An energetic trio session of collective free improvisation from NY alto saxophonist Rob Brown, bassist Brandon Lopez, and drummer Juan Pablo Carletti, recorded in the studio and driven by an intense energy that maintains a powerful swing, with Brown's incisive phrasing, Lopez's commanding bass, and Carletti's dynamic percussion merging into a spontaneous and deeply expressive musical force.

Underground saxophone legends Booker T. Williams and Gary Hammon lead a powerhouse ensemble with Marc Franklin, Chad Fowler, Kelley Hurt, Christopher Parker, Luke Stewart, and Chad Anderson, blending post-Coltrane jazz, reggae inflections, and balladry in a vibrant session that revisits their decades-long musical journey while honoring resilience, friendship, and cultural legacy.

Longtime collaborators Lisa Mezzacappa and Jason Levis deepen their exploration of Wadada Leo Smith's Ankhrasmation language, interpreting his graphic score through an intuitive acoustic bass and drum dialogue shaped by years of study, live performance, and improvisational research, forging their own path through his modular notation in a dynamic and deeply immersive exchange.

A masterful solo piano performance from Marc Copland, recorded live in Lausanne as he duets with his own pre-recorded tracks, layering delicate yet harmonically rich improvisations in a deeply personal and intimate exploration of sound, blending standards by Monk, Coltrane, and Rodgers with originals, creating an introspective interplay that highlights his lyrical depth.

A powerful duo of resonant harmonic interaction between Patrick Shiroishi & Marta Tiesenga, both on soprano sax, recorded in an underground tunnel below the Jazz Cat in Monterey Park, CA during the pandemic, the tunnel's natural reverb becoming a 'third performer' in shaping an evocative sonic dialogue that contrasts isolation and connection through long tones, fragmented utterances, and immersive resonance.

A visceral and texturally rich exploration of free improv from longtime Bay Area collaborators Danishta Rivero (voice, electronics), Kanoko Nishi-Smith (koto), Jacob Felix Heule (bass drum, drum set), and Kyle Bruckmann (English horn, electronics), blending raw acoustic noise, extended techniques, and deep sonic interactions into a dynamic and unpredictable suite of expressive intensity.

A compelling collaboration of vocalist Ellen Christi with guitarists Claudio Lodati and Luigi Archetti, and bassist Jan Schlegel, recorded at Baby Monster Studio in NYC in 1996, blending free improvisation, jazz, and experimental forms with Christi's inventive vocal approach, yielding fifteen succinct yet dynamic, exploratory soundscapes.

A solid duo recording from long-time Chicago collaborators Ken Vandermark (tenor & baritone saxophones, Bb & bass clarinets) and Tim Daisy (drums & percussion), captured in the studio in Chicago, blending focused free jazz with intricate free improv, as the two navigate dynamic contrasts, rich textures, and conversational interplay with seemingly telepathic precision.

A warm and lyrical new quartet from pianist, vocalist, and melodica player Eri Yamamoto alongside Chad Fowler on alto sax & flute, Kevin Thomas on bass, and longtime collaborator Ikuo Takeuchi on drums, blending groove-driven jazz, free improvisation, and tender balladry with Yamamoto's distinctive touch, highlighted by playful interplay, beautiful melodies, and a soulful, unhurried charm.

A remarkable live performance uniting South African harpist Jacqueline Kerrod and American guitarist Joe Morris, recorded at the Morpeth Contemporary gallery in New Jersey, their first collaboration of adventurous improvisations blending Kerrod's virtuosic harp techniques with Morris's innovative guitar approach, heard in three dynamic and exploratory string interactions.

A first-time duo recording from multi-instrumentalist Daniel Carter and tenor saxophonist Ayumi Ishito, transforming an acoustic improvisation session into an evocative electronic dreamscape, blending Carter's expressive trumpet, saxophones, clarinet, flute, piano, and poetry with Ishito's textured tenor sax, synthesizer, and effects, creating a tranquil yet adventurous dialogue bridging soundscape with jazz.

A distinctive collaboration uniting writer Michel Houellebecq and composer Jean-Jacques Birgé, with Bernard Vitet providing orchestral compositions, recorded primarily in 1996 at Studio GRRR, this album merges Houellebecq's poetic prose, spoken in French, with Birgé's electronic textures, offering an immersive exploration of narrative and sound.

