"Here's the punch in the guts you didn't know you needed. Mexican alto saxophonist Martín Escalante brandishes the horn as a generator of needle-sharp, electronically modified noise, painfully high pitched and relentlessly violent. He's teamed with the fiendishly controlled chaos of drummer Tatsuya Yoshida, mainstay of Japanese prog-punk duo Ruins. Together, they expel 14 brutal blasts in just 30 minutes, balancing high energy abandon with split-second precision. Imagine Borbetomagus duelling with a hopped-up, triple-time Magic Band and you're still nowhere near. Yoshida punctuates proceedings with scabrous blurts of unhinged, Zeuhl-style vocals and, on the B side, adds bowel-shaking synth bloops and squidges. Nosebleeds all round."-The Wire

"On the Sound of Raspberry, Tatsuya Yoshida, drummer and founder of the legendary Japanese band Ruins, has teamed up with Mexican noise saxophonist Martín Escalante. Together they execute a series of short to medium length song-like pieces. The duo plays with extreme control at super high energy levels, breathing, blasting, screaming and synthing their way through each track with violent yet surgical precision. Armed only with his slightly modified alto saxophone, Escalante uses no pedals, edits or post production effects to create a disorienting whirlwind of harsh noise, lightning fast bursts of bleeps and squeals and non musical tones and textures, the urgency expressed in his tone is relentless.

On the other hand Yoshida's drumming leaves no stone unturned, at some moments playing drums and synth or piano while doing wordless Magma-like vocals all at once. His style of improvisation may be structured and neat but it does not for a moment lack intensity. It's hard to believe that this is 100% improvised music, Yoshida's drumming starts/stops on a dime and meets Escalante's needle sharp twists and turns. The A side is all acoustic drums/sax/vocals while the B side introduces synth and piano elements by Yoshida and takes the mood to another dimension. Futurism? Noise? Prog? Improvisation? Cut-up? Yes please. This is a limited edition LP (500 copies) packed in a sleeve that features a playfully evil scene between two bears and a pickle, illustrated and designed by Tomás Orrego."-Wash and Wear Records

"This record in 50 words or less... Protoplasmic, maniacal, cacophonous, bodacious, gorgeous, tragic, opulent, profound, vortex, shapeshifting, whiplash, infantile, mind-bending, addictive, mutant, balloon folding, mechanized, Dayglo, archaic, wormhole, effervescent, orgasmatron, violent, bleating, predatory, flaming, nuclear, hysterical, gorgeous, gaseous, propelled, fugitive, pliable, diabolic, ritualistic, spasmodic, suction, uncouth, venomous, diaphanous, intimate, biomorphic, noncaloric, bovine, interactive, comforting, confrontational, glossalalia, parasitic, flatulent, genius." -Joe Potts (LAFMS, Airway, Extended Organ)