Two string improvisers in an insistent dialog of quick-witted playing using every inch of their instruments under impressive technique, between Polish-born German cellist Günter Christmann, whose legacy hails from early European Free Jazz groups including Rudiger Carl Inc, and younger generation Finnish guitarist Niklas Fite, whose playing reminds of John Russell or Derek Bailey.

The ninth set from the Boston collective group Expanse led by Evil Clown label leader David Peck, combining improvisers with both a post-jazz and post-rock aesthetic, here as an electroacoustic septet with an extended and unusual percussion set, as performed by David Peck, DNA Girl, Eric Dahlman, DNA Girl, Count Robot, Tim Mungenast, and Michael Knoblach.

Taking his cues from the electronic music of his Detroit roots, free jazz drummer Gerald Cleaver presents an album of synthetic rhythms and sonic landscapes, each piece composed in detailed arrangements of compelling and adventurous structures, from propulsive grooves to sinuous soundscapes, a surprising and exciting twist showing Cleaver's strong compositional skills.

The Ironing project of Gainesville, Florida turntable and electronic artist joins with the Oregon-based Juice Machine duo of Roger Smith and late experimental musician Heather Chessman, both on electronics, tapes & sampler, for six unusual constructions of strange grooves over which concrete and obscure sounds swim about with a sense of wonder and humor.

Buenos Aires sound artist & saxophonist Sergio Merce presents his third album on the Hitorri label, in two pieces recorded between 2023-24: "Segundo Paisaje", an organized composition using wind synthesizer, virtual instruments & field recordings; and "Glissotar" using a new wind instrument designed for extreme glissando effects, joined with wind synth & electronics.

Two itinerant and unique performers in solo and small group configurations--Japanese saxophonist Katsura Yamauchi, who has recorded & performed with Voice Crack, Tatsuya Nakatani, Otomo Yoshihide, &c. &c., and Swiss electroacoustic improviser Jason Kahn--meet during Kahn's 2023 visit to Japan, recording these perceptively subtle duos live at HALL, in Oita and at IAF SHOP, in Hakata.

Legendary Japanese free jazz saxophonist Akira Sakata joins with frequent collaborator, younger generation sound and installation artist Rie Nakajima, for a live concert at Ftarri's Tokyo venue in 2023, Sakata performing on alto sax, clarinet, bells, singing bowl and vocals, Nakajima on objects and motor, capturing two sets of unique detail and expressive restraint.

A 4-part series of collaborative improvisations between US guitarist Barry Chabala and Canadian-born, Sweden-based electroacoustic improviser Lee Noyes, Chabala performing on acoustic & electric guitars and objects, Noyes on piano & percussion, and both on prepared piano, for elegantly diaphanous interactions that employ a score influenced by The I Ching and Albert Camus.

Paris-based musician Seijiro Murayama (percussion, voice) and French alto sax and organ player Jean-Luc Guionnet continue their collaboration with this 2023 recording of a 50-minute performance at the Taborkirche church in Berlin, using the resonance of the space to expand Murayama's snare drum, cymbal and voice in tandem with Guionnet's improvisation on the pipe organ.

After Dinner vocalist, multi-instrumentalist and sound artist Haco undertook her first North American tour in 2002, bringing with her an irregularly tuned electric mandolin, two samplers, a mini-drum synth and her "Howling [tea]Pot" feedback instrument, here in seven uniquely Haco performances of sonic instrumentals and song, performed at Mama Gaia's in Cambridge.

This album of resonant electronics with spacious pacing is beautifully rendered by Mexican electronic artist and composer Juan Sebastian Lach, who performs on computer, and Chilean electric guitarist Cristian Alvear, presenting a 2015 composition by French composer, saxophonist, and organist Jean-Luc Guionnet titled "One for One for any pitched instrument and electronics."

A fascinating free improvising string duo of textures and sonic interaction from UK harpist Rhodri Davies and Belgian guitarist Pierre Gerard, Davies performing on pedal harp and Gerard on acoustic guitar, though the results feel downright electronic through masterful control of their instruments, eliciting sustain, pitch & amplitude changes as they weave unique and compelling tapestries.

