Recorded live at Iklectik in London, saxophonist John Butcher on soprano and tenor leads an ensemble of Angharad Davies on violin, Mark Sanders on percussion, and Pat Thomas on electronics, iPad, and samples in four open, exploratory electroacoustic improvisations that reflect a post-lockdown freedom and Butcher's ethos of spontaneity and personal expression in creative music-making.

Recorded across two sessions at LondonÕs now-closed Iklectik, named for its Lambeth Marsh location, saxophonist John Butcher performs in duos and small groups with Angharad Davies on violin, Mark Sanders on percussion, Pat Thomas on electronics, and John Edwards on double bass, crafting remarkable acoustic and electroacoustic improvisations that honor the venueÕs legacy.

Showcasing Burkhard Beins's versatile approach to collaboration, this 3-LP set recorded at Morphine Raum presents eight duo performances featuring partners such as Andrea Neumann, Axel Dörner, and Marta Zapparoli, blending acoustic and electronic instruments in conceptual explorations that range from the percussive "Expansion" to the dynamic "Transmission," reflecting Beins's broad artistic spectrum.

Recorded in Berlin during the summer of 2022, this first collaboration between clarinetist Kai Fagaschinski and Beijing-based sound artist Yan Jun, blends clarinet, voice, and field recordings with objects and inventive sound sources in four pieces that dissolve boundaries between improvisation, composition, and experimental sound design, creating a dizzying, multilayered auditory experience.

Recorded at the Rimouski Music Conservatory in Quebec, the latest from Brulez les meubles of guitarist Louis Beaudoin-de la Sablonnière and bassist Eric Normand expands with saxophonist Ingrid Laubrock, pianist Marianne Trudel, and vibraphonist Jonathan Huard in a drum-less exploration of jazz and chamber music, blending harmonic textures and patient interplay in a sophisticated and evocative musical conversation.

Recorded live in Kassel and Cologne, Germany, in May 2023, turntablist Ignaz Schick, prepared pianist Anaïs Tuerlinckx, and bass clarinetist/soprano saxophonist Joachim Zoepf deliver two wild and extended electroacoustic improvisations, blending tactile textures, dynamic interplay, and outside approaches to redefine the sonic possibilities of their respective instruments.

Recording live in the studio in San Diego, percussionist Nathan Hubbard and double bassist Kyle Motl engage in four fascinating duets of improvised music, blending extended techniques and unconventional approaches to their instruments to evoke richly textured, unpredictable, and exploratory performances that push the boundaries of traditional bass-and-drum interplay.

Merging jazz, tango, waltz, blues, chanson, and contemporary vocal experimentation, Michèle Buirette (accordion), Geneviève Cabannes (double bass), and Dominique Fonfrède (voice) craft an inventive and modern soundscape, combining traditional melodies with experimental techniques in an album that is melodic yet unpredictable, exploring themes with a blend of humor, depth, and originality.

Capturing the expansive sound of the Turbulence Orchestra, an eight-piece ensemble blending winds, percussion, electronics, and unconventional instruments in a 70-minute improvisational journey through evolving textures and sonorities, reflecting the group's mastery of large-scale, transformative improvisation and the dynamic aesthetic of Evil Clown productions.

A powerful and socially driven project from a large ensemble founded by Clayton Thomas to musically and culturally respond to the ongoing genocide in Palestine, blending composed improvisation with collective human energy; recorded live on June 27, 2024, this performance stands as a sonic act of solidarity, reflection, and bearing witness, with all proceeds donated to support humanitarian efforts in Gaza.

Reissuing and remastering eight landmark albums released between 1956 and 1962, this collection traces iconoclastic pianist Cecil TaylorÕs evolution from bop-influenced beginnings to the groundbreaking free jazz forms he helped pioneer, featuring collaborations with Steve Lacy, John Coltrane, Kenny Dorham, Archie Shepp, Clark Terry, Roswell Rudd, and others, culminating in his trailblazing trio with Jimmy Lyons and Sunny Murray.

A collaborative tribute to Nordic poet Nils Christian Moe-Repstad (1972-2022), Wunderkammer blends live recordings from Punkt Festival 2023 with Moe-Repstad's 2014 voice recordings, as Jan Bang, Erik Honoré, Michael Francis Duch, David Toop, and Mark Wastell weave a spectral and meditative ea-improv work of minimalism, poetic tension, and reverent sonic exploration.

