"I grunda vikar ar bottnarna mjuka" is inspired by August Strindberg's classic short story about a fortepiano being dropped into deep waters off an archipelago island, Stora grusharpan. The musical content is based partly on secret unde...

""'Eventual' is the first album by double bass player Goncalo Almeida and 'knob twidler' Rutger Zuydervelt. It's not exactly their first collaboration though, having released two EPs, 'Doze Ruinas' and 'Jangadas', and being colleagues i...

Music for a solo dance piece performed by Roshanak Morrowatian and composed by Netherland electronic artist Rutger Zuydervelt, the subject of the dance reflecting on the experience of young asylum seekers forced from their native countries to grow up somewhere unfamiliar, the music in seven parts weaving fragments of Iranian popular music into Zuydervelt's abstract electronics.

Concepts of community, dialog, sharing and transmission, or "recontre", are the linking ideas between these four works commissioned of Montreal composer and wind player Jean Derome, developed for four Quebec ensembles, these pieces combine contemporary and improvisational forms, the scores shaped by constraints from the combinatorial mathematics of Marin Mersenne.

"November 9, 2019 was first day of Ftarri Festival 2019 Week One, held at Sonorium, Tokyo. The closing group that day was a quartet headed by Magnus Granberg (who had come to Japan for the first time). The other members were Toshimaru N...

Three expansive works from composer and keyboardist/pianist Alex Zethson, developing concepts from themes and motifs developed over more than a decade, recorded over two years with exceptional care as he and his collaborators create subtle and beautifully evocative sonic environments that seamlessly incorporate acoustic, electronic, drone and feedback elements.

The third album of piano works from Japanese composer Jo Kondo performed by pianist Satoko Inoue, known for her interpretations of Morton Feldman, John Cage, Luc Ferrari, &c., here performing Kondo works written between 2013 and 2020 that apply different methods and approaches to form and interpretation, including works that incorporate improvisation and choices left to the performer.

Singer, songwriter and pianist Nelly Klayman-Cohen, aka Rotem Geffen, explores the fringes of dreamy pop music with lyrics in German, English and Hebrew that explore themes of memory, love, grief, loss, and the night as a vibrating room, with collaborators including Alexander Zethson on keyboards, Isak Hedtjar on clarinets and winds, Vilhelm Bromander on double bass, &c.

The second of two albums capturing a May 15th, 2023 concert in Tokyo by composer & pianist Takahiro Kuroda at the Ftarri performance space, titled "Square of Thoughts Vol. 2: Eva-Maria Houben and Horn + x", this album presenting a 2018 Houben composition for horn and piano titled "Echo Fantasy II", performed by virtuoso horn player Kei Kondo and Takahiro Kuroda on upright piano.

One of two albums capturing a May 15th, 2023 concert in Tokyo by composer Takahiro Kuroda at the Ftarri performance space, titled "Square of Thoughts Vol. 2: Eva-Maria Houben and Horn + x", this album presenting two Houben works for solo horn performed by virtuoso horn player Kei Kondo, and one solo piano piece performed by Kuroda on upright piano.

"Performed live on the 16th of November 2022 at Stadtgarten Koln / Europaisches Zentrum fur Jazz und aktuelle Musik, Cologne, Germany, as part of the series "In Between Spaces," curated by Thomas Glasser and organized by Zentrum fur Akt...

After meeting through mutual esteem of their individual SoundCloud presences, these Oregon string players met to develop their compellingly engaging work in rehearsal, David Van Auken's guitar arrangements the perfect canvas for the sitar melodies of J.J. Gregg; after touring together they went into the studio for this album's 8 tracks, plus two live recordings.

A collection of works from Netherlands composer Michel Banabila, including a piece developed with saxophonist Dave Liebman and previously released only digitally; a work with Rutger Zuydervelt (Machinefabriek); a work with Pierre Bastien; and excerpts from scores for Yin Yue's choreography in two works: "Somewhere" for New York Live Arts and "Timeless Tide" for BalletMet.