The 3rd in Jean-Jacques Birgé's collaborative Pique-nique au Labo series, recorded between 2021 and 2023, bringing together Birgé with 20 musicians — including Sophie Agnel, Hélène Breschand, Élise Caron, and François Corneloup — in spontaneous duets and trios, each piece sparked by a randomly chosen theme, creating a rich and exploratory mosaic of improvisation and sonic experimentation.

A double CD of rich ambient work from New York City-based sound artist David Lee Myers, presenting four expansive compositions that blend electronics, lamellophone, feedback matrices, and hardware and software processing, evoking the ocular opening of the eye and architectural forms through immersive soundscapes that explore the interplay between organic and electronic elements.

Under his Arcane Device moniker, David Lee Myers revisits an unrealized collaboration with Tod Dockstader, deconstructing well-known classical works — primarily those of Bach — through sampling, stretching, looping, and computer-based processing, transforming familiar motifs into playful, shimmering, and immersive soundscapes inspired by Lucas Foss's Baroque Variations.

This small-format Turbulence performance led by David Peck features an ensemble of six musicians — including Michael Caglianone, John Fugarino, Bob Moores, Scott Samenfeld, and Jim Lucchese — navigating broad-palette improvisation across a constantly shifting landscape of horns, percussion, strings, and electronics yielding evolving textures and intricate sonic interactions.

A powerful 2019 live performance from Barcelona between legendary multi-reedist Mars Williams and boundary-pushing percussionist Vasco Trilla, unfolding from introspective explorations into bursts of intricate and energetic free jazz, as Williams' array of saxophones and toys meets Trilla's rich palette of percussion in an electrifying exchange.

A compelling collaboration between guitarist Fred Frith and innovative harpist Shelley Burgon — known for her work with Anthony Braxton, Trevor Dunn, and Okkyung Lee — in a series of concise and precise improvisations recorded in Oakland, CA, in 2002 and 2005, as Burgon blends seamlessly with Frith's acoustic guitar to create seemingly telepathic synchronicity and an expansive sonic palette.

An intense performance led by bassist Brandon Lopez, recorded live at Roulette during the 2023 Vision Festival, blending deep listening and collective spirit in a dynamic, politically charged composition featuring Zeena Parkins (electric harp), Mat Maneri (viola), Cecilia Lopez (electronics), DoYeon Kim (gayageum), and drummers Gerald Cleaver &Tom Rainey, propelling intricate textures and ritualistic intensity.

Alto saxophonist Jim Hobbs and bassist Timo Shanko, co-founders of the Fully Celebrated Orchestra, present their first duo recording, nine improvisations recorded in the studio in Massachusetts, expressing their three-decade synergy through intimate, exploratory playing that blends passionate and deep-seated melodic interplay with free jazz elements and a strong sense of the blues.

Following their acclaimed 2024 album Samsara, Painkiller returns with Mick Harris (beats, electronics), Bill Laswell (bass), and John Zorn (alto saxophone) delivering six intense and genre-blurring tracks that fuse jazz, grindcore, metal, noise, and techno into an exhilarating, multilayered sonic journey inspired by the magickal practices of Aleister Crowley.

Minneapolis trio Dustsceawung — Miri Karraker (viola), Noah Ophoven-Baldwin (cornet), and Mitch Stahlmann (flute) — explore lowercase improvisation and instrumental abstraction in two 20-minute pieces, "Firn" (2018) and "Fold" (2022), blending scraping textures, breathy timbres, and hushed dynamics, as they create an intimate, shifting soundscape of subtle tension and ephemeral beauty.

An immersive and atmospheric soundtrack from composer Rutger Zuydervelt, known for his work as Machinefabriek, scoring the video game Microtopia with intricate electronic textures and evocative soundscapes that enhance the game's robotic ant colony simulation, blending ambient, rhythmic, and experimental elements to create a rich sonic environment praised for its depth and integration with gameplay.

An electrified vortex of shifting soundworlds from PEK's Simulacrum ensemble, recorded live at Evil Clown Headquarters, blending PEK's reeds and electro-acoustics with Bob Moores' space trumpet and synths, Eric Woods' analog synthesis, Robin Amos' hybrid synths, and Michael Caglianone's saxophones in an Arkestra-infused, kosmische exploration of entropy and sonic strangeness.

