The 2nd recording from cornetist Bynum's improvising chamber ensemble SpiderMonkey Strings in a narrative coming of age work using Bynum arrangements of Ornette, Sun Ra, & Elligton.

Ecstasy Mule's demented improv blues in a maxi-single presenting 3 version of "Missouri Couple seeks Law Against Hunting + Drinking" from 3 NYC performances.

A hybrid of theater, music, sound poetry and political manifesto from Sylvaine Helary, focused on the "Arab Spring" in Egypt, using intertwining words and voices around the quartet performances of Hugues Mayot, Sylvain Lemetre, Antonin Rayon and Sylvaine Helary.

Beautiful, mysterious improvised compositions with spoken interludes, recorded live in March 2003 at the first Montréal/Nouvelles Musiques (MNM) festival.

A beautiful 2 picture disc LP and booklet of radio plays (Horspiele) from sound artist and poet Ferdinand Kriwet, presenting 6 works including Hortext (radiotext) I, and Rotoradios I & II.

Six radio texts by multimedia artist and poet Ferdinand Kriwet in a beautifully designed 3 LP picture discs luxury box with a 20 page 12"x12" book of text and images.

Composer Robert Marcel Lepage arranges a film score for a full-length film by Bernard Emond that is fascinating and enchanting.

A chamber opera by Joanna Halszka Sokolowska at Opera// REMIX at Komuna// Warszawa, using sung and spoken voice, piano, and a variety of tonal instruments to present an intriguing set of variations informed by numerological methods, scientific statistics, &c..

A minimal solo electronic work by Stylianos Tziritas, drawing inspiration from the concept of Love as the dominant expression of human life, in 5 musical compositions in which sound generators, electronics and contact microphone are used.

Andrea Belfi (percussion), David Grubbs (guitar), David Maranha (organ), and Pete Simonelli (voice) perform "Ten Intrusions", following the model set by Harry Partch's 1949-1950 composition "Eleven Intrusions".

Cuban-born pianist David Virelles in a collaborative effort with legendary drummer Andrew Cyrille, bassist Ben Street, and Cuban folkloric percussionist/poet Roman Diaz, inspired by various aspects of Afro-Cuban religious practices.

The quartet of Cosottini, Melano, Pisani, Miano (EAQuartet Electroacoustic) in compositions referring to the 4 cardinal map points using graphic scores, games, open readings, &c.

Poet John Sinclair, leader of the anti-racist White Panther Party, reads his poetry with the NYC quintet of Ras Moshe (sax), Elliott Levin (sax), Alex Obert (bass), Ander Nilssen (guitar) and Michael Wimberly (drums).

The sophomore release by The Subliminator (Serson Brannen), "Rake" features 11 new tracks of sonic sublimination, spoken word techno-psychedelia with a threatening edge.

Helmut Kajzar's theatrical play with themes of physicality and death with sound performed on synthesizers and electronics, in it's 4th recording including stage directions in the narrative (in Polish) with an insert providing English translations of a selection of dialog.

Eugeniusz Rudnik composes a tour-de-force of electroacoustic audio in a sound essay based on the soundtrack to Zuzanna Solakiewicz's award-winning movie "15 Corners of the World", reworked to stand alone as a stunning and thought-provoking audio work.

Collective improvisation from Ho Bynum's Book of Three with bassist John Hebert & drummer Gerald Cleaver, following their RogueArt CD with this exceptional album of original compositions plus works from Bobby Bradford, Salim Washington, and Jim Hobbs.

A half-hour work of non-narrative radio theater featuring music and text collage, as well as Terri Kapsalis on violin and John Corbett on analog synthesizer, commissioned and recorded in the Experimental Sound Studio, Chicago in 2000 for the Outer Ear Festival.

