kakoto (guitar, voice,) and Tsuyama Atsushi (bass, vocals, sax) with Yoshida Tatsuya (Ruins, Koenji Hyakkei, &c), here in their 6th release, crazy prog-oriented rock of indescribable insanity and skill!

Rodolphe Alexis composed these works from a diverse set of recordings of trains, factories and other potent sounds, pairing them with recordings from saxophonist Stephane Rives using extended and unusual techniques, yielding these inventive and irrepressible sound works.

Madrid multi-instrumentalist and cross media artist Edith Alonso in an album of prepared solo electric bass improvisations, a four part work of muscular and shadowy sound, dark vibrations with crepitating edges making a sinister and cathartic dungeon of sound.

Part of a series of 8 split release cassettes, all hand-painted & numbered; this release presents the collaborative long-form improvisation noise project Amalgamated backed with Odd Person, the ongoing project of Bicephalic label leader August Traeger.

NY bassist Jason Anastasoff composes map-based works using graphic & traditional notation, plus interpreted spoken work, peformed with Sean Ali (bass), Brad Henkel (trumpet), Nathaniel Morgan (sax), Owen Stewart-Robertson (guitar) and Jacob Wick (trumpet).

This meeting of 5 EA-Improv heavyweights from Europe and the Pacific US happened during the MKM trio tour in Northern America 2010, capturing this extended performance at CalArts for 40 minutes of engaging, burbling electronics, pulses, and short wave introspection.

The 35 poems found on Fortner Anderson's "Solitary Pleasures", performed with Michel F Cote, Sam Shalabi and Alexandre St-Onge, speak of the obsessions, phantasies and encounters of Anderson's life.

The trio of Mats Gustafsson on saxophone and electronics, keyboardist Pat Thomas and percussionist Roger Turner performing live in Derby in 1998, a challenging and fascinating set.

The Electroacoustic improv trio of Eric Leonardson (springboard & electronics), Julia E. Miller (guitar & electronics), and Christopher Preissing (flute & electronics), present 3 collective improvisations and 3 duos between Auris members and percussionist Gino Robair.

The third CD by the trio of Rex Casswell (electric guitar), Phillip Marks (percussion) and Paul Obermayer (samples), creating beautiful jagged, sharp edged textures propelled by some of their tightest, strangest, most powerful rhythmic designs yet.

Three impressive works of electroacoustic improv from the trio of Serge Baghdassarians (mixer, delays, electric guitar), Boris Baltschun (computer, sampler) and Burkhard Beins (percussion and zither), brooding and concentrative sound that unfolds slowly in detail and color.

Composer and improviser Antoine Berthiaume in a compilation of guitar duos with Derek Bailey and Fred Frith exploring the full range of guitar improvisation.

A 2 CD Compilation of Banabila tracks released between 1999 and 2008, taken from his work on the Dutch label Steamin' Soundworks, and from his soundtrack and television work, with conspirators including Frank Van Der Kooij, Eric Vloeimans, Yasar Saka, Anton Goudsmit, Zenial, &c.

Michel Banabila's excellent melodically experimental electroacoustic label Tapu in their 2016 double CD sampler, with tracks from Banabila, Asid & Banabila, Banabila & Van Geel, Banabila & Machinefabriek, Banabila & Erker, and Banabila/Erker/Samson.

Drummer and electronic artist Jean Martin joins forces with amazing vocalist Christine Duncan for an album of rhythmic soundscapes and free vocal improvisation.

Legendary performer, writer and political situationist Lima Barreto (Telectu) in an electroacoustic work based around the piano and using short wave radio and CD players.

The duo of Miguel A. Garcia on electronics and Lali Barriere on objects and no-input mixer for an album of investigative, detailed improvisation that's well paced and calmly complex.

A document of a musical performance recorded in the open air near a castle in France by Pascal Bathus and Emmanuel Petit on electric guitars, and Lionel Marchetti credited with "electricity", recorded while Yoko Higashi performed a butoh dance during their music performance.

John Boyle & Aya Onishi of Nihilist Spasm Band with Arnaud Riviere of Textile Orchestra from their first set of unrelenting primal improv at Sonic Protest 2007 in France.

A reissue of the 1995 album from the duo of Frans de Waard and Freek Kinkelaar, electronic sound work in a Zoviet France mode, using looping structures but also freeform improvisation to create dark and alluring audio environments with beautiful sonic elements.

Electro-acoustic improv from the Phosphor grouping, an amazing set of musicians who began working together in 2001 and have developed a complex and incredible form of interplay.