Also known as Metal Moves, Welsh improvising drummer/percussionist and instrument-maker Steve Hubback creates metallic sculptures that he performs on alongside drums, gongs, bells & cymbals, this new album presenting three extended recording for sound sculpture and percussion, particularly the mesmerizing title track featuring a mobile sound sculpture made of aluminium.

Developed using recordings made in Oregon and in North Carolina from West Coast sound and multimedia artists Cody Brand and Carl Kruger, Brant expanding Kruger's initial tracks with his own rhythmic additions and sonic embellishments to create twelve compositions with a recommended use of "reflective open-road journeys", noted as "Reality-dream boundary: blurred".

Having worked together as sidemen in various bands but never together as a duo, Ayler Records brought electric guitarists Noel Akchote and Philippe Deschepper together to record in the studio in Zurich, choosing an informed selection of jazz repertoire that includes works by each performer, and compositions from Paul Motian, Henri Texier, Steve Swallow and Ornette Coleman.

The debut of the Chicago quartet of Dave Rempis on alto, tenor & baritone saxophones, Jason Adasiewicz on vibes, Joshua Abrams on bass and Tyler Damon on drums, recorded after a year of performances to develop their propulsive and expansive force, as heard in this concert at Elastic Arts, which was also the last of the weekly Thursday night series Rempis curated for 21 years.

Bringing together two groups of spectacular improvisers versed in free and electroacoustic improvisation for a live transatlantic performance, one group of seven musicians primarily from The UK & Europe performing from The Hot Tin venue in Faversham, Kent, UK, the other group of six musicians performing from Roulette, New York City, for this stunningly impressive group improvisation.

Recordings from the Berlin club Au Topsi Pohl where the [ism] piano trio of Pat Thomas on piano, Joel Grip on double bass and Antonin Gerbal on drums played 4 nights in a row, May 18-21, 2022, Thomas performing on a Bösendorfer grand piano, creating an omnipresent and precise sound that drove the band to great heights of interactive, warmly diverse playing.

Brooklyn Saxophonist and Park West Studios founder is the common thread to this quartet with Steve Hirsh on drums, Steve Swell on trombone and William Parker on bass, all frequent collaborators in innumerable projects, here in three extended improvisations beautifully recorded, showing the wealth of experience each has alone and in collective expression.

20th anniversary reissue of Fennesz's 2004 release Venice, as a deluxe version remastered by Denis Blackham, with new and extra tracks not on the previous CD or vinyl versions, in a DVD-format with a booklet of texts by Fennesz, Denis Blackham, and Jon Wozencroft, photographs from the 2004 sessions, and David Sylvian's original handwritten lyrics for "Transit."

Inspired by a poem Daniel Carter wrote about the transience and motion of modern life, the quartet of Daniel Carter on saxophone, Leo Genovese on piano, William Parker on bass, Gralla & Shakuhachi and Francisco Mela on drums & voice, turn in an ecstatic album of exotic collective improvisation in this second of two volumes from an excellent studio session.

Their first time playing together as a trio despite many permutations in various projects over the years, the trio of Robert Mitchell (F-IRE Collective) on piano & percussion, Neil Charles on double bass and the remarkably collaborative drummer Mark Sanders, are heard in this 2nd part to their 2022 concert at London's Cafe OTO for three extended, free and very informed collective improvisations.

The followup to their 2020 album titled BleySchool, the trio of Pat Thomas on piano, Dominic Lash on double bass and Tony Orrell on drums revisit and further explore the music of Paul and Carla Bley, here in a 2022 live performance at London's Cafe OTO focused on early Bley compositions, and also a cover of "Monk's Mood" which Bley included on his solo album Basics.

Taking his cues from the electronic music of his Detroit roots, free jazz drummer Gerald Cleaver presents an album of synthetic rhythms and sonic landscapes, each piece composed in detailed arrangements of compelling and adventurous structures, from propulsive grooves to sinuous soundscapes, a surprising and exciting twist showing Cleaver's strong compositional skills.

A diverse, upbeat and embraceable album of brass-heavy jazz from New York trumpeter Frank London's ensemble, from funky rhythms to material that would be at home in Miles Davis' Birth of the Cool, flavored with London's Klezmatics background and performed with three percussionists, taking a wide view on the role of brass, particularly trumpet, trombone & tuba, in the history of jazz music.

