Drummer Hampus Ohman-Frolund (Apuh!) leads the Huvudbry septet of structured rock forms, with an intriguing orchestration of trumpet, lap steel, double bass, guitars, keyboard and voice, using intervals of unusual sonic experimentation and field recordings to create a unique album that bassist Mats Dimming refers to as "A mix of Captain Beefheart, Yann Tiersen & Swedish House Mafia".

As on their prior album Q, the Nordic Krokofant free improvising jazz/rock trio of Axel Skalstad on drums & vibes, Tom Hasslan on guitar and Jorgen Mathisen on saxophone are joined by bassist Ingebrigt Haker-Flaten (The Thing) and Stale Storlokken (Elephant9, Supersilent), cementing their lineup as they forge adventurous and spectacular playing on this Fifth album.

The sophomore release from this Norwegian instrumental rock band, with all members of the quartet coming from an improvisation/jazz background that fuels their diverse interests in the rock format, from blistering runs, dark blues grooves and even a nod to Swedish folk jazz; a dynamic album of great technical playing but more importantly, a strong commitment to rock.

Combining free jazz and post-punk rock forms with pointed commentary about issues of race, gender, the pandemic, and political autonomy, through provocative vocal works expressing modern angst, from three Asian-American female performers living in NYC: tenor saxophonist Ayumi Ishito, drummer Wen-Ting Wu, and activist and Tiananmen Square survivor Rose Tang on voice, guitar & piano.

Essentially written by Philadelphia multi-instrumentalist D. Liedel, who handles most of the parts on this unusual blend of rock, electronics, jazz, pop punk and a number of unlikely genres, presenting strange songs that take sharp turns into twisted realms, neatly layering each piece into a heady brew that's hard to pin down, but a great deal of fun trying.

Brazilian singer Moreno Veloso recorded these songs from a songbook developed from his favorite artists, inspired while singing his children to sleep during pandemic, selecting lyrical songs that he performs accompanying himself on acoustic nylon-string guitar, recording the album in a corner of his living room, giving the album a beautiful intimacy and sincerity.

Thirteen succinct improvisations pitting Gordon Grdina's swinging middle-eastern flavors on the oud offset by gritty, experimental guitar work against drummer Jim Black's well-chosen and rock-solid grooves, an engaging album that shifts and explores a tremendous range of ideas and adventurous attitudes that span jazz, rock and experimental genres with ease.

Thirteen succinct improvisations pitting Gordon Grdina's swinging middle-eastern flavors on the oud offset by gritty, experimental guitar work against drummer Jim Black's well-chosen and rock-solid grooves, an engaging album that shifts and explores a tremendous range of ideas and adventurous attitudes that span jazz, rock and experimental genres with ease.

A stunning solo album showing the widely diverse interests of UK clarinetist and guitarist Alex Ward, recording in the studio in 10 multi-track pieces using clarinets, saxophones, guitars, keyboards, electric bass and assorted software instruments in a mix of pre-composed and improvised approaches, burning the spectrum from contemplative to aggressively assertive performance.

Adhering to the tenets of "Dissonance, Speed, Aggression, Weirdness, and Singularity", Weasel Walter leads his Flying Luttenbachers in their 15th album of no wave, punk jazz & brutal prog, Weasel switching to guitar and yielding the drum chair to Sam Ospovat, as the band rips through ridiculously complex twists and turns, even taking on Albert Ayler's strange '66/'67 musical suites.

An unflinching look at life in post-Reconstruction America, commemorating the anniversary of Nancy Cunard's 1934 collection of African-American writings, poems, and song lyrics titled Negro: An Anthology, from Elliott Sharp's Terraplane, with vocalists Tracie Morris, Eric Mingus, Mikel Banks, and instrumentalist including Sharp, Dave Hofstra, recordings from Hubert Sumlin, &c.

