"The (improvised) music is inspired (and structured) by the iconic book of Georges Perec from 1974 titled Especes d'espaces. We designed a musical story following the chronology and the emotional evolution of the book. Music, too, gener...

"Keep Telling Yourself That" is the debut album of the New York City-based experimental bass-violin duo of Jennifer Gersten and Maggie Cox. It is a collection of improvised songs testifying to a frisky, impish, no-holds-barred imaginati...

"Legendary saxophonist Don Dietrich and his powerhouse cellist daughter Camille Dietrich collide in LIVE BAHDU, a fierce musical union that music critic Byron Coley hails as "sheer wailing sonic pleasure." Don, an untamed force who has ...

LDL brings together soprano saxophone, amplified spinet and analog synthesizer in a finely balanced exchange of precision and volatility. Drawing from deep roots in European free improvisation and contemporary music, their music unfolds...

"Masayo Koketsu and Nava Dunkelman met for the first time in this studio session. Koketsu's inventive use of extended techniques and breath-infused wails filled the space with an experimental intensity. Dunkelman responded with a finely...

"The music of this trio is an ongoing conversation between three women about life as it unfolds between artistic practice and daily routines. Compassioned conversations about being someone's mother, someone's daughter, someone's partner...

"This solo release captures Hannah Marshall at her most immediate and expressive, presenting improvisations that pulse with presence and physicality. Her playing radiates warmth and curiosity, offering thoughtfully shaped improvisations...

Recorded live at Rote Fabrik, in Zurich, this 2-CD set from Pat Thomas with XT — Seymour Wright and Paul Abbott — reimagines free improv through a fluid integration of acoustic and electronic sound, where real and "imaginary" instruments dissolve boundaries of form and timbre, unfolding as a complex, evolving suite that draws on ea traditions while pushing toward a synthetic, genre-defying future.

German reedist Udo Schindler (tenor saxophone, clarinet, piccolo flute, cornet) joins guitarist and electronics performer Andreas Willers for an exploratory duo session of free improvisation, blending extended reed techniques with prepared and processed electric guitar, the pair shaping evolving textures, subtle gestures, and dense timbral exchanges through attentive listening and spontaneous interaction.