The expansive mind of composer and experimenter Charlemagne Palestine presents an extended drone work performed on organ, building from a peaceful single note to a harmonically rich combination of tones with a haunting vocal quality, subtly shifting and building in momentum then slowly fading out to the 20 minute mark; an epic journey in polyphonic transition.

A wild "Afro-Surrealist Anti-Opera" from composer & bassist Nick Dunston, performed with an ensemble of string players (including JACK Quartet) and vocalists, in a gripping hybrid of acoustic and electronic music, using the studio for post-processing to create Dunston's self-described "warped narrative", an understatement for this incredibly passionate, surreal and absolutely impressive work.

Taking the trombone into unusual territory, Danish composer and trombonist Maria Bertel, a member of Fire! Orchestra and Jooklo Danish Group, uses amplification to emphasize unusual and sometimes aberrant aspects of the bone, each of ten solo pieces focusing on various aspects of sound, noise, alien utterance and drone that she coaxes out of the instrument.

Canadian clarinetist Liam Hockley, a dedicated advocate for new and experimental music, performs compositions on a relatively obscure member of the clarinet family, the basset horn, alone and in layers of up to seven horns, in pieces from Romanian spectral composers Ana Maria Avram, Iancu Dumitrescu, and Horatiu Radulescu, along with a contemporary work by Thanos Chrysakis.

The 2nd release from Magda Mayas' Filamental octet of Mayas, Zeena Parkins, Michel Thieke, Christine Abdelnour, Angharad Davies, Rhodri Davies, Aimée Theriot and Anthea Caddy, is a fascinating studio composition developed from individual recordings provided by each musician, assembled into two detailed and cohesive works of impressive contours and almost ceremonial beauty.

Exploring tuning systems and the extremes of harmonicity and dissonance through compositions that employ prime numbers of players in solo, trio, quintet, septet, and undectet (11) configurations, violinist Modney takes listeners into transcendent and turbulent spaces spanning improvisation and composition, detailed in a 24-page booklet with collages from Ellsworth Kelly.

A composition for at least three musicians and processed field recordings from Adam Zuckerman, here configured as a quintet eliciting a poem by Paul Celan, organizing the lines of the poem into multiple movements, exquisitely performed by Kanoa Ichiyanagi (viola), Zaq Kenefick (harmonica), Juan Marroquin (flute), Dylan Marx (guitar) and Kristyna Svihalova (percussion).

Four fascinating works of string intersection from New York composer and violist Jessica Pavone, recording in the studio with the trio of violinists Aimre Niemann (Du.0 (do-point-oh)) and Abby Swidler (Xanthoria Quartet), Pavone's compositions creating wonderful psychoacoustic intertwining of texture and tone that slowly and beautifully blossom.

Three meditative pieces by Eastern European composer Adrian Demoč, recorded at Czech Radio Ostrava and performed by Miroslav Beinhauer: 'Ma fin est mon commencement' and 'Gebrechlichkeit' which both provide flexibility to the performer; 'A Luca Marenzio ll', a reinterpretation of a previous trio work pivoting around the cello, uniquely interpreted here by Beinhauer.

Two studies in the elongation of piano decay complemented by the harmonics and texture of the shō (a Japanese free reed instrument) using stillness and repetition in a two part extended work by NY-based Swiss comoposer Samuel Reinhard, performed by Copenhagen pianist Paul Jacob Fossum and Japanese Gagaku musician Haruna Higashida; an album of beautifully meditative pools of sound.

"Turning discarded sounds into a form of stumbling poetry", Christian Schiefner (aka Chemiefaserwerk) and Michal Fundowicz (aka Turmeric Acid) use cassette tapes, objects and field recordings (eg. a kitchen timer, a kalimba pattern, a Polish instructional tape, Croatian field recording) to create fascinating transformations of sonic environments in two engaging aural journeys.

TSSS Tapes brought together these three performers -- Belgrade violinist and sound artist Manja Ristić; Lisbon exploratory improviser and cellist Joana Guerra; and Argentine pianist and sound artist living in Rio de Janeiro, Veronica Cerrotta -- developing these two intensely detailed compositions of acoustic performance, field recordings and acousmatic sound.

