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UPDATE
October 23, 2026
"If you take the creation of music
And the creation of your own life values
As your overall goal,
Then living becomes a musical process."
— Cecil Taylor
Essential Artists
(Diehl/Lowery/Lawson/Levin/Lavelle/Hotep/Marquez/Dennis)
• Casserley/Marzan/Van Schouwburg/Wachsmann
• Alex Cunningham
• Morgan Evans-Weiler/Carlo Costa
• Satoko Fujii Orchestra Nagoya
• Gottliche Skizzen (Delazer/Delius/Obleser)
• Gulf Of Berlin (Gschlossl/Ullmann/Leipnitz/...)
• Sophie Hassfurther
• Bonner Kramer/Thurston Moore
• Simon Lucaciu
• K. Lyle Curtis/Alex Cunningham
• Alan Niblock/Mark Wastell
• Pierre Gerard/Bruno Duplant
• Sonelius Smith/Adam Kahan
• Cecil Taylor Unit
• Mikolaj Trzaska/John Edwards/Mark Sanders
• Gebhard Ullmann (w/ Swell/Morris/Downs)
Essential Labels
| 577 Records Bead Black Editions Archives Confront ESP Disk | ezz-thetics now Ftarri gusstaff records Libra Silver Current Storm Cellar |
2nd Chance - Overstock & Inventory Sale - 30% Off!
Thursday, October 22 - Sunday, October 25
Our recent 20% Overstock & Inventory Sale may be over, but some great albums are still waiting to find a home! So we're giving nearly 100 titles a second chance, this time at an even better 30% off their regular retail prices!
Take another look, discover something unexpected, or finally pick up those albums you've had your eye on. These are limited-quantity titles, and many won't be restocked, so don't miss this second chance to save!
Orders must be placed through our shopping cart, prices shown are the discounted price. In-stock items only, items will disappear from the store if they sell out. Sale items are not eligible for reward points. Sale ends Sunday, October 25, 2026 at 23:59 EST, GMT-5.
New Releases
| Jazz & Improvisation | ||||
| Airlift (Diehl / Lowery / Lawson / Levin / Lavelle / Hotep / Marquez / Dennis): Spatial Recognition [2 CDs] (577 Records) An eight-member Philadelphia ensemble led by percussionist Kevin Diehl brings together tenor saxophones, flute, trumpet, clarinets, guitars, bass, and Afro-Cuban percussion in a double album of adventurous collective improvisation, blending graphic scores, structured compositions, free jazz, and layered rhythmic exploration into an expansive dialogue between form and spontaneity. | |||
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| Casserley / Marzan / Van Schouwburg / Wachsmann: Being (Bead) An adventurous quartet of European improvisers — Philipp Wachsmann on violin, Jean-Michel Van Schouwburg on voice, Pascal Marzan on 10-string microtonal guitar, and Lawrence Casserley on signal processing — come together for three collective improvisations that merge extended techniques, vocal improv, microtonal textures, and electronic transformations into richly detailed, constantly evolving soundscapes. | |||
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| Cunningham, Alex: Axe [CASSETTE] (Storm Cellar) St. Louis violinist Alex Cunningham unleashes seven raw acoustic improvisations that push the instrument toward the extremes of free improvisation and harsh noise, using aggressive bowing, alternate tunings, and extended techniques to generate grinding textures, guttural resonances, and fractured melodies while retaining occasional echoes of traditional American fiddle music. | |||
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| Fujii, Satoko Orchestra Nagoya: Korekara (Libra) Composed by Satoko Fujii to celebrate the 20th anniversary of a beloved Nagoya arts cafe, this four-part suite for her 16-member Orchestra Nagoya combines adventurous arrangements, expressive solo improvisations, and powerful brass and reed passages, blending free jazz with infectious rhythmic grooves in a joyful, forward-looking celebration of community and creative collaboration. | |||
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| Gottliche Skizzen (Delazer / Delius / Obleser): Ringi Ringd Coint (ezz-thetics now) Drummer Jonathan Delazer leads the Göttliche Skizzen trio with Tobias Delius on tenor saxophone and clarinet and Jakob Obleser on double bass in eight original compositions that intertwine microtonal experimentation, free improvisation, and contemporary chamber jazz, drawing on medieval musical traditions, European folk rhythms, and glissando techniques in a fluid exploration of melody, texture, and rhythmic form. | |||
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| Gulf Of Berlin (Gschlossl / Ullmann / Leipnitz / ...): For Timothy (ESP-Disk) Berlin's GULF of Berlin sextet, featuring Antje Messerschmidt on violin, Gerhard Gschlössl on trombone and tuba, Gebhard Ullmann on reeds, Maike Hilbig on bass, Jan Leipnitz on drums, and Michael Haves on live electronics, creates nine collective improvisations blending free jazz, chamber abstraction, ambient textures, noise, and evolving rhythms through real-time electronic transformation. | |||
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| Hassfurther, Sophie: Kaleidoscope - Empathy (ezz-thetics now) Viennese saxophonist Sophie Hassfurther leads an octet blending contemporary jazz, chamber music, and free improv across ten original compositions inspired by ideas of empathy, identity, and transformation, weaving intricate horn arrangements, shifting rhythmic patterns, and expressive solos into richly layered ensemble passages that balance composed structures with spontaneous and collective exploration. | |||
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| Lucaciu, Simon: Torsion, Solo Piano (ezz-thetics now) German pianist Simon Lucaciu explores the transformative possibilities of grand piano and electronics through 14 original compositions, investigating variations in tempo, register, direction, and musical structure, drawing on contemporary classical composition, experimental processes, and free improvisation to create a series of contrasting studies in sound, form, and the reshaping of musical ideas. | |||
