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UPDATE
October 9, 2026
"There's definitely a sense of rebellion in this music,
Of going against cultural norms [...]
It dares you to be courageous enough
To bear your humanity and your relationship with the music. "
— Luke Stewart
Essential Artists
• Adam Bohman/Sue Lynch/Crystabel Efemena Riley
• Christiane Bopp
• Chansons Du Crepuscule (Helene Breschand/Elliott Sharp)
• Dai Koelakanth
• Satoko Fujii Orchestra Berlin
• Bonner Kramer/Thurston Moore
• Bren't Lewiis Ensemble
• Francisco Mela
• Hedvig Mollestad Weejuns
• Ivo Perelman/Matthew Shipp
• Rabbit Rabbit Radio (Carla Kihlstedt/Matthias Bossi)
• Secondson
• Luke Stewart Exposure Quintet (w/ Vandermark/Wilkerson/Baker/Ra)
• Sun Ra/Merzbow
• Ten-Toh-Maru (Fujii/Nakamura/Tenko)
• Michael Thieke/Beat Keller
• David Toop/Ecka Mordecai/Christian Kobi
• Tungu/Henry Kaiser
Essential Labels
| 577 Records Aural Terrains Cold Spring Records Confront Ftarri Klanggalerie Krim Kram Libra | Meenna Otoroku Relative Pitch RogueArt Rune Grammofon Silver Current Squid Note Records |
New Releases
| Jazz & Improvisation | ||||
| Bailey, Derek / John Stevens: The Duke of Wellington (Confront) BACK IN PRINT! Seminal figures in the evolution of free or nonidiomatic improvisation, guitarist Derek Bailey and percussionist/pocket trumpeter John Stevens are heard in a 1989 London performance vividly captured by Michael Gerzon at The Duke of Wellington, their restless and enthusiastic interplay shifting from angular invention to lyrical reflection in a compelling document of their remarkable rapport. | |||
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| Bohman, Adam / Sue Lynch / Crystabel Efemena Riley: Lynboril Lisinopril (Otoroku) Drawn together through London's Horse Improvised Music Club, Adam Bohman on amplified objects and strings, Sue Lynch on tenor saxophone, clarinet and flute, and Crystabel Efemena Riley on drums and metallics shape a buoyant, finely balanced trio language of crystalline winds, tactile percussion and eccentric object sound, playful and airy even as the interaction intensifies. | |||
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| Bopp, Christiane: Rever, murmurer, dire [CD + DOWNLOAD] (Relative Pitch) French trombonist Christiane Bopp strips the instrument down to breath, metal, vibration, and raw physical gesture, using voice, mutes, and extended techniques to transform the trombone into an unpredictable field of whispers, drones, fractured melodies, and sudden eruptions, creating deeply intimate improvised music that moves between delicate precision and overwhelming force. | |||
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| Chansons Du Crepuscule (Helene Breschand / Elliott Sharp): Une Lumiere Tenac (Klanggalerie) The second duo album from French harpist Helene Breschand and New York guitarist Elliott Sharp, pairing harp and guitar in an angular, hard-edged exchange that moves freely between composed and improvised forms, with Sharp's extended sonic language and Breschand's theatrical, Dada-tinged vocal presence giving the music a restless, expressionistic character. | |||
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| Fujii, Satoko Orchestra Berlin: Second Attempt (Libra) Satoko Fujii's Orchestra Berlin with saxophones, trumpets, trombone, synthesizer, bass and dual drums builds a five-part suite from cued fragments, collective improvisation and open-form structures, balancing composed materials with spontaneous ensemble invention, including a striking section performed with newspapers that extends Fujii's ongoing exploration of freedom within large-ensemble composition. | |||
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| Lewiis, Bren't Ensemble: Dumb Tangerine Dream (Krim Kram) Collecting four long-form pieces recorded in Fair Oaks, California from 2019-2021, the Bren't Lewiis Ensemble expands its surreal musique-concrète language into spacious improvisations of loops, electronics, distressed guitar, voices, found sound and acoustic debris, balancing eerie drift with the group's characteristic burbles, squeaks, abrupt edits and absurdist interventions. | |||
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| Mela, Francisco : Carnaval De Oriente (577 Records) On his first solo recording, Cuban-born drummer and composer Francisco Mela transforms memories of Santiago de Cuba's annual carnival, Carnaval De Oriente, into an intimate meditation on family, place, joy and loss, performing drums, voice, glockenspiel, percussion and guitar in a fluid blend of vocal improvisation, original songs, spontaneous invention and ritual. | |||
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| Perelman, Ivo / Matthew Shipp: Duologues 7: Distillation [5x5 ALBUM FACSIMILE WITH DOWNLOAD] (Squid Note Records) Marking three decades of collaboration, tenor saxophonist Ivo Perelman and pianist Matthew Shipp distill their remarkably intuitive improvisational language across two Park West Studios sessions recorded weeks apart, their spontaneous exchanges moving through melody, silence, density, rhythmic momentum and abrupt shifts of register with the immediacy of a conversation shaped by years of shared musical experience. | |||
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| Stewart, Luke Exposure Quintet (w/ Vandermark / Wilkerson / BAker / Ra): In The Air And On The Ground (RogueArt) Bringing together DC double bassist Luke Stewart with Chicago mainstays Edward Wilkerson Jr., Ken Vandermark, Jim Baker and Avreeayl Ra, the Exposure Quintet blends collective improvisation with field recordings and samples, creating spacious, exploratory music combining saxophones, clarinets, strings, keyboards, bass and percussion with a strong sense of place. | |||
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| Sun Ra / Merzbow: Strange City [2 CDs] (Cold Spring Records) Rare and unreleased Sun Ra recordings from the Sun Ra archive are radically reworked by Masami Akita (Merzbow), merging Sun Ra's cosmic jazz language with dense layers of Japanese noise, feedback and electronic abrasion, collecting for the first time the material previously divided between the original vinyl and CD editions, along with the previously unreleased "Granular Jazz Part 5." | |||
