A heartfelt tribute to Los Angeles and its resilient creative community, guitarist Karl Evangelista leads a stellar quintet with Bobby Bradford on cornet and William Roper on tuba, blending both lyrical and eclectic improvisation, deep-rooted West Coast traditions, and a spirit of resistance into an evocative and deeply personal album that honors place, legacy, and the power of collective expression.

An electrifying session of genre-defying free improvisation from the international quartet of Gabriele Mitelli (trumpet & electronics), Mette Rasmussen (sax), Mariam Rezaei (turntables), and Lukas Koenig (drums & bass synth), delivering an explosive, high-energy album that blurs the lines between noise, jazz, and avant-electronic intensity with visceral spontaneity and tightly channeled chaos.

Recorded in Oslo's Toyen Kirke, this spiritually resonant second album from the Norwegian quartet Akmee explores acoustic possibilities with lyrical counterpoint, trance-like repetition, and intuitive improvisation, as trumpeter Erik Kimestad Pedersen, pianist Kjetil Jerve, bassist Erlend Olderskog Albertsen, and drummer Andreas Wildhagen stretch melody and rhythm into expressive, otherworldly forms.

Expanding to a sextet, Swedish guitarist Finn Loxbo's Kommun deepens its exploration of cyclical time and collective improvisation, weaving acoustic steel-string guitar, piano, strings, and percussion into evolving, harmonically rich phrases that merge individual lines into fluid, slow-burning forms — meditative, intricate, and poised between structure and dissolution.

A fascinating exploration of human-machine collaboration from UK trio Sveio — James Mainwaring on saxophone, Federico Reuben on laptop improvisation and live coding, and Emil Karlsen on drums — using AI in real-time to generate uncanny textures and forms, resulting in a spontaneously composed and constantly evolving electroacoustic sound world.

An intimate, texturally rich trio session recorded in Berlin between Ernesto Rodrigues on viola & crackle box, Guilherme Rodrigues on cello, and Maximilian Glass on percussion, navigating misty lowercase atmospheres, glitch-box coloration, and finely balanced interactions that unveil subtle surprise and collective improvisation within a tight, exploratory sound world.

A dynamic, spontaneous duo collaboration by percussionist Tracy-Lisk and multi-disciplinary performer Andrea-Pensado, this LEM-347 release unfolds through drumming, cymbal washes, voice and live electronics into a fluid, improvisatory dialogue that balances rhythmic sensitivity and textural exploration within an intimate, acutely reactive sound world.

Extracted from archival sessions at Imaginary Sound Fields in Melbourne, Australian synthesist Mat Watson assembles a limited-edition set of vivid modular compositions — ranging from library-inspired cues to exploratory electronic abstractions — capturing the tactile nuance of a Eurorack modular as he sculpts asymmetrical, colorful soundscapes that blur nostalgia, experimentation, and inner space.

A benefit compilation in support of marine restoration through ORAI, this diverse collection features 13 experimental and ambient works — including evocative soundscapes by Scott Solter, Cristina Cano, and others — each track a donation from artists celebrating the seaÕs mystery, fragility, and power through deeply personal sonic reflections.

A fierce and immersive set of three extended noise pieces from the six-member experimental collective of Steve Davis, Bobby Almon, Chuck Foster, Edward Giles, LOB, and Mackenzie Kourie, recorded in multiple locations, blending dense textures, static-laced improvisation, and electroacoustic intensity into a raw and unapologetically visceral listening experience.

Inspired by John ColtraneÕs A Love Supreme, the second album from the Berlin-based quartet Das B — Mazen Kerbaj (trumpet), Mike Majkowski (bass), Magda Mayas (piano), and Tony Buck (percussion) — subverts the tribute format with a radical re-imagining built on free improvisation, textural exploration, and structural homage, resulting in a deeply immersive and conceptually rich work.

Unearthed from Dave Burrell's personal archive, this long-rumored 1979 Paris session with legendary Ellington drummer Sam Woodyard finally emerges, presenting a rare and intimate duo performance sourced from a cassette dub of the original tape — an essential historical document capturing two master musicians in a spontaneous and deeply expressive exchange.