Contemporary percussionist Ian Antonio (Wet Ink, Talujon Percussion Ensemble, Zs, Yarn/Wire) performs seven works for percussion by composer Jürg Frey written between 1994 and 2022, joined by members of the Talujon for one piece, though mostly a solo and very personal album for the percussionist, who has been influenced by Frey's approach to stillness and harmony.

Two different version of Magnus Granberg's 2021 composition "Holde Traume, kehret wieder!" (Sweet dreams, come back!), first as a quartet performed by the Nattens Inbrott Quartet for which the piece was originally written, and then a second version performed with Granberg's group Skogen as a septet, adding additional parts to the original composition.

Inspired by the geometric and illusory work of artist Bridget Riley, Catherine Lamb's "Curva Triangulus" borrows from Renaissance music that she "warps" by interjecting geometric musical figures, performed by the Proton Ensemble of Bern using traditional, new and historic instruments, all underpinned by the 16th century microtonal Vicentino arciorgano organ.

Three previously unreleased works by composer Phil Niblock--Index" (1969); "Tenor" (1972); "Boston III" (1972)--plus an earlier version, "Boston I", all rich works of microtones, overtones, and drones that point to the direction of his subsequent work; "Boston III" was recorded with Rhys Chatham (flute, voice), Martin Bough (tenor saxophone), and Gregory Reeve (viola, voice).

The third part of the HYbr:ID series from electronic composer Alva Noto, aka Carsten Nicolai, investigating new approaches to composition through unique systems of musical notation and graphic scores, rendered in beautifully paced multi-spacial sound, this part influenced by the movement and subtle gestures of the traditional Japanese theater form, Noh.

The third part of the HYbr:ID series from electronic composer Alva Noto, aka Carsten Nicolai, investigating new approaches to composition through unique systems of musical notation and graphic scores, rendered in beautifully paced multi-spacial sound, this part influenced by the movement and subtle gestures of the traditional Japanese theater form, Noh.

William Parker's first spoken word album, and the continuing collaboration between Parker and composer, vocalist and sound designer Ellen Christi, who developed the underlying tracks, sung vocals and overall sound architecture for Parker's insightful, observational and revealing words and recitation, Parker also providing bass and flute that complement his life-affirming texts.

In configurations of solo to an 11-piece ensemble, Aural Terrain assembles great players including Tim Hodgkinson, Jason Alder, Yoni Silver, Chris Cundy, &c to perform works by composers John Cage, Gerard Grisley, Giacinto Scelsi, Thanos Chrysakis, Jule Kjaer and Tim Hodgkinson; seven acoustic compositions written between 1978 and 2022 that prominently feature horns as trumpets, clarinets and saxophones.

An exploration of tonal interplay and contrasting rhythms from nine electric guitars, bass, and drums by West Coast percussionist and composer Moe! Staiano (formerly of Sleepytime Gorilla Museum), a work in three movements that features assertive rhythmic structures and intertwining string structures, balanced by beautifully ringing moments of introspection.

Featuring some of composer John Zorn's most lyrical work, the duo of guitarists Gyan Riley and Julian Lage continue their collaboration in the series that started in 2015 with The Bagatelles and continues through Midsummer Moons (2017), Book Beri'ah (2019), and Quatrain (2023), as they render Zorn's beautiful merging of eclectic forms inspired by William Shakespeare.

A companion piece to UK improvising harpist Rhodri Davie's solo album Telyn Rawn , asking some of his favorite musicians to respond to the 18 improvised pieces on that album, instructing them to imagine that the source material was an ancient musical form from the medieval period, and that their responses were to be modern interpretations of those "ancient" forms.

Rutger Zuydervelt, aka Machinefabriek, composes the soundtrack for the film Banzo, written and directed by Margarida Cardoso, rich ambient music from melancholy to optimistic warmth, reflecting the tone and story of a plantation in 1907 plagued by starvation and suicide, and the doctor who decides to heal them by trying to understand what is affecting their soul.

