"Jürg Frey was born in 1953 in Aarau, Switzerland. Following his musical education at the Concervatoire de Musique de Genève, he turned to a career as a clarinetist, but his activities as composer soon came to the foreground. Frey developed his own language as a composer and sound artist with the creation of wide, quiet sound spaces. His work is marked by an elementary non-extravagence of sound, a sensibilty for the qualities of the material, and precision of compositional approach. His compositions sometimes bypass instrumentation and duration altogether and touch on aspects of sound art. He has worked with compositional series, as well as with language and text. Some of these activities appear in small editions or as artist's books as individual items and small editions (Edition Howeg, Zurich; weiss kunstbewegung, Berlin; complice, Berlin). His music and recordings are published by Edition Wandelweiser. Frey has been invited to workshops as visiting composer and for composer portraits at the Universität der Künste Berlin, the Universität Dortmund and several times at Northwestern University and CalArts. Some of the other places his work has developed are the concerts at the Kunstraum Düsseldorf, the Wandelweiser-in-Residence-Veranstaltungen in Vienna, the Ny music concerts in Boras (Sweden), the cooperation with Cologne pianist John McAlpine, the Bozzini Quartet (Montréal), QO-2 (Bruxelles), Die Maulwerker, incidental music, as well as the regular stays in Berlin (where during the last years many of his compositions were premiered). Frey is a member of the Wandelweiser Komponisten Ensemble which has presented concerts for more than 15 years in Europe, North America and Japan. Frey also organizes the concert series moments musicaux aarau as a forum for contemporary music."

"David Cossin was born and raised in Queens, NY, and studied classical percussion at the Manhattan School of Music. His interest in classical percussion, drum set, non-western hand drumming, composition, and improvisation has led to performances across a broad spectrum of musical and artistic forms. David has recorded and performed internationally with Steve Reich and Musicians, Philip Glass, Yo-Yo Ma, Meredith Monk, Tan Dun, Cecil Taylor, Talujon Percussion Quartet, and the trio Real Quiet, as well as with Sting on his Symphonicity world tour. Theater work includes Blue Man Group, Mabou Mines, and projects with the director Peter Sellars. David was featured as the solo percussionist in Tan Dun's award-winning score to the film Crouching Tiger, Hidden Dragon. As a soloist, he has performed with orchestras throughout the world including the Los Angeles Philharmonic, Orchestra Radio France, and more. His sonic installations have been presented in New York, Italy and Germany, and he is also an active producer, composer, and instrument inventor, expanding the limits of traditional percussion. David teaches percussion at the Aaron Copland School of Music and the Manhattan School of Music's Contemporary Performance Program."

"Percussionist Ian Antonio's breadth of experience - concertizing across four continents with a wide variety of chamber ensembles, orchestras, experimental rock bands, avant-garde theatre companies, and as a soloist, conductor, and educator - has led him to develop a unique sound and approach to both performing and teaching.

Ian is a founding member of the piano percussion quartet Yarn/Wire. Hailed as "mesmerizing and dynamic" by the New York Times, the ensemble is known for the energy and precision it brings to performances of today's most adventurous music. Yarn/Wire has appeared at prestigious venues across the globe, including Lincoln Center, Brooklyn Academy of Music, Library of Congress, Edinburgh International Festival, Barbican Centre, and Shanghai Symphony Hall. The ensemble has held residencies at institutions such as Columbia University, Harvard University, Stanford University, and ISSUE Project Room, among many others. In 2016, Yarn/Wire won 1st Prize / Open at the University of Michigan's inaugural M-Prize, the largest chamber music competition in the world. The ensemble has premiered over one hundred new works, released nine albums, and continually advocates for this exciting emerging repertoire.

Ian is a core member of the Wet Ink Ensemble, a collective of composers and performers. Formerly the Ensemble-in-Residence at Duke University, Wet Ink most commonly performs as a septet comprised of a core group of composer-performers that collaborate in a band-like fashion, writing, improvising, preparing, and touring pieces together over long stretches of time. This approach, honed over 20 years, has led to an incomparable body of work marked by a keenly developed performance practice, played in concert with ferocity, commitment, and expressivity. In demand at both domestic and international venues, Wet Ink's performances "combine striking stylistic and aesthetic assurance with technical perfection." (Dissonanz Switzerland)

Ian is also a member of the percussion ensemble Talujon. The group's sextet configuration allows Talujon to produce large-scale and oft-neglected percussive masterworks as well as new pieces written for the ensemble. Described by the New York Times as possessing an "edgy, unflagging energy", the ensemble has been championing percussive music for well over two decades. Since joining the group in 2011, Ian has performed with Talujon at the Metropolitation Museum of Art, Bang on a Can Marathon, BAM Next Wave Festival, and elsewhere across the country.

From 2003-2012 Ian was a member of the difficult-to-categorize trio Zs. With Zs, Ian toured both domestically and abroad, recorded extensively, and made composed / improvised "conceptual art objects that set form and content against each other - like, say, a perfect birthday cake made out of sawdust, or a perfect hammer made out of bird feathers." (New York Times) Equally at home in lofts, basements, galleries, and festivals, Ian performed with Zs at many prominent jazz festivals including the Germany's Moers Festival, Switzerland's Jazz Festival Willislau, and Tokyo's Club Unit. The band's 2010 album, New Slaves, was named Album of the Year by Tiny Mix Tapes and appeared on numerous best-of lists.

