"Udo Schindler is a German improvisation musicians (bass clarinet, contrabass clarinet, saxophone, flute, cornet, also accordion, guitar, percussion, analog synthesizer) and architect. Schindler was active in the 1970s in Franconia first as rock and rock jazz musician before he had flute lessons at the conservatory Nuremberg. Subsequently, he studied architecture at the Technical University of Munich and worked as an architect. In the 1990s he turned to contemporary music (Arch.Ensemble) and improvised music (Schindler.Interferenz.3). In addition to the single tube instruments (saxophones and clarinets), he studied the cornet. In addition to his sound research, he also worked as a director, performer, musician and composer for various theater productions. In the following years he performed with solo and duo projects at new music festivals (Musica Viva, Klangaktionen, etc ...), jazz, experimental music, among others. This led to collaborations with musicians like Hubert Bergmann, Gerry Hemingway, Eddie Prevost, Sebi Tramontana, Georg Wissel, John Russell, Blaise Siwula, Frank Gratkowski, Hans Koch, Urs Leimgruber, Elisabeth Harnik, Katharina Weber and Frank Paul Schubert. In addition to his activities in solid cast he initiated in Munich a series of concerts to free improvisation in ad hoc to test instrumentation."

"Korhan Erel is a computer musician, improviser, sound designer based in Berlin. He plays instruments he designs on a computer by employing various controllers. He also uses analog and digital electronics. He composes and designs sounds for dance, theater, installations and film. He collaborates with dancers, video artists and spoken word artists. Korhan's collaboration with Sydney-based video artist Fabian Astore "The Threshold" has won the Blake Prize in Australia in 2012. He is a founding member of Islak Köpek, Turkey's pioneer free improvisation group, which is regarded as the band that started the free improvisation scene in Turkey.

Korhan's computer performance system is called Omnibus. The instruments within Omnibus are a culmination of Korhan's musical past and aesthetic choices. Omnibus instruments use concrete sounds (samples, field recordings), morphed and processed in realtime. They can be as simple as one single sample being played using a Nintendo Wii controller to a complex system that employs granular synthesis and spectral processing. The instruments are played interactively using Nintendo Wii controllers (Korhan's choice of controller when he plays in ensembles with acoustic/electric instrument players), an iPad (used in solo/duo performances as well as ensemble concerts) and several midi controllers. No matter what technology he uses, Korhan always stays focused on the outcome and musicality rather than processes.

Korhan has had three residencies at STEIM (Center for research & development of instruments & tools for performers) in Amsterdam, where he studied use of sensors in music performance and instrument design. He was a guest composer at the Electronic Music Studios in Stockholm in January 2011.

Korhan has seven CD releases on Gruenrekorder (Germany), Creative Sources Records (Portugal), Evil Rabbit Records (Netherlands/Germany), A.K. Müzik (Turkey) and Kukuruku Recordings (Greece) as well as several netlabel releases.

He performs regularly in Europe and in the Middle East as a solo artist as well as with his projects in Germany, Turkey and Switzerland. He has performed in Soundtrips NRW, Moers Festival, Labor Sonor, Klangzeit Festival, Borusan Music House Istanbul and many more fantastic venues and festivals."