David Peck leads an expansive sextet with Bob Moores, John Fugarino, Jiaxin Wan, Ziyi Gao, and Michael Knoblach, blending Western and Chinese instrumentation as clarinet, saxophones, & space trumpet intertwine with guzheng, pipa, electronics, & percussion, creating a richly textured, dynamic improvisation that reflects the ensemble's ongoing exploration of spontaneous composition.

Originally part of the Bagatelles 4-CD box set, this standalone release presents John Zorn's tightly constructed compositions interpreted by the Mary Halvorson Quartet, where Halvorson's microtonal guitar meets Miles Okazaki's rhythmic fluidity, propelled by bassist Drew Gress and drummer Tomas Fujiwara in an explosive and intricately woven set of high-energy, avant-garde jazz explorations.

An intimate exploration of John Zorn's Bagatelles, featuring the seemingly telepathic cello duo of Erik Friedlander and Michael Nicolas in deeply expressive and intricately woven performances that reveal the emotional depth, sensitivity, and Zorn's adventurous compositional spirit, bridging composed forms with spontaneous improvisation for a nuanced and exciting chamber setting.

A powerhouse trio of free jazz titans — Peter Brötzmann on saxophone and clarinet, Steve Swell on trombone, and Paal Nilssen-Love on drums — captured live at Krakow's Alchemia Club in 2015, delivering a high-energy set of unrelenting interplay, shifting dynamics, and deep improvisational synergy, from explosive full-throttle exchanges to nuanced explorations of timbre and structure.

Captured live at Copenhagen's Jazzhouse in 2016, the explosive trio of Peter Brötzmann on saxophone & clarinet, Steve Swell on trombone, and Paal Nilssen-Love on drums & percussion delivers a high-intensity set, opening with the fiery 30-minute "Copenhagen Maneuvers" and continuing through shorter pieces that demonstrate their raw power, deep improvisational synergy, and relentless momentum.

Inspired by a live performance with serpent player Berlinde Deman, Rutger Zuydervelt (Machinefabriek) recreated his live setup from that show to record this intricate sonic collage, blending hardware improvisations, field recordings, and an array of electronic and acoustic sources into an organic, layered work that merges performative immediacy with studio precision.

An engaging meeting recorded in the studio in New York in 1991, bringing together vocalist Ellen Christi, saxophonist & bass clarinetist Carlo Actis Dato, trombonist Masahiko Kono, bassist Enrico Fazio, drummer Fiorenzo Sordini, and text artist Michael Vecchio, blending adventurous contemporary jazz, spontaneous composition, and spoken word in a strikingly dynamic and generally lyrical session.

A compelling collaboration featuring improvising vocalist Ellen Christi alongside pianist Yuko Fujiyama, trombonist Masahiko Kono, and drummer Mauro Orselli, recorded in the studio in 1993 and live at Roulette in 1996, weaving dynamic free improvisation and exploratory soundscapes that showcase ChristiÕs innovative vocal techniques and deep engagement with spontaneous composition.

The groundbreaking 1977 debut of Un Drame Musical Instantané is a fully improvised yet strikingly structured work blending synthesizer, trumpet, guitar, film dialogue, and radio broadcasts into a dynamic sonic collage, here reissued in 2004 with a new master and the bonus track "Sancta Papaverina", the album captures the trio's bold fusion of avant-garde improvisation and experimental composition.

An imaginative and genre-defying return from Hélène Sage in an eclectic blend of songs, jazz-inflected fanfares, and humorous yet critical texts performed in multiple languages, featuring a striking ensemble of avant-garde musicians whose voices, instruments, and unconventional approaches craft a surreal and adventurous sonic world; of interest to RIO fans.

The JACK Quartet presents definitive interpretations of John Zorn's eight string quartets, composed between 1988-2017, in a two-disc album presenting Zorn's evolution through avant-garde techniques and deep musical traditions, with virtuosic performances of intricate works like "Cat O'Nine Tails", "Memento Mori", or "Necronomicon"; includes a 36-page booklet of notes, scores, and insights.

Uniting members of the Shaking Ray Levis with luminaries including Bob Stagner (Palmer's SRL cohort), Jessica Lurie, Frank Pahl, and Col. Bruce Hampton, this final album from Dennis Palmer captures his fearless spirit in an eclectic fusion of free improvisation, surreal storytelling, and genre-bending instrumentation, traversing rock, jazz, sound collage, and absurdist experimentation.