Documenting a 1995 collaboration between Swiss improvisers Hans Koch, Martin Schütz, and Fredy Studer with Egypt's El Nil Troop, blending live and studio recordings of Egyptian folk music and European jazz improvisation into a dynamic, respectful and ecstatic fusion that preserves the essence of both traditions while adding inventive layers in a versatile and passionately energetic release.

Building on the strength of their debut, the London-based trio Aspyrian — featuring Robin Porter on tenor and soprano saxophones, Jack Gillen on guitar, and Matt Parkinson on drums — delivers six vibrant original compositions by Porter and Parkinson, embodying the band's name, derived from Old English, as they explore and discover with a spirited and inventive approach to their craft.

Captured live in Berlin in 1991, this album showcases John Lurie's Lounge Lizards at their creative peak, featuring Michael Blake, Steven Bernstein, and Bryan Carrott in a powerful ensemble blending jazz, avant-garde, and wit; recorded over several nights, it documents their evolution from satirical beginnings to a genre-defying force of sophisticated improvisation and bold musicianship.

Uniting Ukrainian artist Sergiy Senchuk (aka Tungu), Austrian violinist Mia Zabelka, and German musician Stefan Strasser, this debut project blends field recordings, improvisation, electronics, and live instrumentation, embodying defiance and resilience amidst adversity through bold, dynamic, and genre-defying soundscapes shaped by their collective strength.

Paul Jarret, Karin Johansson, and Donovan Von Martens explore the dynamic interplay of prepared strings through experimental techniques and preparations, blending nature-inspired improvisation with echoes of Feldman, Bailey, and Debussy, creating a sharp, imaginative, and evolving soundscape that bridges improvisation, composition, and sound painting

With a title roughly translating to "Unscrewed", Argentinian guitarist Luciana Bass dismantles and loosens the bolts on conventional boundaries, blending blues and abstract improvisation in a journey marked by melodic passion and adventurous sonic exploration, crafting a vivid interplay between embraceable beauty and strikingly unexpected contrasts.

A visionary 1989 release by French multi-instrumentalist and composer Hélène Sage, this 14-track album blends electronic, modern classical, and experimental elements, featuring collaborations with Jean-Jacques Birgé and Bernard Vitet; surreal yet meticulously crafted, the album showcases Sage's eclectic style and innovative compositions in standout pieces like "L'invitation Au Voyage" and "Les Sept Merveilles Du Monde."

Celebrating Evan Parker's 80th birthday in 2024 in a 4-CD set of solo improvisations recorded from 1994-2024, paired with a 120-page book featuring essays, an extended interview with Martin Davis plus visual artwork by Parker, blending profound reflections on space, sound, and artistic evolution while showcasing pivotal recordings and contributions from the improv and art community.

A "solo" guitar album of unparalleled creativity and technical prowess, blending virtuosic banjo and guitar performances with inventive compositions and experimental use of effects and overdubs through multiple instruments and cassette additions, a genre-defying exploration of layered soundscapes, intricate fingerpicking, and bold sonic textures that is absolutely fascinating.

Recording in the Mills College Concert Hall in Oakland, the quartet of Zeena Parkins (harp), Chris Brown (piano and electronics), William Winant (percussion), and Ben Davis (cello) work in an ethereal mode of electro-acoustic improvisation, drawing unconventional sounds from their instruments as they weave a virtuosic and intricately creative sonic tapestry evoking the rugged unpredictability of the album's title.

Inspired by a poem Daniel Carter wrote about the transience and motion of modern life, the quartet of Daniel Carter on saxophone, Leo Genovese on piano, William Parker on bass, Gralla & Shakuhachi and Francisco Mela on drums & voice, turn in an ecstatic album of exotic collective improvisation in this second of two volumes from an excellent studio session.

Polish wind player Dominik Strycharski combines traditional blockflutes (recorders), saxophones spanning sopranino to tenor, and electronic synthesizers to create nine original compositions of distinctive improvisation and captivating soundscapes, recorded at ZPSM im. S. Moniuszki in Bielsko-Biała, a music school named after the celebrated Polish composer Stanisław Moniuszko.

