"Lawrence Casserley (born UK, 1941) has devoted his professional career, as composer, conductor and performer, to real time electroacoustic music. In 1967 he became one of the first students of Electronic Music at the Royal College of Music, London, UK, on the new course taught by Tristram Cary. Later he became Professor-in-Charge of Studios and Adviser for Electroacoustic Music at the RCM, before taking early retirement in 1995.

He is best known for his work in free improvised music, particularly real-time processing of other musicians' sound, and he has devised a special computer processing instrument for this work (picture above). He has worked with many of the finest improvisers, particularly Evan Parker, with whom he works frequently as a duo partner, in various larger groupings and in the Evan Parker Electro-Acoustic Ensemble. He also works as a soloist, processing sounds from voice, percussion and home-made instruments. CDs have been released by ECM, Konnex, Leo Records, Psi, Sargasso and Touch.

Much of Casserley's work has involved collaboration with other art forms, including poets, eg Bob Cobbing, and visual artists, including Colourscape artist Peter Jones. He is a Director of the Colourscape Music Festivals, presenting contemporary music in the unique environment of the Colourscape walk-in sculpture. He also collaborates with Peter Jones on sound/light installations.

Casserley's "instrumental" approach to live computer sound processing is the hallmark of his work; the Signal Processing Instrument allows him to use physical gestures to control the processing and to direct the morphology of the sounds. This is the culmination of forty years of experience in the performance of live electronic work; his earliest live electronic pieces were performed in 1969, and he has performed many of the live electronic "classics" of the 20th century; he has also collaborated with other composers to realise their electronic performance ideas. He is noted for the breadth and variety of his collaborations, which cross styles and generations."

"Born Cambridge, England, in January 1980; played bass guitar since 1994; studied with Hugh Boyd and Pascha Milner and at Basstech (London) with Rob Burns, Terry Gregory and others. Played double bass since 2001; basically self taught, with grateful thanks to Simon H. Fell. First class BA in English Literature from Oxford University (2002). Received MA Composition from Oxford Brookes University in 2003, having studied with Paul Whitty, Ray Lee and others. Received PhD from Brunel University in 2010, having studied the work of Derek Bailey, Helmut Lachenmann and JH Prynne and been supervised by Richard Barrett and John Croft."

"Massimo Magee is a writer, artist and musician based in London. His work is wide-ranging, including fiction, text art, sound and image digital art pieces, experimental music (improvised, composed and everything in between), free jazz, radically extended saxophony, electronics, data manipulation and much more. He has performed internationally and had recordings released in the USA, UK, France, Poland and Australia with musicians such as Eddie Prévost, Hankil Ryu, Sangtae Jin, Keith Rowe, David W Stockard, Tony Irving (Ascension), Christian Munthe, Lee Noyes, Matt Earle, Adam Sussmann, Elliott Dalgleish, Michael Pisaro, Jim Denley, Dale Gorfinkel, Barre Phillips and many more on labels such as Homophoni, Copy For Your Records, Kendra Steiner Editions, Ilse, Ideal State, Audiotong, Factor Vac and others. Ensembles have included Cyclone Trio, Apocalypse Jazz Unit, the Magee/Green/Fowler-Roy Trio, MTJAM and many ad hoc groups. His Manifesto (New Unities) has recently been published."

"Phillip Marks has been an energetic and inspiring force in improvised music in Manchester for over two decades. As a drummer and percussionist, with his group BARK! he has developed a uniquely animated approach to the instrument and to collective group improvisation. He performs with pianist Stephen Grew in Grew Trio/Quartet, in a Quartet with Tony Bevan, Dominic Lash and Paul Obermayer (Recording "A Big Hand" released in 2010) and in the Alan Tomlinson Trio.

Has also played with Derek Bailey, Evan Parker, John Butcher, Phil Wachsman, Marcio Mattos, Pat Thomas, John Edwards among many others as well as performing as a solo percussionist."