Four text scores composed by Ryoko Akama and performed by himself on VCS3 synthesizer with Bruno Duplant on percussion & tone generator and Dominic Lash on double bass, clarinet & laptop; four beautifully evolving and carefully paced works.

The 1st of two 3" CDs recorded by the Amalgamated quarter before a live audience at short-lived La Salle, Illinois music venue The Spark in November, 2007, reworked into detailed, lush, and strange electronic/industrial/noise/ambient constructions.

John Boyle & Aya Onishi of Nihilist Spasm Band with Arnaud Riviere of Textile Orchestra from their first set of unrelenting primal improv at Sonic Protest 2007 in France.

A reissue of the 1995 album from the duo of Frans de Waard and Freek Kinkelaar, electronic sound work in a Zoviet France mode, using looping structures but also freeform improvisation to create dark and alluring audio environments with beautiful sonic elements.

Composer Per Bloland blends custom built electronics with instrumental textures to create unique soundscapes, presenting 5 works performed by Ecce Ensemble Chamber Industrial in a release of vigorous electroacoustic and instrumental compositions.

The live sound of Blue Sausage Infant, ranging from brutalist noise to textured drones, pounding neo-tribalism, krautrock-flavored psychedelia, or cut-ups of cultural artifacts.

Composer Gregory Buttner captured recordings from the 19th century French Performance Arts Forum in St. Erme, Picardy in 2011, using the house as a sound generator, resonant space and instrument, organizing the recordings into this excursive and exploratory composition.

Kim Casone's Knotted Constellation is a cinematic sound narrative that moves the listener through a series of auditory fields, with contributions by C. Spencer Yeh, Darius Ciuta, &c.

Blue Sausage Infant and CHANGES TO blind met in 1992 for these improvised studio recordings, and to perform CTb's sonic tour of a house live at Troy, NY's Last Exit.

Grey is the color of these murky recordings from Scott Konzelmann, AKA Chop Shop, sounding like they were recorded inside a furnace with distant punctuation occasionally contributing to the gloom of this oppressive audio environment.

Jason Crumer (Aluminum Noise, Now in Darkness World stops turning, Reverse Baptism, &c) in 3 detailed sound works ranging from building quiet burbles to extreme noise responses, a wild ride from rich to stark sound.

Two sides of "Banned" and "Bent" from experimental sound artist Aaron Dilloway, using synthetic and sampled sounds to create a revolving audio excursion of bizarre sonic substance, thickly mysterious and satisfying.

A collaborative release of Nijmegen's saxophone wielding grind duo of Rene Aquarius and Otto Kokke with sound artist Machinefabriek (Rutger Zuydervelt), tempering the duo's Ayleresque frenetic drive in response to Zuydervelt's long form drones.

Unusual, head-scratching works of sound & noise or cracked pludnerphonics with a good sense of pacing that lulls and befuddles on it's own schedule.

Featuring an x-rated insert in a puff-up brown paper package, Mr. Dorgon attacks with two electronic works and a harmonica solo from a live show on KFJC in California.

Sound and noise artists Kevin Drumm and Jason Lescalleet collaborate on this 2 CD set, a diverse set of sound pieces from slowly building drones to unsettling environments, with tapes punctuating the hallucinatory aspects of their rich and impressive aural tapestries.

Six distinct "phases" of entrancing drones performed on an unprepared but slightly damaged harmonium by French improviser Monsieur Favriou, demonstrating the timbral range of the pedal-pumped reed organ.

Presenting live recordings from the 2004 UK "Feedback: Order from Noise" tour, an ambitious presentation of artists including Alvin Lucier, Otomo Yoshihide, Knut Aufermann, Sarah Washington, Toshimaru Nakamura, & Nicolas Collins, performing solo, in duos, and as an ensemble.

American noise from 910 Noise Collective artists August Traeger and Ryan Lewis, a mix of harsh and atmospheric sound in an EP of wild, untamed and surprising sound work.

Another slab of basement strangeness from this Hamilton, Ontario-based trio/duo that pivots around sound artist David Payne; a baffling work of sound and noise.