Recorded live at BOTA in Lisbon, the trio of pioneering violinist Carlos 'Zíngaro', bassist João Madeira, and drummer/percussionist Sofia Borges engage in a dynamic and expressive real-time composition, balancing intensity and restraint through intricate musical dialogues, evoking the raw energy of free jazz while embracing contemporary improvisational textures.

Exploring the fluid boundaries between singing, recitation, and speech, bassist João Madeira and vocalist Margarida Mestre present an intricate dialogue of sound and expression, recorded in Lisbon, with Mestre's voice shifting between phonetic poetry, storytelling, and abstract improvisation, while Madeira's double bass, guitar, and field recordings weave around and underpin her vocalizations.

A mesmerizing sonic counterpart to the acrobatic and dance performance Meander, Rutger Zuydervelt (Machinefabriek) crafts an immersive score that mirrors the movement of Marta & Kim, Knot on Hands, and Felix Zech, blending ambient textures and dynamic shifts to evoke fluidity, weight, and momentum, shaping an auditory journey that unfolds with the same grace and unpredictability as the performance itself.

Expanding the boundaries of real-time signal processing as an active improvisational voice, the trio of David Peck (PEK), Albey onBass, and engineer Joel Simches are heard in a dynamic session where Simches manipulates and transforms instrumental expressions into intricate sonic layers, merging winds, percussion, electronics, and bass with live perturbations.

This edition of Leap of Faith brings core members David Peck and Glynis Lomon together with both longtime collaborators and first-time guests, including Vance Provey, Tor Snyder, Albey onBass, and Marc Edwards, for two improvisations that blend musical histories with fresh interactions in an exploratory journey of winds, strings, electronics, and an arsenal of percussive & resonant instruments.

Expanding beyond their post-industrial rock roots, guitarist Mike Graff and drummer Michael Jerome join forces with producer/keyboardist Van Eric Martin, bassist Mike Daane, and vocalist Blythe Gaissert for an ambient and cinematic work inspired by Metropolis, blending ethereal soundscapes and hypnotic rhythms into an immersive instrumental journey.

Merging electronic experimentation with improvisational spontaneity, Jean-Jacques Birgé's synthesizers and Bernard Vitet's trumpet weave alongside Michèle Buirette's vocals and Hervé Legeay's guitar, constructing a dynamic and unpredictable sonic landscape that blurs the line between composition and free expression, expanding the possibilities of form and texture.

A unique entry in Paul Dunmall's discography, this album presents a 9-piece Birmingham-based ensemble with dual keyboards and electronics, evoking Dunmall's compositions and orchestrations into vibrant, groove-driven improvisation that shifts between cinematic atmospheres, fiery free jazz, and unexpected nods to rock, balancing tightly composed sections with exhilarating exploration.

Guy Segers (Univers Zero) in his 5th expansive EMBand project, assembling an ensemble of progressive and avant-garde musicians in ever-shifting configurations, for an album that evolves from introspective and textural atmospheres to dynamic and complex sonic landscapes, incorporating voices, poetry, and intricate instrumental interplay; a compelling example of Europe's progressive music scene.

A retrospective spanning ten decades (1958-2018) celebrating Jean-Jacques Birgé's multifaceted career through compositions reflecting each era, blending archival recordings with new works through a remarkable ensemble of longtime collaborators, from brass and strings to electronics and voice; a sonic journey bridging past, present, and imagined futures with impressive orchestration and narrative.

The avant-rock and experimental ensemble founded in 1976 by Jean-Jacques Birgé, Bernard Vitet, and Francis Gorgé in their first song-based release from 1991, introducing pioneering compositions that intertwine avant-garde instrumentation and emotive vocals across nine tracks, marking the start of a remarkable series of albums exploring new dimensions of their creative vision.

Recorded live at the 2024 New York Forward Festival in NYC by guitarist Killick Hinds, Finnish guitarist Heikki Ruokangas presents an expressive solo acoustic performance that shifts fluidly between melody and noise, balancing introspective sensitivity with intense avant-garde bursts, weaving elements of contemporary jazz, Finnish musical heritage, and free improvisation into a raw and immediate sonic exploration.