A short and succinct album of free improvisation from the Russian quartet of Ilia Belorukov (sax), Hapakahylo (drums, objects), Patryk Lichota (sax, objects), and Kim_Nasung (Guzheng), using unusual techniques to conjur unexpected audio environments.

Chris Dadge and Scott Munro (aka the Bent Spoon Duo) recorded this album at Weeds Cafe in Calgary in 2012 as a duo, extending their set to a trio with the compatible style of Allison Camera on amplified & mangled banjo and kalimba.

The Bent Spoon Trio + 3 (Thom Golub, Jay Crocker, Danny Meichel) from their monthly series at Theatre Junction in Calgary.

The trio of Steve Beresford on electronics, Stephen Flinn on drums and percussion, and Dave Tucker on electric guitar in a quirky, unique and exciting set of improvisations recorded in London.

Two guitarists from New York's Downtown and Montreal's Actuelle scenes in 11 guitar improvisations, experimental sounds constructed and deconstructed.

An extended work from Antoine Beuger and Michael Pisaro, defined by six stanzas written by Beuger, Anna Swir, Mei-Mei Berssenbrugger and Edmond Jabes, a subtle cycle realized in tone and voice.

Mauricio Kagel's 1970s avant cinema film "Ludwig Van" about Beethoven's music, is reinterpreted by pianist Frederic Blondy and turntablist DJ Lenar, improvising at Zacheta National Gallery of Art, in Warsaw, Poland, 2011, and assembled in studio.

An amazing album of vocal utterance and layered sound from Dutch improviser and experimenter Jaap Blonk, using spatial placement and movement extended by electronic means to focus on phonetic concepts, particularly the diphtong and approximant.

Dutch vocalist and electronic artist Jaap Blonk takes on insomnia in 13 short works celebrating sleeplessness, including one piece for Dada sound poet Raoul Hausmann, and other "songs" using effective electronics and bizarre vocal utterances to accompany your own sleepless nights.

Legendary improvising vocalist Jaap Blonk in a solo work, a mesmerizing and hallucinating piece of electronic music presenting myriads of voices and melodies that never repeat themselves.

Sound poet Jaap Blonk extended the International Phonetic Alphabet (IPA) into BLIPAX (Blonk's IPA Extended), developing scores as drawing which are converted into electronic sound through audio software and then back to text through OCR to create these unusual spoken audio pieces.

Extended improvisations using a mix of acoustic and electric instruments from the sextet of Ernesto Rodrigues, d'incise, Cyril Bondi, Abdul Moiemem, Eduardo Chagas, and Nuno Torres.

The 2nd release from Italian composer/performer Alessandro Bosetti and Australian pianist Chris Abrahams (The Necks), a very intimate album of sonic explorations that spans improvised fragments and original renditions of compositions like Steve Lacy's "Esteem" with Bosetti's lyrics.

Necks pianist Chris Abrahams teams up with electronic artist and sound poet Alessandro Bosetti for 6 introspective and mysterious tracks that mix Necks-like playing with ambient electronics and curious monologs, plus one waltz.

Deviant beauty from the trio of Heddy Boubaker (sax), Ernesto Rodrigues (viola) and Abdul Moimeme (prepared electric guitar), dark and sinister improv using extended techniques and a quietly turbulent approach.

Electroacoustic improvisation with unusual techniques from the sextet of saxophonist Sebastian Branche, laptop electronicist Thanos Chrysakis, saxophonist Tom Soloeitzik, guitarist James O'Sullivan, saxophonist Artut Vidal and clarinetist Jery Wigens.

A sound work about freedom, choice and politics, performed at Arika's Festival Episode 4 "Freedom is a Constant Struggle" in Glasgow, 2013, from the duo of Mattin (computer and feedback) and written with Lebanese philosopher Ray Brassier.

Beautifully slow drifting compositions for clarinet, ARP 2600, piano and prepared piano from the duo of Anthony Burr and Anthony Pateras, drawing on Cage and Feldman in these expansive and tranquil works that create beautiful and quietly exotic sound environments.

Burro is the Calgary improvising trio of Whitney Ota (electric guitar), Stew Elton (bass) and Andrew Hume (drums), in a studio release of their intense and hard rock-oriented playing.

Recordings of improvisations from different rooms with unique resonant properties, manipulated and organized into 5 compositions mixing musique concrete and e-a improv.

Mysteriously dark electroacoustic improv from the adept trio of John Butcher on acoustic and amplified saxophones, Burkhard Beins on amplified bass drum and electronics, and Mark Wastell on amplified 32" paiste tam-tam, slowly evolving, rich environments in sound.

Blue Sausage Infant and CHANGES TO blind met in 1992 for these improvised studio recordings, and to perform CTb's sonic tour of a house live at Troy, NY's Last Exit.

