Confront/Sound 323's Mark Wastell meets three of Japan's most interesting minimal improvisers at Offsite in Tokyo, 2003 to perform this extraordinary two part work.

Ingar Zach in a trio with Spanish accordionist Esteban Algora and Italian flutist Alessandra Rombola in 6 varied pieces recorded in a stone church.

Incredible understated improvisation from the trio of cellist Martine Altenburger, pianist Frederic Blondy,and saxophonist Bertrand Gauguet, exceptional journeys from three accomplished players.

ChipShop music with Erik Carlsson (percussion), Martin Kuchen (sax & radio), David Lacey (percussion & electronics) and Paul Vogel (computer & clarinet) meet Atolon (Ruth Barberan, Alfredo Costa Monteiro, and Ferran Fages).

Unusual improvisation from saxophonist Abdelnour using extended and microtonal techniques, and Pascal Battus who works with rotating surfaces from Walkmans as sound exciters.

Three improvisers, Pascal Battus (rotating surfaces, found objects), Bertrand Gauguet (saxophones) and Eric La Casa (microphones) recorded while playing at a working building site in Paris and also in studio.

A beautiful and delicate long-form composition by Wandelweiser founder Antoine Beuger, exquisitely interpreted by the Berlin ensemble Konzert Minimal, which includes among others Lucio Capece, Johnny Chang, Catherine Lamb, Michael Thieke and Koen Nutters.

An extended work from Antoine Beuger and Michael Pisaro, defined by six stanzas written by Beuger, Anna Swir, Mei-Mei Berssenbrugger and Edmond Jabes, a subtle cycle realized in tone and voice.

Ben Owen (electronics), Barry Chabala (guitar) and Dominic Lash premier Wandelweiser founder Antoine Beuger's work "s'approcher s'eloigner s'absenter" recorded at erstwhile's AMPLIFY 2011 at The Stone, NYC.

A double CD presenting 4 pages from Antoine Beuger 2003 composition which ingeniously adapts the musical form of the round to Wandelweiser music in a beautiful recording in a church in Oxfordshire, UK from June 2012.

The Norwegian free-improvising trio of prepared pianist Dag-Filip Roaldsnes, alto saxophonist Kim-Erik Pedersen, and percussionist Tore Sandbakken in 14 darkly graceful and succinct works.

Cartridge Music was composed in 1960 and is one of Cage's earliest attempts to produce live electronic music, here realized at a live performance at the Audiograft Festival in Oxford in February 2012.

Amplified objects artist Lee Patterson and reed player Lucio Capece, also on the sruti box, in 8 rich and slowly paced "empty" works that create mysterious timbral environments.

A large improvised work from the quartet of Angelica Castello (amplified subcontrabass, paetzold recorder and electronic devices, Billy Roisz (electronics), Burkhard Stangl (electric guitar) and Dieb13 (turntables & klopfer) performing live at Alte Schmiede Wien, Austria in 2013.

Tense and subtle improvisation from the Belgian duo of pianist Marjolaine Charbin playing inside and out of the piano and alto saxophonist Frans van Isacker using microtonal and extended approaches with the sax.

A collaboration between two Seoul, South Korean sound artists--Hong Chulki and Ryu Hankil--both performing on no-input mixer & objects for an album of electronic, glitch and sputtering sound with an extreme dynamic range and twisted purpose.

A live performance of saxophonist Bhob Rainey, electronics artist Bonnie Jones and percussionist Chris Cogburn performing live at AAMP in Austin, TX, and at Crolwey Theatre, Marfa, TX.

A durational piece featuring saxophonist Seymour Wright, electronic artist Grundik Kasyansky (Grundik + Slava) & trumpeter Jamie Coleman, members of Eddie Prevost's improv workshop.

Italian composer Osvaldo Coluccino performed these minimal works using acoustic objects only: no musical instruments, no power tools, nor appliances, nor other electric machines, and no post electronic processing.

Sweden's Skogen returns with a beautiful work for chamber ensemble with Magnus Granberg, Angharad Davies, Toshimaru Nakamura, Ko Ishikawa, Anna Lindal, Henrik Olsson, Petter wastberg and Erik Carlsson, interpreting a piece by Anders Dahl using a 12 tone system.