Ian is currently a member of the faculty at Purchase College where he teaches private lessons, rep class, and a hand drumming workshop, among other duties. He also leads percussion activities for the Norwalk Youth Symphony program. In past years, Ian has been on faculty and guest lectured at Stony Brook University, Adelphi University, Montclair State University, Franklin Pierce University, 92nd Street Y, Henry Street Settlement, and the New York City Department of Cultural Affairs.

Ian has recorded over 40 albums for the Nonesuch, Kairos, Warp, Tzadik, Carrier, Social Registry, Populist, Distributed Objects, Planaria, Sockets, Hot Cup, Quiet Design, and Three One G record labels, among others. He has also performed with the International Contemporary Ensemble, Theatre of a Two-Headed Calf, SEM Ensemble, Argento Chamber Ensemble, Albany Symphony, Boston Symphony, BBC Symphony Orchestra, London Sinfonettia, Los Angeles Philharmonic, and worked with composers, conductors, and soloists such as Seigi Ozawa, Kurt Masur, Charles Dutoit, Mstislav Rostropovich, Yefim Bronfman, Helmut Lachenmann, Enno Poppe, John Adams, and Kaija Saariaho.

Ian was born in 1981 and grew up in Albany, NY, studying percussion with Richard Albagli and performing with the Empire State Youth Orchestra and Percussion Ensemble. He moved to New York City to attend the Manhattan School of Music and study with James Preiss, Duncan Patton, Christopher Lamb, Eric Charleston, and Claire Heldrich. Ian completed his studies with Eduardo Leandro at Stony Brook University. Ian holds a B.M. from the Manhattan School of Music and an M.M. and D.M.A. from Stony Brook University. He has also attended the Tanglewood Music Center and Yellow Barn festivals. At Night Music publishes Ian's music, including solos for marimba, percussion ensembles, and audition pieces. Ian proudly plays Pearl/Adams instruments, Paiste cymbals and gongs, uses Vic Firth sticks and mallets, and Black Swamp accessories."

"Matt Ward is dedicated to performing and commissioning new music and has been cited by the New York Times as "a fine soloist". With a particular interest in chamber music, he is a principal member with the Argento Chamber Ensemble, Talujon, the American Modern Ensemble, Associated Solo Artists and is also the co-founder of the percussion trio Timetable. Professor Ward also performs regularly with groups such as the Albany Symphony, SEM Ensemble, The Orchestra of the League of Composers, Sequitor and the Riverside Symphony. Dr. Ward was the recipient of the Ridley-Tree Fellowship at the Music Academy of the West in 1998, and in 1999 he participated in the Tanglewood Music Center under the direction of Seiji Ozawa and George Benjamin and returned the following year for the American Premiere of Pierre Boulez's Sur Incises at the 60th Anniversary TMC Alumni Concert. Recent performance highlights include the American Premieres of works by Bernhard Lang, Georg Friedrich Haas, and Philippe Hurel.

Matt Ward began studying conducting as the student director of the Stony Brook Contemporary Chamber Players and in residence at the Bang On a Can Summer Music Festival. Since then, he has premiered new works by Phillipe Manoury, Lawrence Moss, Ross Bauer, Meyer Kupferman, Barbara White, Sebastian Armoza and many other young composers. He is also a regular guest conductor with the International Contemporary Ensemble, Wet Ink, Ensemble Inc., DaCapo Chamber Players and the New York New Music Ensemble, premiering dozens of new pieces by young composers every year.

Professor Ward holds a BM degree from the Manhattan School of Music and a MM and DMA degree from SUNY Stony Brook. He is on faculty at Queens College, The Aaron Copland School of Music and Brooklyn College. Through organizations such as the 92nd Street Y, Westchester Philharmonic, Marquis Studios, and Carnegie Hall, Dr. Ward has worked with elementary school children throughout New York City and the surrounding area. He can be heard on the recording labels Aeon, Argo, Cantaloupe Music, Capstone Records, Newport Classics, Soundspell, and Albany Records."

"Tom Kolor (percussion) specializes in 20th and 21st century music, and holds degrees from William Paterson University and the Juilliard School. He is currently an adjunct professor at Purchase College and William Paterson University. Kolor is a member of Talujon Percussion, Columbia Sinfonietta, Ensemble 21, Sospeso, American Modern Ensemble, Newband, and New Jersey Percussion Ensemble. He is a frequent guest of such ensembles as New York New Music Ensemble, Chamber Music Society of Lincoln Center, Speculum Musicae, Continuum, Da Capo Chamber Players, Group for Contemporary Music, Orpheus Chamber Orchestra, and the Orchestra of St. Luke's. As a soloist, Kolor has given dozens of premieres by such composers as Milton Babbitt, John Zorn, Wayne Peterson, Tania Leon, and Jerome Kitzke, and has recorded for Bridge, New World, Albany, Capstone, Innova, Wergo, Naxos, CRI, Koch, RCA Classics, Tzadik, and North/South Consonance."