A unique document of Don Brown and Dan Reynolds' unconventional compositional practice, recorded live to tape in 2008 with an 8-piece ensemble performing four decades-spanning works at Multnomah Grange #71, this unauthorized cassette release captures a pivotal moment in Portland's experimental scene, offering singular music with deep references and no clear precedent.

A contemplative composition by Ferdinand Schwarz for the Oslo-based ensemble AREPO, Listening Time unfolds as a patient, microtonal exploration of harmonic stasis and collective structure, blending just intonation, fragile textures, and co-composed material in a deep listening experience that merges composed form with improvisational sensibility and communal artistry.

A remarkable 2016 recording from the nine-member Norwegian ensemble The Touchables, blending composed and improvised elements in four extended acoustic works, drawing from chamber music, minimalism, and sound to create slowly evolving textures with strings, winds, bass, handbells, and percussion in a stark, resonant, and deeply immersive sonic environment.

Continuing Rodrigues' post-Cage series of single-track acoustic improvisations, this 2025 quintet with Miguel Mira, Flak, Tiago Varela, and Manuel Guimaraes blends viola, cello, electric guitar, fan organ, melodica, and piano in an evolving tapestry of mysterious breath, subtle continuity, and fragile sonic space recorded live in Lisbon with profound delicacy and restraint.

Reuniting violinist Carlos Zingaro and cellist Fred Lonberg-Holm with bassist João Madeira and bass clarinetist Bruno Parrinha, Enleio captures a dynamic Lisbon session of free improvisation rich in textural interplay, pointillist gestures, and evolving sonic dialogues, blending expressive restraint with bursts of manic energy across four nuanced and immersive pieces.

A textural and quietly immersive collaboration between Italian percussionist Francesco Covarino and Greek trio Eventless Plot, combining modular synth, field recordings, percussion, and tapes in an intricate 2024 live studio session that continues the exploratory cassette ethos of Covarino's TSSS label through Innovo Editions' equally intimate and tactile aesthetic.

Mary Halvorson leads her Septet with Jonathan Finlayson (trumpet), Jon Irabagon (alto sax), Ingrid Laubrock (tenor saxophone), Jacob Garchik (trombone), John Hebert (bass) & Ches Smith (drums) through 6 original compositions and a Robert Wyatt cover!

Only the second solo album from Swiss-born pianist and composer Sylvie Courvoisier, now based in New York, presenting twelve studio recordings that explore the full range of the piano inside and out, recorded in Germany and showcasing the breadth of her expressive power and spontaneous creativity, shaped by decades of work in innovative transatlantic ensembles.

The seventh chapter in Darius Jones' visionary Man'ish Boy series, this powerful trio recording with Gerald Cleaver and Chris Lightcap presents five new compositions and a Lomax-arranged spiritual, confronting themes of Black mental health, trauma, and healing through richly expressive alto saxophone, deep rhythmic interplay, and emotional resonance.

The seventh chapter in Darius Jones' visionary Man'ish Boy series, this powerful trio recording with Gerald Cleaver and Chris Lightcap presents five new compositions and a Lomax-arranged spiritual, confronting themes of Black mental health, trauma, and healing through richly expressive alto saxophone, deep rhythmic interplay, and emotional resonance.

A focused and highly collaborative session from multi-reedist Steve Adams, bassist Lisa Mezzacappa, and drummer Jason Levis, whose long-standing connections through the Bay Area's creative music scene — including Mezzacappa and Levis's duo B and their co-led Experimental Band — inform these concise and sensitive 2022 improvisations with a compositional approach to form and balance.

The debut of drummer and composer Andreas Wildhagen's Spiralis quartet, with Kasper Vaernes, Anja Lauvdal, and Adrian Myhr, blending lyrical motifs and spontaneous improvisation through fluid and evolving structures, contrasted by moments of stark repetition, in a powerful and politically conscious reflection on beauty, chaos, and the transformative role of art.