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| Lyle, K. Curtis / Alex Cunningham: Quantum Nursery Rhymes Of The Divine Horseman (Storm Cellar) Poet K. Curtis Lyle, a founding member of the Watts Writers Workshop and longtime Julius Hemphill collaborator, joins St. Louis violinist Alex Cunningham for two extended improvisations intertwining expressive spoken-word poetry with restless violin textures, fractured melodies, and free-form interplay, creating a dynamic dialogue between language and sound; includes a 10-panel booklet of Lyle's poetry. | |||
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| Niblock, Alan / Mark Wastell: Dancing With Dragonflies (Confront) Recorded live at London's Hundred Years Gallery, double bassist Alan Niblock and percussionist Mark Wastell explore the subtleties of acoustic free improvisation across six spontaneous pieces, weaving deep bass resonances, delicate percussion, extended techniques, and moments of silence into shifting soundscapes that emphasize attentive listening and the expressive possibilities of texture and space. | |||
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| Pierre Gerard / Bruno Duplant: Support Surface (Ftarri) Inspired by the French Supports/Surfaces art movement, Belgian improviser Pierre Gerard on guitar, voice, and electronics joins French experimental musician Bruno Duplant on electroacoustic devices for 11 restrained compositions that balance sparse gestures, electronic textures, and carefully placed silences, creating delicate sound environments that emphasize subtle variations in resonance, texture, and space. | |||
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| Smith, Sonelius / Adam Kahan: We'll Let You Know When We Find Out [VINYL] (577 Records) A deeply personal collaboration between pianist Sonelius Smith and bassist Adam Kahan, bringing together recordings from 2023-2026 that move between intimate jazz trio explorations and expanded ensembles with tenor saxophone, trumpet, and flute, combining original compositions and spontaneous improvisation with inventive interpretations of jazz standards by Wayne Shorter, George Gershwin, and Sidney Bechet. | |||
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| Taylor, Cecil Unit: Live at the KiMo Theatre Albuquerque 1979 [VINYL 2 LPs] (Black Editions Archives) An extraordinary 1979 recording of Cecil Taylor's Unit performing live with Jimmy Lyons on alto saxophone, Ramsey Ameen on violin, Alan Silva on bass and cello, and Jerome Cooper on drums, capturing a rare quintet configuration in a powerful exploration of free jazz, collective improv, and expansive compositional structures, previously unissued and originally intended for NPR's Jazz Alive program. | |||
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| Trzaska, Mikolaj / John Edwards / Mark Sanders: Because It Happens / Not So Late (gusstaff records) Polish saxophonist and bass clarinetist Mikołaj Trzaska joins UK improvisers John Edwards on double bass and Mark Sanders on drums for a dynamic live performance at London's Cafe OTO, moving between explosive free jazz, intricate rhythmic exchanges, and lyrical passages across 9 spontaneous compositions marked by intense collective interaction, shifting textures, and masterful improvisational dialogue. | |||
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| Ullmann, Gebhard (w/ Steve Swell / Joe Morris / Charles Downs): Coffee And Berries (ESP Disk) Berlin-based saxophonist Gebhard Ullmann joins longtime collaborator Steve Swell on trombone with a newly assembled rhythm section of bassist Joe Morris and drummer Charles Downs for a set of instant compositions, combining Ullmann's tenor saxophone and live electronics with the quartet's collective improvisational interplay, drawing on their extensive experience in avant-garde jazz and free improvisation. | |||
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| Rock/R.I.O./Prog | ||||
| Kramer, Bonner / Thurston Moore: They Came Like Swallows: Seven Requiems for the Children of Gaza (Silver Current) The first full-length collaboration between Bonner Kramer and Thurston Moore, presenting seven requiems for the children of Gaza through a somber mix of improvised guitar, bass, keyboards, sampler and voices, moving between outsider rock, ambient drift, noise and abstraction with an elegiac, often haunted atmosphere shaped by spontaneous interaction and spacious electronic textures. | |||
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| Composed & Contemporary | ||||
| Evans-Weiler, Morgan / Carlo Costa: Object, Monochord, Circle (Ftarri) A collection of 12 concise compositions by violinist Morgan Evans-Weiler, performed with percussionist Carlo Costa, exploring minimalist structures through sustained violin tones, gently resonating percussion, and subtle rhythmic repetitions, with sparse gestures and delicate shifts in texture creating an intimate, meditative dialogue between the two instruments, balancing restraint, repetition, and the expressive possibilities of sound. | |||
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The Squid's Ear is Squidco's companion online magazine,
featuring reviews of Squidco items from independent writers.
We're never quite caught up with new releases that constantly come in our door, and we don't like to rush a release to our homepage. That said, the following releases have already been stocked at Squidco, and are able to be ordered. In most cases we have images, often have samples, and some basic description of each release.
• You can see the newest additions to our catalog in our Just In Stock Section.
• You can see the latest fully cataloged items in our store by using our New Releases section.
• You can see Recently Restocked items on this page.
• You can ask to have us email you when Upcoming Releases are in stock.
Squidco has been in business as a mail-order store since 2003. In 2010, we moved to Wilmington, NC, providing regional and visiting customers access to our catalog of over 9,000 items, including hundreds of discounted, used, and promotional items not listed on our website. We're open for visits by appointment during weekday afternoons, so if you're in the North Carolina coastal region, please email us to set up a time — we'd love to play some music for you!
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