Four extraordinary improvisations by musicians spanning 3 countries and 3 generations, a dark, brooding, swirling music from a remarkably tight and unified ensemble.

Six delicate, complex and suubtle studio compositions from the trio of Rhodri Davies on harp & electronics, David Toops on guitar and percussive devices, and Lee Patterson on amplified devices.

Incredible, understated improvisation from two masters of the form - Axel Dorner on trumpet and Angharad Davies on violin - in three commanding tracks of atmospheric momentum.

The collaboration between the electroacoustic duo of Cremaster (Ferran Fages and Alfredo Costa Monteiro) and violinist Angharad Davies, mixing contemporary electronics with long-form minimalist drone music.

Understated and exquisite improvisation using trumpet, violin, bass clarinet, flute and field recordings from three forward-thinking performers.

The duo of pianist Chris Abrahams (The Necks) and clarinetist Kai Fagaschinksi (The Magic I.D.) in an improvised album of open works that take unusual twists and turns in sonic subtleties.

A live recording from Portugal's Cine-Theatre Curvo-Semedo of the minimal ea-improv quartet of trumpeter Axel Dorner, violist Ernesto Rodrigues, prepared electric guitarist Abdul Moimeme, and Ricardo Guerreiro on computer.

Quiet and static acoustic musical territories explored through the pragmatic application of compositional and improvisational structures from these West coast improvisers.

A slowly-unfolding and wonderful work of unusual acoustic and electronic sound from the Argentinian trio of Alexander Elgier (piano), Victor Grinenco (violin, hardingfele, objects & electronics), and Samuel Sahlieh (synth, electric bass & tapes).

French soprano saxophonist Stephane Rives and US Sound artist Bryan Eubanks on oscillators and feedback synth recorded this extended improvisation after performing live together in Berlin in 2014, using twisting acoustic and electronic tones punctuated by dramatic confrontations.

The minimalist duo of Klaus Fili performing on sinus-waves and Dafne Vicente-Sandoval on bassoon, performed deconstructively and amplified with miniature microphones, in two extended recordings of introspective and austere dialog.

Electricity and metal trash object meet in a banging and sparking session of minimal improvisation from percussionist Elisabeth Flunger and electronic artist Tomas Tello.

Two improvisations-one live, one without audience-by an Anglo-French trio of new voices from trombonist Forge, electronics artists Julian and cellist Papapostolou.

Two works, one each from trombonist Radu Malfatti and clarinetist Jurg Frey, also credited with "instruments", field recordings and couterpoints; electroacoustic reductionist work of beautiful character that unfolds slowly and rewards attentive listeners in morphing sound.

The trio of Miguel A. Garcia (electronics), Tomas Gris (objects) and Lee Noyes (piano) in a single extended and understated improvisation mixing acoustic and electronic sources, building and subsiding in its interesting journey.

Intense and minimal electroacoustic improv from an incredible trio of saxophonist Gauguet, trumpeter Hautzinger, and analog synth player Lehn.

Four recordings of subtle improvisation for saxophone & percussion, recorded for Radio Nationale Slovene in Ljubljana, and in the library of Jean-Paul Manganaro, Paris.

Saxophonist Halliwell appears here in three duo performances with Rhodri Davies playing E-bowed harp; Steve Roden with extracts from his "resonantlighttones"; and Mark Wastell on tam-tam.

The unlikely combination of tuba and spinet from Carl Ludwig Hubsch and Christoph Schiller (Millefleurs) taking each instrument beyond their traditional sound through extended technique and style.

A large Lisboa ensemble presenting a collective improvisation titled after a painting by Yves Klein, with performers including Ernesto Rodrigues (baritone violin), Miguel Mira (bass), Nuno Torres (sax), Carlos Santos (electronics), Rodrigo Pinheiro (piano), &c. &c.

Masters of tonality, in their 2nd release the dual clarinets of Kai Fagaschinski and Michael Thieke are heard without any guest musicians, making a rich, gorgeous album of tense timbres.

Ist - Rhodri Davies (harp), Simon H. Fell (double bass) & Mark Wastell (violoncello) - recorded this fascinating, quietly active lower case work at Total Music Meeting in Berlin 2001.