Adhering to the tenets of "Dissonance, Speed, Aggression, Weirdness, and Singularity", Weasel Walter leads his Flying Luttenbachers in their 15th album of no wave, punk jazz & brutal prog, Weasel switching to guitar and yielding the drum chair to Sam Ospovat, as the band rips through ridiculously complex twists and turns, even taking on Albert Ayler's strange '66/'67 musical suites.

A powerful and effusive jazz rocking and danceable album of instrumentals and songs from the Italian/International J & F Band of drummer Tiziano Tononi, bassist Joe Fonda, plus guitarists David Grissom, Bobby Lee Rodgers & Scott Sharrard, keyboardist Pee Wee Durante, violinist Emanuele Parrini and saxophonist Jon Irabagon, recording in New Haven, CT; get it on!

A collection of original songs and interpretations inspired by Jane Birkin and Serge Gainsbourg, from vocalist Hélène Breschand, also performing on harp, electronics & field recordings, in a duo with Elliott Sharp, who creates grooves and instrumental environments on guitar, synth, bass, drum programming & electronics, each song beautifully fractured and rich in detail.

Following their first record with this powerful blues rock & jazz album, the Italian/US J & F Band of Tiziano Tononi (drums), Joe Fonda (bass), drummer/percussionist Jaimoe and Pach, Peewee Durante (keys), Alberto Mandarini (trumpet), Beppe Caruso (trombone) and Gianluigi Paganelli (tuba), with guest guitarist David Grissom and vocalist Lamar Williams Jr.

Reminding of Downtown NY bands in the vein of No Safety or Curlew, this Chicago/NY 7-piece blurs rock, jazz and funk forms with intelligent and often satirical lyrics, upbeat and joyful music that defies categorization through groove-based songs that playfully critique while keeping it all danceable and fun, in a wonderfully talented and enjoyable album.

An early recording of guitarist Bill Nace performing solo in Bennington, Vermont in 2007, originally released on cassette in 2008 on the Open Mouth label, here re-pressed on LP to re-introduce an earlier, wilder side to Nace's playing through brief pieces of diverse intention using an array of objects to transform his guitar into a tightly honed sonic device.

The title referencing a Blind Willie McTell entreaty to himself, Elliott Sharp's contemporary blues project Teraplane truly "kicks" in 8 burning pieces of concentrated guitar work from Sharp, solo and in overdub, recording in Studio zOaR while performing on electric guitar, vong co guitar, lap steel guitar, console steel guitars, mandocello, mandola, basses & drum programming.

The Japanese Korekyojinn trio of Tatsuya Yoshida on drums, Mitsuru Nasuno on bass and Kido Natsuki on guitar continue their high energy approach to prog and jazz/rock with this, their 6th studio album over 20 years, in seven new pieces of extended instrumental works maintaining the effortlessly complex & joyful interplay amid quickly shifting time signatures and melodic changes.

The first of three sturdy box sets from innovative guitarist, composer and improviser Fred Frith, here with 8 CDs from the Recommended Records label plus a bonus CD, a thick booklet of artwork, photographs & extensive notes from Frith; albums included are Guitar Solos, Gravity, Cheap at Half the Price, Killing Time, Impur , Middle of the Moment, Keep the Dog; Dropera.

The second of three sturdy box sets from innovative guitarist, composer and improviser Fred Frith, here with 8 CDs from the Recommended Records label plus a bonus CD, a thick booklet of artwork, photographs & extensive notes from Frith; albums included are Live in Japan, Speechless, Prints, Step Across the Border, Impur 2, Art of Memory II, Skeleton Crew, Helter Skelter.

The third of three sturdy box sets from innovative guitarist, composer and improviser Fred Frith, here with 8 CDs from the Recommended Records label plus a bonus CD, a thick booklet of artwork, photographs & extensive notes from Frith; albums included are Technology of Tears, Propaganda, Allies, Accidental, The Previous Evening, Happy End Problem, Nowhere, Sideshow, Field Days; Inimitable (previously unreleased).