Winter 2024 issue of Canada's premiere new music magazine, with Saxophonist Andrew MacKelvie on the cover; plus features on Indonesia's Music Subculture; Sonny-Ray Day Ride; Solidaridad Tango; A History of the Canadian Electronic Ensemble; plus album reviews, essays and a CD of tracks from artists covered in the magazine.

Influenced by the New York School of composers (Cage, Feldman, &c.), composer Paul Paccione revisits and revises five of his compositions written 40 years prior, performed by a 10-piece configuration of London's Apartment House; beautifully contemplative pieces linked together through common threads, the momentum of individual moments absorbed by the presence of the larger work.

Seven works from Italian composer Marco Baldini, a follow-up to his well-received 2023 album Vesperi, this album introducing a variety of recent chamber works for strings from trios to quintets, performed by members of London's Apartment House ensemble, with the pieces "Selva", "Plutone" and "Otto" written specifically for Apartment House.

Influenced by New York School composers, Fluxus, Oliveros Sonic Meditations, and Wandelweiser, Boston-based composer Nomi Epstein's fascinating scores take unique and experimental approaches to composition, heard here in three chamber works, two recorded by London's Apartment House, and a live recording from a 2019 concert in Berlin, "sounds for Berlin".

A portrait of UK interdisciplinary composer Paul Newland's music through five pieces dating from 2009 to 2023 performed by members of London's Apartment House ensemble, including a string quartet, two different trio combinations, a short work for solo piano, and a score for open instrumentation, realised in this recording by a septet.

Singer, songwriter and pianist Nelly Klayman-Cohen, aka Rotem Geffen, explores the fringes of dreamy pop music with lyrics in German, English and Hebrew that explore themes of memory, love, grief, loss, and the night as a vibrating room, with collaborators including Alexander Zethson on keyboards, Isak Hedtjar on clarinets and winds, Vilhelm Bromander on double bass, &c.

Following her 2022 album Ogura Plays Stockhausen, Japanese born, Frankfurt-based pianist Miharu Ogura turns her attention to her own compositions, presenting five uniquely creative works unfolding in pacing that surprises the listener, balancing silence and clusters of layered patterns that move at differing speeds and rhythms, from simple clarity to labyrinthine entanglement.

Translating to "rain pattering", German-born international sound artist Florian Wittenburg uses a MetaSynth and the Kyma visual programming language for sound design to emulate the sounds of rain pattering from aperiodic to periodic in two parts, along with heating noises in two parts, and a clock ticking; compellingly structured accompaniment to your personal ambiance.

"for two musicians, or more

each musician should think about the other (or one of the others, if you are more tan two) and choose five sounds. these sounds - mainly simple, mainly short - should be chosen having the other musician ...

A collection of works from pianist & composer Dante Boon in diverse duos and virtual duo compositions that reflect on John Cage's "inner clock" concept from "Two2", each of Boon's compositions directing the players through systems of notation and counting unique to each player, varying the rules of how the two players eventually synchronize their performances.

Two "songs" from a series of works by Netherlands composer and pianist Danya Pilchen, exploring the possibilities of making and experiencing time through attentive listening, these works focused on creating a dialogue between two measures of time, performed with Anne La Berge on flute, Germaine Sijstermans on clarinet, Seamus Cater on harmonica and Koen Nutters on double bass.

An exquisite recording of composer Anthony Donofrio 1972 work for solo vibraphone captured at the University of Nebraska where Donofrio teaches and directs their new music ensemble, this extended work for solo vibraphone performed by Donofrio himself, living up to its title in a delicate advancement from clear playing to unusual vibraphone timbres and technique.