Two extended performances from Los Angeles and Colorado Springs by the West Coast ensemble of Andrew Weathers (tenor saxophone, mixer), Angel Lin (percussion), Ethan Marks (trumpet), and Mar Perez (trombone), freely improvising with resonance and experimental techniques to craft immersive soundscapes that blur the line between instrumental performance and environmental noise.

Subtle textures, hushed resonance, and environmental influences converge in a delicate yet immersive sonic space in this collaboration recorded at Wind Tide in Littlefield, Texas, bringing together Justin Houser, Anne-Françoise Jacques, Ernesto Montiel, Veronica Anne Salinas, and Andrew Weathers for an intimate exploration of electroacoustic improvisation.

The long-running duo between Czech trumpeter and electronics artist Petr Vrba and French drummer Peter Orins, blends ritualistic reductionism with psychedelic grooves, extended trumpet techniques, analog synthesis, and prepared percussion to create a hypnotic and unpredictable soundscape, full of frenetic energy, atmospheric tension, and sudden dynamic shifts.

The first live recording from French trio TOC, for this live 2023 recording TOC joins Polish saxophonist Paulina Owczarek to improvise desynchronized layers of raw energy, blending free improv with elements of pop punk, post-rock, and jazz-core, resulting in a complex and mesmerizing performance where suggested rhythms and autonomous temporalities converge into an unpredictable kraut maelstrom.

Blending Swiss and Argentine heritage, violinist Sophie Lüssi, along with Sandra Weiss (sax & bassoon), Fridolin Blumer (double bass), and Andreas Wettstein (drums), crafts an improvisational sound rooted in jazz, tango, and folk traditions, shaped by her studies in Zurich and two decades in Buenos Aires, resulting in a music that is both technically brilliant and deeply expressive.

Recorded live in Lugano in 1984, Steve Lacy's trio with guitarist Barry Wedgle and bassist Jean-Jacques Avenel reimagines his compositions in an intimate and transparent setting, where Lacy's masterful soprano saxophone carves precise yet expressive lines, drawing on influences from poetry, Monk, and visual art to create a striking balance between structure and improvisation.

Revisiting and remastering two albums from Paul Bley's formative trio years with Steve Swallow on double bass and Pete LaRoca Sims on drums, recorded in Newark, NJ, from 1962-63 but unreleased until the 1980s on Savoy Jazz, as Bley explores Carla Bley's compositions alongside his own, reshaping the piano trio dynamic with a balance of free and lyrical approaches to jazz.

Bridging past and future, this 17th album from The Flying Luttenbachers is a punishing collection of modernist brutality, largely developed by Weasel Walter alone, yet culminating in a ferocious trio performance with Luke Polipnick and Charlie Werber captured in Chicago and NY; dense with asymmetrical riffs, death metal complexity, and avant-garde adaptations; savage!

Documenting The Flying Luttenbachers' transition from a New York-based lineup to a Chicago trio, this blistering live-in-the-studio session captures Weasel Walter (guitar), Luke Polipnick (bass), and Charlie Werber (drums) unleashing complex, high-energy compositions with no overdubs, solidifying their raw and relentless approach to genre-blurring improv, as the band continues its evolution.

A striking exploration of avant-garde jazz and free improvisation, this 1992 session unites vocalist and pianist Ellen Christi with Steve Buchanan (electric guitar), Tomas Ulrich (cello), William Parker (bass), and Lefferts Brown (loops), weaving dynamic vocal phrasing, bold instrumental textures, and evolving electronic layers into an immersive and unpredictable sonic landscape.

A refined and nuanced collaboration between vocalist Ellen Christi and guitarist Claudio Lodati, recorded in Ivrea, Italy in 1990, blending lyrical vocal improvisations with fluid electric and acoustic guitar work in an intimate, expressive dialogue — relaxed and unforced, yet deeply engaging, avoiding both histrionics and weightless ambience to create a grounded yet exploratory listening experience.

A dynamic collective session from a quintet — led by multi-instrumentalist David Peck with Bonnie Kane (sax, flute, electronics), John Fugarino (brass, percussion), Albey onBass (bass, drums), and Jared Seabrook (drums, gongs) — featuring a richly textured three-horn interplay over an expansive rhythmic foundation, balancing harmonic shifts and spontaneous energy with a strong sense of structure.