Guitarist Bill Orcutt's self-titled solo album brings a mix of standards and original compositions, starting with Ornette Coleman's "Lonely Woman" and eclectically running us to "The Star Spangled Banner", each song unfolding as he delivers in an unhurried way with rich sustain and reverb on a 4-string Telecaster, performing at The Living Room in San Francisco.

Originally issued on vinly LP in 1986 and at last reissued on vinyl, this incredible band emerged post-Henry Cow, initiated by alumni Chris Cutler (drums) and Lindsay Cooper (reeds), plus bassist Bill Gilonis, Zeena Parkins on harp, and four outstanding vocalists taking on Chris Cutler's insightful texts: Phil Minton, Dagmar Krause, Sally Potter, and Robert Wyatt.

Elliott Sharp's fifth compilation bringing a diverse and global view on modern solo guitar work continues the series on a new record label and with the same exceptional ear for superb musicians, here including Anthony Pirog, David Watson, Liberty Ellman, Matteo Liberatore, Mike Baggetta, Chris Vine, Craig Green, Jerome Harris, Philip L'Epee, Will Bernard, &c.

J Spaceman and J Coxon play the music of avant rock band The Red Krayola! through two guitars, feedback, metronomes and a music box, recording during preparation for a joint performance by J Spaceman and J Coxon as part of: Art and Language: Letters to The Jackson Pollock Bar in the Style of The Red Krayola, Lisson Gallery New York, October 2019.

Drawing inspiration from mythologies surrounding ideas of rebirth, Haco's unique sense of ambience within song structures creates beautiful environments of rich detail and encompassing warmth, performed with an eclectic group including improvising guitarist Manuel Adnot, pianist Tetsuji Matsuo, Stabilo (Speaker Gain Teardrop), Tarnovski (Gurun Gurun), and Keiichi Sugimoto (Vegpher).

The fifth album from Amsterdam avant rock band Plan Kruutntoone led by Hans Visser on guitar, banjo & voice, and drummer/percussionist Chris MŸller, is a diverse set of recording that bring a sense of isolation and introspection, including spoken word pieces with Samuel Beckett text fragments, and a string quartet composed by Hans Visser; unique and singular.

Concentrating the Teneleven quintet to a duo in the core of drummer Tatsuya Yoshida (Ruins, Koenji Hyakkei, Korekyojinn) and bassist & electronic device guru Mitsuru Nasuno (Altered States, Fushitsusha, Ground Zero), for eleven tracks of energetic interactive rock improvisations, alternating between "TdD" pieces of burning improvisations and introspective "Afterglows".

Blurring the boundaries of popular rock, composed and electro/experimental/ea forms, with hints of The Ex, Gang of Four, Talking Heads, LCD Soundsystem and their own happily quirky sound, Squid was formed in Brigton by Ollie Judge (Drums & Lead Vocals), Louis Borlase (Guitars), Arthur Leadbetter (Keys, Strings & Percussion), Laurie Nankivell (Bass & Brass) and Anton Pearson (Guitars).

The productive and excellent work of Norwegian rock band Motorpsycho, releasing an album a year for 30+ years, continues with this superb example of long form and diverse approaches to the rock medium, the core trio of Saether (bass, vocals, mellotron, &c), Hans Magnus Ryan (guitar, sax, vocals) and Tomas Jarmyr (drums) extended by Reine Fiske on guitar and Ola Kvernberg on percussion.

The productive and excellent work of Norwegian rock band Motorpsycho, releasing an album a year for 30+ years, continues with this superb example of long form and diverse approaches to the rock medium, the core trio of Saether (bass, vocals, mellotron, &c), Hans Magnus Ryan (guitar, sax, vocals) and Tomas Jarmyr (drums) extended by Reine Fiske on guitar and Ola Kvernberg on percussion.