Performing at the 17th century Palazzo Pisano during the 2023 Venice Biennale, John Zorn improvises on two small antique organ at Conservatorio Benedetto Marcello, taking full advantage of the rich reeds, flutes, and horns of these two outstanding instruments as he moved between the two organs, bringing out unusual tonalities and intersections between both instruments.

Two virtuosic contemporary performers--pianist Stephen Gosling and vocalist Barbara Hannigan--heard in live performances of three challenging works by John Zorn: Jumalattaret, a song cycle in praise of line Finnish Goddesses out of Sami Shamanism, and Split the Lark, Zorn's tribute to the magical American poet Emily Dickinson, plus Zorn's early work Nazdar, Poupon, Nazdar.

Ten numbered Ballads from the pen of John Zorn, writing for the trio of Brian Marsella on piano, Jorge Roeder on bass and Ches Smith on drums, his third album with this same Downtown New York piano trio and by far the most lyrical and lovely collection to date, as the trio settles into Zorn's inventive structures with improvisational passion and adroit interaction.

The seventh solo percussion album from Barcelona-based Vasco Trilla, here investigating the symbolic and historical use of bells in different regions and cultures around the world through ten unconventional observations of vibration, resonance, and rich tones performed on timpani, flat tuned bells, transducer speakers, snare drum and assorted percussions.

Meticulously remastered, these twelve "lost" studio recordings from the Arkestra in 1986 find Sun Ra performing with the Outer Space Visual Communicator (OVC), which used light to create kaleidoscopic visuals during performance, as seen in still pictures in the included booklet, which also has extensive liner notes and an in-depth interview with OVC inventor Bill Sebastian.

The second installment of Alva Noto's HYbr:ID series initiated in 2021 in a mysteriously dark and beautiful album of electronics, submerged sound, glitch and alien percussive elements, these 10 pieces from a commission to score Richard Siegal's Ectopia performed in 2021 by Tanztheater Pina Bausch with Shooting into the Corner (2008-09) by Anish Kapoor.

The second installment of Alva Noto's HYbr:ID series initiated in 2021 in a mysteriously dark and beautiful album of electronics, submerged sound, glitch and alien percussive elements, these 10 pieces from a commission to score Richard Siegal's Ectopia performed in 2021 by Tanztheater Pina Bausch with Shooting into the Corner (2008-09) by Anish Kapoor.

Saxophonist Bruce Ackley, percussionist Andrea Centazzo, pianist Tania Chen, cellist Danielle DeGruttola, and bassists Henry Kaiser and Michael Manring present a tribute to soprano saxophonist & composer Steve Lacy's 1977 album The Wire, replicating the instrumentation of that album but electrifying the bass, as they reflect twice on Lacy's incredible contribution to creative jazz.

A first time issue for these 2009 studio recordings between Paul Dunmall on tenor & soprano saxophones and bass & b-flat clarinets, Paul Rogers on 7 string acoustic bass and Tony Levin on drums, bringing to light both a great trio session that's sat on the shelf too long, and a superb example of the late great drummer Tony Levin's important contribution to UK free improv.

An album of heavy electric jazz denoted by legendary free jazz saxophonist Paul Flaherty on alto & tenor, with long-time collaborators through a variety of settings, Jim Matus on electric & baritone guitars and Larry Derdeyn on keyboards; a collective trio of serious sonic force and momentum, complementing each other by welding illumination into dark spontaneous composition.

For her third album as a leader, NY vibraphonist and composer Patricia Brennan expands her band to a septet with bassist Kim Cass, drummer Marcus Gilmore, percussionist Mauricio Herrera, saxophonists Jon Irabagon and Mark Shim and trumpeter Adam O'Farrill also on electronics, for an exciting, widely embracing and fully modern album of compelling modern jazz, bound to be a 2024 top 10!

An unusual and engrossing concert of free dialog using tightly controlled technique between two legendary free jazz improvisers: percussionist Paul Lytton performing on tabletop percussion and "bits and pieces", and saxophonist Georg Wissel performing on augmented alto saxophone and tenor saxophone, from reserved intricate detail to forcefully passionate expression.