Developed using recordings made in Oregon and in North Carolina from West Coast sound and multimedia artists Cody Brand and Carl Kruger, Brant expanding Kruger's initial tracks with his own rhythmic additions and sonic embellishments to create twelve compositions with a recommended use of "reflective open-road journeys", noted as "Reality-dream boundary: blurred".

Following the digital release of Roboquarians Volume 1, the trio of Ayumi Ishito on saxophone with effects, George Draguns on guitar and Kevin Shea on drums return with four wild jazz compositions by Draguns, their electrified performances infusing ferocious improvisations with an intense psychedelic energy and an avant-punk sensibility; wild!

Blending humor, drama, and inventive soundscapes, Un Drame Musical Instantané's n°1 showcases the trio of Jean-Jacques Birgé, Bernard Vitet, and Francis Gorgé alongside an eclectic ensemble, weaving synthesizers, samplers, sprechgesang, and orchestral elements into compelling, genre-defying compositions, which Jazz Magazine describes as mind-blowing with Zappa-esque creativity.

An adventurous and magical dive into the depths of sound by Un Drame Musical Instantané, blending the theatrical and the instrumental through the trio of Jean-Jacques Birgé, Bernard Vitet, and Francis Gorgé alongside an ensemble of performers, presenting a five-movement suite inspired by 20,000 Leagues Under the Sea, ballet scenes, and cinematic miniatures.

Reflecting their evolution as a trio, Swiss drummer Christian Bucher, Filipino bassist Simon Tan, and American alto saxophonist Rick Countryman present a powerful statement of collective freedom, with the album title capturing their progression as a cohesive and expressive unit, highlighted by Bucher's rhythmic mastery, Tan's solid foundation, and Countryman's soulful, dynamic lead.

Transforming 200 years of war data — including defense spending, casualties, nuclear stockpiles, and peace — into a compelling sonic narrative, blending raw data with expressive improvisation as pianist Dan Banks, drummer Trevor Taylor, and bassist Jose Canha perform powerful and evocative improvised explorations while recording at Toucan Tango Studios in Hornchurch, UK.

Recorded across two live sessions in Munich, Ephemeral Locations expands Udo Schindler and Paul Rogers' LowToneStudies with the addition of drummer Eric Zwang Eriksson on several tracks, blending Schindler's mastery of bass reed instruments, Rogers' unique 7-string double bass, and Eriksson's dynamic percussion in a captivating exploration of deep tonal textures and spontaneous improv.

Capturing the live performance of Dutch saxophonist and composer Luc Houtkamp and British pianist Alex Maguire in Senglea, Malta, September 2023, this recording showcases their seamless integration of spontaneous composition through sophisticated, implicitly lyrical collective improvisation, blending reflective passages with dynamic and energetic interplay.

Blending contemporary, orchestral, and electronic music with global cultural influences, Dominik Dolega presents 11 untitled "Memories" recorded as duets, featuring unconventional instruments like lithophones, stones, aluphone and the bassdesmophon, inviting listeners on a sonic journey that evokes personal emotions and memories through a rich global perspective.

Known for her ensemble Ryorchestra and as half of SaxRuins with Yoshida Tatsuya, Nagoya-based saxophonist, flutist, and composer Ryoko Ono steps out on her own with a solo album featuring saxophone, mouthpiece, duck whistle, and voice, capturing the dramatic contrasts of life through her dynamic, genre-defying improvisations and emotionally resonant compositions.

The companion album to Sharp's Mandocello, a tour-de-force exposition of the mandocello, acoustic and electronic, an instrument evolving out of the 18th century mandalone into a louder instrument intended to take the bass role in mandolin ensembles, here with tributes to Srinivas, Yank Rachell, Alvin Lucier, Frank Wakefeld, Tiny Moore, Ira Louvin, and Benoit Mandelbrot.

Expanding their genre-defying vision, the Italian trio Doortri — Tiziano Pellizzari (reeds, electronics), Geoffrey Copplestone (noise, vocals), and Giampaolo Mattiello (percussion) — deliver a bold follow-up with their second zOaR release, fusing free jazz, noise, post-punk, and anarchic wit into an infectious, unpredictable sonic landscape, mixed and mastered by Elliott Sharp.

