The UK-based Chemical Expansion League of Adam Bohman (prepared strings, voice), Adrian Northover (sax, theremin, wasp synth), Sue Lynch (sax, clarinet, flute), and Ulf Mengersen (bowed & prepared double bass) present thirteen mostly succinct and eccentric improvisations that oscillate between sanity and absurdity, punctuated by industrial elements, bent tones, and surreal soundscapes.

Primarily an acoustic ensemble of nine improvisers led by Ernesto Rodrigues on viola — including saxophonist Joana Sá, percussionist Monsieur Trindade, guitarist Flak, and pianist Luisa Gonçalves — performs a live, extended improvisation of tightly controlled, deeply detailed conversation as part of the 2024 Creative Sources Cycle in Lisbon.

Developed as part of the 2024 artist-in-residence program at Azkuna Zentroa in Bilbao, this series of nine electroacoustic compositions by Miguel A. García and Fernando Carvalho blends rhythms, synthesizers, and Carvalho's field recordings, all manipulated and transformed by García into distinct sonic worlds, each unveiling or making curious mysteriously fascinating sources.

In their second release, the Hunter Underwater quartet of four cellists — Guilherme Rodrigues (Portugal), Gábor Hartyáni (Budapest), Guido Kohn (Buenos Aires), and Hui-Chun Lin (Taiwan) — record at Berlin's Zentrifuge, creating sound sculptures and landscapes with layered harmonics and dynamic interplay through composition and improvisation.

The eighth album from the Thumbscrew trio of Tomas Fujiwara on drums & vibraphone, Michael Formanek on double bass and Mary Halvorson on guitar, developed during the trio's three-week residency in Pittsburgh for the community-based City of Asylum project, each member contributing three compositions, along with Charles Mingus' "Orange was the Color of Her Dress, Then Blue Silk".

In 1971 as Sun Ra's deal with ABC Impulse! introduced him and his Arkestra to a wider audience, Sun Ra, aka Herman Poole Blount, accepted a lectureship at University of California, Berkeley, teaching a class titled "The Black Man and the Cosmos" heard in this half hour lecture with a solo piano rendering of "Love in Outer Space," and a 16 minute wild Moog solo.

Picking up from their 2018 album Bright Force, the quartet of Libra label leaders Satoko Fujii on piano and Natsuki Tamura on trumpet, with Australian improviser Alister Spence on Fender Rhodes electric piano, and now with Magaibutsu/Ruins legend Tatsuya Yoshida on drums, are heard in two wildly powerful 2024 concerts at Koendori Classics in Tokyo and at Jazz Inn Lovely, Nagoya, with compositions from each member.

Returning to the electronic jazz approach of his album Multifariam, cellist Christopher Hoffman, composing with the core trio of Frank LoCrasto on keyboards and Bill Campbell on drums, is joined by luminaries such as Henry Threadgill, Ryan Scott, Anna Webber, and Alfred Colón on select tracks, releasing a lyrically compelling album that draws on a diverse range of influences.

St. Louis violinist Alex Cunningham and Brooklyn pianist Eli Wallace debut as a duo with five extended improvisations, engaging in dynamic conversations that explore rapid melodic passages, complemented by textural piano preparations, creating diverse soundscapes ranging from intense energy to moments of thoughtful, unhurried interaction.

A series of 19 wide-ranging duets between Sergey Senchuk, aka Tungu, who performs on voice, acoustic bass, field recording & sampling, and an impressive set of international improvisers, including Fred Lonberg-Holm (cello), Jaap Blonk (voice), Gunda Gottschalk (violin), Susan Alcorn (pedal steel guitar), Sainkho Namtchylak (voice), Xavier Charles (clarinet & processing), &c.

UK improviser and keyboard artist Pat Thomas makes his 577 debut with a solo album of abstract and active electronic experimentation with an urban edge, blending texture, depth, and 'mental stimulation' in unexpected, densely packed ways, with Thomas describing the album as the product of an alternative universe where JDilla and Morton Feldman collaborate.

Covering favorite compositions, drummer Tyshawn Sorey arranges works from artists recent and classic, including McCoy Tyner ("Peresina"), Joni Mitchell ("A Chair in the Sky"), Brad Mehldau ("Bealtine"), or Vividry ("Your Good Lies"), performed with double bassist Harish Raghavan and pianist Aaron Diehl and recorded in the studio after developing each piece in live performance at The Village Vanguard.