Amplified objects artist Lee Patterson and reed player Lucio Capece, also on the sruti box, in 8 rich and slowly paced "empty" works that create mysterious timbral environments.

With soprano saxophone and bass clarinet, Sruti box, electronics, preparations and applied objects, Lucio Cape releases this suite consisting of six structured pieces exploring the possibilities of those reed instruments.

A live recording at Cafe Oto in 2013 from this sextet in an extended and dynamic piece in which the musicians develop material they had presented in small groups in the first half of the concert, mixing improvised and prepared elements.

Montreal/Actuelle players Sylvie Chenard on guitar and voice, Alexander Dubuc on bass, Cathy Heyden on sax, and Miriodor's Remi Leclerc on drums, with all providing electronics, in an encompassing ea-improv journey that balances acoustics with sonic environments and wonderfully controlled chaos.

Combining sound-synthesis with field recordings and percussion these three improvisers create electroacoustic environments from intricate tranquility to howling furies.

Detailed electro-acoustic improvisation from the trio of Thanos Chrysakis on MaxMSP & electronics, Wade Matthew on synth and field recordings, and Dario Bernal-Villegas on percussion.

This quintet use a wide range of sound sources inc. guitar, electronics, prepared piano and clarinet to create spectral and gestural sonic and harmonic fields.

Intricate and beautifully paced electroacoustic improv from the quartet of Thanos Chrysakis (laptop, synth & radio), Ken Slaven (berimbu, autoharp, violin), James O'Sullivan (guitar) and Jerry Wigens (clarinet & mandolin).

Thanos Chrysakis with Dario Villega and Oli Mayne in improvised set using electronics, prepared pianos, percussion, &c, a colored palimpset of sound.

Sophisticated and interactive electroacoustic improvisation from the trio of Chris Cundy on bass clarinet, James O'Sullivan on guitar, and Aural Terrains label leader Thanos Chrysakis on laptop, synth and radio, performing the six part "Asphodels Abide".

The Syneuma Trio is the free improvising trio of Thanos Chrysakis playing inside and out of the piano + chimes and vibes, James O'Sullivan on guitar, and Jerry Wigens (Astrakan) on clarinet.

The 7 part "Knotted Alembic" is an improvisation between electroacoustic artist and label leader Thanos Chrysakis and Brazilian based Chilean pianist Philip Somervell performing inside and out of the piano.

The trio of Thanos Chrysakis on synth, radio, gongs & laptop; Wade Matthews on synth & field recordings; and Javier Pedreira on guitar, in studio recordings of edgy electroacoustic improvisation using a wide sound palette of indescribable sources.

The duo of Thanos Chrysakis on laptop and electronics, Wade Matthes on digital synthesis and field recordings, in an album of improvisations where synthetics and real-word sounds combine and collide in intriguing ways.

Aural Terrains label leader and electronic composer Thanos Chrysakis in a work in three movements based on a blending of electronics and acoustic instruments.

An extended electroacoustic piece recorded in 2011 and named as an apt description of the bubbling, dense and intense flow of sound Chrysakis generates using electronic devices, acoustic sounds and field recordings, an absorbing work of audio flux and percolation.

Aural Terrains label leader and electronic composer Thanos Chrysakis in a work in five movements based on field recordings, synthesized, and acoustic instrumental sounds.

The 7th CD for the sophisticated Circuit electroacoustic improvising ensemble, whose personnel shifts with each release; here Paul Dunmall plays sax, flute, and wind controller, alongside Phillip Gibbs on electric guitar and Trevor Taylor on acoustic & electric percussion.

Violinist Mike Khoury and electronic artist Andrew Coltrane in an album of thick and blurry sonic environments and effected string interaction, a bit like a drive in an ancient auto on alien moons.

A double CD featuring two extended live performances by the electroacoustic quartet of John Butcher (sax), Angharad Davies (violin), Rhodri Davies (harps) & Lee Patterson (amplifed devices), one an improv from Durham in 2013, the other a graphic score from Newcastle, 2014.

Active in various formats since 2005 when The London Musicians' Collective commissioned the ensemble from electric harpist Rhodri Davies, this album with John Butcher (sax & amplifier) and Lee Patterson on amplified devices is surprisingly their first release.

The forward-thinking trio The Contest of Pleasure of Axel Dorner on trumpet, John Butcher on saxophone and Xavier Charles on clarinet, is extended with (More) from Laurent Sassi and Jean-Leon Pallandre on phonographies, mixing and microphones, performing live in Ulrichsberg.

On this solo CD, [Cor Fuhler] plays an 'acoustic grand piano, using ebows and super magnets. No overdubs, no electronics, no electronic treatment