A new sound composition by Dutch composer Rutger Zuydervelt for the installation piece "Curve" by Cocky Eek, developed in collaboration with Boukje Schweigman, Rutger's work an 8-channel soundscape of seamless loops that accompanies visitors of the installation via 24 speakers, here in a stereo adaptation mimicking the spatial quality of the installation space.

Recording on an afternoon in Andrew Weather's studio Wind Tide, in Littlefield, Texas in 2023, from the electroacoustic trio of Kory Reeder on double bass, electronics & gongs, Ryan Seward on psaltery & electronics and Andrew Weathers on lap steel & tenor saxophone, the final compositions assembled from two improvisations using two different tunings that Seward brought with him.

A 2-part work leveraging binaural recordings made in daily walks in Asheville, NC to different points of the French Broad River: Part 1 "Interior" is collaged as a room resonance study using hydrophone recordings of the French Broad, microtonal instruments by Ben Hjertmann plus piano & synth recordings; Part 2 "Exterior" is a layered alignment of the recordings from his walks.

A triple CD and 24-page booklet of recordings from Italian flutist and composer Manuel Zurria performing works by luminary composers including Alvin Lucier, James Tenney, Tashi Wada, Jürg Frey, Laurence Crane, &c., with an homage to Italian conceptual artist Alighiero Boetti, each CD punctuated with Preludes and Postludes performed with guest saxophonist Gianni Gebbia.

The second installment of Alva Noto's HYbr:ID series initiated in 2021 in a mysteriously dark and beautiful album of electronics, submerged sound, glitch and alien percussive elements, these 10 pieces from a commission to score Richard Siegal's Ectopia performed in 2021 by Tanztheater Pina Bausch with Shooting into the Corner (2008-09) by Anish Kapoor.

Two virtuosic contemporary performers--pianist Stephen Gosling and vocalist Barbara Hannigan--heard in live performances of three challenging works by John Zorn: Jumalattaret, a song cycle in praise of line Finnish Goddesses out of Sami Shamanism, and Split the Lark, Zorn's tribute to the magical American poet Emily Dickinson, plus Zorn's early work Nazdar, Poupon, Nazdar.

Performing at the 17th century Palazzo Pisano during the 2023 Venice Biennale, John Zorn improvises on two small antique organ at Conservatorio Benedetto Marcello, taking full advantage of the rich reeds, flutes, and horns of these two outstanding instruments as he moved between the two organs, bringing out unusual tonalities and intersections between both instruments.

This album of resonant electronics with spacious pacing is beautifully rendered by Mexican electronic artist and composer Juan Sebastian Lach, who performs on computer, and Chilean electric guitarist Cristian Alvear, presenting a 2015 composition by French composer, saxophonist, and organist Jean-Luc Guionnet titled "One for One for any pitched instrument and electronics."

Conductor Sebastian Gottschick presents an additional selection of songs and chamber music works from composer Charles Edward Ives that reflect this broad range, 20 mostly brief and innovative works composed between 1898 and 1921, blurring the boundaries between genres through unusual motifs, themes, gestures and phrases that appear in new vocal and/or instrumental contexts.

An engaging album of solo percussion that start like a vortex of clocks ticking, and then draws the listener into an amazing journey of unique percussive expression, timbre, rhythm and subtle transitions, the second album in Swiss percussionist Christian Wolfarth's 39 series, presenting Parts IV - VI of his works exploring the relationships between 3, 9 & 39.

Surrounding the realization of Karlheinz Stockhausen's ground-breaking work of electronic music and acoustic improvisation, Kontakte, performed by Judith Wegmann (piano) Jens Ruland (percussion) & Robert Torche (electronics), are Antoine Chessex's exploratory score Geschichte der Gewalt, applying improvisation to frequency and form, and the improvised prelude from all three: Spiegelungen.

After meeting through mutual esteem of their individual SoundCloud presences, these Oregon string players met to develop their compellingly engaging work in rehearsal, David Van Auken's guitar arrangements the perfect canvas for the sitar melodies of J.J. Gregg; after touring together they went into the studio for this album's 8 tracks, plus two live recordings.