The productive and excellent work of Norwegian rock band Motorpsycho, releasing an album a year for 30+ years, continues with this superb example of long form and diverse approaches to the rock medium, the core trio of Saether (bass, vocals, mellotron, &c), Hans Magnus Ryan (guitar, sax, vocals) and Tomas Jarmyr (drums) extended by Reine Fiske on guitar and Ola Kvernberg on percussion.

A scorching album of instrumental rock bridging avant, prog and jazz/rock forms, from the inspired and burning Norwegian band led by guitarist Hedvig Mollestad Thomassen and her trio with bassist Ellen Brekken and drummer Ivar Loe Bjornstad; reference John McLaughlin, Led Zeppelin, Jimi Hendrix, Black Sabbath, or just focus on the powerhouse that is the Hedvig Mollestad Trio.

A scorching album of instrumental rock bridging avant, prog and jazz/rock forms, from the inspired and burning Norwegian band led by guitarist Hedvig Mollestad Thomassen and her trio with bassist Ellen Brekken and drummer Ivar Loe Bjornstad; reference John McLaughlin, Led Zeppelin, Jimi Hendrix, Black Sabbath, or just focus on the powerhouse that is the Hedvig Mollestad Trio.

Self-described as Scandinavian jazz rock noir, the Chrome Hill quartet of Asbjorn Lerheim on baritone guitar, Roger Arntzen on double bass, Torstein Lofthus on drums & vibraphone, and Atle Nymo on tenor saxophone, present a dramatic album of contrasts inspired by cinematic and musical moods, merging elements of folk, Delta blues and cowboy rock into their darkly cool sound.

Bob Drake continues to tug on the heart-strings of prog in short but smart songs that reference the best of the last few decades of prog/psych/avant rock forms, Drake as always handling all parts in a great balance of guitar, electronic & acoustic instruments, including some newly invented instruments; includes a fold-out poster in Bob Drake style from Joe Mruk.

The final of five volumes from this series curated by Nick Vander, a testament to the incredible musical range of the guitar and the imaginative possibility of guitarists around the world, with tracks from Harvey Valdes, Antonio Guillen, Boris Belica, Sandy Ewen, Denis Sorokin, Arvind Ganga, Pengboon Don, Josue Amador, Todd Clouser, and Mohammed Ashraf.

Found dead in the Thames River in 1969, pianist & composer Mike Taylor left a legacy of two solid & lyrical jazz albums, of which the complete Trio album and one track from Pendulum are remastered; but he was also a songwriter for the Eric Clapton/Ginger Baker/Jack Bruce band Cream, of which three Taylor compositions with lyrics and vocals by Baker are included.

This Brooklyn synth-driven rock band formed in 2018 between bassist and vocalist Argelis Liriano (The Boonies, Last Ones, Ghost Beaters) and drummer/percussionist Diana K (Hamish Kilgour Band, Giggle The Ozone, Ghost Beaters), and synth & guitar player Charles Dodson, drawing on influences such as Sun Ra, Suicide, Oneida, and Silver Apple.

A live recording from a concert presented during the Workers' Festival at the Municipality of Petit Quebec Libre in 1972 by Quebec counter-culture folk singer and documentary film maker Erica Pomerance, know best for her 1968 ESP album You Used To Think, here performing solo on guitar & voice, with previously unpublished songs and pieces from her ESP album.

After their double live albums, the Norwegian jazz-rock prog trio of Stale Storlokken on keyboards, Nikolai Haengsle on electric bass and electric & acoustic guitars, and Torstein Lofthus on drums & percussion, take a step back from the heavy grooves associated with their music to present a new chapter of sophisticated, spacious and sonically satisfying psychedelic interplay.

The fourth of a five volume compilation series curated by Nick Vander, a testament to the incredible musical range of the guitar and the imaginative possibility of guitarists around the world, with tracks from Janet Feder, Martin Vishnick, Ikbal Lubys, Edward J. Gibbs, Joshua Weitzel, Guram Machavari, Eric Wong, Garth Erasmus, and Bill Horist.