Guitarist Håvard Skaset (Sult, MoE) delivers a grim and compelling solo work of guitar, synth, and tape compositions with a 24-page book of abstract b&w art, exploring themes of disappearance and destruction, building intense drone-based soundscapes punctuated by moments of stark introspection, in a minimalist and historically charged reflection on human malice and memory.

Recorded solo in Hangzhou, China, saxophonist and suona player Lao Dan merges Chinese folk motifs with the raw energy of punk, the spontaneity of free jazz, and the abrasiveness of noise and rock forms, creating a fiercely expressive and unpredictable improvisational landscape driven by aesthetic tension and fearless experimentation.

A collage of reinterpretations based on original tracks composed by Nil by Nose to accompany graffiti-covered train videos, this remix album features a diverse range of experimental artists reimagining those quick, raw compositions into a wildly creative and unpredictable audio journey through sound, decay, rhythm, and noise.

Ten years after their last release, Northern CaliforniaÕs Bristle returns with a richly inventive chamber jazz album blending virtuosic improvisation and playful composition, as saxophonists Randy McKean and Cory Wright join violinist/oboist Murray Campbell and bassist Lisa Mezzacappa in a dynamic, Threadgill-esque ensemble sound full of counterpoint, wit, and imaginative sonic twists.

A sophisticated and delightful cinematic work from Seattle multi-instrumentalist Amy Denio, who composes and leads a 12-piece ensemble in a dynamic new soundtrack to the 1925 silent film Varieté, blending electric guitar, accordion, voice, and hammered dulcimer with a chamber orchestra of woodwinds, strings, and percussion in a rich, genre-defying studio recording.

Expanding the Re-Ghoster trio of Nicolas Field on drums, Thomas Florin on piano, and Valerio Tricoli on revox and electronics with the addition of Nate Wooley on acoustic and amplified trumpet and Fritz Welch's visceral vocal work, the group explores surreal electroacoustic improvisation through dense, transdimensional soundscapes, fractured time, deranged textures, and ritualistic intensity; incredible!

A fiercely expressive trio of drummer Nicolas Field, saxophonist John Dikeman, and pianist Thomas Florin, delivering a raw and evolving session of free improvisation, recorded in Geneva with a spirit of spontaneity and shared energy, channeling aggression, nuance, and dynamic interplay into a collective sound that values connection and honest interaction.

Previously unreleased, this remarkable 2000 duo performance from Dutch pianist Misha Mengelberg and Japanese drummer Sabu Toyozumi captures their playful and philosophical interplay in two extended improvisations, a Monk tribute, and a touching solo dedicated to Mengelberg's wife, blending wit, dynamic textures, and deep mutual respect in a session Toyozumi calls a personal tribute to his "guru."

An unconventional Australian trio exploring breath, vibration, and material resonance, as flutist Jim Denley, airdrum inventor Dale Gorfinkel, and sonic sculptor Peter Farrar create a richly textured world of wind, water, and pressure in two improvised pieces of organic, immersive sound, recorded in Sydney and shaped by the physical vitality of their experimental instruments.

The debut from Norwegian trio ükya — trombonist Emil Bø, guitarist Kristian Enkerud Lien, and drummer Michael Lee Sørenmo — offers a lyrical yet rigorous exploration of just intonation, European art music, minimalism, and British free improvisation, blending intuitive interplay with sonic precision in a strikingly original and deeply present studio recording.

A reissue of Sam Rivers' powerful 1976 trio session with bassist Dave Holland and drummer Barry Altschul, capturing the group's remarkable chemistry in four extended pieces that move fluidly between searing swing, freeform expression, and percussive intensity, with Rivers shifting between tenor, soprano, flute, and piano in a virtuosic and deeply spontaneous studio performance.

Recorded in 2005 and dedicated to Sun Ra and His Arkestra, this dynamic and lyrically inclined trio session brings together legendary trombonist Julian Priester with Canadian bassist Paul Blaney and drummer Jimmy Bennington, weaving spontaneous improvisations, expressive modern jazz, and a soulful rendering of "Mood Indigo" into a deeply rooted and timeless recording.