A tour-de-force exposition of the mandocello, acoustic and electronic, an instrument evolving out of the 18th century mandalone into a louder instrument intended to take the bass role in mandolin ensembles, which Sharp demonstrates through strings that ring with powerful resonance as he performs original compositions with references to Derek Bailey, Kinshi Tsuruta, and Harry Partch.

The French duo Griffure of cellist & vocalist Leonore Grollemund and violinist & vocalist Amaryllis Billet are transformed into a string quintet enhanced by electroacoustic instrumentation, with violinist Chloe Julian, violist Alix Gauthier and double bassist Lea Yeche, all three providing vocals, in 15 evocative works that shift between composition, improv and text.

Bay Area instrument inventor David Samas leads Pet The Tiger, a collective ensemble primarily of instrument inventors, augmented with original ceramic flutes and occasionally Samas' voice, the unique quality of their sound recalling Harry Partch or Harry Bertoia, here in four major works of multiple parts performed in a mixture of composed and improvised approaches; fascinating.

A posthumous realization of Phill Niblock's 2022 composition, this dense, resonant work of drone and sonic intensity, written for Italian vocalist Anna Clementi and shaped and developed with guitarist and bassist Thomas Stern of Einstürzende Neubauten and Crime & the City Solution, is presented in two monumental, haunting longform versions.

The second volume of John Zorn's vocal compositions, performed by virtuoso Barbara Hannigan alongside returning pianist Stephen Gosling, expands with orchestration for string quartet, a dynamic work for voice, cello, vibes, electronics, and drums, a lively piece for voice, piano, and rhythm, and Zorn's unique interpretation of the classic 'Pandora's Box.

Developed as part of the 2024 artist-in-residence program at Azkuna Zentroa in Bilbao, this series of nine electroacoustic compositions by Miguel A. García and Fernando Carvalho blends rhythms, synthesizers, and Carvalho's field recordings, all manipulated and transformed by García into distinct sonic worlds, each unveiling or making curious mysteriously fascinating sources.

The Fall 2024 issue of Canada's premiere music magazine: On The Cover Brendan Grey and the Evolving Ethos of Super Duty Tough Work; avant-garde sound murals of Filipino composer José Maceda; Montreal-based composer and improviser Allison Burik; Kurt Gottschalk interviews Rita Ueda; Windsor-based post-classical guitarist Bilal Nasser; plus reviews and a CD of artists covered in this issue.

Showcasing Buffalo-based percussionist Bob Fullex and Jason Bauers' innovative mastery as Crossfire Duo in an album that features Jacob Gotlib's "Portrait Sequence", performed without striking objects, Matt Sargent's "Small Stones" played entirely on metallophones, Richard Richard Festinger's high-speed "Crossfire", and Christian Wolff's "Flutist (and) Percussionist" as an intricate rhythmic dialogue.

Opening with an adaptation of Cornelius Cardew's "Red Flag", the Buffalo-based new music ensemble Wooden Cities Brendan Fitzgerald introduces the first of a trilogy of albums, a set of narrative works that confront topics of work, labor, commodity, and justice through a blend of composition and improvisation, including works by Cardew, Julius Eastman, and Frederic Rzewski.

The second volume in pianist and composer Claudio Sanna exploration of composers, improviser and experimenters from Sardinia, in a wonderfully diverse set of works and performances from Sanna himself, Anna Zeriotto (double bass), Federico Nicoletta (piano), Leoardo Zunica (piano), Sandro Mungianu (live electronics), and Paolo Pastorino (live electronics).

Guitarist & vocalist Fred Frith leads the highly creative quintet of Zeena Parkins on keys & voice, Carla Kihlstedt on violin & voice, Mathias Bossi on drums and Shahzad Ismaily on bass, merging free improv, rock and experimental forms; drawn from live performances recorded by The Normal Conquest, this set of compositions captures the group's dynamic interplay and remarkable inventiveness.

Renowned for his work with Another Timbre and Confront, British bass clarinetist Chris Cundy presents his third solo album, blending contemporary classical elements, improvised sketches, and rhythmic motifs in fourteen captivating vignettes inspired by wildflowers, their fragile habitats, and peripheral landscapes, showcasing a masterful and virtuosic approach.