An intimate and warmly recorded studio session between long-time collaborators and masterful improvisers — pianist Matthew Shipp and drummer Whit Dickey — the album opens with a beautifully placid dialog, evolving into a well-balanced collection of expressive, energetic, and startlingly exciting exchanges, from "Moon Garden" to the intensely forceful title track.

Bay Area instrument inventor David Samas leads Pet The Tiger, a collective ensemble primarily of instrument inventors, augmented with original ceramic flutes and occasionally Samas' voice, the unique quality of their sound recalling Harry Partch or Harry Bertoia, here in four major works of multiple parts performed in a mixture of composed and improvised approaches; fascinating.

Ten improvisations in the 3rd release of New York trumpeter Nate Wooley and tenor saxophonist Ivo Perelman's Polarity series, their dialogs an incredible weaving of creative ideas and technical prowess that started in 2020 after recording a series of larger group albums, their affinity and cooperative approach to instrumental dialog exceptional and exemplary.

The second installment from New York saxophonist Ivo Perelman and trumpeter Nate Wooley demonstrates the strong affinity between the two players, highlighting their impressive mastery of their instruments with a creative drive and quick responsiveness that sparks unique dialogs, full of powerful and sometimes unconventional technique and expression; a truly gratifying and remarkable set of improvisations.

The second duo release from J.J. Gregg on sitar and Pavan Kanekal on tabla, following their 2022 album re-cycling, is a rich work of sophisticated rhythm, sympathetic chords, and strong raga melodies, recorded at Steve Albini's Electrical Audio in Chicago, warmly capturing the duo's purposeful momentum and sincere joy in their playing.

Two acoustic improvisations from percussionist Kevin Corcoran and Andrew Weathers on soprano saxophone, recorded in an abandoned garage and using the structure's resonance to shape their playing, with the third and title track being an electroacoustic composition by Corcoran, incorporating field recordings from Mare Island, where they were working.

A tour-de-force exposition of the mandocello, acoustic and electronic, an instrument evolving out of the 18th century mandalone into a louder instrument intended to take the bass role in mandolin ensembles, which Sharp demonstrates through strings that ring with powerful resonance as he performs original compositions with references to Derek Bailey, Kinshi Tsuruta, and Harry Partch.

The debut album of NY composer & pianist Matt Mitchell's long-running trio with bassist Chris Tordiniand and drummer Dan Weiss, an adventurous and accomplished group that brings an optimistic buoyancy to Mitchell's complex compositions, exploring multiple asynchronous cycles using polyrhythm and polymeter through multiple lines that the players have freedom to choose and improvise around.

A live performance of acoustic improvisation augmented by electronics between Stephen Flinn and Bryan Eubanks, Flinn bringing percussion and gongs to the stage while Eubanks performs on saxophone and electronics, over a 30 minute dialog they coax out unusual cries, squeals and utterance of confident sonic force evolved through improvisational restraint; compelling and mysterious.

Live improvisations from the North Carolina duo of Alexander Cooper and Joseph Schlam, a double album of eight extended journeys through textural sound, drone and veiled reference, influenced by Costin Miereanu, Jaap Vink, Lionel Marchetti, Luc Ferrari, and Dagar Vani, as the duo work in stereo using two amps for drums, voice, live electronics, and field recordings.

A tribute to six extraordinary female pianists — Geri Allen, Carla Bley, Marilyn Crispell, Angelica Sanchez, Sylvie Courvoisier & Renne Rosnes — through compositions from New York pianist Kris Davis and one by drummer Johnathan Blake, melodically rich and intricately challenging pieces as Davis stands shoulder to shoulder with those who inspired her.

Performing the unique compositions of Brooklyn-based bassist & composer Kim Cass with the technically superb quintet of Matt Mitchell on piano & synthesizer, Tyshawn Sorey on drums, Laura Cocks on flutes and Adam Dotson on euphonium, Cass' intricate and unconventional works, influenced by 20th century contemporary classical, are complex structures that require precision and wit; impressive!