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| Ten-Toh-Maru (Fujii / Nakamura / Tenko): The One Who Walks Through The Night (Meenna) Vocalist Tenko, pianist Satoko Fujii and no-input mixing-board pioneer Toshimaru Nakamura form Ten-Toh-Maru for three extended free improvisations balancing wordless vocal expression, resonant and percussive piano textures, and finely controlled electronic feedback, unfolding through patient collective listening into sparse, ritualistic, abrasive and dreamlike sound environments. | |||
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| Thieke, Michael / Beat Keller: Last Breath's City Looks Kind Heart (Ftarri) Clarinetist Michael Thieke and guitarist Beat Keller explore microtonality, resonance and controlled feedback across six restrained improvisations, Thieke's breath-driven clarinet tones intertwining with Keller's feedbacker electric guitar in slowly shifting sustained textures where acoustic and electronic sounds blur, separate and recombine through minute changes in timbre, pitch and intensity. | |||
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| Toop, David / Ecka Mordecai / Christian Kobi: Moth Wings Beating Air Incised (Meenna) Recorded live at Cafe OTO in London, the first trio meeting of David Toop on flutes, objects, electronics, African fiddle and assorted sound sources, Ecka Mordecai on cello, and Christian Kobi on saxophones unfolds as a finely detailed improvisation of breath, friction, fragile resonance and charged silence, their distinct timbres continually merging into an elusive and organic sonic environment. | |||
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| Tungu / Henry Kaiser : The Unexplained (Klanggalerie) The second collaboration between Ukrainian sound artist Tungu and guitarist Henry Kaiser, layering field recordings, samples and electronics with Kaiser's exploratory guitar across ten shifting electroacoustic environments, moving from atmospheric drift to fractured abstraction, with cellist Hui-Chun Lin joining the extended "Shadows That Slowly Catch Up." | |||
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| Experimental/Electronic | ||||
| Dai Koelakanth: Don't Let Me Be A Burden (Krim Kram) A nearly hour-long solo construction from Dai Koelakanth, assembling frantic sound poetry, shouted and fractured speech, electronic noise, hiss, distorted textures and obsessive tape-style editing into a deliberately unstable audio collage, balancing abrasive outsider expression and absurd humor with an intensely personal approach to concrete poetry and radio-art composition. | |||
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| Secondson: Turn Back (Aural Terrains) Welsh composer Secondson reduces his electroacoustic palette to tape recorder and turntable for two extended works exploring repetition, degradation, vinyl surface noise and analogue resonance, creating slowly evolving environments between musique concrete, drone and minimalism from a 2023 session at Sail Loft Studios in Cardiff, UK. | |||
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| Rock/R.I.O./Prog | ||||
| Kramer, Bonner / Thurston Moore: They Came Like Swallows: Seven Requiems for the Children of Gaza (Silver Current) The first full-length collaboration between Bonner Kramer and Thurston Moore, presenting seven requiems for the children of Gaza through a somber mix of improvised guitar, bass, keyboards, sampler and voices, moving between outsider rock, ambient drift, noise and abstraction with an elegiac, often haunted atmosphere shaped by spontaneous interaction and spacious electronic textures. | |||
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| Mollestad, Hedvig Weejuns: Bitches Blues [VINYL] (Rune Grammofon) Guitarist Hedvig Mollestad joins Stale Storlokken on organ and synth and Ole Mofjell on drums for six wide-ranging instrumental pieces balancing riff-driven rock weight, free improvisation, lyrical rubato passages and explosive ensemble interplay, extending Weejuns' chemistry through shifting dynamics, disciplined structures and moments of cathartic chaos. | |||
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| Rabbit Rabbit Radio (Carla Kihlstedt / Matthias Bossi): Volume 4: The Animal I Am (Klanggalerie) Carla Kihlstedt and Matthias Bossi's Rabbit Rabbit Radio return for their 4th volume of music poised between art rock, folk, chamber music, industrial texture and improvisation, joined by Jeremy Flower and Jon Evans as voice, strings, drums, electronics, guitars and bass shape finely crafted pieces on the border between popular music and art song, balancing experimental detail with direct emotional impact. | |||
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The Squid's Ear is Squidco's companion online magazine,
featuring reviews of Squidco items from independent writers.
We're never quite caught up with new releases that constantly come in our door, and we don't like to rush a release to our homepage. That said, the following releases have already been stocked at Squidco, and are able to be ordered. In most cases we have images, often have samples, and some basic description of each release.
• You can see the newest additions to our catalog in our Just In Stock Section.
• You can see the latest fully cataloged items in our store by using our New Releases section.
• You can see Recently Restocked items on this page.
• You can ask to have us email you when Upcoming Releases are in stock.
Squidco has been in business as a mail-order store since 2003. In 2010, we moved to Wilmington, NC, providing regional and visiting customers access to our catalog of over 9,000 items, including hundreds of discounted, used, and promotional items not listed on our website. We're open for visits by appointment during weekday afternoons, so if you're in the North Carolina coastal region, please email us to set up a time — we'd love to play some music for you!
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