A new solo project from French composer and improviser Falter Bramnk, exploring glass and crystal as exclusive sound sources, following his "Glassical Music" series; originally conceived for six Muzzix collective musicians, Bramnk reworked and expanded the compositions featuring glass struck, rubbed, blown, and shaken, on select tracks with contributions from Sam Bodart on Crystal Baschet.

Ukrainian composer Taras Opanasiuk explores spontaneous soundscapes, blending free improvisation with a meticulous compositional process as he transforms modular synthesizer sessions into five compelling sound collages that balance atmospheric electronics, musique concrète, and studio layering, in an imaginative and introspective journey through Opanasiuk's unique sonic palette.

Re-modeling Modelbau, the long-running project of Frans de Waard (also of Kapotte Muziek, Beequeen, Goem, Zebra, Freiband, Shifts, &c), in a dark and atmospheric hour-long work of multi-tracked sound, evolving organically through 14 seamlessly connected sections that layer rich tonal and textural compositional elements, with a brooding and introspective urgency.

Unfolding as a sonic drift through varied sound atmospheres, Alfredo Costa Monteiro's large sonic canvas creates a narrative akin to a psychogeographical wander that evokes emotional states of disorientation; inspired by found footage techniques in cinema, it serves as a "cinema for the ear," where found sounds stripped of context form an immersive, unpredictable auditory journey.

Moons' debut album features long-time collaborators Judith Berkson, Laura Cetilia, Katie Porter, and Christine Tavolacci, each contributing a composition blending accordion, voice, cello, clarinets, and flutes, with works exploring memory through tunings, divine visions, impermanent graphic scores, and micro-intervals to create dynamic, shifting sonorities and felt-time improvisation.

Matt Weston pushes the boundaries of percussion and improvisation, creating compositions that blend site-specific drum recordings, environmental soundscapes, and musique concrète techniques, exploring cavernous spaces, machine-like drones, and rapid editing as he crafts dynamic pieces in an innovative and captivating sonic experience.

The collaboration between sound artists Lee Noyes and Rasmus initiated during their 2021 residency at Elementstudion in Goteborg, blending feedback electronics to explore balance, restraint, and precision; navigating the unpredictability of their instruments, they use improvisation, negative space and perceptual phenomena to develop these fascinating compositions.

Highly-regarded Slovakian composer Adrian Demoč, known for his delicate and introspective approach to contemporary music, presents three chamber works: "Zamat," a 10-minute quartet for clarinet, bass clarinet, and cello exploring Korean unisons; "Gebrechlichkeit," a 25-minute string quartet; and "...o proton jasu...," a 30-minute piece commissioned by Another Timbre, for two clarinets, viola, and cello.

A double CD presenting five intricately composed works that blend systematic processes with an intuitive musicality: Apartment House performs three string-based studio pieces on the first disc, including the meticulously harmonic "Aurora" for solo cello, while the second disc features live recordings by Oerknal and Ensemble Ipse, showcasing spatial and textural explorations.

Drawing inspiration from the archives of philosopher Walter Benjamin, Zeena Parkins leads an extraordinary ensemble of experimental and avant-garde musicians — including William Winant, Tony Buck, Magda Mayas, and Joan La Barbara — in two intricate multi-part compositions that weave acoustic and electronic textures through improv, experimental, and contemporary forms.

The 6th album on Another Timbre from Canadian composer Linda Catlin Smith, a leading voice in contemporary chamber music, presents eight exquisite works performed by Apartment House, including the 1st recordings of three string quartets, alongside a violin duo, a clarinet quartet, an early string trio, a cello and piano duo, and a bass clarinet solo; evocative and deeply expressive artistry.

Assembling a world-class ensemble of 24 string players drawing from the Quartets JACK, Sirius, Flux, and Bergamot, here performing as SysOrk, Elliott Sharp's large-scale algorithmic composition provides simple instructions to the participants, creating a seething sonic tapestry of shifting, swirling tones and acoustic drones, exceptionally immersive and detailed.