Emerging from a series of improv gigs and sessions, the trio of Sally Gates on guitar, Steve Hirsh on drums, and Daniel Carter on saxophones, flute, and trumpet present five studio recordings of spontaneous composition, weaving together a diverse range of sounds with intricate detail and complexity, transitioning seamlessly from fluid, flowing passages to sharp, jagged explorations.

In two extended movements and a conclusion, free-improvising pianist Joel Futterman's Forever reflects both the rich history of jazz and his own personal journey through deeply focused expression, his music flowing like a powerful river — at times turbulent, at times serene — yet always in motion, guiding listeners on an expansive and captivating journey.

The trio of Japanese saxophone legend Akira Sakata with the Scandinavian rhythm section of Johan Berthling on double bass and Paal Nilssen-Love on drums, plus a second drummer with Takeo Moriyama (Yosuke Yamashita Trio), perform six wildly exciting improvisations, Sakata's vocalizations at times pushing the band as they are heard live in this 2019 recording at Tokuzo in Nagoya, Japan.

The trio of Japanese saxophone legend Akira Sakata with the Scandinavian rhythm section of Johan Berthling on double bass and Paal Nilssen-Love on drums, plus a second drummer with Takeo Moriyama (Yosuke Yamashita Trio), perform six wildly exciting improvisations, Sakata's vocalizations at times pushing the band as they are heard live in this 2019 recording at Tokuzo in Nagoya, Japan.

Following their 2019 Astral Spirits album Fictional Souvenirs , the trio of Pat Thomas on piano & electronics, John Butcher on saxophones and Stale Liavik Solberg on drums take that album's title as their trio's moniker, releasing this exceptional second album of four insightful collective conversations captured live at Cafe Oto, in London in 2023.

Argentinian pianist based in NY Leo Genovese, a frequent collaborator on 577 releases and a Grammy Award winner for solo improvisation, is heard in his solo debut on 577 in two extended free improvisations, building from quiet introspection into unbridled exuberance, technically fascinating structures of great momentum, captured live at the 2024 Forward Festival in Brooklyn, NY.

One of Satoko Fujii's wildest groups, the quartet of Fujii on piano, Natsuki Tamura on trumpet, Hayakawa Takeharu (HAYAKAWA, Dr. Umezu Band) on bass and Magaibutsu label leader & Ruins drummer Tatsuya Yoshida present their first album since 2007, expanding their assertive approach to improv in an adventurous set that merges rock and jazz forms with lyricism and power.

Before his experimental, culturally absorbing large band work in the late 60s and 70s, trumpeter Don Ellis released these two excellent quartet albums featuring his own compositions, particularly the side-long work "Improvisational Suite 1", in bands with Jaki Byard, Ron Carter & Charlie Persip (How Time Passes) and with Paul Bley, Gary Peacock and either Gene Stone or Nick Martinis (Essence).

Surrounding the realization of Karlheinz Stockhausen's ground-breaking work of electronic music and acoustic improvisation, Kontakte, performed by Judith Wegmann (piano) Jens Ruland (percussion) & Robert Torche (electronics), are Antoine Chessex's exploratory score Geschichte der Gewalt, applying improvisation to frequency and form, and the improvised prelude from all three: Spiegelungen.

Continuing his series of hommages to classical composers, New York trombonist Steve Swell assembles his sextet to improvise under the influence of Russian composer Galina Ustvolskaya (1919-2006), whose truly unique "out of the box" approach to structuring sound brings force and intensity to Swell's compositions, yielding inspired performances from all musicians.

South African drummer Louis Moholo-Moholo's 2nd album as a leader with his sextet Viva La Black, newly remastered and including two extra tracks from the original LP, issued for the first time on CD drawing out their unique approach to British jazz through compositions from Keith Tippett, Chris McGregor, Tristan Honsinger, Mongezi Feza, Harry Miller, and Moholo-Moholo himself.

Honoring the courage of the survivors of atrocities experienced in China during World War II, including that of his own father, New York improvising violinist Jason Kao Hwang presents twelve solo pieces performed on the pizzicato violin, works that embrace the struggle of his antecedents with a narrative sense of presentation and extraordinary technique.

Chicago-based bass clarinetist-composer Jason Stein returns from a six-year hiatus as bandleader with a beautifully personal, nuanced, and expansive album, created with bassist Joshua Abrams (Natural Information Society), drummer Gerald Cleaver, and guitarist and co-producer Boon, in a suite of seven Stein compositions ranging from meditative calm to gripping intensity.