A collaboration of NYC sound artist Gen Ken Montgomery (Generator) and West Coast sound improviser AMK (Anthony Michael King), in an extended work of electronic improvisation presented over two cassette sides, a varied program that never overloads its listeners.

Gigante Sounds's Jared Blum and Faith No More bassist Bill Gould collaborate on this album of dark drones and grainy guitar, a tense and eerie album of dark beauty.

A split cassette, the first side presenting two live sets of vocals and tapes from Duncan Harrison; the second presenting Jeer Sabbath on vocals, tapes, trumpets, piano, clarinet, guitar, violin & other assorted instruments; both recording in the UK and reworking at Wino Lodge.

The quartet of two drummers (Paal-Nilssen-Love & Pika) and two noise artists (JoJo Hiroshige and Lasse Marhaug) performing live at Osaka Chika-Ikkai for six intense, powerful and informed noise improvisations.

John Hudak created "listening to the wind" using wind chimes, half of a phone conversation, and digital manipulation, splitting the work into an "inner" and "outer" side, altering the character of this murky emission.

Los Angeles experimental sound artists Illusion of Safety (Daniel Burke-guitar, modular, samples; Mitch Enderle-dirty bass spring; Mark Klein-guitar; Mark Sorensen) in a 5 track cassette of ominous industrial sound, bridging free-form work with rhythmic passages.

Jason Kahn uses feedback and electronic noise to create a large work created from static, hiss, and unusual electronic sound, dynamic and ever-shifting aspects of both lovely and aberrant electronics, captivating in ever-shifting sounds that inform but do not overwhelm.

"This Forest" is a single sided LP from Italian noise artist Kam Hassah, dense stratas of sounds moving in hypnagocic ways, a gloomy forest of sounds.

Noise and sound artist Zbigniew Karkowski and Canadian born Japanese based noiser Kelly Churko in four recordings from Super Deluxe and Soup in Tokyo, bookmarking the release with harsh distortion offset by spacious and dynamic glitch and subtly aberrant sound.

A diverse set of electronic compositions from hauntingly beautiful to tormented soundscapes, composed by Goh Lee Kwang for a multimedia stage work based on Rashomon, a short story about moral ambiguity written in 1915 and based on a 1000-year-old Japanese tale.

An ambient electronic adventure driven by experimental touches of noise and glitch in a journey through moods of mystery, melancholy, eminent peril, and even elation inspired by the magickal strength of Aleister Crowley.

Francisco Lopez created this work by dubbing a blank cassette back and forth for hundreds of generations in real time with no noise reduction; this is the reissue of the original 1997 release.

Sections of complex deep sound work juxtaposed with stillness in this 43 minute epic of sophisticated industrial environments full of suspense and engaging darkness.

An alternative edit of the soundtrack for Makino Takashi's film In Your Star, an intense electronic work with beautiful microtonal and digital soundscapes.

Sketches for the soundtrack of a documentary directed by Chris Teerink about American conceptual artist and minimalist sculptor, printmaker, photographer and painter Sol LeWitt.

Originally released in 2008 on Sentient Recognition Archive, "Vloed" is a collection of (slightly edited) live performances, recorded between 2006-08 in Amsterdam and Den Haag.

2 CDs, one each by - Marchetti: a work of dense and excursive sound collage - and by Favory: a narrative for our 7 closest celestial neighbors mixed from 7 electronic improvisations.

Two works from electronic and noise artist Lasse Marhaug: "Purple Cane" recorded in Kuala Lumpur varying a 30 second noise sequence; and "Sleazy Tuk-Tuk", recorded in Bangkok and built from field recordings of a blind woman on the road with her Casio keyboard.

The long-running duo pairing of Mats Gustafsson (The Thing, Peter Brotzmann Chicago Tentet, etc) and Thurston Moore (Sonic Youth, Chelsea Light Moving, Dream/Aktion Unit, etc) in a limited LP of power and sound.

Contrasts of noise exploration and melodic interventions from Mr. Stonecipher, aka Ryan Lewis, employing a variety of approaches to soundwork both attractive and brutal.

A collaboration mixing improvisation with sound & noise from sound artist Adam Denton, working primarily with the slithery tones that live within improvisation, and Sean Cotterill, whose work straddles the ocean of skronk guitar to live programming 'ones' and 'zeros'.