Inspired by fireflies, birds, and the flow of the Hudson River while living in Germantown, NY, Elliott Sharp developed these compositions using traditional, graphic, & conceptual scores, presented here in a collage of sessions featuring Sharp on reeds & strings with Anthony Coleman, Nate Wooley, Shayna Dulberger, Hao Jiang, Terry L. Greene, Don McKenzie, Terry L. Green II, Sara Salomon, and Judith Insell.

A distinctive collaboration uniting writer Michel Houellebecq and composer Jean-Jacques Birgé, with Bernard Vitet providing orchestral compositions, recorded primarily in 1996 at Studio GRRR, this album merges Houellebecq's poetic prose, spoken in French, with Birgé's electronic textures, offering an immersive exploration of narrative and sound.

A retrospective spanning ten decades (1958-2018) celebrating Jean-Jacques Birgé's multifaceted career through compositions reflecting each era, blending archival recordings with new works through a remarkable ensemble of longtime collaborators, from brass and strings to electronics and voice; a sonic journey bridging past, present, and imagined futures with impressive orchestration and narrative.

The companion album to Sharp's Mandocello, a tour-de-force exposition of the mandocello, acoustic and electronic, an instrument evolving out of the 18th century mandalone into a louder instrument intended to take the bass role in mandolin ensembles, here with tributes to Srinivas, Yank Rachell, Alvin Lucier, Frank Wakefeld, Tiny Moore, Ira Louvin, and Benoit Mandelbrot.

Blending contemporary, orchestral, and electronic music with global cultural influences, Dominik Dolega presents 11 untitled "Memories" recorded as duets, featuring unconventional instruments like lithophones, stones, aluphone and the bassdesmophon, inviting listeners on a sonic journey that evokes personal emotions and memories through a rich global perspective.

An adventurous and magical dive into the depths of sound by Un Drame Musical Instantané, blending the theatrical and the instrumental through the trio of Jean-Jacques Birgé, Bernard Vitet, and Francis Gorgé alongside an ensemble of performers, presenting a five-movement suite inspired by 20,000 Leagues Under the Sea, ballet scenes, and cinematic miniatures.

A strikingly inventive work from Un Drame Musical Instantané, as Jean-Jacques Birgé, Bernard Vitet, and Francis Gorgé blend synthesizers, trumpet, guitar, voice, and unconventional instrumentation in a satire of television and religion, merging free improvisation, jazz, electronics, and contemporary composition into a provocative and unclassifiable sonic experience.

Blending the autonomous compositions of Nabaz'mob, his opera for 100 smart rabbits, with the vibrant naturalism of "Dawn at Shimiyacu", a field recording from Peru's Amazon rainforest, Jean-Jacques Birgé along with Antoine Schmitt juxtaposes minimalist robotic orchestrations with raw environmental soundscapes, creating a genre-defying exploration within his signature sonic universe.

Documenting a 1995 collaboration between Swiss improvisers Hans Koch, Martin Schütz, and Fredy Studer with Egypt's El Nil Troop, blending live and studio recordings of Egyptian folk music and European jazz improvisation into a dynamic, respectful and ecstatic fusion that preserves the essence of both traditions while adding inventive layers in a versatile and passionately energetic release.

Recorded in Berlin during the summer of 2022, this first collaboration between clarinetist Kai Fagaschinski and Beijing-based sound artist Yan Jun, blends clarinet, voice, and field recordings with objects and inventive sound sources in four pieces that dissolve boundaries between improvisation, composition, and experimental sound design, creating a dizzying, multilayered auditory experience.

The second volume in pianist and composer Claudio Sanna exploration of composers, improviser and experimenters from Sardinia, in a wonderfully diverse set of works and performances from Sanna himself, Anna Zeriotto (double bass), Federico Nicoletta (piano), Leoardo Zunica (piano), Sandro Mungianu (live electronics), and Paolo Pastorino (live electronics).

Based on samples from Gustav Mahler's symphonies, Christian Fennesz recorded these sublimely elegant "remixes" live at RadioKulturhaus, Vienna in 2011, one of three performances of this commissioned work performed with the visual artist Lillevan, and now on a double LP.