West Coast songwriter and multi-instrumentalist Coultrain, aka Aaron Michael Frison or Seymour Liberty, in an collection of songs based around a sequence of images reminiscent of a dream, capturing the hazy state of mind that drove the process behind this album, as well as its dreamy effect; soulful and introspective, an album of poetic observation and reflection.

West Coast songwriter and multi-instrumentalist Coultrain, aka Aaron Michael Frison or Seymour Liberty, in an collection of songs based around a sequence of images reminiscent of a dream, capturing the hazy state of mind that drove the process behind this album, as well as its dreamy effect; soulful and introspective, an album of poetic observation and reflection.

The songwriting team of John Zorn and Jesse Harris, who worked together on Zorn's The Song Project, wrote these beautiful melodies & lyrics that merge elements of rock and jazz for singer Petra Haden, performed in a quintet with Jesse Harris on acoustic guitar, keys & background vocals, Kenny Wollesen on drums, percussion, Julian Lage on guitar, and Jorge Roeder on bass.

After their double live albums, the Norwegian jazz-rock prog trio of Stale Storlokken on keyboards, Nikolai Haengsle on electric bass and electric & acoustic guitars, and Torstein Lofthus on drums & percussion, take a step back from the heavy grooves associated with their music to present a new chapter of sophisticated, spacious and sonically satisfying psychedelic interplay.

The final issue of 2020 is is dedicated to the art of conversation in music and about music during the age of pandemic; with Debby Friday on the cover, plus articles about Victoria-based composer Anna Höstman, Tehran-born Araz Salek, Tkarón:to-based saxophonist and composer Olivia Shortt, with a CD including tracks from those artists, plus reviews, articles, &c.

The follow-up to NY drummer/composer Dan Weiss's 2018 release Starebaby is an unconventional compounding of electric jazz, doom metal, electronic music, and improvisation, performed with Matt Mitchell on piano & Prophet 6, Craig Taborn on piano, Fender Rhodes & synthesizers, Ben Monder on guitars, and Trevor Dunn on electric bass.

Philadelphia-based artist David Hartt invited songwriter & composer Van Dyke Parks to make an original arrangement of the Stephen Foster song "Old Black Joe" as part of his 2020 installation piece titled "The Histories (Old Black Joe)"; the B-side is a beautiful arrangement of "Souvenir de la Havane" by the pioneering pre-jazz American Creole composer Louis Moreau Gottschalk.

The third of a five volume compilation series curated by Nick Vander, a testament to the incredible musical range of the guitar and the imaginative possibility of guitarists around the world, with tracks from Sergio Sorrentino, Christian Vasseur, CharbelHaber, Misha Marks, Henry Kaiser, Nick Ashwood, Emil Palme & Taus Bregnhøj-Olesen, Sharif Sehnaoui, Colin Robinson, Martin Huba

The second of a five-volume compilation series curated by Nick Vander, a testament to the incredible musical range of the guitar and the imaginative possibility of guitarists around the world, with tracks from David Stackenas, Jessica Ackerley, Jorge Espinal, Usui Yasuhiro, Scott Fields, Sebastian Sequoiah.Grayson, Sam Shalabi, Shinobu Nemoto and Nyctalllz.

A retrospective of the work of guitarist and one-time Captain Beefheart Magic Band member Gary Lucas, in two CDs, the first devoted to songs recorded with Lucas' psychedelic jazz-rock band Gods and Monsters, the second devoted to solo works, rarities and collaborations, with an incredible list of performers reflecting Lucas' diverse 40-year career.

The first of a five-volume compilation series curated by Nick Vander, a testament to the incredible musical range of the guitar and the imaginative possibility of guitarists around the world, with tracks from L. Hein, Davaajargal Tsaschikher, Alan Courtis, Marco Cappelli, Elliott Sharp, Hery Ujjaya, Killick Hinds, Gilbert Isbin, and Nick Vander.

