"Taking up some threads from my thoughts in the previous three entries, Jardin Semantique - recorded in Lisbon this past February - finds Ernesto Rodrigues (on viola only) in the musical company of Joao Silva (trumpet) and Carlos Santos...
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Sample The Album:
Ernesto Rodrigues-viola
Joao Silva-trumpet
Carlos Santos-electronics
Click an artist name above to see in-stock items for that artist.
UPC: 5609063408966
Label: Creative Sources
Catalog ID: cs896
Squidco Product Code: 37561
Format: CD
Condition: New
Released: 2026
Country: Portugal
Packaging: Cardboard Gatefold
Recorded live at Galeria Monumental, in Lisbon, Portugal, on February 28th, 2026, by Carlos Santos.
"Taking up some threads from my thoughts in the previous three entries, Jardin Semantique - recorded in Lisbon this past February - finds Ernesto Rodrigues (on viola only) in the musical company of Joao Silva (trumpet) and Carlos Santos (electronics). Silva appeared for a while in a variety of larger groupings with Rodrigues, being mentioned here explicitly with Stratus (reviewed January 2019) - there featuring a series of "open air" calls and hazy, pastel colorings - and then in trio for the quietly nocturnal Nightwalk (recorded in 2021), emblematic of windswept pandemic-era solitude.... And Rodrigues hasn't involved trumpet as much in his smaller ensembles (pace reeds especially, but also e.g. flute and voice...), but per e.g. Parcours d'Impulsions (also from Lisbon, reviewed here last month), the instrument has much to offer for quieter or more resonant (spectral) textures. So the renewed collaboration with Silva can make for a striking listen on the short Jardin Semantique,including e.g. passages recalling classical violin - as articulated through a generally loose, three-way flow. And of course Santos has collaborated extensively with Rodrigues, but much like Thomas Lehn (per Critical Values and the previous entry here...), it can be difficult to summarize his sonic contributions. He's often been more quiet and in the background (including e.g. on Stratus...), e.g. manipulating harmonics. But he's also been increasing his foreground participation, e.g. already with trio Rotor with Rodrigues and Nuno Torres, their prior work there (their first release Impulses and Signals being noted in the June 2024 review of Santos' album with the Lisbon String Trio, Cobra...) serving as a ready comparison for the trio interaction on Jardin Semantique - i.e. now with trumpet instead of alto sax. (Santos was specifically named here most recently with Suspensao, for a December review, and also appeared e.g. on the more recent quartet album - likewise with more readilyaudible electronics - Untitled Dream, noted already in March.) There're indeed then naturalistic evocations, i.e. as associated with various Creative Sources productions, but also sometimes perhaps a sense of being (pace Where the Stars from last month...) inside an industrial space (or even spaceship): Jardin Semantique is close-mic'd with plenty of presence in general (even becoming aggressive at times...), some high picking to open, soon a ghostly howl... sounds often remaining relatively mutually sparse, with their interactions twisting into different shapes via shifting frames and foregrounds. Senses of anticipation thus develop (including via calls...), the three instruments blending into unusual or unclear timbral combos at times too, i.e. continuing onward in a sense of intertwined (i.e. quasi-linear) unfolding. Another Rodrigues trio with Torres (and with cello rather than electronics) is thus recalled, Setubal (reviewed May 2020), with Jardin Semantique sometimes suggestingas well a sort of burbling, eventually watery flow around Silva on trumpet... figured now (per the accompanying poem, from 2000) as an awakening."-Todd McComb's Jazz Thoughts
Artist Biographies
• Show Bio for Ernesto Rodrigues "He has been playing the violin for 30 years and in that time has played all genres of music ranging from contemporary music to free jazz and improvised music, live and in the studio. His main interest shifted towards contemporary improvised and composed music. The relationship with his instruments is focused in sonic and textural elements. Electronic music was an early influence on his approach to violin playing, which challenges traditional romantic concepts of the violin/viola through use of preparations and micro tuning. Active in different settings on the Portuguese scene for free improvised music, both as a collaborator and in leading his own groups. Music for Dance, Cinema, Video and Performance. Has created the record label Creative Sources Recordings in 1999, which mainly concentrates on releasing experimental and electro-acoustic music." ^ Hide Bio for Ernesto Rodrigues • Show Bio for Joao Silva João Silva is a Portuguese musician who performs on tibetan bell, seng gong, shruti box, &c. ^ Hide Bio for Joao Silva • Show Bio for Carlos Santos "Studied painting with António Sena (Ar.Co, 1988 -1992), worked in advertising for a period of time, but nowadays works as graphic designer in corporate identity, packaging, web and audio-video production. Started sound/music activities in 1989 when formed the VITRIOL project with Paulo Raposo, a laboratory for experimental sound actions, in a first stage with studio work followed in 1994 by live output, mainly live electronics, concrete music with a improvised or graphic score oriented approach. Uses the laptop with software written in MaxMsp, small resonant objects, microphones and piezo elements to produce a music that deals with space and its sound characteristics. Interests in "soundscape" and field recordings are a huge part of his work, for piece preparation or just for archival purposes, Always recording, events, spaces or music. Multi-channel acusmatic music and radio pieces. Presents himself solo in site-specific audio-video works, or in duos with João Silva (video, sound, photography), "Inhabitaded Spaces" with Ricardo Guerreiro (computer, mics), "Venús Pistolletto" with Emídio Buchinho (elec. guitar, mics, objects) and trios with Ernesto Rodrigues (violin) and Guilherme Rodrigues (cello) or ZNGR electroacustic trio with Carlos "Zíngaro and Emídio Buchinho. Member of several formations, "(Des)Integração" laptop ensemble (2001-2003) or in more electroacoustic sets, uses live-electronics and sampling which is the case of "Suspensão" septep, VGO, variable geometry orchestra and specially a trio close related to the "near silence" aesthetics, with Ernesto Rodrigues (violin, harp) and Guilherme Rodrigues (cello) with already several CD releases, always with at least one international improviser guest. Presented his work in Portugal, Spain, France, UK and Germany. Worked with artists from several media: dance, performance and video. Music and sound design for video and animation. Video and sound editing for comercial projects. Played live or in recording projects throughout the years with a lot of musician and sound artists. His sound work is documented in several CD releases. Belongs to the Granular board of directors, a portuguese association for experimental art and does the image of Creative Sources label. Broadcasts "Boca Doce" show at Rádio Zero (web) and other special shows. Workshops and seminars in digital audio manipulation, Maxmsp programming and sound art practise." ^ Hide Bio for Carlos Santos
11/9/2026
Have a better biography or biography source? Please Contact Us so that we can update this biography.
Have a better biography or biography source? Please Contact Us so that we can update this biography.
11/9/2026
Have a better biography or biography source? Please Contact Us so that we can update this biography.
Track Listing:
1. Eveil 27:08
In Stock, Not Yet Cataloged
November 2026
Creative Sources
Improvised Music
Free Improvisation
Electro-Acoustic
Electro-Acoustic Improv
lowercase, reductionist, micro-improv, sound improv, onkyo sound
European Improvisation, Composition and Experimental Forms
Trio Recordings
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