Mauricio Kagel's 1970s avant cinema film "Ludwig Van" about Beethoven's music, is reinterpreted by pianist Frederic Blondy and turntablist DJ Lenar, improvising at Zacheta National Gallery of Art, in Warsaw, Poland, 2011, and assembled in studio.

A 1998 soundtrack by composer Jean Derome that was created for a film by John Walker that was conceived as a "suite in black and white" that gradually builds as it progresses.

Composer and guitarist Andre Duchesne creates a soundtrack for the film Le Royaume ou l'Asile, by Jean and Serge Gagne, that brings the listener into a world of illusions.

A sound track to the Malaysian stage play "Butterfly Lovers", which explores the themes of human relationships and emotions through a Zen perspective, from sound artist Goh Lee Kwang in a sextet that merges traditional Malaysian instrumentation and electronics.

A diverse set of electronic compositions from hauntingly beautiful to tormented soundscapes, composed by Goh Lee Kwang for a multimedia stage work based on Rashomon, a short story about moral ambiguity written in 1915 and based on a 1000-year-old Japanese tale.

Composer Robert Marcel Lepage arranges a film score for a full-length film by Bernard Emond that is fascinating and enchanting.

An alternative edit of the soundtrack for Makino Takashi's film In Your Star, an intense electronic work with beautiful microtonal and digital soundscapes.

Chicago cellist and composer Tomeka Reid was commissioned to create original music for the first documentary of the Imagists, mid 60's Chicago post-surrealists artists who exhibited together; Reid reworked the music into a fully realized suite for this CD release.

The quartet of Cosottini, Melano, Pisani, Miano (EAQuartet Electroacoustic) in compositions referring to the 4 cardinal map points using graphic scores, games, open readings, &c.

Helmut Kajzar's theatrical play with themes of physicality and death with sound performed on synthesizers and electronics, in it's 4th recording including stage directions in the narrative (in Polish) with an insert providing English translations of a selection of dialog.

Eugeniusz Rudnik composes a tour-de-force of electroacoustic audio in a sound essay based on the soundtrack to Zuzanna Solakiewicz's award-winning movie "15 Corners of the World", reworked to stand alone as a stunning and thought-provoking audio work.

A great collection of short film soundtracks and pieces that appeared on compilation albums and out-of-print CDRs, including the "Nerf" EP, the tracks for the book "Things That A Mutant Needs To Know" by Reinaldo Laddaga, and 3 soundtracks of which two are for a short movie and one for a video installation, alongside tracks from other compilations.

Music for the movie "The Red Soul" by Jessica Gorter, a chilling and fascinating look at the legacy of Josef Stalin, from an electroacoustic trio of Rutger Zuydervelt (Machinefabriek) editing and processing the playing of saxophonist Ilia Belorukov and percussionist Rene Aquarius, a dark and muted set of 14 emotional tracks that reflect a dark history.

The soundtrack for Dutch/Belgium/Italian co-production "Porselein" (Porcelain), a psychological drama by Jenneke Boeijink, recorded with cellist Francesco Guerri and using a motif from Henry Purcell's "The Fairy Queen", the album release including 12 additional tracks; powerful, emotional and passionate music of great tension and brilliant performances from Guerri.

Following his collaborations with choreographers & dancers Marta Alstadsaeter and Kim-Jomi Fischer resulting in the performances & albums As Much As It Is Worth and Engel, Rutger Zuydervelt composed this work for their dance/circus performance Our Arms Grew Together about romantic relationships, developed around recordings from the daily lives of Alstadsaeter and Fischer.

Two movements from a live score for the classic silent film Terje Vigen by Sjöström composed and produced by Swedish pianist & keyboardist Alex Zethson (Angles 9, VÖ, Fire! Orchestra), two long-form tracks of dark and sombre, pulsating folk-drone featuring Norwegian vocal ensemble EMBLA plus appearances by, i.e., Christer Bothén, Kristin Amparo Sundberg and Goran Kajfeš.

A powerful set of succint compositions, themes and sea shanties for the soundtrack for Danielle Krudy and Bridget Savage Cole's film Blow the Man Down , scored through the collaboration of composers Jordan Dykstra, who also performs on viola, piano, prepared piano, vibraphone & percussion, and Brian Mcomber, who also performs on keyboards and percussion.

The original score composed by Brooklyn violist and multi-instrumental Jordan Dykstra for the documentary movie Globes directed by Nina de Vroome, exploring the relationship between bees and humans through their history and affect on the global economy and our cultures, realized in a diverse set of contemporary musical forms from orchestral to electronica.

The soundtrack to the 2022 German documentary film This Stolen Country of Mine directed by German filmmaker Marc Wiese about Ecuadorian resistance fighters and journalists opposed to the sale of the country's resources to Chinese investors, in 19 subtle, elegantly passionate electronic works from sound artist Carsten Nicolai, aka Alva Noto.

Drawing on the work of Steve Lacy's quintet, Montreal saxophonist Jean Derome pays homage to the late saxophonist through a selection of 9 Lacy pieces with lyrics from Brion Gysin, Lao Tseu, Herman Melville, &c, in a quintet with Derome on alto sax, bass flute & voice, Karen Young providing vocals, Alexandre Grogg on piano, Normand Guilbeault on bass, & Pierre Tanguay on drums.

A 3 CD set from bassist Benjamin Duboc: a solo disc of low register improv; plus 2 discs in duo and trio settings with Didier Lasserre, Sylvain Guerineau, Jean-Luc Petit, Pascal Battus, Sophie Agnel & Christian Pruvost.

Fred Frith's 1982 live album of his solo concerts at various venues in Japan, 1981, performing on guitar, throat mike, violin and piano; long out of print and now remastered by Tom Dimuzio.

The improvising string duo of stalwart London improvisers, Daniel Thompson on acoustic guitar and Phil Durrant on the octave mandola, are heard in two settings of texturally rich, intricate interactions, first at Cafe OTO in 2022 for an extended improvisation, then at Cable Street Studios two months later for six succint, impressively diverse dialogs.

Two movements from a live score for the classic silent film Terje Vigen by Sjöström composed and produced by Swedish pianist & keyboardist Alex Zethson (Angles 9, VÖ, Fire! Orchestra), two long-form tracks of dark and sombre, pulsating folk-drone featuring Norwegian vocal ensemble EMBLA plus appearances by, i.e., Christer Bothén, Kristin Amparo Sundberg and Goran Kajfeš.

A collection of works from Netherlands composer Michel Banabila, including a piece developed with saxophonist Dave Liebman and previously released only digitally; a work with Rutger Zuydervelt (Machinefabriek); a work with Pierre Bastien; and excerpts from scores for Yin Yue's choreography in two works: "Somewhere" for New York Live Arts and "Timeless Tide" for BalletMet.

A mesmerizing sonic counterpart to the acrobatic and dance performance Meander, Rutger Zuydervelt (Machinefabriek) crafts an immersive score that mirrors the movement of Marta & Kim, Knot on Hands, and Felix Zech, blending ambient textures and dynamic shifts to evoke fluidity, weight, and momentum, shaping an auditory journey that unfolds with the same grace and unpredictability as the performance itself.

An immersive and atmospheric soundtrack from composer Rutger Zuydervelt, known for his work as Machinefabriek, scoring the video game Microtopia with intricate electronic textures and evocative soundscapes that enhance the game's robotic ant colony simulation, blending ambient, rhythmic, and experimental elements to create a rich sonic environment praised for its depth and integration with gameplay.