Chicago-based bass clarinetist-composer Jason Stein returns from a six-year hiatus as bandleader with a beautifully personal, nuanced, and expansive album, created with bassist Joshua Abrams (Natural Information Society), drummer Gerald Cleaver, and guitarist and co-producer Boon, in a suite of seven Stein compositions ranging from meditative calm to gripping intensity.

Allen Lowe's 2-volume 4-CD set evokes through original music the musical eras that Louis Armstrong lived through, from ragtime to early jazz, swing, bebop, avant garde jazz, Dada and rock & roll, a rollicking, perceptive and fun set of compositions with contributors including Marc Ribot, Ray Anderson, Frank Lacy, Lewis Porter, Elijah Schiffer, Matt Shipp, Ursula Oppens, &c.

Allen Lowe's 2-volume 4-CD set evokes through original music the musical eras that Louis Armstrong lived through, from ragtime to early jazz, swing, bebop, avant garde jazz, Dada and rock & roll, a rollicking, perceptive and fun set of compositions with contributors including Marc Ribot, Ray Anderson, Frank Lacy, Lewis Porter, Elijah Schiffer, Matt Shipp, Ursula Oppens, &c.

A diverse and interesting set of songs in Thurston Moore's ninth solo record, recorded in Europe & The UK with contributors including Laetitia Sadier of Stereolab and Deb Googe of My Bloody Valentine, many of the songs reminiscent of Sonic Youth but uniquely Moore through unpretentious communication that references topics including lucid dreaming, nature and the changing planet.

A diverse and interesting set of songs in Thurston Moore's ninth solo record, recorded in Europe & The UK with contributors including Laetitia Sadier of Stereolab and Deb Googe of My Bloody Valentine, many of the songs reminiscent of Sonic Youth but uniquely Moore through unpretentious communication that references topics including lucid dreaming, nature and the changing planet.

Four singular improvisors from the US and UK -- Faith Heleene Brackenbury on violin, John O'Gallagher on alto sax, Anthony Bianco on drums, and John Pope on bass -- are heard in this live performance of spiritually rich, intellectually deep and powerfully articulate collective free jazz, captured live in 2024 at The Vortex, in London, UK in two extended conversations.

Paul Dunmall brings his quartet of Liam Noble (piano), Caius Williams (bass) and Miles Levi (drums) together with Laura Jurd's brass quintet of Jurd (trumpet), Chris Batchelor (trumpet), Alex Paxton (trombone), Raphael Clarkson (trombone) and Oren Marshall (tuba) for a live performance at The Vortex in London, written by Jurd as a commission from the Cheltenham Jazz Festival.

The UK improvising rock/prog band Das Rad in their seventh album, expanded from the original trio of guitarist & mellotron player Nick Robinson, woodwind & keys player Martin Archer and drummer & synth player Steve Dinsdale, to this quintet with bassist Jon Short and guitarist & vocalist Peter Rophone, evolving their expansive approach merging electronic, jazz and rock music.

New York pianist Russ Lossing, known for his inventive work with his trio Three-Part Invention alongside bassist Mark Helias and trumpeter Ralph Alessi, steps into the spotlight alone on Inventions, a solo piano album that showcases his unique ability to weave quick-witted, spontaneous improvisations with beautifully introspective moments in this captivating set of live studio performances.

An engaging album of solo percussion that start like a vortex of clocks ticking, and then draws the listener into an amazing journey of unique percussive expression, timbre, rhythm and subtle transitions, the second album in Swiss percussionist Christian Wolfarth's 39 series, presenting Parts IV - VI of his works exploring the relationships between 3, 9 & 39.

An acoustic septet edition of the Leap of Faith, the core duet of David Peck on clarinets, saxophones, double reeds & flutes, and Glynis Lomon on cello, aquasonic & voice, joined by Michael Caglianone on saxophones, flute, clarinet, melodica & water bottle, John Fugarino on trumpet, slide trumpet & flugelhorn, Tom Swafford on violin, Kit Demos on bass, and Eric Rosenthal on drums.