Presented at the Vancouver International Improvisation Festival and the Vancouver International Jazz Festival, guitarist Ron Samworth's conceptual work explores the life and dreams of a dog, with narration from Barbara Adler and an incredible ensemble including cellist Peggy, keyboardist Wayne Horvitz, trumpeter JP Carter, drummer Dylan van der Schyff, etc.

A great collection of short film soundtracks and pieces that appeared on compilation albums and out-of-print CDRs, including the "Nerf" EP, the tracks for the book "Things That A Mutant Needs To Know" by Reinaldo Laddaga, and 3 soundtracks of which two are for a short movie and one for a video installation, alongside tracks from other compilations.

Confront initiates their new Core Series with the text piece "There Is No Love" with David Sylvian on voice, vocal treatments and electronics, Rhodri Davies on harp, vibraphone and radio, and Mark Wastel on tam tam and percussion, a sophisticated spoken word piece of shadowy atmosphere and innuendo, leveraging approaches from experimental, improvised and composed music.

A collection of guitar, electronic and voice pieces from Anne-James Chaton and Andy Moor, originally released as a series of four seven inch singles here combined into a single CD with 3 bonus tracks.

An album of spoken word and sound, Jean-Francois Pauvros reads from Tristan Tzara's "L'homme Approximatif" (The Approximate Man) over flutes from Chicago producer and flautist Jamal Moss, AKA Hieroglyphic Being, and Jean-Marc Foussat on synth and voice, a mysterious album of subtle insinuation with an intriguing underpinning of electroacoustic sound.

A double CD with five beautiful pieces that engage with the work of the extraordinary French-Swiss poet Gustave Roud, with performers including Dante Boon, Stefan Thut, Andrew McIntosh and Jurg Frey himself, 10 compositions that Frey wrote in the manner that Roud would, roaming with a sketchbook and developing the pieces based on impressions of his surroundings.

Piiptsjilling is the duo of guitarist Romke Kleefstra and vocalists Mariska Baars & Jan Kleefstra, joined here by Rutger Zuydervelt, aka Machinefabriek, combining poetry with vocals, guitars and electronics in improvisational settings, creating rich sonic environments over which the voice guides the listener, speaking in one of the Germanic Frisian languages.

Kevin Good organized this composition from four field recordings collected near Avon, CT, isolating sounds that he found interesting and then attempting to recreate them on other instruments, finally adding the human voice sparsely utilized throughout the piece, all to promote the idea of listeners actively paying attention to the sounds of their environment.

Composer Michael Winter uses the "maximally complex, incomputable number" known as Chaitin's Constant, plus text adapted from Gregory Chaitin's 1994 book "The Limits Of Mathematics", samples from 36 creative musicians, the voice of Muirgen Eleonore Gourgues, plus cello from Judith Hamann and piano from Winters, to create this curious and compelling narrative work.

Three female saxophonist from around the world--Rachel Musson (UK), Naoko Saito (Japan) and Audrey Lauro (Belgium)--in a compilation of solo saxophone works, two extended pieces from Musson and Satio, and four shorter works from Laura, with a CD insert with English Braille characters, and a QR code that, when scanned, plays the audio information for the album.

A split 7" release between Cremaster (Alfredo Costa Monteiro (electronics) and Ferran Fages (feedback mixing board and electroacoustic devices); and the Komora A trio of Karol Koszniec (electronics), Dominik Kowalczyk (laptop) and Jakub Mikolajczyk (modular synth).

Vocal performer & musician Jaap Blonk presents a rendering of French dramatist, poet and theatre director Antonin Artaud's "Pour en Finir avec le Jugement de Dieu" (To Have Done With the Judgment of God), a work shelved by the French Radio in 1948 without broadcast as 'too scatological, political, anti-religious, random, and cacophonous through xylophonic and percussive sounds'.

The fourth album in 20 years from the Schnee duo of guitarist Burkhard Stangl (efzeg, Polwechsel) and Christof Kurzmann performing on lloop, voice and "ruber bands", creating music for films that have not yet been created through intensely moody electroacoustic environments, Kurzmann's voice sometimes guiding the narrative of their visionary sound.