The trio of Barry Chabala on acoustic guitar, objects & radio, David Forlano on laptop, EWI & live sampling and Drew Gowran on drums & percussion are heard in a set of four experimental soundscapes and improvised dialogs of great detail and diverse momentum, captured live at Juno Brewery + Cafe, in Albuquerque, New Mexico.

An impressive live performance at Exploratorium Berlin in 2024 as part of the international symposium Musicians' Perspectives on Improvisation, which explores the practices, ideas, visions and theories of improvising musicians, from the trio of John Butcher on saxophones, Luigi Marino on cymbals, zarb, zarb e zurkhaneh & feedback devices, and Mark Wastell on percussion.

Metal Chaos Ensemble was formed in 2015 by reedist & percussionist David Peck and drummer Yuri Zbitnov as a working project to explore chaotic rhythms on metallic instruments with a rock sensibility; drummer Steve Niemitz now holds the drum chair, and the band is a prolific sextet with saxophonist Michael Caglione, trumpeter Bob Moores, synth player Eric Woods and guitarist Mike Gruen.

The third chapter in Cuban-Born, New York-based drummer Francisco Mela's tribute to his legendary mentor and bandleader Mccoy Tyner, in a trio with William Parker on bass and Leo Genovese on piano, celebrating the avant side of Tyner's work with Coltrane and his own bands, and the influence he had on Mela in encouraging him to push the boundaries of his playing.

The third chapter in Cuban-Born, New York-based drummer Francisco Mela's tribute to his legendary mentor and bandleader Mccoy Tyner, in a trio with William Parker on bass and Leo Genovese on piano, celebrating the avant side of Tyner's work with Coltrane and his own bands, and the influence he had on Mela in encouraging him to push the boundaries of his playing.

Keefe Jackson on tenor & bass clarinets, Raoul Van Der Weide on bass & cracklebox, and Frank Rosaly on drums are heard in this 2022 live performance at De Roze Tanker in Amsterdam, reuniting the Chicago reedist with Rosaly, who is now based in Amsterdam, for six free jazz tunes: two Jackson compositions and four superb collective dialogs.

Axioms is based around the core trio of Boston multi-reedist, percussionist and composer David Peck, and Cecil Taylor associates Albey onBass (on bass) and poet Jane SpokenWord, here in a performance with collective core cellist & aquasonic performer Glynis Lomon, and guest improviser from New Orleans, Chris Alford on guitar, stomp box and percussion.

With two reeds--Paul Dunmall on tenor & soprano saxophones & clarinet, and tenor saxophonist & clarinetist Tobias Delius--and the masterful rhythm section of Olie Brice on double bass and Mark Sanders on drums, this superb collective quartet leverages the long relationships between players, particularly the trio of Sanders/Brice/Delius and Dunmall & Sanders' extensive work together.

Featuring distinctively voiced collective free improvisation, this transatlantic quartet recording on the West Coast brings together legendary musicians Frode Gjerstad on alto saxophone and clarinet, and Bobby Bradford on cornet, alongside contemporary classical and improvising tuba virtuoso William Roper and drummer Alex Cline, delivering five dynamic improvisations with remarkable direction.

An "auditory exploration of the fragile balance between creation and destruction, echoing the forces that sculpted Earth's geological history" from the collective free improvising trio of two New York luminaries--Taylor Ho Bynum on cornet, flugelhorn & trombone and Joe Morris on guitar & effects--with Boston double bassist Brad Barrett, also on cello & effects.

An energetic set of collective studio improvisations between three transatlatic travelers — Brazilian-born / New York-based tenor saxophonist Ivo Perlman, Cuban-born / Brooklyn-based pianist Aruán Ortiz and Spanish-born / French-based drummer Ramon Lopez — recording in Barcelona for eight substantial conversations of vivacious and expressive free jazz.

Finnish saxophonist and improviser Harri Sjöström assembles this quartet with some of the most innovative and in-demand players in Europe, the UK & Australia--Tony Buck from The Necks on drums & percussion, John Edwards on double bass, and Elisabeth Harnik on piano--captured live at Panda Platforma in Berlin in 2023 for a stellar concert of collective improvisation.