Jamie Newton works with sound using guitar, keyboards, field recordings, processing, and Kyoto croquet, here in a contemplative set of works merging drone and thick noise with indistinct rhythms and layers of concrete sounds.

This Calgary based trio with Jay Crocker on guitar & electronics, J.C. Jones on trombone and Eric Hamelin on drums & percussion, mix free bop with small sound electronic improv.

The duo of Joachim Nordwall and Mark Wastell performing live at London's Cafe Oto in a long dark and concentrative improvisation on tone generator, synth, and tam tam.

"Surreal slabs of processed sound float by each other in brilliant high fidelity, from the man behind much of the documentation of Bug Incision's live activites..."

"Two compositional responses upon the same sonic matter from two sound artists" - Tomas Phillips, and Francisco Lopez each creating extended works using the same source materials.

A DVD compilation of databending & video art from video and sound artists Raul Dominguez & Miguel A. Garcia, Muckrackers, loopool & Zara Kand, Kelly Donovan, Wayne Mason, Nipple Stools, CihanLucia, Third I, Carl Kruger, Meat Hands, Somnaphon, Regosphere.

Sound artist Annabelle Playe blends electroacoustic, experimental and electronic noise music in her debut album.

Mego founder and electronic artist Peter Rehberg met with Schmickler (Kontakta) in 2007 for two days of explosive, dense recording with a remarkable clarity.

Jocelyn Robert's first release on Ambiances Magnetiques in a four-disc set that shows off his solo work and highlights the contributions from other artists who have worked with him through the years.

Rich electronic space explorations in the tradition of Ash Ra Tempel, Klaus Schulze, Tangerine Dream, &c.

Label leader Brian John Mitchell in his first Small Life Form release, seven instrumental drone pieces ranging from contemplative to noisy and disturbed, designed so they may all be listened to simultaneously while looped.

Bill Laswell on bass and drones and John Zorn on shofar and alto saxophone perform darkly evocative ambient music to readings by magus David Chaim Smith from selections of his mystical text "The Awakening Ground".

A compilation of various unreleased songs, remixes and compilation appearances from Somnaphon (A. Traeger), a varied and eclectic exploration of Somnaphon's work.

Acoustic guitars, voices, digeridoo, bagpipes, cello and an array of machines swirl together, in and out of unison and/or cacophony to produce an elaborate and breathtaking journey for the listener.

Somnaphon's dark sound work, the 2nd part of a trilogy made from broken clips of melody, clanging metal and found sounds, composed from disturbances in an active haunted house.

Japanese installation and sound artist Akio Suzuki in recordings made at the New Taiza Tunnel in Tango Kyoto, 1999, rich and pure works of ambient environments.

910 Noise presents: Douceur Violente A 14 track compilation of electronic and noise artists from Wilmington, North Carolina.

A limited edition hand painted & numbered compilation featuring Bicephalic and ACK Recording noise artists Carl Kruger, Ryan Lewis, Allison Parker and August Traeger.

soccer Committee and Machinefabriek's duo album from 2008 is remixed by artists Nate Wooley, Francisco Lopez, Taylor Deupree, Lawrence English, Xela, &c. &c.

Franck Vigroux takes on the dangers of surveillance technology in a dark and disturbing concept record of electronic noises and mutant beats that create thick, paranoid atmospheres.

A dark kiss of acid from Lasse Marhaug performing on electronics, computer and the compositional structures, with Mark Wastell submitting rich recordings of a 32" Paiste tam-tam.

It started with a Mats Gustafsson's LP, for which Ozeki Mitkito created a polyvinyl chloride cutout, which Otomo manipulated on his turntable, recording this limited hand-numbered CD.

The duo of Ferran Fages on electronic devices and Eduard Maquez on percussion in a beautiful long-form drone, a drifting and haunting work that hangs off of slowly building crescendos which release to beautifully suspended sonic environments.

The quartet of Cosottini, Melano, Pisani, Miano (EAQuartet Electroacoustic) in compositions referring to the 4 cardinal map points using graphic scores, games, open readings, &c.