"After a nine-year hiatus, Marteau Rouge - Pauvros, Foussat, Sato - made a comeback for a one-off concert, this time alongside Daunik Lazro, one of their long-standing friends."-Fou Records

"Camila Nebbia's Hanged One presents a striking new set of compositions brought to life by a sextet of deeply responsive musicians. The ensemble navigates intricate structures and open spaces with equal sensitivity, shaping a sound that...

Four major electroacoustic improvisers — Bryan Eubanks on soprano saxophone, electronics and modular synthesizer, Gert-Jan Prins on electronics and percussion, Tetuzi Akiyama on guitar, and Toshimaru Nakamura on no-input mixing board — each recorded separate solo performances, assembled by Prins, Eubanks and Nakamura into four distinct collective works of shifting textures and sonic interplay.

"On Selva Oscura, cellist Julia Bilat pushes the instrument into dark and unstable terrain, drawing out splintered harmonics, rough bow textures, and resonant drones with striking physical intensity. The solo recording unfolds like a pa...

Using microphone, tractor, shovel and tape, Henry and Ken's Dead Mallard project turns rural machinery and found objects into raw electroacoustic noise on a winter 2026 recording from Pennsylvania, extending the absurdist farm-equipment experimentation of their self-titled debut through mechanical drone, object percussion, environmental resonance and tape manipulation.

Indonesian sound artist Theo Nugraha shares a split with Steve Davis' long-running +DOG+ project, pairing Nugraha's 15-minute "Dokset" with +DOG+'s equally expansive "April" in a meeting of Samarinda's experimental noise culture and an American project active since 1991, joining two independent approaches to electronics, improvisation, texture and underground sound.

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