Appropriately recorded at Le Sauvage Cathedral in France, the region name dating to the legend of a wild woman who only ate raw meat, had a double row of teeth, lived under a rocky promontory and was buried by a landslide, as baritone saxophonist Jamison Williams darkly burns in an extended improvisation of outside technique while referencing the Lemegeton, a 17th century book of magic.

Versed in jazz and contemporary composed music, Belgian alto saxophonist Audrey Lauro embarks on a solo journey with seven saxophone improvisations, using 'everyday objects' to prepare her instrument and close-microphone placement to create an intimate sound space, exploring 'the area where voice and instrument converge'.

Recording on a vintage reel-to-reel tape deck in his own warehouse living room during a lunar eclipse, saxophonist Steve Baczkowski (Brandon Lopez Trio, Buffalo Suicide Prevention Unit, Ensemble MIA) captures thirteen explorations on tenor and baritone saxophones, plus a homemade wind instrument, for an intimately challenging album of outrageous technique and overtones.

ONCEIM is the French ensemble of over 30 distinguished musicians directed by Frédéric Blondy, drawing on jazz, free improv, experimental and contemporary music as they evolve impressively detailed works from subtle restraint to controlled swells, heard in live performances from 2018 at Eglise Saint-Merry in Paris and at La Muse en Circuit in 2020, plus a 3rd studio session from 2020.

A 4-CD box set collecting 8 albums under Steve Lacy's name from 1957 to 1965, with sidement including Don Cherry, Mal Waldron, Kent Carter, Carla Bley, Louis Moholo, &c: Soprano Sax; Reflections; The Straight Horn of Steve Lacy; Evidence; Disposability; Jazz Realities; Sortie;The Forest and the Zoo.

With an extensive discography of collaboration together in a wealth of groupings, New York bassist Formanek and alto saxophonist Tim Berne are heard in this 1991 live duo performance at The Parlour in Providence, Rhode Island, a powerfully confident concert of informed dialogs captured seven years before their only other duo album from 1998, Ornery People.

Two phenomenal string players improvising remotely across two continents using SonoBus real-time streaming software: former Downtown NY pioneering double bassist Mark Dresser, now located in San Diego, and Australian violinist Jon Rose positioned between the Australian deserts at Alice Springs, presenting eight recordings from their animated and inspired intertwining.

A remarkable concert in 2023 at The Loft in Cologne, Germany, a superb example of collective free improvisation using extraordinary and masterful technique between UK saxophonist John Butcher, Swiss guitarist Florian Stoffner and NY drummer Chris Corsano, also performing on half clarinet; nine conversations of sophisticated and astute communication.

The next angle from the collective Geometry group of Tomeka Reid on cello, Taylor Ho Bynum on cornet & flugelhorn, Kyoko Kitamura on voice, and Joe Morris on guitar, exploring their "Geometry" first of "Caves", then "Distance", "Trees", and now "Phenomena", through highly attuned exploration of sonic complexities and intersecting approaches to their respective instruments.

Her 5th solo viola album finds NY improviser & composer Jessica Pavone extending her exploration of music based on the pitches of the open strings, accentuating the natural sympathetic resonances of the instrument and expanded through the use of electronic effects to create a virtual duo, on one track performing on a Ken Butler hand-crafted hybrid instrument, the Sword Viola.

With prior albums on For4Ears and Matchless, the French electroacoustic (with an emphasis on "acoustic") free improvising quartet Hubbub of Frédéric Blondy (piano), Bertrand Denzler (tenor sax), Jean-Luc Guionnet (alto sax), Jean-Sébastien Mariage (guitar), and Edward Peraud (percussion) present two extended, perfectly paced improvisations of stunning interplay and incredible technique.

Each of the 5 members of this band bring a composition to this 2022 live recording at Kuhlspot Social Club in Berlin, along with four collective improvisations, in the impressive debut of the acronym-named band SORBD, signifying Edith Steyer on Bb clarinet, Mia Dyberg on alto saxophone, Rieko Okuda on piano, Isabel Rossler on bass, and Sofia Borges on drums & percussion.

At the forefront of Chile's experimental improv scene, the Nichunimu trio of Benjamin Vergara on trumpet, Nicolas Carrasco on synthesizer and Matias Mardones on percussion are both lyrical in a style that adheres to traditional jazz of a relaxed unrushed intention, but warped through unusual rhythmic approaches and odd punctuations from synthetics and radio.