A solo album from Italian percussionsit Lucio Miele, presenting six works of layered percussion with live electronics and, on three tracks, recitation from actor Simona Fredella, each piece sound-oriented with an incredibly diverse set of percussive variety, detailed atmospheric settings and diverse rhythmic foundation; a remarkable and sometimes hair-raising album.

The fifth album from Amsterdam avant rock band Plan Kruutntoone led by Hans Visser on guitar, banjo & voice, and drummer/percussionist Chris M�ller, is a diverse set of recording that bring a sense of isolation and introspection, including spoken word pieces with Samuel Beckett text fragments, and a string quartet composed by Hans Visser; unique and singular.

An unusual journey in abstract sonic narrative and environments from Portland's Dave Quam (FKA Massacooramaan, Modern Melodies) and Seoul's Joe Foster (English, Don Brown and Dan Reynolds), their four pieces using concrete & acousmatic sources, field recordings, enigmatic errata and instrumental elements presented as sentences in sound that imply and defy intention; gripping.

A modern spoken opera by NY composer Elliott Sharp and librettist/narrator Jack Womack (Terraplane) with several narrators, reflecting the events surrounding a 1981 killing in New York's East Village, set in a darkly instrumental soundtrack developed by Sharp using guitars, saxophones, clarinets, synthesizers, bass, percussion, drums programming and samples.

The second album of free improv with poetry from the Boston-based Evil Clown collective band Axioms of David Peck, Jane SpokenWord and Albey onBass, this album extending the trio with Glynis Lomon on cello and Steve Niemitz on drums & percussion, heard in an extended improvisation bridging the distance between poetic discussion of truths and abstract musical structures.

After Bartok and Messiaen, trombonist & composer Steve Swell takes his sextet with Marty Ehrlich (winds), Sam Newsome (sax), Jim Pugliese (marimba), Ellen Christi (voice) and Gerald Cleaver (drums) into an exploration of Italian composer Luciano Berio with a diverse set of works reflecting Berio's vast curiosity and ovouer; a spectacular collection from a fantastic band.

Bay Area experimental music scene legend and multi-disciplinary artist Barabara Golden celebrates her 80th birthday presents works created between 1980-2020, including performances by Robert Ashley, Maggi Payne, Chris Brown, WIGband with Johanna Poethig, George Lewis, William Winant, Mary Oliver and texts by Melody Sumner Carnahan.

The pre-apocalyptic intertwining story of a woman named Reiko, living in a city scarred by climate change and burdened with the imminent threat of viruses, wandering the streets haunted by demons, abstractly envisioned in sound through stunningly effective electronics, field recordings, and developed in parts with Michel Banabila and Rutger Zuydervelt (Machinefabriek).

An early assemblage of the EUPHORIUM_freakestra led by pianist Oliver Schwerdt in a 2000 concert at Hochschule fur Musik und Theater in Leipzig, each work part of a fictional narrative of a figure called Birg Borgenthal, realized through a combination of improvisation and contemporary chamber music, orchestrated for 3 pianists, 2 guitarists, and 3 singers and narrators.

An idiosyncratic and wonderfully wild improvisational music theater group revolving around composer & cellist Tristan Honsinger, using spoken word and song through eclectic and active free improvisation including strings, reeds, trumpet, toy piano, tap dance, bass & drums, a truly unique and joyfully quirky album that fulfills Honsinger's goal of uniting music, theater & poetry.

Insub.Meta director Cyril Bondi developed this work to question the life course of an artist--their starting point, daily routines and essence--realized through sound and narration in an intimate soundscape of six artists who converge, converse, accompany and answer each other, accompanied by sounds made during warm-ups, rituals and rehearsals.

