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UPDATE
October 2, 2026
"[Music] is the vibration of the air
And all the poetic, social, cultural and political dimensions
That can result from the very act of listening."
— Antoine Chessex
Essential Artists
• Antoine Chessex/Dave Phillips
• Dinosaurs With Horns (Rick Potts/Joseph Hammer)
• Amanda Feery
• Joel Futterman/Ike Levin
• Paul Lytton/Eddie Prevost/Nate Wooley/Seymour Wright
• Jon Madof Trio (w/ Yoshie Fruchter/Nate Rappaport)
• Marteau Rouge/Daunik Lazro
• Ikue Mori
• Camila Nebbia's The Hanged One
• Lance Olsen Austin/Pierre Gerard
• Andrew Poppy
• Primitive Structures
• Marie Sarri Rose/Bruno Duplant
• Tenderlonious
Essential Labels
| 22A CLM False Walls Fataka Fou Records | Ftarri Krim Kram Relative Pitch Tzadik |
New Releases
| Jazz & Improvisation | ||||
| Perelman, Ivo / Matthew Shipp: Duologues 7: Distillation [5x5 ALBUM FACSIMILE WITH DOWNLOAD] (Squid Note Records) Marking three decades of collaboration, tenor saxophonist Ivo Perelman and pianist Matthew Shipp distill their remarkably intuitive improvisational language across two Park West Studios sessions recorded weeks apart, their spontaneous exchanges moving through melody, silence, density, rhythmic momentum and abrupt shifts of register with the immediacy of a conversation shaped by years of shared musical experience. | |||
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| Bilat, Julia: Selva Oscura (Relative Pitch) Polish cellist Julia Biłat presents ten live solo improvisations for acoustic cello, with voice on one track, using harmonics, rough bow textures, drones, percussion and silence in an intensely physical language shaped by years of intuitive exploration and Butoh practice, each piece named for a beetle species and tracing ideas of hidden space, transformation and metamorphosis. | |||
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| Futterman, Joel / Ike Levin: Liberation (CLM) Pianist Joel Futterman and tenor saxophonist Ike Levin mark their 16th recording collaboration in 25 years with three spontaneously created works balancing intensity and reflection, density and space, drawing on their long-developed improvisational rapport to move fluidly through free jazz, lyrical exchange, rhythmic momentum and layered interaction. | |||
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| Lytton, Paul / Eddie Prevost / Nate Wooley / Seymour Wright : Parallels & Diagonals (Fataka) Recorded live at Cafe Oto, this first-time quartet of percussionists Paul Lytton and Eddie Prevost, trumpeter Nate Wooley and saxophonist Seymour Wright brings together overlapping histories of long-standing, renewed and entirely new collaborations, using those contrasting degrees of familiarity to shape a freely improvised performance of shifting alliances, layered interaction and distinct individual voices. | |||
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| Madof, Jon Trio (w/ Yoshie Fruchter / Nate Rappaport): Netzach (Tzadik) Guitarist Jon Madof leads bassist Yoshie Fruchter and drummer Nate Rappaport, with percussionist Moshe Sobol, in a powerful trio blending Jewish melodic traditions, surf guitar, jazz improvisation, post-rock, punk and metal, balancing lyrical passages, heavy riffs and open improvisation in a compact extension of Madof's work with Rashanim and Zion80. | |||
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| Marteau Rouge / Daunik Lazro : Marteau Rouge (Fou Records) Reuniting after a nine-year hiatus, Marteau Rouge — Jean-Francois Pauvros, Jean-Marc Foussat and Makoto Sato — joins longtime associate Daunik Lazro on tenor saxophone for a live Montreuil performance of seven compact improvisations, merging distorted guitar, Synthi AKS electronics, percussion, voices and toys with Lazro's incisive tenor in a volatile mix of free jazz, noise and free rock. | |||
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| Mori, Ikue: Enchanted and Delighted [CD + DVD] (Tzadik) NYC electronic composer and improviser Ikue Mori gathers music created from 2016-2025 into an imaginative CD/DVD work pairing her intricate electronic worlds with handmade dolls, puppets, animation and miniature sets, joined on pieces by Satoko Fujii and Natsuki Tamura, Koichi Makigami, and Zeena Parkins in eight pieces moving through fantasy, science fiction, Japanese ghost imagery and detailed electroacoustic sound. | |||
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| Nebbia's, Camila The Hanged One: Limbo (Relative Pitch) Argentine tenor saxophonist Camila Nebbia leads The Hanged One with Julia Biłat on cello, Arne Braun on guitar, Andres Marino on electronics, Vinicius Cajado on double bass and Lukas Akintaya on drums, navigating nine tightly composed yet volatile works where angular ensemble writing, free improvisation, electronics and rock-weighted rhythms continually fracture, regroup and transform. | |||
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| Tenderlonious : Africa / Brass Live (22A) Tenderlonious reimagines John Coltrane's Africa/Brass with pianist On-Ly, bassist Horatio Luna and drummer Tim Carnegie, reducing the original large ensemble to a searching quartet whose extended readings of Africa, Greensleeves and Blues Minor transform Coltrane's melodies and modal foundations through fiery improvisation, rhythmic elasticity and spacious collective interplay. | |||