Since 1995 the string trio of Rhodri Davies, Simon H. Fell & Mark Wastell have created sparse, introspective improvisation, performing here at the Contemporaneamente festival in Lodi, Italy.

The pairing of eccentric sound artist Jeph Jerman with Quakebasket label leader/percussionist Tim Barnes, using unidentifiable sound sources, field recordings, and the occasional acoustic instrument to create unique, curious and absorbing environments.

A long textured tone poem recorded in the summer of 2009 by sound artist Jeph Jerman, creating an aural environment with a contact mic, mini-disc, laptop, and 4-track.

Guitarist Kim Johannesen and clarinetist Svein Magus Furu in a set of works with interacting tonalities that rely almost completely on texture, tones, scraping, &c..

Brighton, UK turntable/electronics improvisor Daniel Jones and the American guitarist Barry Chabala meet for an album of ringing and beautiful lowercase sound.

Electronic artist (and on this release, pianist) Olivia Block and radical trumpeter Greg Kelley meet for five works that range from breathy meditations to active "slapstick" routines of bewilderingly interesting sound.

Berlin based Annette Krebs and Tokyo sound artist Taku Unami bring together a variety of improvisation, compositional and unlikely sources for 5 part puzzle box of understated sound.

The dual alto saxophones of Martin Kuchen and Seymour Wright meet guitarist Keith Rowe for an impressive journey of free improvisation with Rowe taking the lead.

The second album from the long running lowercase / ea-improv "pop" duo of Burkhard Stangl and Christof Kurzmann, understated and intensely skewed music and songs.

Aberrant experiments with a stereo DJ mixer from Herbal International label leader Goh Lee Kwang, 5 tracks of unexpected sounds, micro-drills, crackles, purrs, hums, buzzes, quirks and bleeps from the mixer itself, performed live with no overdubs or pre-programming.

Two extended works from Herbal International label leader Goh Lee Kwang: the two part "Vurnmmkied" the first of static sonic environments that slowly morph, while the second varies with a mix of subtle and harsh sound; "3753" contrasts with gentler, slower territory.

A concept album for their Inscape project: onsite installations with strategically placed microphones mixed in real time to create complex and intriguing sound sculptures.

A 20-minute improvisation plus realisations of scores by the Wandelweiser composers Eva-Maria Houben & Taylan Susam, including an extraordinary outdoor performance of Houben's Nachtstuck for solo bass.

Live recordings in Catherine & Henri's courtyard, Fresnes, France from this trio of understated and extended improvisers: Louis Laurain (trumpet); Rodophe Loubatiere (percussion); Yoann Durant (saxophones).

Two powerful electro-acoustic improvisations by two of the most exciting voices from the current London improv scene.

A quiet quartet session intended for loud volume with Jacob Lindsay (reeds), Ava Mendoza (electric guitar), Damon Smith (7-string ergo-bass & lloopp), and Weasel Walter (percussion & bagpipe chanter), unusual tapestries of sound plus a recipe!

Looper (Nikos Veliotis, Martin Kuchen and Ingar Zach) in Another Timbre's Silence and After series, layered and slowly moving sound work of great depth and subtlety.

Sections of complex deep sound work juxtaposed with stillness in this 43 minute epic of sophisticated industrial environments full of suspense and engaging darkness.

The string duo Bobun celebrates ten years of creative collaboration with this six piece suite, a studio recording of diverse improvisations that runs the gamut from lowercase minimalism to dense and technically exuberant interaction.

Superb 1st erstwhile 'pop' release as only an erstwhile artist could define the term: abstract lower case and perceptive songs with dual clarinets and guitar.

The improvising duo of trombonist Radu Malfatti and electronics/sinewave artist Klaus Filip in two extended and beautiful works that investigate the edges of ultraminimalism.

Performed as part of the AMPLIFY 2011 festival at The Stone in NYC, the duo of trombonist Radu Malfatti and electronic/visual artist Taku Unami presented this long, minimal and dramatic soundwork in a pitch-black room lit only by Unami's visuals.

Using an alto saxophone where the original mechanisms have been replaced with water, gas & compressed air taps, saxophonist Sergio Merce can microtonally move the tuning of any note and create multiphonics, allowing him to play several sonic layers while using circular breathing.