Bringing together as a trio two improvisers who have both worked previously with bassist Joëlle Léandre in various configurations--drummer Zlatko Kaučič, and pianist Elisabeth Harnik--for a magnificent concert of innovative expression through intent conversation of impressive and unusual technique, captured live at the 2023 ARTACTS Festival in Tirol, Austria.

During double bassist Barry Guy's time in Porto Portugal with the Blue Shroud Band, he also took time to join in the studio with a quintet of like-minded improvisors — Savina Yannatou on vocals, Julius Gabriel on tenor & baritone saxophones, Agusti Fernandez on piano, and Ramon Lopez on drums — to record this exceptional collective improv session.

Austrian pianist Elias Stemeseder and German percussionist Christian Lillinger expand their partnership into a quartet with brilliant New York trumpeter Peter Evans and double bassist Russell Hall, in this all-acoustic follow-up to their 2023 album Umbra in 13 avant jazz compositions, inventively lyrical and unpredictably impressive, recorded in the warmth of the Van Gelder studios.

Following his 2017 trio album with guitarists Marc Ribot and Mary Halvorson, New York guitarist Elliott Sharp returns to his Manhattan studio with two different guitarists--Bhutan guitarist Tashi Dorji living in Asheville, and New Zealand guitarist living in New York Sally Gates--for ten far-ranging improvisations of inspired technique and creative intent.

Dedicated to his wife Francesca, David Murray shows his powerful ability to play both lyrically and free, with an impressive quartet of young musicians--Marta Sanchez on piano, Luke Stewart on bass and Russell Carter on drums--performing Murray compositions and one from Don Pullen, blending a variety of influences with modern sensibility and commanding soloing from all players.

A triple CD and 24-page booklet of recordings from Italian flutist and composer Manuel Zurria performing works by luminary composers including Alvin Lucier, James Tenney, Tashi Wada, Jürg Frey, Laurence Crane, &c., with an homage to Italian conceptual artist Alighiero Boetti, each CD punctuated with Preludes and Postludes performed with guest saxophonist Gianni Gebbia.

Performing in the liminal space between free improv, jazz & chamber-oriented improvisation, the trio of American cellist Daniel Levin with long-time Portuguese collaborators Sei Miguel on pocket trumpet and Fala Mariam on alto trombone, come together for these authoritative recordings in Lisbon, captured in the studio and at a live performance of solos & duos at Galeria Ze dos Bois.

Four sets of recordings from September, 1964 in Copenhagen, Denmark from a week performing live at Club Montmarte, and a recording in Hilversum, The Netherlands for VARA Radio, collecting and remastering these vital recordings from tenor saxophonist Albert Ayler's most vital free jazz quartet with Don Cherry on cornet, Gary Peacock on double bass and Sunny Murray on drums.

Taking their titles from the avant poetry book "Tent Posts" by author Henri Michaux, this concert of collective free improv at Ziggy's Ypsilanti in Michigan between double bassist Damon Smith and reed & wind player Piotr Michalowski is an active and impressive set of dialogs, Michalowski switching between bass & contralto clarinets, sopranino & soprano saxophones, and Japanese Shinobbue flute.

Powerful free improvisation led by the words of poet K. Curtis Lyle, known for his work with Julius Hemphill, part of a sextet with trumpeter George R. Sams, a member of United Front, two double bassists — Adi Bu Dharma Joshua Weinstein and Damon Smith — and two percussionists — Henry Claude and Ra Kalaam Bob Moses — in a gatefold CD with a 10-page booklet of related poems from K.Curtis Lyle.

Sculpted sonics through prepared guitars, electronics, synthetics, drums, gongs, metal and percussion, the Chicago duo Gleaming Shards of guitarist Da Wei Wang and drummer Jerome Bryerton, both veterans of improvisation, experimental and avant rock groups, evoke the album title and group name through shimmering and subtly shifting expanses of sound and punctuated movement.