Playful in its seriousness, the sound poetry of Greta Monach (1928-2018), an early proponent of computer generated concrete poetry, and known for her notated sound poem series for four voices, "Fonerga", is performed by University of Victoria voice artists Cathy Fern Lewis, Laura Brandes, Daniel Brandes and Christopher Butterfield; awe-inspiring and exotically amusing.

An historical recording of Hermann Scherchen directing the RTSI Orchestra in a rehearsal of Beethoven's 6th Symphony, 1964, one of the works Scherchen is most associated with.

Rapid fire playing and a wicked humor fuels drummer Olie Steidle's album with guitarist Frank Mobus, keyboardists Kit Downes and Dan Nicholls, and bassist Phil Donkin, mashing together electro-jazz, art rock, hardcore and club music into upbeat and twisted music, building up to a narrative "Speed Junky on Funny Human Darts"; insanely embraceable and stunning.

Reflecting on the tragic events of 9/11, New York poet Steve Dalachinsky and drummer Federico Ughi performing also on sampler and voice, present seven poems about vulnerability, powerlessness and fear, accompanied by Ughi's deep drumming and sonic approach to his kit and samples, a profound example of Dalachinsky's insightful choice of words and images.

Boston's Evil Clown collective led by reedist/multi-instrumentalist David Peck introduces a new ensemble, Axioms, a quartet with Peck, Jane, Alby onBass, and Joel Simches, in a mammoth work of mysterious intent and rich sonorities, orchestrated with reeds, brass, daxophones, percussion, bells and chimes, electric bass, keys, spoken word, and real-time signal processing.

Recorded in the studio as an urgent response to the latent unease in the time of pandemic and political dissent, NY poet, violinist, composer and improviser Sarah Bernstein uses washes of distorted violin, ecstatic vocalizations, and poetic spoken word, an expression of immediacy and tension between extremes, a personal and articulate set of observational expressions.

Collecting works from 2010-2017, Squidco's own Phil Zampino presents 10 tracks of electroacoustic composition sourced from studio work, live improvisation, field recordings, plunderphonics, and other indescribable approaches, a diverse set of recordings sharing a similar foreboding aesthetic and curious sonic desire.

During 2012 Patrick Farmer walked half of the Welsh Coast, writing a series of observations, which on this release are read in environmental settings by Antoine Beuger, Jeph Jerman, Bruno Guastalla, Sally Ann McIntyre, Holly Pester, Daniela Cascella, & Michael Pisaro-Liu.

Raymond Boni performs on guitar and harmonica, using a fascinating set of approaches, for poems from Spanish poet and playwright Federico Garcia Lorca, chosen from Lorca's "Romancero Gitano" (Gypsy Ballads), and read with substantial depth by actress Violeta Ferrer.

Primarily a creative filmmaker, Blick here provides narrative improvisation--phonemes, gutturals, word fragments, and spoken word--over improvising keyboardist Jean-Marc Foussat's Synthi AKS, creating expansive landscapes or curious audio aberrations, through four recordings demonstrating a diverse set of sonic environments interweaving voice and sound.

Primarily a bass and guitar duo between Portugese natives Joao Hasselberg, on double bass and electric, and electric guitarist Pedro Branco, here in their second album together of delicately sophisticated string improvisations, joined by a a great set of collaborators to expand the duo to trio and quartet.

Two conceptual compositions from Christoph Korn: the first, "Ich Spreche Diesen" (I appeal to this) where spoken word is placed in a loop and then slowly erased by custom software using aleatory procedures; then "Stille" (Silent), a Cage inspired work.

Black marker strike through barcode, but otherwise new direct from Quakebasket label - last copies available. Experiments in sound from early Velvet Underground member Angus Maclise performing on vocals, prepared tape, cembalum, bells, arp synthesizer and field recordings, joined by Hetty Maclise on organ, piano and autoharp.

One of the most prolific Evil Clown ensembles, Metal Chaos Ensemble distinguishes itself through the use of Gongs, chimes, glockenspiel, Tibetan Bowls and many other metallic sounds, with horns, compositions and narratives by multi-reedist PEK, in a rhythm-heavy fantastical journey in a septet with Moouse Traore on djembe and Mike Gruen on Azoth and Basilisk.