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| Experimental/Electronic | ||||
| Dinosaurs With Horns (Rick Potts / Joseph Hammer): Dinosaurs With Horns (Krim Kram) Restoring Rick Potts and Joseph Hammer's 1983 Dinosaurs With Horns cassette for its first CD release, Krim Kram presents fourteen wonderfully dislocated home recordings where Optigan loops, reel-to-reel manipulation, Casios, toy electronics, musical saw and thrift-store sound fragments collide in a woozy LAFMS-bred mixture of musique concr�te, primitive sampling, mutant exotica and spontaneous lo-fi invention. | |||
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| Feery, Amanda : NEST (Krim Kram) Composer Amanda Feery, with guitarist/electronic musician Declan Synnott, builds a 43-minute electroacoustic "Mass for the Tenant" from organ recordings made at St. Fin Barre's Cathedral in Cork, choral recordings by 4 in a Bar, electronics, tin whistle and guitar, examining home as sanctuary and contested space through themes of displacement, occupation and belonging. | |||
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| Olsen, Lance Austin / Pierre Gerard: Mind Shadows (Ftarri) Lance Austin Olsen and Pierre Gerard construct three extended variations from guitars, voices, MIDI organ, shruti box, field recordings, sho and amplified objects, shaping sparse electroacoustic environments where speech, sustained tones and tactile sounds drift through layered edits, including material from Olsen's *Shadow Worlds*, in a study of texture, memory and transformation. | |||
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| Primitive Structures : A Merchant's Nightmare (Krim Kram) Berlin improvisational trio Primitive Structures - David Roeder, Kashual Plastik founder Frans Aembient and Timu - shape nine spontaneous pieces from degraded electronics, improvisatory guitar, fractured rhythms and blurred melodic fragments, moving through post-industrial ambience, deconstructed jazz, psychedelia and oblique soundtrack-like spaces with a distinctly woozy, half-dreaming logic. | |||
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| Sarri, Marie Rose / Bruno Duplant: Deux Etudes (Ftarri) Italian sound artist Marie Rose Sarri and French composer Bruno Duplant shape two extended electroacoustic studies from analog and digital sources, field recordings and acoustic/electronic devices, building dense but fluid environments where layered textures, shifting resonances and circulating sound events create a lively, continuously transforming sense of space. | |||
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| Composed & Contemporary | ||||
| Chessex, Antoine / Dave Phillips : Vrhaltnis (Krim Kram) Drawing on live and studio recordings made in Switzerland in 2005 and 2006 and rediscovered nearly two decades later, Antoine Chessex and Dave Phillips reshape archival material into two extended works of musique concrete, noise and dense electronics, threaded with spectral voices from the Swiss Silvesterchlausen tradition and transformed through layering, decomposition and temporal dislocation. | |||
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| Poppy, Andrew: The Beating of Wings: 40th Anniversary Edition (False Walls) Marking 40 years since its 1985 ZTT release, Andrew Poppy's landmark The Beating of Wings returns newly remastered by Stephan Mathieu, presenting four prescient post-minimal works where Poppy's piano, keyboards, voice and sampler, Glyn Perrin's electric piano, orchestral winds, brass and strings, guitar, bass, Fairlight and drum machine merge acoustic composition with the studio as a compositional instrument. | |||
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The Squid's Ear is Squidco's companion online magazine,
featuring reviews of Squidco items from independent writers.
We're never quite caught up with new releases that constantly come in our door, and we don't like to rush a release to our homepage. That said, the following releases have already been stocked at Squidco, and are able to be ordered. In most cases we have images, often have samples, and some basic description of each release.
• You can see the newest additions to our catalog in our Just In Stock Section.
• You can see the latest fully cataloged items in our store by using our New Releases section.
• You can see Recently Restocked items on this page.
• You can ask to have us email you when Upcoming Releases are in stock.
Squidco has been in business as a mail-order store since 2003. In 2010, we moved to Wilmington, NC, providing regional and visiting customers access to our catalog of over 9,000 items, including hundreds of discounted, used, and promotional items not listed on our website. We're open for visits by appointment during weekday afternoons, so if you're in the North Carolina coastal region, please email us to set up a time — we'd love to play some music for you!
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