Since 2021 Swiss composer Felix Profos and drummer Peter Conradin Zumthor have performed as the duo Grund, Profos performing on harmonium and on the 1973 Italian organ Bontempi Pop3, Zumthor on bass drum, gong, bells & snare, their extended work on this self-titled album a tranquil and meditative work of slow transitions with moments of terse activity, receding with grace and serenity.

Assembling a world-class ensemble of 24 string players drawing from the Quartets JACK, Sirius, Flux, and Bergamot, here performing as SysOrk, Elliott Sharp's large-scale algorithmic composition provides simple instructions to the participants, creating a seething sonic tapestry of shifting, swirling tones and acoustic drones, exceptionally immersive and detailed.

"Paratonnerre, the first album of duo Griffure , fixes in time some of the band's latest compositions. They have transformed into a string quintet, enhanced with an electroacoustic setup, and wander between composition, improvisation, a...

Giusto Chamber Orchestra performs three works for twelve strings by German composer and visual artist Nikolaus Gerszewski, whose music of shifting pitches, vibrations and volumes--compared with experimental sound & noise work--is influenced by composers Radulescu and Dumitrescu's spectral music, James Tenney's "swell form" and Cornelius Cardew's graphic scores.

Previously played Squidco store copy, used for cataloging and samples, in excellent condition.

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Mailing unspooled 1/4" tape to each other along with a magnet to randomly erase part of each tape, Marc Baron & Mark Vernon captured these fragments and placed them into sequence based on the minute past the hour each was originally recorded, contrasting the degraded recordings with the original; an exacting but fascinating method of creating something unexpected and uniquely engaging.

Merging members of Ensemble SuperMusique with a subset of the ensemble Chorale Joker, Joane Hétu presents four premieres that explore our experiences during the pandemic, SuperMusique focused on electronics and synthetic instruments and offset by a wind quintet, the music and vocal interactions often explosive, reflecting on our mental states during an overwhelming cultural malady.

Copenhagen composer Niels Lyhne Løkkegaard's long form work refers to units of compositional structure in systems of instruments, each a "bubble" that interacts and collides creating fluctuations, ruptures and tension release in an hypnotic sonic tapestry, performed by Montreal's Quatuor Bozzini on violins, viola, cellos and harmonica; mesmerizing.

The third string quartet that Swiss composer Jürg Frey has written for the Montreal string quartet Quatuor Bozzini of Alissa Cheung on violin, Clemens Merkel on violin, Stephanie Bozzini on viola and Isabelle Bozzini on cello, a beautiful work in five movements of illusory motion, slowly evolving through furtive and seemingly feigned momentum.

Concepts of community, dialog, sharing and transmission, or "recontre", are the linking ideas between these four works commissioned of Montreal composer and wind player Jean Derome, developed for four Quebec ensembles, these pieces combine contemporary and improvisational forms, the scores shaped by constraints from the combinatorial mathematics of Marin Mersenne.

A stunning album that effortlessly blends styles from jazz, electronics, minimalism and contemporary forms, rendered by an eclectic group of primarily NY artists including Nate Wooley, Jennifer Choi, James Brandin Lews, Oscar Noriega, Anna Webber, Shahzad Ismaily and Smith himself, in an exhilarating and well-balanced set of Smith compositions that inform and groove spectacularly!

Two improvisations by saxophonist Jean-Luc Guionnet & violinist Dan Warburton recorded in Paris & Melbourne parking garages 14 years apart, registering the behavior and characteristics of environmental and instrumental sound within these unique spaces, edited by Eric La Casa and Philip Samartzis as a 4-channel master by synchronizing two sets of independent stereo recordings.

The third album of piano works from Japanese composer Jo Kondo performed by pianist Satoko Inoue, known for her interpretations of Morton Feldman, John Cage, Luc Ferrari, &c., here performing Kondo works written between 2013 and 2020 that apply different methods and approaches to form and interpretation, including works that incorporate improvisation and choices left to the performer.