An active and well-balanced duo between Greek pianist based in Boston, Pandelis Karayorgis, and Greek bassist, concert organizer and publisher, George Kokkinaris, both from Athens and recording in the studio in that city, drawing on elements of contemporary music and free jazz in a mix of spontaneous dialogs, one solo improvisation from each, and three Karayorgis compositions.

Their first time playing together as a trio despite many permutations in various projects over the years, the trio of Robert Mitchell (F-IRE Collective) on piano & percussion, Neil Charles on double bass and remarkably collaborative drummer Mark Sanders are heard in this 2nd part to their 2022 concert at London's Cafe OTO for three extended, free and very informed collective improvisations.

Active since 2016, The "Bone" in PorchBone is heard in the three trombonists who join the trio of bassist Nate McBride, drummer Eric Rosenthal, and saxophonist Jorrit Dijkstra, who composed 7 of the 8 pieces on this album (Duke Ellington is the 8th, and the inspiration for their sound along with Sun Ra), with trombonists Jeb Bishop, Michael Prentky & Bill Lowe.

First vinyl pressing of this '93 Berlin concert at Townhall Charlottenburg from the quartet of Peter Brotzmann on alto & tenor saxophones & tarogato, Toshinoro Kondo on trumpet, William Parker on double bass and Hamid Drake on drums, improvising under the influence and showing their love of saxophonist Albert Ayler through quotation and fragments of Ayler's work.

Assembled by Portuguese saxophonist Rodrigo Amado, this stellar quartet bridges nations with German pianist Alexander von Schlippenbach, Norwegian double bass player Ingebrigt Haker-Flaten, and American drummer Gerry Hemingway, presenting the extended, masterful collective title track, along with two shorter works, particularly revisiting Albert Ayler's "Ghosts".

Drawing on a diverse set of experiences, generations and continental locations, the quartet of Japanese saxophonist and vocalist Akira Sakata, New York drummer Chris Corsano, Japanese-based NYC guitarist Jim O'Rourke and London saxophonist Matte Rasmussen came together at Superdeluxe in 2017 for this wild and far-ranging concert of free and electrified improvisation.

Aeolian instruments, which create sound by the action of wind, have been an occupation of Australian violinist Jon Rose since 1979, using central Australia's winds to exite vibrations on self-invented instrumented using piano wire and fishing line, here presenting beautifully exotic recordings from two instruments he created in 2021 (The Monolith) and in 2022 (The Tube).

Reissuing Annette Peacock and Paul Bley's live album from 1972, an electroacoustic jazz record using one of Robert Moog's earliest synthesizers, in a quintet with New Yorkers Mario Pavone on bass and Laurence Cook on drums, with Dutch avant jazz drummer Han Bennink joining them on tour, this album from two concerts at Club B14 in Rotterdam and Espace Cardin in Paris.

Legendary AMM drummer/percussionist and Matchless label leader Eddie Prévost meets with Earshots co-label leader and improvising synthesist Daniel Kordik for five remarkable dialogs, both using a full range of creative techniques that complement through alternating percussive and sonic approaches to their instruments, taking listeners into unforseen territories.

Combing two 2004 albums on the Les Disques Du Soleil Et De L'Acier label, Japanese guitarist and singer Keiji Haino's collection of six blues songs was recorded twice, once in a "violent" version and once in a "soft" version, contrasting his intensity and passion with a more atmospheric approach, a great example of the diverse elements of Haino's wide approach to avant rock.

A new sound composition by Dutch composer Rutger Zuydervelt for the installation piece "Curve" by Cocky Eek, developed in collaboration with Boukje Schweigman, Rutger's work an 8-channel soundscape of seamless loops that accompanies visitors of the installation via 24 speakers, here in a stereo adaptation mimicking the spatial quality of the installation space.

Rutger Zuydervelt, aka Machinefabriek, composes the soundtrack for the film Banzo, written and directed by Margarida Cardoso, rich ambient music from melancholy to optimistic warmth, reflecting the tone and story of a plantation in 1907 plagued by starvation and suicide, and the doctor who decides to heal them by trying to understand what is affecting their soul.