Recorded in Aaronsburg, Pennsylvania, the Pennsylvania improvising trio of Kevin Sims (percussion, psatlery, flute), James Searfoss (reeds & tape loops), and Justin Dorsey (upright bass) explore the intersections of free jazz, drone, and electroacoustic sound, balancing texture, rhythm and tension across dynamic compositions that highlight their versatile instrumentation.

Led by David Peck, Turbulence brings together its core horn players — Michael Caglianone, Bob Moores, John Fugarino, and Peck himself — alongside bassist Scott Samenfeld and percussionist Michael Knoblach, to explore an evolving palette of sonorities blending jazz-inspired interplay, diverse instrumentation and innovative electro-acoustic sounds through transformative improvisation.

The 2nd night of the superb, extended live performance from 1980 at NYC's Fat Tuesday jazz club, from the outstanding sextet of forward-thinking free improvisers, Jimmy Lyons on alto sax, Ramsey Ameen on violin, Alan Silva on double bass & cello, Jerome Cooper on drums & African Balaphone and Sunny Murray on drums, led by Cecil Taylor on piano in an ecstatic concert never previously released.

A limited release capturing the duo of two generations of improvisers — Hans Koch on clarinet and soprano saxophone, and Florian Stoffner on guitar — recorded in Koch's private Swiss studio, presenting six playful dialogs of remarkable mastery and pacing, where space becomes a third element, allowing their conversation to evolve with organic sophistication.

The debut release from NY bassist Max Johnson's new trio with Neta Ranaan on tenor saxophone and Eliza Salem on drums, featuring five Johnson compositions that explore the post-bop tradition, from the hard-driving "Barbarous Jape" to the sweeping ballad "Tiny Beautiful," plus an elegy originally written for mandolinist Matt Flinner"s trio, and our clear favorite, "Chestnut Squid"!

Continuing their long-standing collaboration, American alto saxophonist Ricky Countryman, based in the Philippines, and Swiss drummer Christian Bucher explore space and time through fourteen succinct improvisations recorded at Strawberry Jams studio in Quezon City, blending pensive moments with dynamic interplay in a compelling journey of evolving musical dialogue.

Setting three poems from prize-winning poet and visual artist Gregory Warren Wilson to music composed by pianist Paul Honey, each song based on the experiences and thoughts of people experiencing ice and snow, performed by the Delta Saxophone quartet of Christian Forshaw (soprano sax), Kathryn McGuiness (alto sax), Tim Holme (tenor sax) and Chris Caldwell (baritone sax).

Free jazz bassoonist Karen Borca, a former student of Cecil Taylor, reunites with drummer and percussionist Paul Murphy, both longtime collaborators in saxophonist Jimmy Lyons' band, here distilled as a duo, performing seven studio-recorded dialogs in Virginia -- each an expressive and articulate example of their remarkable technical skill and creativity.

With a thoughtful approach to collective improvisation, saxophonist Sakina Abdou, pianist Marta Warelis, and percussionist Toma Gouband weave free music into a 60-minute arc of intimate, acoustic interplay, exploring collective themes like a torn canvas of echoes and fragments, where each gesture binds, stretches, and celebrates stories woven from ash and memory.

With an ear to detail, Michaël Attias spent a year mixing and refining these four tracks, recorded after a post-pandemic concert at Barbes in Brooklyn, bringing to light four intricately melodic compositions performed with Michael Attias on alto sax, Santiago Leibson on piano & Wurli, Matt Pavolka on bass, Mark Ferber on drums and Christopher Hoffman on cello.

Recorded at Przeswit in Warsaw, Poland, Voiceact brings together Polish vocalists Anna Gadt, Natalia Kordiak, Marta Grzywacz, and Gosia Zagajewska in an avant exploration of the art of the voice, blending ancient music, contemporary classics, and folk influences across eleven improvised pieces that showcase a captivating range of vocal styles and possibilities.

Presenting 14 concise improvisations from 13 albums performed by 6 ensembles and 27 musicians, Evil Clown Shorties Volume 1 highlights the modular spirit of Evil Clown's roster, blending dynamic sonic concepts into standalone "Shorties" under 10 minutes each, crafted during soundchecks yet fully formed, providing an engaging sampler of the long-form works they complement."