An enigmatic 2-CD release of glacial dark ambient and pulsing glitch from the elusive project Money, where each track-titled simply "money" — unfolds like a slow-moving tectonic shift, sculpting ominous, hollow textures with unsettling momentum; a minimalist package and a deeply immersive sonic enigma of brooding presence and uneasy stillness.

A rare meeting between Japanese minimalist Sachiko M and AMM's Eddie Prévost and John Tilbury, recorded in 2004 at London's Museum of Garden History, where sine wave precision meets tactile percussion and spacious piano in an intricate electroacoustic improvisation that explores silence, texture, and the fragile tension of deep collective listening.

The second duo release from pianist Izumi Kimura and drummer/percussionist Gerry Hemingway —also known for their powerful trio collaborations with bassist Barry Guy —furthers their exploration of structured improvisation through patient, intricately shaped performances, including an evocative reimagining of Blind Willie Johnson's "Dark Was the Night", blending lyrical depth with dynamic sonic experimentation.

Recorded during an ambitious 15-day, 14-show European tour, this debut from pianist Eli Wallace, bassist Pablo Vazquez, and drummer Marcelo von Schultz captures the spontaneous chemistry of a trio forged in motion, weaving explosive rhythmic interplay, extended techniques, and melodic nuance into a vibrant and unpredictable tapestry of creative improvisation.

Guitarists Henry Kaiser and Kurt Newman engage in free improvisations inspired by classic songs they love — not covers, but intuitive commentaries recorded after listening to tracks by Pink Floyd ("See Emily Play"), The Who, ZZ Top, Fleetwood Mac, Richard Thompson, &c. — creating spontaneous, exploratory duets that reinterpret familiar sonic memories through raw, imaginative abstraction.

Dutch vocal artist Jaap Blonk performs Kurt Schwitters' iconic Dada sound poem Ursonate with deeply internalized precision and theatrical nuance, drawing on decades of experience to present a vivid, expressive interpretation of the four-movement work, including both an improvised and written Kadenz, in this definitive 2024 studio recording.

Blending cellist Miguel Mira's structural premeditation with the spontaneity of free improvisation, the trio of Mira, saxophonist Yedo Gibson, and drummer Felice Furioso crafts a richly textural and architectonically inspired session, recorded in Lisbon, where extended techniques and expressive interplay shape a dynamic sonic vision of figurative expressionism in sound.

A cosmic tribute to Sun Ra's legacy, this limited-edition LP opens with a rare 1950s home recording of Ra performing a cappella, followed by archival and new works from Joe McPhee, Raymond Boni, Jason Adasiewicz, Wolfgang Voigt, and Spaceways Inc. (Ken Vandermark/Nate McBride/Hamid Drake) with Zu, reimagining Ra's soundworld through homage, remix, and exploratory improvisation.

A rich electroacoustic dialogue recorded in Greece, Entanglements teams the hybrid percussion/modular-objects trio Eventless Plot with Berlin sound sculptor Yorgos Dimitriadis, layering responsive drum gestures, electronics, tape, samplers, and modular synth in a live performance that blurs composition and improvisation into immersive, intricate sonic interplay.

Composed for violist Marco Fusi and performed on viola d'amore, Evan Johnson's most extended work to date unfolds with extreme precision and delicate fragmentation, where hushed gestures, suppressed resonance, and micro-detailed silences create a hauntingly expressive sonic terrain of particulate texture and introspective, dust-like lyricism.

A powerful meeting of guitar luminaries Joe Morris and Elliott Sharp, recorded at Park West Studios in Brooklyn, where the duo delve into an intricate and exploratory dialogue of free improvisation and expanded sonic vocabulary, blending effects, electronics, and their singular guitar languages in a session that bridges avant-garde jazz, experimentalism, and raw creative spontaneity.

Pianist and vocalist Jackie Myers delivers a lyrically rich and microtonally innovative album recorded with an exceptional ensemble, including Bobby Watson, Rich Wheeler, Trent Austin, and members of the Fountain City String Quartet, blending spectral composition, soulful jazz vocals reminiscent of Billie Holiday, and detailed arrangements into an expressive and compelling release.