A meditative and immersive work of sonic abstraction, Alexander Cooper's first solo release in eight years unfolds as a lattice of minimalism-inspired harmonic diffusion, where shifting textures and fluid structures dissolve into ethereal, non-representational spaces, blurring the boundaries between form and perception in a dynamic interplay of sound and air.

Celebrating her 65th birthday with her first compositions for strings, pianist-composer Satoko Fujii writes for the specific musicians of GEN, a sextet of violin, viola, bass, piano, electronics, and drums, in a suite inspired by Nagano's mountain views, leveraging microtonal string techniques for an expressive and texturally rich sonic landscape.

An electrifying 1st-time meeting between guitarist Keiji Haino and trumpeter Natsuki Tamura, captured live at Tokyo's Shinjuku Pit Inn, where the duo shape an unpredictable set that veers from reflective stillness to wildly passionate outbursts, their extended techniques and visceral vocals — sometimes urgent, sometimes outrageous — fueling an exhilarating and uncompromising sonic adventure.

Emerging from an improv session during the pandemic, Natsuki Tamura (trumpet), Satoko Fujii (piano), and Tatsuya Yoshida (drums) formed Amanojaku, named after the contrarian demon of Japanese folklore, embracing a balance of composition, improv and mischievous interplay with a uniquely Japanese sensibility through virtuosic spontaneity and irreverent humor, captured live at Koen-dori Classics.

Norwegian guitarist Stian Larsen joins UK musicians Colin Webster on alto sax, Ruth Goller on bass, and Andrew Lisle on drums in a high-energy fusion of free jazz, post-rock, and noise, weaving dynamic improvisation that moves from sparse textures to explosive climaxes, embracing ecstatic intensity, cathartic interplay, and expansive creative exploration.

Allan Zane and Carl Kruger craft an album of "wet ambient music" inspired by Roland Kayn, featuring fluid textures and evolving soundscapes that pay homage to the German composer and electronic music pioneer innovative approach to ambient composition, here in an immersive auditory experience of deep-water, subtle transitory and aqueous sound.

An album of brutal improvisation in the Borbetomagus mold as the longstanding Maranata duo of Dag Stiberg on alto and baritone saxophones and Jon Wesseltoft on electronics join forces with Mexican saxophonist Martín Escalante, creating an unrelenting sonic assault of frenzied saxophone interplay and harsh electronics, fueled by a visceral intensity and high-pressure chaotic energy.

A curated collection of 14 short improvisations from Evil Clown's modular ensembles, this fourth Shorties Volume distills the essence of expansive, long-form performances into concise yet potent expressions, featuring 31 musicians across 7 ensembles, these spontaneous works, recorded during warmups and soundchecks, offer a dynamic snapshot of the label's ever-evolving sonic landscape.

A strikingly inventive work from Un Drame Musical Instantané, as Jean-Jacques Birgé, Bernard Vitet, and Francis Gorgé blend synthesizers, trumpet, guitar, voice, and unconventional instrumentation in a satire of television and religion, merging free improvisation, jazz, electronics, and contemporary composition into a provocative and unclassifiable sonic experience.

A profound 1994 GRRR label release, Sarajevo Suite is a conceptual collaboration produced by Jean-Jacques Birgé and Corinne Léonet, featuring a global assembly of jazz and experimental artists-including Lindsay Cooper, Henri Texier, Dee Dee Bridgewater, and the Balanescu Quartet-crafted to support Bosnian war victims.

Extraordinary and masterful performers Sophie Agnel (piano) and John Butcher (soprano & tenor saxophones) present a live recording from the 40th International Festival of Current Music in Victoriaville, Canada, featuring five improvised pieces that highlight their exceptional interplay and collective discovery of new musical forms while exploring the boundaries of free improvisation.

A stunning live performance from wild to instrospective from the 2019 Copenhagen Jazz Festival, where saxophonist Lotte Anker and two pianists — Jacob Anderskov and Kamil Piotrowicz — create a rare and extraordinary interplay of alto saxophone and dual grand pianos, blending frenetic intensity and dreamlike calm in an inspired and organically evolving dialogue of composed and improvised soundscapes.