With two guitarists split between the left and right sides of the head--Kazuhide Yamaji and Mitsuru Tabata, also on vocals--in a trio aTwo guitarists split between the left and right sides of the head--Kazuhide Yamaji and Mitsuru Tabata, also on vocals--in a trio with Ruins drummer and Magaibutsu label-leader Tatsuya Yoshida, for a an energetic album of mostly instrumental post-prog "no-wave" improvisations, nine wild tracks captured live from four 2024 concerts in Japan.with Ruins drummer and Magaibutsu label-leader Tatsuya Yoshida, for a an energetic album of mostly instrumental post-prog "no-wave" improvisations, nine wild tracks captured live from four 2024 concerts in Japan.

Two string improvisers in an insistent dialog of quick-witted playing using every inch of their instruments under impressive technique, between Polish-born German cellist Günter Christmann, whose legacy hails from early European Free Jazz groups including Rudiger Carl Inc, and younger generation Finnish guitarist Niklas Fite, whose playing reminds of John Russell or Derek Bailey.

The ninth set from the Boston collective group Expanse led by Evil Clown label leader David Peck, combining improvisers with both a post-jazz and post-rock aesthetic, here as an electroacoustic septet with an extended and unusual percussion set, as performed by David Peck, DNA Girl, Eric Dahlman, DNA Girl, Count Robot, Tim Mungenast, and Michael Knoblach.

Taking his cues from the electronic music of his Detroit roots, free jazz drummer Gerald Cleaver presents an album of synthetic rhythms and sonic landscapes, each piece composed in detailed arrangements of compelling and adventurous structures, from propulsive grooves to sinuous soundscapes, a surprising and exciting twist showing Cleaver's strong compositional skills.

The Ironing project of Gainesville, Florida turntable and electronic artist joins with the Oregon-based Juice Machine duo of Roger Smith and late experimental musician Heather Chessman, both on electronics, tapes & sampler, for six unusual constructions of strange grooves over which concrete and obscure sounds swim about with a sense of wonder and humor.

Buenos Aires sound artist & saxophonist Sergio Merce presents his third album on the Hitorri label, in two pieces recorded between 2023-24: "Segundo Paisaje", an organized composition using wind synthesizer, virtual instruments & field recordings; and "Glissotar" using a new wind instrument designed for extreme glissando effects, joined with wind synth & electronics.

Two itinerant and unique performers in solo and small group configurations--Japanese saxophonist Katsura Yamauchi, who has recorded & performed with Voice Crack, Tatsuya Nakatani, Otomo Yoshihide, &c. &c., and Swiss electroacoustic improviser Jason Kahn--meet during Kahn's 2023 visit to Japan, recording these perceptively subtle duos live at HALL, in Oita and at IAF SHOP, in Hakata.

Legendary Japanese free jazz saxophonist Akira Sakata joins with frequent collaborator, younger generation sound and installation artist Rie Nakajima, for a live concert at Ftarri's Tokyo venue in 2023, Sakata performing on alto sax, clarinet, bells, singing bowl and vocals, Nakajima on objects and motor, capturing two sets of unique detail and expressive restraint.

A 4-part series of collaborative improvisations between US guitarist Barry Chabala and Canadian-born, Sweden-based electroacoustic improviser Lee Noyes, Chabala performing on acoustic & electric guitars and objects, Noyes on piano & percussion, and both on prepared piano, for elegantly diaphanous interactions that employ a score influenced by The I Ching and Albert Camus.

Paris-based musician Seijiro Murayama (percussion, voice) and French alto sax and organ player Jean-Luc Guionnet continue their collaboration with this 2023 recording of a 50-minute performance at the Taborkirche church in Berlin, using the resonance of the space to expand Murayama's snare drum, cymbal and voice in tandem with Guionnet's improvisation on the pipe organ.

After Dinner vocalist, multi-instrumentalist and sound artist Haco undertook her first North American tour in 2002, bringing with her an irregularly tuned electric mandolin, two samplers, a mini-drum synth and her "Howling [tea]Pot" feedback instrument, here in seven uniquely Haco performances of sonic instrumentals and song, performed at Mama Gaia's in Cambridge.