Sound interpretations of Miron Bialoszewski's poetry, whose work focuses on the mundane aspects of the everyday life, usually from an autobiographical perspective and using an overtly colloquial language, interpreted by vocalist Mina Asi, aka Asia Bronisławska, speaking and singing over understated keyboard work.

UK improvising saxophonist Rachel Musson incorporates spoken word text and daring instrumental experimentation in a large work for an 8-piece ensemble of bass, sax, and strings, with narration in a through-composed text written by Musson that explores the process of improvisation, and her reflections on the experiential process of making music.

Rapid fire playing and a wicked humor fuels drummer Olie Steidle's album with guitarist Frank Mobus, keyboardists Kit Downes and Dan Nicholls, and bassist Phil Donkin, mashing together electro-jazz, art rock, hardcore and club music into upbeat and twisted music, building up to a narrative "Speed Junky on Funny Human Darts"; insanely embraceable and stunning.

Jeremy Young, aka Szilard, in his debut full-length release as a solo performer on guitar and sine waves, with texts from Charles Baudelaire's "Les Fleurs Du Mal" (1857) read by Aki Onda, Ella Joyce Buckley, Liam Singer and Catherine Metayer.

London-based composer Emmanuelle Waeckerle in a project of spoken word, flute and melodica with contributors including Antoine Beuger, using minimal and multiple narrations in texts that blend erotic literature, conceptual writing and verbal scores, presented as 2 Scores for voice(s) and instrument(s) based upon Pauline Reage's "Story of O".

A slyly disruptive set of minimalist compositions from New York electronic artist Dominic Coles, recounting six dreams, each described in the liner notes, by using the voice to drive various forms of synthesis on computer and through circuitry, a curious and surprisingly detailed retelling through unexpected tone, punctuation, confrontation and silence.

An unusual blend of jazz tradition, spoken word and soundscape, presenting mostly as a jazz album with spoken narration from Steve Piccolo (Lounge Lizards) guiding the album with abstract comments that interject with Sergio Armaroli's virtuoso vibe playing, Elliot Sharp adding both acoustic sax elements and inventive sonic environments underpinning many moments; conceptually fascinating.

Translating to "Cross Black", French guitarist Richard Comte provides a set of four diverse soundtracks, from deep turbulent darkness and sonic decay to crisply ringing guitar resonance, over which sound poet Sébastien Lespinasse intones with solemn import his dark words of imagery and observation.

A solid album of buoyant collective improvisation led by NY drummer Chad Anderson, with vibraphonist Warren Smith adding an optimistic voice to the quintet of relative newcomer, sax and flute player Zoh Amba and bassist Barry Stephenson, the sophisticated and generally upbeat sound of the group taking a stinging tone on two tracks with the sharp observations from The Ankhitek.

Seeking to combine the interdisciplinary practices of Swedish percussionist, artist and philosopher Larsson Andreas Hiroui and his ensemble of Johanna Arve and Johan Jutterstrom into a single method, this extended work compiles their collective history into digital archives that are presented in a layered set of spoken observations and instrumental improvisations.

The fifth album on Leo Records for vibraphonist Sergio Armaroli, and his second with NY guitarist, saxophonist & electronic artist Elliott Sharp and bassist Steve Piccolo, using lyrical interpretations of jazz standards as a jumping off point for experimental and unusual approaches to improvisation, a unique balancing point in a fascinating collection.

Featuring the poetry and words of Cecil Taylor-associated poets Albey OnBass and Jane SpokenWord, the Boston collective improvising band Axiom of David Peck on reeds, winds and percussion, Steve Niemtiz on drums & percussion and Glynis Lomon on cello & aquasonic + OnBass & SpokenWord, focus on "Discourse", wakefullness and freedom in an age of social unrest.