A riveting live performance from the 2023 Copenhagen Jazz Festival by Joëlle Léandre, Lotte Anker, and Kresten Osgood, whose trio of bass, saxophones, and drums delivers an enthralling journey through three improvisational worlds, blending spontaneity, profound interplay, and virtuosic intensity in a masterful exploration of sound and emotion.

A confluence of contrasting strings recorded in the studio in NYC, bringing bassist Brandon Lopez and gayageum master DoYeon Kim together in an acoustic dialogue of free improvisation, blending Lopez's explosive intuition with Kim's dynamic reinterpretation of tradition, resulting in a fascinating sonic journey that bridges ancient melodies and avant-garde exploration.

Five duets inspired by the Japanese concept of borrowed scenery (Shakkei (借景)) — integrating background landscapes into the design of a garden — are exquisitely realized in these spiritual and introspective performances, from the 20-year collaboration between French saxophonist Alexandra Grimal (tenor and soprano) and Italian pianist-organist Giovanni Di Domenico.

A historic reunion captured live at Le Triton in Les Lilas, France, in 2007, bringing together pianist François Tusques and drummer Sunny Murray for the first time in decades to renew their blues-infused, avant-garde dialogue, blending percussive exploration, evocative dedications, and rich improvisation that honors their shared history while forging new sonic landscapes.

Captured live at the Werkstatt für Improvisierte Musik in Zurich, Switzerland, this debut release from Jason Kahn (electronics) and Magda Mayas (piano, objects) presents three improvised pieces that blend their complementary palettes into a poetic and intricately detailed electroacoustic dialogue, reflecting their 13-year collaboration with a mix of introspection, spontaneity, and mutual respect.

Jean-Jacques Birgé invited 28 improvising musicians to the studio to perform in duos and trios, the theme for each of the 22 recordings chosen just before each recording, with noted performers including Birgé himself, Sophie Bernado, Pascal Contet, Julien Desprez, Jean-Brice Godet, Alexandra Grimal, Sylvain Kassap, Edward Perraud, Eve Risser, &c.

Exploring chaotic rhythms on metallic instruments, Metal Chaos Ensemble is one of the most prolific Evil Clown ensembles, producing over 50 albums with a signature sound of gongs, chimes, and horns, recently recurring as a sextet blending rock elements; here configured as a quintet without a bass performer, in a distinctive work that begins with a PEK narrative.

Saxophonist John Dikeman composed this diverse and expressively lyrical song cycle reflecting on colonization, and the double edged sword of religion which can lead to transcendence or tyranny, recorded in Amsterdam in a quartet with Marta Warelis on piano, Aaron Lumley on bass and Sun on Mi Hong on drums, presented in two extended improvisations.

Two 2024 sessions from the free improvising trio of John Butcher (tenor and soprano saxophones), Phil Durrant (electric mandolin and electronics), and Mark Wastell (drums and percussion): the two-part dialog "Around", recorded live at London's Vortex Jazz Club, and the four-part collective improvisation "Above", captured at The Rose Hill in Brighton, UK.

The 2nd volume following Chicken Shit Bingo from a two-day 2015 studio session in Antwerp, capturing the deep rapport and evolving artistry of multi-reedist Peter Brötzmann and drummer/percussionist Paal Nilssen-Love through eight powerful and explorative improvisations, reflecting their nearly two-decade collaboration as they experiment with new instruments and demonstrate profound musical expression.

The 2nd volume following Chicken Shit Bingo from a two-day 2015 studio session in Antwerp, capturing the deep rapport and evolving artistry of multi-reedist Peter Brötzmann and drummer/percussionist Paal Nilssen-Love through eight powerful and explorative improvisations, reflecting their nearly two-decade collaboration as they experiment with new instruments and demonstrate profound musical expression.

Marking their decade-long collaboration, pianist Alexander von Schlippenbach and drummer Dag Magnus Narvesen present a dynamic dialogue of free jazz and structured improvisation, blending generational and cultural perspectives into deeply focused and evolving musical narratives, where melodies and rhythmic patterns unfold organically through collective discipline and creativity.

Performing the lyrical compositions from the band's leader, this quartet — featuring Joe Fonda (bass), Michael Rabinowitz (bassoon), Jeff Lederer (clarinets & flutes), and Harvey Sorgen (drums) — explores a uniquely chamber-like soundscape, blending jazz and classical influences through intricately arranged compositions and inspired improvisations with a distinctively rich and unexpected ensemble voice.