Inspired by fireflies, birds, and the flow of the Hudson River while living in Germantown, NY, Elliott Sharp developed these compositions using traditional, graphic, & conceptual scores, presented here in a collage of sessions featuring Sharp on reeds & strings with Anthony Coleman, Nate Wooley, Shayna Dulberger, Hao Jiang, Terry L. Greene, Don McKenzie, Terry L. Green II, Sara Salomon, and Judith Insell.

Leap of Faith's core duo, David Peck on woodwinds and Glynis Lomon on cello, voice & aquasonic, leads this modular Boston sextet of strings and winds in a live improvisation guided by their Broad Palette Aesthetic to influence improv with varied sonorities, an array of classical, jazz, and global influences, featuring standout guzheng player Jiaxin Wan.

Assembling a world-class ensemble of 24 string players drawing from the Quartets JACK, Sirius, Flux, and Bergamot, here performing as SysOrk, Elliott Sharp's large-scale algorithmic composition provides simple instructions to the participants, creating a seething sonic tapestry of shifting, swirling tones and acoustic drones, exceptionally immersive and detailed.

Working in his new Seven Fountains studio in Vienna, guitarist and sound artist Fennesz developed these six works as a "mosaic" of elements derived from improvisation, composition and experimentation using unexpected influences and time signatures, each piece a richly immersive environment of bright harmonics with turns into intricately shadowed space.

Carsten Nicolai concludes his Xerrox series with Vol. 5, an emotional work blending conceptual image-to-sound themes and sweeping melodic compositions influenced by classical instrumentation, creating a richly layered and introspective sonic experience that encapsulates his evolution from minimalist glitch aesthetics to ambient neo-classical grandeur.

Carsten Nicolai concludes his Xerrox series with Vol. 5, an emotional work blending conceptual image-to-sound themes and sweeping melodic compositions influenced by classical instrumentation, creating a richly layered and introspective sonic experience that encapsulates his evolution from minimalist glitch aesthetics to ambient neo-classical grandeur.

Recorded live at Bristol Music Rooms in March 2024, this hard-hitting modern jazz session brings together Paul Dunmall (tenor & sopranino saxophones), Liam Noble (piano), John Edwards (bass), and Mark Sanders (drums & percussion) two fiery and exploratory conversations that blend free improvisation with structural cohesiveness, a thrilling and boundary-pushing session.

Exploring Hungarian folk songs from Vojvodina through the lens of jazz, Révészem, the fifth album from Szilárd Mezei and his exemplary ensemble of musicians from Vojvodina, Serbia, and Hungary, showcases a variety of configurations interpreting and expanding on these strong melodies, transforming them into a fully embraceable set of intricate compositions and inspired arrangements.

Israeli trombonist Reut Regev and drummer Igal Foni join with legendary American composer and percussionist Doug Hammond, blending Hammond's reflective compositions and six-decade legacy — spanning blues, jazz, M-Base, and modernist works — with the boundary-pushing energy of the R*time quartet, for an engaging fusion of bold improvisation and musical insight.

Expanding the boundaries of the Turbulence aesthetic in a quintet blending wind instruments, electronics, and percussion, with longtime collaborators and new roster member Faruq Hassan introducing a dynamic drum 'n bass vibe via the SP404 MK2, using David Peck's Broad Palette Improvisation concept to unite horns, electronics, and auxiliary instruments.

Blending the playful spontaneity of improvised banter with the experimental ethos of Evil Clown, Neurodivergent Orchestra (AKA The Wacky Banter Orchestra) expands to a nine-member ensemble — featuring bass, drums, horns, electronics, and auxiliary instruments — to deliver a dynamic and transformative performance driven by both humor and adventurous collective improvisation.

Marc Myers, recording in Lincoln, Nebraska, is the creative force behind Abcess Grenk, merging analog electronics and experimental guitar in Erguss Von Licht, as a blend of synthesizers, modular synths, a Fender guitar, and a '69 Fender Deluxe Reverb amp, for richly layered and textured improvisations steeped in a DIY aesthetic that reflects Myers' decades-long evolution in sound exploration.

A 2009 live performance at the 15th Magyarkanizsa Jazz Festival in Serbia between Hungarian violist and composer Szilárd Mezei and US saxophonist Charles Gayle, an evocative meeting of transcendent free jazz and compositional precision, weaving Mezei's intricate scores with Gayle's profound, soul-searching improvisations; a dynamic and fiery celebration of freedom and expression.