The debut of Vancouver & Montreal violinist Joshua Zubot's string ensemble with fellow violinists Jesse Zubot & Meredith Bates, cellist Peggy Lee and acoustic bassist James Meger, performing ten Zubot compositions informed by his involvement in diverse musical styles, each allowing room for improvisation as he takes the string ensemble into unique and unorthodox territory.

Nate Wooley's exquisite improvised composition begins with a musical gesture and four parameters of change from each player--harmonic motion, articulation, extension, & physicality--which directs their "flight" in its slowly evolving pace, creating a varying mosaic of sound, as beautifully rendered by Laura Cocks (flute), Madison Greenstone (clarinet) and Eric Wubbels (keys & voice).

An exceptional collection of works by composer Frank Denyer written between 1973 and 2021, especially the monumental 5-part "Five Views of the Path", performed by the UK Octandre Ensemble led by composer Christian Mason and conductor Jon Hargreaves, which focuses on modern composers with an emphasis on works of timbre and ritual, Denyer's work being an ideal match.

Commissioned in 2020 by pianist Philip Thomas, whose health prevented him from performing the work, Canadian composer Martin Arnold's 79-minute hypnotic solo work for piano emphasizes the keyboard's upper register in slow moving textural melodies influenced by innovative 50's & 60's bop pianists, performed in 2022 at the University of Huddersfield by pianist Kerry Yong.

Specializing in micromontage, granular synthesis, and microsound, Argentinian-born and Paris-based electroacoustic composer Horacio Vaggione recorded these four compositions at at INA GRM in Paris between 1994 and 2002, each a fascinatingly detailed work illustrating his research into sound and compositions, with a stunning aesthetic for dramatically unfolding concepts.

Electroacoustic composer Robert Cahen studied at ORTF and CNSM in Paris under Pierre Shaeffer, turning to video work in the 1970s and applying musique concrete concepts to moving image, these compositions recorded at the GRM studios between 1971 and 1974 show his mastery over sound and his expressive ability to morph transitions through rich sonic detail.

Performing on the 7,466 pipe Æolian-Skinner organ at Grace Cathedral in San Francisco, one of the first American classic-style organs and among the largest church organs in the West, John Zorn continues his solo organ series with this tribute to Terry Riley in two extended improvisations, part of his 70th birthday celebration as part of Fred Barnes's concert series.

Following his collaboration with Montreal's Quatuor Bozzini, British Columbia-based composer Christopher Butterfield draws on members of Aventa Ensemble and the Victoria Symphony to perform four works of "knotty contrapuntal figures and an ever-changing instrumental palette", mischievous works of interesting progression and percussive punctuation.

Two extended works for percussion & electronics from Matt Weston, a curious coupling of resonant interactions that is likely a mysterious mixture of preparation, improvisation and composition, augmented with electronics and modified in the mix through studio manipulation, making for fascinating journeys through enigmatic punctuation and sound.

The follow-up to Music for Two Organs and Two Bass Clarinets, combining the collective work of clarinetists Chris Cundy, (bass clarinets, soprano ocarina) & Ove Volquartz (bass clarinets), Thanos Chrysakis (chamber organ & voice) and Peer Schlechta (pipe organ), recorded in the natural resonance of the Neustadter Kirche church in Hofgeismar, Germany.

Three "Card Pieces", short series of pitch collections in a timeline with no other parameter spelled out, performed in a minimalist approach by Swiss spinet player Christoph Schiller and New York drummer & improviser Carlo Costa, where metallic strings are offset by organic and ringing responses, with a final work "Sottobosco" expanding their palette and pace.

Translating to League of Shadows, Swiss composer Jürg Frey's sublime twilight compositions for solo piano are performed by Dutch pianist Reinier van Houdt, presenting seven of Frey's works written from 1984-2018, including one previously unreleased composition, in all 20 movements spread over 3 CDs ranging in time from 1:47 to 40:34, a significant addition to both musician's oeuvres.

