"He has been playing the violin for 30 years and in that time has played all genres of music ranging from contemporary music to free jazz and improvised music, live and in the studio.

His main interest shifted towards contemporary improvised and composed music.

The relationship with his instruments is focused in sonic and textural elements.

Electronic music was an early influence on his approach to violin playing, which challenges traditional romantic concepts of the violin/viola through use of preparations and micro tuning.

Active in different settings on the Portuguese scene for free improvised music, both as a collaborator and in leading his own groups.

Music for Dance, Cinema, Video and Performance.

Has created the record label Creative Sources Recordings in 1999, which mainly concentrates on releasing experimental and electro-acoustic music."

"Chris Jonas is a Santa Fe-based composer, saxophone player, and video artist. As an instrumentalist and composer/conductor, he has performed, recorded, and toured internationally with many of today's most adventurous artists, working extensively with Anthony Braxton, Cecil Taylor, William Parker, Del Sol String Quartet, TILT Brass, the Crossing Choir, and others. Jonas is a United States Artists Fellow and a winner of the 2012 Meet the Composer/Commissioning USA Award for GARDEN, his ongoing series of live music and transmedia works. He is Executive Director of Littleglobe, the New Mexico arts and social justice non-profit, and is Vice President of the Tri-Centric Foundation, an organization committed to the work and legacy of Anthony Braxton. In 2019, Jonas was conductor for Braxton's 6-hour, 63-person orchestra project, Sonic Genome, at the Berlin Jazz Festival.

Jonas has received commissions for large-scale music and video performance projects with many international artists, including the Del Sol String Quartet, Duo B Experimental Band, the Crossing Choir, with ensembles and musicians in Berlin, Portugal and Ireland, the Chicago Improvisors Group, and with numerous international venues, including SITE Santa Fe, the Lensic, the Santa Fe Opera, Center for New Music, Roulette, Lincoln Center, Knitting Factory, Z-Space in San Francisco, Triskel Arts Center in Cork, Ireland, Gropius Bau in Berlin, Germany, and the National Theater and Concert Hall in Taipei, Taiwan."

"Irene Aranda (born September 2, 1980 in Jaén) is a Spanish jazz pianist who also performs in the field of improvised music.

Aranda comes from a family of musicians and received from the age of seven years music lessons from her grandparents. From 1990 she attended the Conservatory of her native city, where in 1998, after she had been self - taught with jazz in 1992, became part of the big band in 1998, she belonged to 2001. In 1999 she completed her piano studies in Jaén to continue in Granada. She also attended master classes with Chano Domínguez, Perico Sambeat and Nikki Iles.

Aranda first appeared on Spanish festivals with her own groups, in 2012 she also performed at the International Jazzfestival Münster. She also played in a duo with Agustí Fernández."

See also http://www.irenearanda.com/

"Was born 1988 in Lisboa, Portugal and started playing cello and trumpet at Orquestra Metropolitana de Lisboa at the age of 7. In 1999 joined Conservatório Nacional de Música de Lisboa to study classical and music theory and in the current year recorded his first album - Multiples - with Ernesto Rodrigues and José Oliveira out on Creative Sources Recordings.

Apart from work in music ensembles ranging for contemporary classical to free improvisation, also works with live music poetry, theatre and film-music. After lengthy residency in Lisboa, (1988-2016) moved to Berlin and has been active as composer and improviser in the scene.

Worked with some international and renewed artists like Ernesto Rodrigues, Jean-luc Guionnet, Margarida Garcia, Manuel Mota, Alfredo Costa Monteiro, Sei Miguel, Tim Goldie, Jeffrey Morgan, Oren Marshall, Gerhard Uebele, Klaus Kurvers, Gabriel Paiuk, Nicolas Field, Jaime Fennelly, Blaise Siwula, Will Guthrie, Pawel Grabowski, Michael Thieke, Wade Matthews, Leonel Kaplan, Diego Chamy, Gabriel Paiuk, Barry Weisblat, Joe Giardullo, Jassem Hindi, Tisha Mukarji, Masahiko Okura, Taku Unami, Toshihiro Koike, Sharif Sehnaoui, Christine Abdelnour, Alexandre Bellenger, Carlos Zingaro, Romaric Sobac, Nuno Rebelo, Nuno Torres, Naoto Yamagashi, Heddy Boubaker, Gerhard Uebele, Guillermo Torres, Tomas Gris, Carlos Santos, Bruno Parrinha, Miguel Leiria Pereira, Miguel Ivo Cruz, Alberto Cirera, Nuno Morão, Mark Sanders, Dennis Gonzaléz, Alípio Carvalho Neto, Raymond Macdonald, Neil Davidson, David Stachenas, Lisa Ullén, D'incise, Cyril Bondy, Miguel Mira, Rodrigo Amado, Abdul Moimême, Monsieur Trinité, João Madeira, Álvaro Rosso, Gil Gonçalves, Marian Yanchyk, Filipe Passos, Rodrigo Pinheiro, Christian Wolfarth, Thanos Chrysakis, Bechir Saade, Kurt Liedwart, Miguel A. Garcia, Ilia Belorukov, Andrew Lafkas, Gao Jiafeng, Eric Wong, Johan Moir, Casey Moir, Magda Mayas, Matthias Muller, Alexander Frangenheim ...

Has performed and toured in all Europe. Released more than 30 albums of his own projects."

"Kriton Beyer is a Greek-German musician and composer, who - as a performer and improviser - mainly works with the harmonium and the daxophone. He studied musicology at the Aristotle University of Thessaloniki in Greece. From 1990 - 2004 he played with a variety of local music groups in Greece, the better known of which probably being Floros Floridis, Sakis Papadimitriou's troupe "omada epi topou" ("the offhand ensemble") and the post-rock group "Sigmatropic". In 2004 he moved to Berlin, where he got heavily involved in the improvised music scene of the city.

Since then he has worked with many musicians like: Kresten Osgood, Axel Dörner, Tristan Honsinger, Tomomi Adachi, Richard Scott, Liz Allbee, Els Vandeweyer and Harri Sjöström. Kriton Beyer is also a member of the "Berlin Soundpainting Orchestra".

As a performer, he uses both the natural sound of his instrument and regular playing techniques as well as preparation, objects and extended techniques. As an improvising musician, he has performed throughout Europe.

His compositions are usually characterized by conceptualism, while some of his more recent work focuses on pattern formation of sonic events in time continua. Kriton Beyer has also conceived and commissioned the music software CinePrompt®, which was specially developed for the use for live musical performance and live recording to films."