Superlative duo work from pianist Marilyn Crispell and drummer Harvey Sorgen, recording in the studio in Woodstock, NY, blending deeply attuned free collective dialogs with one composition from each artist, in an album of dynamic and evocative improvisation that moves from vivid storytelling to introspective meditations of vision and masterful artistry.

Dreamlike and evocative, Dream Walks is the second duo album from Michael Attias and Simon Nabatov, following 2021's Brooklyn Mischiefs, inviting listeners to transcend the physical world through telepathic improvisations, uncanny encounters, and surreal visions, capturing the essence of nocturnal wanderings and the ethereal interplay between two masterful musicians.

For their third album, Chicago-based Svobodni — co-led by synthesist Phil Hunger and drummer Jimmy Bennington — create an evocative narrative inspired by ancient civilizations, blending layers of Stockhausen- and Kraftwerk-influenced electronics, intimate saxophone, grounded bass grooves, and searching percussion for a rich electroacoustic improvisational work that defies genre.

Covering favorite compositions, drummer Tyshawn Sorey arranges works from artists recent and classic, including McCoy Tyner ("Peresina"), Joni Mitchell ("A Chair in the Sky"), Brad Mehldau ("Bealtine"), or Vividry ("Your Good Lies"), performed with double bassist Harish Raghavan and pianist Aaron Diehl and recorded in the studio after developing each piece in live performance at The Village Vanguard.

The 6th album on Another Timbre from Canadian composer Linda Catlin Smith, a leading voice in contemporary chamber music, presents eight exquisite works performed by Apartment House, including the 1st recordings of three string quartets, alongside a violin duo, a clarinet quartet, an early string trio, a cello and piano duo, and a bass clarinet solo; evocative and deeply expressive artistry.

Italian improvisers vibraphonist Sergio Armaroli and pianist Francesca Gemmo, first heard as a quartet on ezz-thetic's Prismo, collaborate with legendary UK double bassist Barry Guy in this deeply conversational trio recorded at the Sotto Il Mare Studio, blending jazz, classical modernism, and free improvisation in a spontaneous performance of intent listening.

Inspired by Joe Morris's terrier, Scout, and the beautiful Connecticut woods surrounding his Riti Studios, the trio of Morris on drums, Jeb Bishop on trombone, and Nate McBride on bass reunite as old friends, crafting an intimate and deeply connected session that embodies camaraderie, shared experiences, and the effortless flow of their improvisational synergy.

"Following his 2024 grant from the American Academy of Arts and Letters, Chicago saxophonist, percussionist, composer, and AACM legend Roscoe Mitchell recorded this quartet with bassist Damon Smith, guitarist Sandy Ewen, and drummer Weasel Walter, delivering nine uniquely fascinatingly approaches to free improv, bringing "Ruckus," "Ripples," "Shivers," and "The Final Bell."

Swiss quartet Lotus Crash — trumpeter Marco von Orelli, saxophonist Tommy Meier, bassist Luca Sisera, and drummer Sheldon Suter — continue their compelling blend of individuality and unity, through refined simplicity that draws on jazz roots while evoking the spirit of Ornette Coleman and Don Cherry in dynamic interplay that rewards repeated and careful listening.

A double CD presenting five intricately composed works that blend systematic processes with an intuitive musicality: Apartment House performs three string-based studio pieces on the first disc, including the meticulously harmonic "Aurora" for solo cello, while the second disc features live recordings by Oerknal and Ensemble Ipse, showcasing spatial and textural explorations.

Expanding and remastering the 2019 single CD of John Coltrane's Quartet from its European tour in the fall of 1962, with McCoy Tyner on piano, Jimmy Garrison on double bass, and Elvin Jones on drums, performing at Stefaniensaal in Graz, Austria, beautifully recorded by ORF Steiermark and now presented in both volumes, showcasing Coltrane's lyrical roots and growing free inclinations.

The Gush trio — Mats Gustafsson on reeds and flute, Sten Sandell on piano, and Raymond Strid on drums — celebrate 30 years since their original formation, in extraordinary concerts at Alchemia and Manggha Hall in Krakow, joined by guests in three dynamic configurations — two sextets and a septet — for an unforgettable series of performances of irrepressible collective improvisation.