An explosive and intricately balanced trio performance dedicated to the late bassist Hans Schneider from sopranino and alto saxophonist Stefan Keune, guitarist Sandy Ewen, and bassist Damon Smith, recorded live at the Moers Festival, where jagged breathwork, meticulous micro-noise, and deep-string abstraction collide in a fiercely expressive set of free improvisation.

Exploring free improvisation with a fierce political undertone, the Copenhagen-based trio Bloomers — trumpeter Anne Efternøler and reedists Maria Dybbroe and Carolyn Goodwin — are captured live in fifteen distinct locations around the globe, engaging in dynamic, textural dialogs that honor historic milestones in women's liberation through a poignant series of sonic vignettes blending abstraction, dissonance, and innate lyricism.

In a surreal electroacoustic encounter recorded live in Hannover, the quartet of AGogol, NaabtalDeath (Jerome Noetinger), Ernesto Rodrigues, and Guilherme Rodrigues deconstructs chamber music into a visceral, alchemical performance of modified strings, electronics, and crackling noise, blending absurd vocalizations, brutal textures, and delicate atmospheres into a raw, dreamlike sound theater.

A richly textured exploration of acoustic and electronic soundscapes, fully displaying Philip Gayle's multi-instrumental prowess alongside contributions from Japanese vocalists and woodwind artist Shogo Oshima, at times with a number of improvising vocalists, culminating in a collaborative work that blurs the lines between folk, avant-garde, and ambient music.

Exploring the ethereal resonance of chant through intimate compositions for solo to quartet voice and bass flute, Laura Steenberge draws on the mysticism of medieval music, performed by Rebecca Lane, Catherine Lamb, Julia Holter, Yannick Guédon, and Evelyn Saylor in nuanced layers that reveal harmonic shadows, breath-bound relationships, and otherworldly sonic artifacts.

The trio of Toshiji Mikawa on electronics, Jun Numata (Doubtmusic) on guitar & electronics and Martin Escalante on saxophone for a superbly noisy and chaotic attack captured in Tokyo at Bar Isshee in 2023, two all-out assaults of clear electronic mayhem that would sit shoulder-to-shoulder with Borbetomagus and their kind; terrifyingly awesome!

Barcelona-born pianist Eva Novoa leads bassist Masa Kamaguchi and drummer Gerald Cleaver in their second trio release for 577 Records, recorded in 2020 and blending melodic density with contrapuntal dialogue through a boldly experimental set on piano, Fender Rhodes, Chinese gongs, and improvisation, deepening the trio's inventive, textural interplay.

A fascinating debut from the trio GPS — clarinetist Guillermo Gregorio, saxophonist Jeff Pearring, and bassist Charley Sabatino — recorded in two sessions a year apart where they capture fourteen dynamic tracks of composed and spontaneous collective improvisation, blending intuitive interplay and diverse genre influences into a distinct, uncategorizable sound.

Emerging Swiss drummer Samir Boehringer unites musicians from Switzerland and New York — Caleb Wheeler Curtis on stritch and trumpet, Hery Paz on tenor saxophone, and Kenneth Jimenez on double bass — in his debut 577 Records album, blending fixed patterns and open improvisation into a captivating and creative quartet performance.

A rare 1993 live duo between Japanese avant-garde pioneers Motoharu Yoshizawa on electric bass and Kim Dae Hwan on percussion, this profound and genre-defying recording explores sound itself, blending space, silence, and spontaneous interaction into a philosophical, boundary-pushing acoustic journey that evokes elemental, organic sonic landscapes.

Recorded live at Instants Chavires in France, pianist Sophie Agnel's third solo album transforms the prepared piano with Cage influenced techniques and preparations, crafting seven poetic and dramatic movements that challenge preconceptions of the instrument, weaving abstract, lyrical, and sensual sonic textures into a vivid and captivating hyper-pianistic masterpiece.

Portuguese saxophonist Ravenna Escaleira's rugged and deeply personal solo album layers saxophone, electric bass, and piano into four urgent, uncompromising pieces shaped by her wandering relationship with Lisbon, blending raw noise, deep lyricism, and powerful emotional intensity as she transforms personal history and urban experience into vivid, layered sound.