The debut of Vancouver & Montreal violinist Joshua Zubot's string ensemble with fellow violinists Jesse Zubot & Meredith Bates, cellist Peggy Lee and acoustic bassist James Meger, performing ten Zubot compositions informed by his involvement in diverse musical styles, each allowing room for improvisation as he takes the string ensemble into unique and unorthodox territory.

Fall 2023 issue of Canada's premiere new music magazine, with Julie Richards on the cover in an article exploring the legacy of little known Black female composers; plus articles on Maria Chavez and her turntable art; Michele Geister use of '80s music TV; composer Trevor Grahl; Mustafa Rafiq; Evan Dysart; plus reviews, essays and a CD of tracks from the aforementioned artists.

BACK IN STOCK! The current Polwechsel quartet of Werner Dafeldecker, Michael Moser, Martin Brandlmayr and Burkhard Beins — merging improvisation and contemporary forms for outstandingly paced and conceptualized performance — are joined by luminaries John Butcher, Klaus Lang, Magda Mayas, Andrea Neumann and Peter Ablinger, released in a deluxe 4-LP box set with a 32-page booklet.

Italian percussionist, sound artist, improviser and composer Nicholas Remondino expresses the sentiment of the 18 recordings on this solo album of prepared drum improvisations through a single sentence, each piece flowing into the next through unusual punctuation, gestures and intersections, as the listener is carried along curious landscapes of extraordinary technique.

Following his collaboration with Montreal's Quatuor Bozzini, British Columbia-based composer Christopher Butterfield draws on members of Aventa Ensemble and the Victoria Symphony to perform four works of "knotty contrapuntal figures and an ever-changing instrumental palette", mischievous works of interesting progression and percussive punctuation.

Recording in Maria Pinto, Chile, steel guitarist Susan Alcorn combines Chilean folk and nueva cancion with free improvisation and contemporary classical in an expansive set of 5 original compositions and a group arrangement of the Victor Jara's "El Derecho de Vivir en Paz", the achingly beautiful themes paying tribute to the victims of Augusto Pinochet's regime.

The fifth album from John Zorn's Chaos Magic Ensemble of Brian Marsella on Fender Rhodes Piano, John Medeski on organ, Kenny Grochowski on drums and Matt Hollenberg on guitar, in three free flowing works that display Zorn's perceptive merging and the band's enormous skill, contrasting lyrical electric jazz with turbulent rock forms and disciplined contemporary structure.

An amazing collection and reflection on the work of percussionist, composer and connector Chris Cutler of Henry Cow fame and founder of the highly influential Recommended Records label and distribution service, through 10 CDs, 1 DVD and two books of documentation, artwork, photographs, published and unpublished texts in a sturdy box, with over five hours of unreleased materials.

A heavy and wild ride in the 9th album from New York's The Gate of composer and tuba player Dan Peck, bass player Tom Blancarte and percussionist Brian Osborne, concise pieces of heavy melodic elements, dark riffs and an ominous attitude, intersecting with plundered asides and anxious pauses, a strong addition to their discography and an engrossing collection of deep disturbance.

The New York-based andPlay duo of violinist Maya Bennardo and violist Hannah Levinson perform two extended works commissioned for their performance series, Translucent Harmonies: first an acoustic rendering of Catherine Lamb's "Prisma Interius VIII (Melodic Duo)"; then Kristofer Svensson's work of contrasts, surprises, modulations, and transformations.

Reworking a piece for string trio originally commissioned by the Concertgebouw Brugge and premiered by the Goeyvaerts Trio as part of the 2019 SLOW Festival, this new version expands on the original composition to bring elegant calmness and clarity to the work, performed by UK's Apartment House members Mira Benjamin on violin, Bridget Carey on viola and Anton Lukoszevieze on cello.