This album of resonant electronics with spacious pacing is beautifully rendered by Mexican electronic artist and composer Juan Sebastian Lach, who performs on computer, and Chilean electric guitarist Cristian Alvear, presenting a 2015 composition by French composer, saxophonist, and organist Jean-Luc Guionnet titled "One for One for any pitched instrument and electronics."

A fascinating free improvising string duo of textures and sonic interaction from UK harpist Rhodri Davies and Belgian guitarist Pierre Gerard, Davies performing on pedal harp and Gerard on acoustic guitar, though the results feel downright electronic through masterful control of their instruments, eliciting sustain, pitch & amplitude changes as they weave unique and compelling tapestries.

Also known as Metal Moves, Welsh improvising drummer/percussionist and instrument-maker Steve Hubback creates metallic sculptures that he performs on alongside drums, gongs, bells & cymbals, this new album presenting three extended recording for sound sculpture and percussion, particularly the mesmerizing title track featuring a mobile sound sculpture made of aluminium.

Developed using recordings made in Oregon and in North Carolina from West Coast sound and multimedia artists Cody Brand and Carl Kruger, Brant expanding Kruger's initial tracks with his own rhythmic additions and sonic embellishments to create twelve compositions with a recommended use of "reflective open-road journeys", noted as "Reality-dream boundary: blurred".

Having worked together as sidemen in various bands but never together as a duo, Ayler Records brought electric guitarists Noel Akchote and Philippe Deschepper together to record in the studio in Zurich, choosing an informed selection of jazz repertoire that includes works by each performer, and compositions from Paul Motian, Henri Texier, Steve Swallow and Ornette Coleman.

The debut of the Chicago quartet of Dave Rempis on alto, tenor & baritone saxophones, Jason Adasiewicz on vibes, Joshua Abrams on bass and Tyler Damon on drums, recorded after a year of performances to develop their propulsive and expansive force, as heard in this concert at Elastic Arts, which was also the last of the weekly Thursday night series Rempis curated for 21 years.

Bringing together two groups of spectacular improvisers versed in free and electroacoustic improvisation for a live transatlantic performance, one group of seven musicians primarily from The UK & Europe performing from The Hot Tin venue in Faversham, Kent, UK, the other group of six musicians performing from Roulette, New York City, for this stunningly impressive group improvisation.

Recordings from the Berlin club Au Topsi Pohl where the [ism] piano trio of Pat Thomas on piano, Joel Grip on double bass and Antonin Gerbal on drums played 4 nights in a row, May 18-21, 2022, Thomas performing on a Bösendorfer grand piano, creating an omnipresent and precise sound that drove the band to great heights of interactive, warmly diverse playing.

Brooklyn Saxophonist and Park West Studios founder is the common thread to this quartet with Steve Hirsh on drums, Steve Swell on trombone and William Parker on bass, all frequent collaborators in innumerable projects, here in three extended improvisations beautifully recorded, showing the wealth of experience each has alone and in collective expression.

Inspired by a poem Daniel Carter wrote about the transience and motion of modern life, the quartet of Daniel Carter on saxophone, Leo Genovese on piano, William Parker on bass, Gralla & Shakuhachi and Francisco Mela on drums & voice, turn in an ecstatic album of exotic collective improvisation in this second of two volumes from an excellent studio session.

Their first time playing together as a trio despite many permutations in various projects over the years, the trio of Robert Mitchell (F-IRE Collective) on piano & percussion, Neil Charles on double bass and the remarkably collaborative drummer Mark Sanders, are heard in this 2nd part to their 2022 concert at London's Cafe OTO for three extended, free and very informed collective improvisations.

The followup to their 2020 album titled BleySchool, the trio of Pat Thomas on piano, Dominic Lash on double bass and Tony Orrell on drums revisit and further explore the music of Paul and Carla Bley, here in a 2022 live performance at London's Cafe OTO focused on early Bley compositions, and also a cover of "Monk's Mood" which Bley included on his solo album Basics.

Taking his cues from the electronic music of his Detroit roots, free jazz drummer Gerald Cleaver presents an album of synthetic rhythms and sonic landscapes, each piece composed in detailed arrangements of compelling and adventurous structures, from propulsive grooves to sinuous soundscapes, a surprising and exciting twist showing Cleaver's strong compositional skills.