UK saxophonist Paul Dunmall, on tenor and soprano, leads a remarkable quartet with pianist Liam Noble, bassist John Edwards, and drummer Mark Sanders, delivering free improvisation rooted in deep collective interaction and sophisticated dialogue, with Dunmall's melodic originality complementing Noble's textural ideas and Edwards and Sanders providing intense, dynamic rhythms.

Highly-regarded Slovakian composer Adrian Demoč, known for his delicate and introspective approach to contemporary music, presents three chamber works: "Zamat," a 10-minute quartet for clarinet, bass clarinet, and cello exploring Korean unisons; "Gebrechlichkeit," a 25-minute string quartet; and "...o proton jasu...," a 30-minute piece commissioned by Another Timbre, for two clarinets, viola, and cello.

Drawn from two absolutely energetic and exciting concerts in France, saxophonist and composer Steve Coleman's Five Elements ensemble — Jonathan Finlayson on trumpet, Sean Rickman on drums, and new electric bassist Rich Brown — blend spontaneous rhythmic and tonal transformations with Coleman's inventive, biologically-inspired compositions; exhilarating!

Room 31's debut explores the sonic possibilities of avant-rock, jazz, beats, experimental sounds, and ambient textures, as drummer Marlon Patton and saxophonist Greg Sinibaldi, inspired by their NYC experiences, transform six improvisations into intricately edited compositions, blending spontaneous creativity with a unique and evocative sonic footprint.

The collaboration between sound artists Lee Noyes and Rasmus initiated during their 2021 residency at Elementstudion in Goteborg, blending feedback electronics to explore balance, restraint, and precision; navigating the unpredictability of their instruments, they use improvisation, negative space and perceptual phenomena to develop these fascinating compositions.

Brooklyn-based Eva Novoa's new trio with sax legend Daniel Carter and drummer Francisco Mela debuts with their first volume, featuring compositions inspired by the four elements — earth, wind, fire, and water — and a Cuban piece, blending Novoa's piano, Fender Rhodes, electric harpsichord, and gongs with Carter's sax and Mela's rhythms for vibrant, free-flowing interplay.

The second volume from extraordinary New York drummer Francisco Mela and Taiwan-born pianist Shinya Lin, now based in NY, presents Parts 3 & 4 of their extended collective improvisations, showcasing joyful interplay and complex interweaving of keys and drums, enhanced by Lin's percussive preparations and Mela's vocal exclamations, delivering an upbeat and intricately exuberant encounter.

Matt Weston pushes the boundaries of percussion and improvisation, creating compositions that blend site-specific drum recordings, environmental soundscapes, and musique concrète techniques, exploring cavernous spaces, machine-like drones, and rapid editing as he crafts dynamic pieces in an innovative and captivating sonic experience.

Drawing titles from a Paul Celan poem, legendary drummer Ra Kalam Bob Moses collaborates with Jerome Bryerton Ayotte in a subtly magical duo of sublime interaction, performing on a diverse array of percussion including drums, timbale, djembe, Zildjian and Sabian cymbals, Chinese jing cymbals, opera gongs, Paiste gongs, and sound discs to create a richly textured and deeply expressive sonic dialogue.

Expanding on the insightful poetry of K. Curtis Lyle, who narrates seven evocative works alongside the freely improvising, chamber-oriented jazz trio of Alex Cunningham (violin), Damon Smith (double bass), and Kevin Cheli (drums, percussion & vibraphone), with free vocalist Jaap Blonk reinforcing and amplifying Lyle's words; a fascinating and thought-provoking exploration of sound and verse.

The debut solo album from French saxophonist Ornella Noulet, based in Brussels, performing on alto and soprano saxophones and bells, as she draws inspiration from Albert Camus as a commitment to artistic integrity, exploring new sounds and the spiritual dimensions of music through seven energetically introspective and experimentally rich solo improvisations.

Recording live in the studio in Washington D.C., this is a fully improvised journey of sub-bass drones, fiery free jazz, and melancholic sonic tales, weaving trombone-driven explorations of real and imagined sonic landscapes; with poetic fictionalizations from Alex Smith and artwork by James Dillenbeck, this album is a fascinating look at an unexpected and imaginative range on the trombone.