The 5th album from the UK collective improvising progressive rock band of reedist Martin Archer, drummer Steve Dinsdale, bassists Lorin Halsall & Terry Todd, percussionist Walt Shaw, keyboardist Andy Peake, violinist Yvonna Magda and string player & vocalist Jad Todd, merging acoustic and electronic instruments in rich and often dreamlike forms that flow with spirited refinement.

Quirky, embraceable songs from NY guitarist/song-writer Wendy Eisenberg, performed with an eclectic set of musicians who subvert rock forms in inventive ways, from subtle ambience to quickly shifting genre forms and illusively complex avant figures, while Eisenberg's words exposes vulnerability and provide insight, observation, and eccentrically descriptive lyrics.

Self-described as Scandinavian jazz rock noir, the Chrome Hill quartet of Asbjorn Lerheim on baritone guitar, Roger Arntzen on double bass, Torstein Lofthus on drums & vibraphone, and Atle Nymo on tenor saxophone, present a dramatic album of contrasts inspired by cinematic and musical moods, merging elements of folk, Delta blues and cowboy rock into their darkly cool sound.

Bringing together three Japanese avant experimenters and improvisers — Ikue Mori (DNA, Downtown NY mainstay), YoshimiO (Boredoms, Saicobab and OOIOO) and Phew (Aunt Sally) — for a live performance at U.F.O. Club, in Tokyo in 2019, blurring the edges of experimentation, improvisation, and rock, an exciting and powerful first meeting for this trio.

Acnalbasac Noom was Slapp Happy's second LP, recorded in 1973, and engineered by Kurt Grauner in Faust's legendary Wumme Studio using Faust as the Slapphappy house band; it was originally rejected by Virgin Records, who made the group re-record the album with different musicians as Casablanca Moon, though through time Acnalbasac is still the definitive and preferred edition.

Originally released in 2004 in Japan, this compilation covers songs from Soft Machine legend Robert Wyatt's solo career, from albums back to Rock Bottom through Cuckooland, sequenced non-chronologically reflecting the depth of interest, excitement & pathos of his remarkable career, one of rock's most unconventional and brilliant songwriters and singers.

21 wild rides from the fully improvised duo of guitarist Kazuhisa Uchihashi on guitar & effects, and Tatsuya Yoshida on drums, voice & sampler, two CDs from four separate concerts at Japanese venues Akihabara Goodman in 2012 & 2014, Kichijoji FOXHOLE in 2014, and Okubo Hikarino-Uma in 2017; intensely exciting and magnificently masterful improv instrumental rock.

Formed in the mid-2000s in the wake of the band Knead, the first new Sanhedrin album in six years sees the return of Keiji Haino on guitar, Mitsuru Nasuno on bass guitar and Tatsuya Yoshida on drums, performing live at Akihabara Club Goodman in Japan for four extended rock improvisations, dense, soulful avant-prog with feedback drenched resonance.

The songwriting team of John Zorn and Jesse Harris, who worked together on Zorn's The Song Project, wrote these beautiful melodies & lyrics that merge elements of rock and jazz for singer Petra Haden, performed in a quintet with Jesse Harris on acoustic guitar, keys & background vocals, Kenny Wollesen on drums, percussion, Julian Lage on guitar, and Jorge Roeder on bass.

The eight album from John Zorn's Simulacrum ensemble, blurring the lines between improvisation, fusion, exotica, compositional forms, and death-metal organ trio, performed with keyboardist John Medeski and members of heavy rock bands Cleric and Imperial Triumphant--Kenny Grohowski & Matt Hollenberg--in an epic 40 minutes long-form composition.