Celebrating the temerity and successes of the students known as the Arkansas "Little Rock Nine", who in 1957 set a precedent as they fought to enter a segregated high school, in six pieces written by pianist Christopher Parker and vocalist Kelley Hurt, who narrates the student's successes over the powerfully uplifting and reflective music of a six piece jazz band.

Creating soundscapes from homemade instruments, Text-To-Speech, AI voices, lap steel guitar, found objects, field recording, &c., the duo of sound artists Sam Scranton from Chicago and Neil Quigley from Kilkenny, Ireland, present six unusually unfolding compositions of deceptively relaxed environments layered with mysterious elements and a sly sense of humor.

Starting with a systematic variation of polyphony in each of the three movements of "Bis 4-Stimmung", German composer and pianist Florian Wittenburg deviates from strict structures through a component of randomly generated core notes which he then makes coherent through harmony and melody, each part punctuated with layers of Wittenburg reciting Dutch poet Cees Noteboom.

A collection of poems written by and read by ninth Poet Laureate of North Carolina and the first African American and third woman to hold the title--Jaki Shelton Green�-presenting 11 texts with experimental sound work arranged by Shirlette Ammons, a fascinating set of observations and an insightful selection of "political statement, cultural commentary, and an aesthetic milestone".

A CD EP from North Carolina Poet Laureate Jaki Shelton Green, the first African American and third woman to receive the appointment, persenting her work "I Want to Undie You" expressing her sorrow at the unexpected death of her daughter Imani and a celebration of her life, with audio arrangements by Alec Ferrel, plus versions of the text and music only.

Part of the Chi Away project bringing together new collaborations of Chicago improvisers, Akjai is the unique experimental chamber jazz quartet of Brianna Tong on vocals, Johanna Brock on voice & violin, Ishmael Ali on cello and Andrew Scott Young on double bass, blurring 20th century classical music, art song and free jazz with texts by Brianna Tong, Octavia Butler, and RA Washington.

A collection of poems written by and read by ninth Poet Laureate of North Carolina and the first African American and third woman to hold the title--Jaki Shelton Green�-presenting 11 texts with experimental sound work arranged by Shirlette Ammons, a fascinating set of observations and an insightful selection of "political statement, cultural commentary, and an aesthetic milestone".

A fascinating set of stereophonic electroacoustic compositions based on the recordings and mixes used for four sound installations in four galleries in France, impeccably captured and creatively edited: Eric La Casa & Jean-Luc Guionnet; Michaële-Andréa Schatt & Eric La Casa; Seijiro Murayama & Eric La Casa; and Arnau Horta & Eric La Casa.

Inspired by a work by John Stevens from 1991, Mark Wastell developed this work merging narration and improvisation by transcribing the text from Steven's performance, preseanted here by an electroacoustic ensemble including Phil Durrant, Dominic Lash, Bertrand Denzler, Jennifer Allum &c, yielding an enveloping and fascinatingly mysterious piece presented in two versions.

A live performance at Fridman Gallery in New York City as part of erstwhile's AMPLIFY 2015 festival from sound artists Taku Unami & Devin DiSanto, using electronics, concrete sounds, and spoken word to create diverse active environments of narratives and pure sound.

Translating to "Voices from Heaven and Hell", the meeting of two Berlin artists--Amelia Cuni, whose vocal work is described as in/voluntary singing; and Alex Mendizabal, a sound artist who here electronically manipulates the voice of Cuni--using texts from poet Erin Honeycutt as the two apply diverse, fascinating and sometimes unnerving approaches to voice, utterance and expression.

Legendary players, drummer Alvin Fielder, bassist William Parker, and saxophonist Kidd Jordan joined younger generation players pianist Christopher Parker, vocalist Kelley Hurt, and saxophonist Chad Fowler in New Orleans to record this exceptional album of modern jazz compositions primarily from Fowler, plus a collective improvisation and a narrative from Hurt.