Dino J.A. Deane (1950 - 2021)

"Over a career spanning more than four decades, this multi-instrumentalist, sound-designer and conductor demonstrated a unique and innovative approach to the world of music. Dino pioneered the use of live-electronics in Indoor Life - a popular art/punk band from San Francisco during the early 1980's. He played a trombone-controlled synthesizer which emulated the sound of an electric guitar and employed a tape-echo to create loops.

During the 1980's Dino toured the world with Jon Hassell as the electro-acoustic live-sampling percussionist. That collaboration resulted in the ground-breaking Power Spot recording for ECM in 1986, produced by Brian Eno & Daniel Lanois.

During that same period Dino became a close collaborator in Butch Morris's real-time composition creations called Conductions®, and in 1995 co-produced Morris's epic 10-CD box set Testament, for New World Records. Dino originated the term "live-sampling" - recording members of an ensemble while in performance, manipulating the sound, then playing back the recorded audio like an instrument. He is considered a master in this field of performance.

Dino had an extensive background in composition for modern dance, having created over fifty dance/music works with his life partner, dancer/choreographer Colleen Mulvihill. He had an equally long history creating sound designs for dramatic theater, working with writer directors as diverse as Sam Shepard, Julie Hebert, Christoph Marthaler and John Flax of Theater Grottesco.

Since 1995, Dino released several albums under his own name and directed the ensemble Out of Context. More than 400 hours of his compositions are being prepared for streaming release to preserve his legacy and his contributions to improvisation.

In November 2020, Dino published Becoming Music - Conduction and Improvisation as forms of QiGong."