Led by Bent Sæther, Hans Magnus Ryan and Kjell Runar Jenssen, this Norwegian prog-oriented improvising rock band is perhaps one of the finest active currently, here in a double album featuring music from 2 sessions, the 1st at Black Box Studio in France with Reine Fiske (Dungen), and the 2nd at Ocean Sound Studio in Norway with Lars Horntveth (Jaga Jazzist) and Ola Kvernberg (Steamdome).

An unissued album from Bavarian experimenter & songwriter Konrad Strumpfel and "The Set", the Czech duo of Herbert Lukundra & Josif Afkak, who added their contributions to Strumpfel's work which had been sent to them by post, the strengthening of the "Iron Curtain" between the USSR & Europe in the late 80s then prohibiting the release of their collaboration.

Acid Mothers Temple's Nam Myo Ho Ren Ge Kyo was first released on CD in 2007 by Ace Fu Records, here re-mastered for vinyl, "Nam Myo Ho Ren Ge Kyo" being a phrase expounded by a 13th century Japanese Buddhist monk called Nichiren translating loosely to "I devote myself to the Mystic Law of the Lotus Sutra" or "... the Wonderful Dharma of the Lotus Flower Teaching".

Colored vinyl double LP Record Store Day release of the soundtrack to the eyeballed band's 2001 "Icky Flix" DVD, 20 re-worked classic Residents tracks, originally released as a 14-track soundtrack CD, here in an extended edition that includes 6 additional tracks, "reimaginings" not included on the original version of the album.

Improvised and heavy forms of experimental rock from the French duo of piccolo bassist Eric Brochard and drummer Fabrice Favriou, their music dramatic, ritualistic and urgent as they reference Maya Deren and mythological experience, their music hypnotically mesmerizing and sonically rich, slowly whirling dervishes in five varying sequences that growl and transfix.

The 2nd release from the UK instrumental rock band Das Rad of Nick Robinson on guitars, keyboards & electronics, Martin Archer on woodwind, keyboards, synth bass & electronics, and Steve Dinsdale on drums, keyboards & electronics, expand their sound and referenes as they tug on the heartstrings of prog, krautrock and other advanced rock forms with modern and mellotron-fueled orchestration.

Fall 2020 issue of Canada's finest new music magazine, focusing on guitars--hollow, heavy, bowed, cracked, pedalled, flung, trusty companions & feedback demons; Plus articles on Casey Koyczan, Susan Alcorn, Amy Brandon, Aidan Baker, Eliza Kavtion, C. Diab, Markus Lake, Catherine Debard, Cloud Chamber, &c; and an 11-track CD with music from the aforementioned.

Plan Kruutntoone joins forces with avant-garde pianist Reinier van Houdt for a conceptual narrative blurring improvised music, compositional and rock forms, with a narrative based around Zorro and Rosa, geography (and Spielberg) and Brodski, or in their terms: composed and deranged music and lyrics (and other words) on guitars, basses, drums and a piano.

Plan Kruutntoone joins forces with avant-garde pianist Reinier van Houdt for a conceptual narrative blurring improvised music, compositional and rock forms, with a narrative based around Zorro and Rosa, geography (and Spielberg) and Brodski, or in their terms: composed and deranged music and lyrics (and other words) on guitars, basses, drums and a piano.

In 2018 guitarist Hedvig Mollestad Thomassen received an invitation from the festival at Vossajazz commissioning a work for the 2019 festival, for which she expanded her instrumental rock trio to a sextet with trumpeter Susana Santos Silva, drummer Torstein Lofthus (Elephant9), percussionist Ole Mofjell, and keyboardists Marte Eberson & Erlend Slettevoll.

In 2018 guitarist Hedvig Mollestad Thomassen received an invitation from the festival at Vossajazz commissioning a work for the 2019 festival, for which she expanded her instrumental rock trio to a sextet with trumpeter Susana Santos Silva, drummer Torstein Lofthus (Elephant9), percussionist Ole Mofjell, and keyboardists Marte Eberson & Erlend Slettevoll.