Multi-instrumentalist and composer Dustin Dybvig crafts a layered and melodic exploration of existence, time, and cosmic themes through his project Brass Clouds, blending psychedelic textures, shimmering beats, and introspective soundscapes into a mesmerizing sonic journey across dimensions and dying worlds.

An enigmatic electroacoustic project from Mexico City, E.O.C. (Engineering Of Consent) crafts layered, dramatic, and immersive soundscapes that blend dark ambient, noise, and experimental textures into a compelling exploration of human nature, perception, and the subtle forces shaping collective experience.

Recorded live at Evil Clown Headquarters, the quartet Leap of Faith — David Peck, Glynis Lomon, John Fugarino, and Tom Swafford — delivers a masterful chamber improvisation balancing strings, winds, percussion, electronics, and an extraordinary palette of acoustic and electro-acoustic instruments, blending seasoned creativity into a vivid, expansive, and tightly woven sonic exploration.

Continuing NoBusiness' series of historic loft concerts at Sam Rivers' Studio Rivbea, alto saxophonist Jimmy Lyons leads a quintet featuring bassoonist Karen Borca, bassist Hayes Burnett, and drummers Henry Letcher and Syd Smart in two electrifying 1970s performances, delivering fervent free jazz marked by intricate interplay and dynamic improvisation.

Formed in 2013 by drummer Reinhard Brüggemann, the Berlin Art Quartet channels the spirit of the New York Art Quartet, with saxophonist Matthias Schubert, trombonist Matthias Müller, and bassist Matthias Bauer performing a powerful live set of free jazz, blending fiery interplay, dynamic shifts, extended techniques, and raw yet thoughtful improvisation.

Pianist Alexander Zethson (Vathres, Fire! Orchestra, Angles) and cellist Nikos Veliotis (MMMD, In Trance 95) present two expansive, darkly immersive improvisations that drift through glacial landscapes of resonant, slowly shifting textures and austere tonal drones, sculpting elemental sound environments of profound stillness and contemplation through deep-listening and hypnotic intensity.

The first duo album from Stockholm's long-standing duo of Johan Jutterström and Alex Zethson, reimagining songs from jazz standards to Leonard Cohen and the Pet Shop Boys as deconstructed etudes and expressive palimpsests, where meaning emerges through reinterpretation, erasure, and the intimate process of performance and transformation.

Swedish composer Erik Klinga crafts radiant electroacoustic works from Buchla synth, pipe organ, drum machine, and field recordings, weaving melodic ambient vignettes that shimmer with warmth and light, moving through celestial textures, gliding rhythms, and bird-like flourishes in a richly detailed debut recorded at StockholmÕs Royal College of Music, the first of a planned trilogy on Thanatosis.

A monumental release from Fire! Orchestra led by Mats Gustafsson, Johan Berthling & Andreas Werliin, in an expanded ensemble of 43 international musicians, with new members including Joe McPhee, for a massive work organized into seven parts, presented in a solid box set spread across 3 vinyl LPs of music with titles inspired by Swedish author & poet Erik Lindegren; magnificent!

Poet and theorist Fred Moten joins bassist Brandon Lopez in their first duo recording, a powerful and searching dialog of voice, text, and bass, recorded at Greyfade Studios, where Moten's incisive spoken word and Lopez's deeply expressive playing fuse into an evocative exploration of Black cultural production, resistance, and creative solidarity.

Poet and theorist Fred Moten joins bassist Brandon Lopez in their first duo recording, a powerful and searching dialog of voice, text, and bass, recorded at Greyfade Studios, where Moten's incisive spoken word and Lopez's deeply expressive playing fuse into an evocative exploration of Black cultural production, resistance, and creative solidarity.

Barcelona-born pianist Eva Novoa leads bassist Masa Kamaguchi and drummer Gerald Cleaver in their second trio release for 577 Records, recorded in 2020 and blending melodic density with contrapuntal dialogue through a boldly experimental set on piano, Fender Rhodes, Chinese gongs, and improvisation, deepening the trio's inventive, textural interplay.