A 2-part work leveraging binaural recordings made in daily walks in Asheville, NC to different points of the French Broad River: Part 1 "Interior" is collaged as a room resonance study using hydrophone recordings of the French Broad, microtonal instruments by Ben Hjertmann plus piano & synth recordings; Part 2 "Exterior" is a layered alignment of the recordings from his walks.

The debut of Andrew Weather's label Editions Glomar, releasing the work of the artists he collaborates with, here in a set of electroacoustic improvisations from his Wind Tide studio in West Texas with Gretchen Korsmo on electric piano & electronics, Nathan McLaughlin on modular synth, Cody Yantis on bass clarinet, piano & synth, and Weathers on guitar, lap steel & electronics.

A studio album from the Tamarisk free improvising trio of guitarist Andrew Weather, bassist David Menestres and Charalambides co-founder Christina Carter on vocals, the third album from this free folk trio of cathartic and unpredictable direction, here recording at Andrew Weather's recording space at Wind Tide, in Littlefield Texas in 2022.

Recording inside of abandoned agricultural silos in the Colorado plains during the summer of 2023, percussionist Ryan Seward and saxophonist Andrew Weathers leverage the resonance of these large metal structures, taking a slow pace employing silence with a pensive attitude as they improvise encased in these "Laminar Interiors: thin layers of interior sound".

Recording on an afternoon in Andrew Weather's studio Wind Tide, in Littlefield, Texas in 2023, from the electroacoustic trio of Kory Reeder on double bass, electronics & gongs, Ryan Seward on psaltery & electronics and Andrew Weathers on lap steel & tenor saxophone, the final compositions assembled from two improvisations using two different tunings that Seward brought with him.

Active since 1976, the Northwoods Improviser collective founded by percussionist and drummer Mike Gilmore and bassist Mike Johnston, with drummer Nick Ashton joining in 1986, working with saxophonist Faruq Z. Bey after the 2000s; this live-in-the-studio recording is of the rhythmic trio captured joyfully jamming on the music they would record with Bey later that day.

The former touring guitarist for Bikini Kill, who has also worked with The Raincoats and Kim Gordon, in a 2-part solo work of experimental approaches to the electric guitar, starting with minimal loops that slowly layer in intensity until reaching a climactic release and dispersal, picked up again in the second part for a unique work of noise and alien guitar soloing.

With more than 25 years of experience playing together in bands including Trio Kamosc, Gueuledeloup Quartet and The Achim Kaufmann Trio, alongside duo performances playing original compositions and the music of Herbie Nicols, here now in a double CD from two concerts in Berlin in 2022, with one third of the material exploring the music of Andrew Hill.

An album of lyrical electric jazz from Japanese sax player based in NYC Ayumi Ishito, a frequent collaborator with Daniel Carter, here with her own band of Hajime Yoshida and Yana Davydova on guitars, Yoshiki Yamada on bass and Carter Bales on drums, for eight fusion-oriented, upbeat melodic original works that yield great soloing and band interaction.

Propelled by the confidence and intimacy that a familial relationship brings to two improvisers, imbued by each player's masterful technical skills and creative drive, the husband and wife duo of pianist Satoko Fujii and trumpeter Natsuki Tamura expand their catalog with this set of magnificent dialogs, sometimes quirky, always powerful and implicitly lyrical.

Collecting eight of avant improvising Irish harpist Rhodri Davie's albums on his Amgen label--Trem, Over Shadows, Wound Response, An Air Swept Clean Of All Distance, Telyn Rawn, For Simon H. Fell, Dwa Dni Telyn Wrachïod--a diverse set of approaches and configurations showing both his interest in the history and in the creative use of his instruments.

Continuing his investigations into ancient Welsh Harps, the Telyn Wrachïod (which translates to the Witches Harp) used pegs or brags emerging from the string-holes, in Welsh called gwrachïod, which could be adjusted to press on the strings to create a buzzing percussive sound used for dancing, here in improvisations by Rhodri Davies using a Urquhart bray harp.

A companion piece to UK improvising harpist Rhodri Davie's solo album Telyn Rawn , asking some of his favorite musicians to respond to the 18 improvised pieces on that album, instructing them to imagine that the source material was an ancient musical form from the medieval period, and that their responses were to be modern interpretations of those "ancient" forms.