Investigating the experimental legacy of Victorian polymath Alexander J. Ellis, author of the 1880 paper, The History of Musical Pitch, composer Seamus Cater uses 74 tuning forks tuned to represent Elliss research of just ratios of 480Hz, in three compositions focusing on the most consonant tones of the system, and balancing them through minimalist chamber work from a 7-piece ensemble.

Two works for voice and chamber orchestra performed by the UK Explore Ensemble under the direction of Nicholas Moroz, and a multi-tracked vocal work by Lotte Betts-Dean, rich and understated works of rich harmonics and atmospheric overtones composed by Catherine Lamb, placing phonetic vocals in space and ambiance, eschewing words for tone, texture and motion; mesmerizing.

Written by Jurg Frey in 2021 and commissioned by Amsterdam-based pianist Keiko Shichijo, this solo work using the unique audio characteristics of the fortepiano was premiered by Shichijo in 2022 at the Concertgebouw Brugge during the SLOW Festival and performed again at November Music 2022, this recording captured at Concertgebouw Brugge in the presence of the composer.

Two realizations of Michael Pisaro-Liu's 2006 work for sustaining instruments, harmonium & field recordings, recorded first at Wild Gallery, in Brussels with Guy Vandromme (keyboards) and Adriaan Severins (field recordings and synthesizer); then at the Museo Archeologico San Lorenzo, in Cremona, Italy with Luciana Elizondo (viola da gamba) and Fabio Gionfrida (field recordings), in collaboration with Guy Vandromme (Indian harmonium).

Eight compositions for solo 1/4 comma meantone organ by Serbian composer Ivan Vukosavljevic and performed by organists Tineke Steenbrink, Francesca Ajossa, Jan Hage, Lise Morrison, recorded in 2022 on five different historic organs, dating from the early 16th to mid-17th centuries, captured in medieval churches located in the countryside of northern Netherlands.

Bringing together two generations of sound artists and field recording specialists--Belgian composer Moniek Darge, known for her ethnomusicologist "soundies" from global locations; and American sound composer Vanessa Rossetto transforming everyday occurrence--for a meeting at Lincoln Center in NYC to record the city and reshape its sound into four impressionistic sonic reveries.

With a septet of women improvisers and contemporary performers, composer and violinist Jessica Pavone's long-form collective improv compositions are titled after innovations made by women throughout history to circumvent obstructions to their freedoms, revealed through string and bassoon orchestration that balances harmony, dissonance, drone and disruptive experimentation.

With a septet of women improvisers and contemporary performers, composer and violinist Jessica Pavone's long-form collective improv compositions are titled after innovations made by women throughout history to circumvent obstructions to their freedoms, revealed through string and bassoon orchestration that balances harmony, dissonance, drone and disruptive experimentation.

The completion of John Zorn's second trilogy of albums performed by the extraordinarily masterful acoustic guitar trio of Bill Frisell, Gyan Riley and Julian Lage, here performing six intricate and lyrically graceful compositions dedicated to literary visionary Samuel Beckett; uniquely packaged in a clear imprinted sleeve.

A composition for at least three musicians and processed field recordings from Adam Zuckerman, here configured as a quintet eliciting a poem by Paul Celan, organizing the lines of the poem into multiple movements, exquisitely performed by Kanoa Ichiyanagi (viola), Zaq Kenefick (harmonica), Juan Marroquin (flute), Dylan Marx (guitar) and Kristyna Svihalova (percussion).

A through-composed album of "Popular Brass & Military Songcraft" from composer, drummer and vocalist Nandor Nevai, in 9 original songs of cinematic vocals to the duo of bass trombones and a tonal percussion configuration including pedal timpani; and the world premiere of a previously unrecorded Krzysztof Penderecki instrumental conducted by Ron Stabinsky.

Exploring diverse landscapes and moments of extreme behavior changes through a single acoustic viola, composed and performed by Jordan Dykstra, in four pieces that vary his approach to the instrument through overlapping tones, drones, extended techniques and rolling cycles, performed in California at the California Institute of the Arts and at the Cathedral of Saint Vibiana.