In their first collaboration, saxophonist Larry Ochs joins bassist Joe Morris and drummer Charles Downs for a dynamic collective setssion live in the Park West Studios, where the trio's spontaneous chemistry fuels a powerful session of free improvisation, drawing on deep experience, fearless exploration, and ESP-Disk's legacy of boundary-pushing artistry.

Recorded live at Cafe OTO, the formidable trio of pianist Sophie Agnel, bassist John Edwards, and drummer Steve Noble delivers an explosive set of collective free improvisation, deconstructing their instruments into raw sound materials through playful intensity, percussive collisions, and a fearless, physical approach that dissolves the line between instrument and expression.

The ninth and first concept album from Phil Zampino's CHANGES TO blind project, composed from synthetics, samples, field recordings, plunders, and voice, draws on a childhood 10" circus record to explore life's strange loop through sonic experimentation, collage, and poetry-blurring memory, absurdity, and existential inquiry in a deeply personal, carousel-like narrative.

Two live performances from Norwegian sound artist Sindre Bjerga, capturing his signature blend of cassette-manipulated drones, lo-fi electronics, abstract vocal elements, and field-recorded textures in evolving soundscapes that evoke intimate, surreal, and psychedelically fractured environments.

A tour de force third release from pianist-composer Satoko Fujii's trio This Is It!, recorded in Tokyo with long-time collaborator Natsuki Tamura on trumpet and kinetic percussionist Takashi Itani, blending angular composition, fierce improvisation, and creatively spirited interplay into inventive, high-energy, and emotionally rich performances.

Restoring and remastering three key sessions documenting the evolving creative relationship between Thelonious Monk and Sonny Rollins, alongside artists including Julius Watkins, Ernie Henry, Oscar Pettiford, and Max Roach, in a vital revisitation of formative collaborations that highlight Monk's unique brilliance and Rollins' early improvisational voice within shifting post-bop ensembles.

The second set of compositions from Christopher Fox emulating the Subharchord's sonic architecture through acoustic means, performed by Dominic Lash on double bass, Elisabeth Flunger on bass drum, and Kathryn Williams on bass flute, drawing deep resonance from extended techniques and elemental gestures in a richly textural exploration of dissent, descent, and transformation.

Belgian sound artist Carlo Steegen delivers a solo work of dense, textural abstraction under his Last Action moniker, blending elements of noise, industrial atmospheres, and electroacoustic experimentation into a raw and immersive studio performance recorded in the summer of 2024.

Live recordings from four Northeast U.S. performances by subservientdominance, the solo project of Doug DeWalt, blending power electronics, harsh noise, and deep vocal-driven textures into a visceral exploration of sonic dominance, with each set presenting a uniquely aggressive and immersive approach to raw electroacoustic intensity.

A split release pairing Rubbish's abrasive industrial textures with Wallmart's ambient dissonance, presenting six tracks that explore themes of consumerism and surveillance through experimental noise compositions.

A first-time meeting of four free jazz luminaries — pianist Alexander von Schlippenbach, bassist Joe Fonda, drummer Barry Altschul, and bass clarinetist Rudi Mahall — captured live in Vienna, delivering a vibrant and exploratory double CD of spontaneous interplay, deep lyricism, and uncompromising freedom from a quartet of master improvisers united in real-time invention.

Formed from a transatlantic friendship and deep musical rapport, the trio of clarinetist Christophe Rocher, bassist Joe Fonda, and drummer Harvey Sorgen create an inspired and richly expressive set of improvisations, balancing melodic clarity and spontaneous invention in a lyrical program that reflects themes of presence, connection, and creative renewal.

A powerful live performance recorded at Barcelona's L'Auditori in tribute to the late patron of free improvisation, Marianne Brull, capturing the first meeting of soprano saxophonist Michel Doneda, percussionist Lê Quan Ninh, and Barcelona-based improviser Núria Andorrà in a set of radical listening and deep interaction exploring spontaneous collective expression.