The third release in Editions Verde's series "Seeing the Forest in a Tree" are three iterations of interpretations realized by Joseph Clayton Mills, Fraufraulein, and the duo Sarah Hughes and Patrick Farmer, who were invited to interact with Morgan Evans-Weiler's score intended to be interpreted as both sound and sculpture, presented in three unique sets of recordings.

A fascinating conceptual work on CD and printed score that attempts to sonically represent celestial events through guided improvisations, providing the performers an abstract of the main musical ideas and options on how to execute them, exploring microtonal sounds, harmonic interactions and sound as moments within physical boundaries, here in a studio realization in Zurich.

A collaboration between NY saxophonist & composer Steve Lehman and the French Orchestre National de Jazz (ONJ), performing compositions by both Lehman and ONJ's artistic director, Frédéric Maurin that blur the boundaries between jazz, experimental and composed forms, using spectral harmonies and real-time interactive electronics developed at IRCAM; powerful!

The Swiss-based Ever Present Orchestra, dedicated to the presentation of later works by composer Alvin Lucier written for this orchestra and centered on pieces for the electric guitar, in two works of differing characteristics: "Arrigoni Bridge" for 3 lap steel electric guitars + violin, sax & cello; and "Flips" for two guitars, bass and glockenspiel.

Music by Dutch sound artist Rutger Zuydervelt, aka Machinefabriek, for a performance by Lily Schlinker and Janick Kremer, known as the contemporary circus company Lily & Janick, this performance using light, reflections and new perspectives onto partner acrobatics performed over a long mirror to create hypnotic, kaleidoscopic images, aptly complemented in Zuydervelt's music.

An exquisite work for violin, cello, harp and prepared piano composed by Magnus Granberg, who also performs on piano, at the invitation of fellow Swedish contemporary performers Leo Svensson Sander (cello), Stina Hellberg Agback (harp) and Eva Lindal (violin), a complement to the version released on Another Timbre in 2022 and performed by Granberg's Skogen ensemble.

A beautiful album of expanded landscapes performed on electronically modified Electronic Wind Instrument, field recordings, virtual instruments and synthesizer from Argentinian sound artist Sergio Merce, his characteristically patient pacing and use of space creating dramatic and beautiful sonic environments that hint at warm narratives in a seductive excursion.

Hand-numbered repress edition.
Composer Michel Banabila invited seven musicians to improvise individually, taking recordings from those sessions to create this beautifully structured set of electronic compositions, merging eBow, samplers, synth, guitar and electronics with cello, bass clarinet, viola, violin and double bass in works that display tranquility but hide deep tension below.

The follow-up to Music for Two Organs and Two Bass Clarinets, combining the collective work of clarinetists Chris Cundy, (bass clarinets, soprano ocarina) & Ove Volquartz (bass clarinets), Thanos Chrysakis (chamber organ & voice) and Peer Schlechta (pipe organ), recorded in the natural resonance of the Neustadter Kirche church in Hofgeismar, Germany.

A series of sound installations derived from a single recording made in the empty spaces in which they are later presented, with no people present during the recording including the composer, filtered to isolate and amplify certain of the room's resonant frequencies, creating a series of drones which are the only sound materials used; no musical instruments are involved.

Ten sonically beautiful pieces derived from recordings made in empty spaces, transforming the sounds that leak in from the outside world using filters and amplification to find sonic resonance in those sounds and in the room's natural frequencies, like light filering into the space, each piece then played back in the same room at low volume as part of an installation presentation.

25 pieces for solo saxophone in a tribute to and following the logical number games of minimalist composer Tom Johnson, composed by clarinetist and ensemble Dedalus member Farbrice Villard under the inspiration of Johnson's collection Rational Melodies, and performed by the extraordinary French clarinetist Pierre-Stephane Meuge (Counterpoise).