Celebrating her 65th birthday with her first compositions for strings, pianist-composer Satoko Fujii writes for the specific musicians of GEN, a sextet of violin, viola, bass, piano, electronics, and drums, in a suite inspired by Nagano's mountain views, leveraging microtonal string techniques for an expressive and texturally rich sonic landscape.

The JACK Quartet presents definitive interpretations of John Zorn's eight string quartets, composed between 1988-2017, in a two-disc album presenting Zorn's evolution through avant-garde techniques and deep musical traditions, with virtuosic performances of intricate works like "Cat O'Nine Tails", "Memento Mori", or "Necronomicon"; includes a 36-page booklet of notes, scores, and insights.

An intimate exploration of John Zorn's Bagatelles, featuring the seemingly telepathic cello duo of Erik Friedlander and Michael Nicolas in deeply expressive and intricately woven performances that reveal the emotional depth, sensitivity, and Zorn's adventurous compositional spirit, bridging composed forms with spontaneous improvisation for a nuanced and exciting chamber setting.

Recorded in 1980 under Ceausescu's dictatorship, this groundbreaking document of Romanian avant-garde music features Iancu Dumitrescu conducting his Ansamblul Hyperion ensemble in radical works by Dumitrescu, Octavian Nemescu, Stefan Niculescu, and Corneliu Cezar, blending acousmatic philosophies, Balkan resonances, and electronic experimentation in an unprecedented exploration of sound and structure.

Under his Arcane Device moniker, David Lee Myers revisits an unrealized collaboration with Tod Dockstader, deconstructing well-known classical works — primarily those of Bach — through sampling, stretching, looping, and computer-based processing, transforming familiar motifs into playful, shimmering, and immersive soundscapes inspired by Lucas Foss's Baroque Variations.

A delicate and introspective collaboration for violin, prepared piano, celesta, and electronics, Morgan Evans-Weiler and J.P.A. Falzone explore melodic cells and harmonic resonances through an open-ended, improvisatory approach, creating a drifting, structureless environment where sounds intertwine, constellate, and dissolve, capturing fleeting moments of sonic possibility.

Swiss composer Jürg Frey joins with the Prague Quiet Music Collective for three recent works exploring delicate tonal shifts, structural lists, and slow, evolving forms, balancing between consonance and dissonance, the ensemble — featuring clarinets, strings, guitars, double bass, and percussion — interprets Frey's subtly shifting frameworks with a deep sensitivity.

Reinterpreting the intricate polyphony of Renaissance composer Nicolas Gombert through the lens of contemporary music, composer James Weeks and the ensemble Apartment House replace choral voices with a varied instrumental ensemble to reveal the interwoven textures of these works, interspersed with new compositions that reflect on history, interpretation, and the evolving role of early music in a modern context.

Exploring time, memory, and perception, composer Bryn Harrison crafts an intricate sonic landscape for two pianos and electronics, performed with great precision by Mark Knoop and Roderick Chadwick, where dense, swirling repetitions give way to moments of eerie stillness, gradually descending into a murky, destabilizing space while immersing the listener in a hypnotic and disorienting temporal experience.

John Krausbauer and Kaori Suzuki create an immersive sonic and visual experience that merges high-frequency drones, shimmering glissandi, and multi-tracked custom synthesizers with real-time processing, inducing a state of deep listening and sensory saturation through harmonic resonance, auditory distortion, and psychotropic strobing color fields.

Reissuing their 1995 release on BVHAAST, the Pellegrini Quartet presents a striking juxtaposition of Beethoven's late string quartet, Op. 132, and Luigi Nono's Fragmente - Stille, an Diotima, revealing a profound dialogue between structural innovation and expressive depth, where Beethoven's introspective lyricism meets Nono's fragmented, textural modernism, spanning 155 years of musical evolution.

Blending vintage analogue synthesizers with resonant percussion, Chicago-based Rick Reger (The Margots) constructs an immersive electroacoustic soundscape that balances harmonic depth and atmospheric tension, sculpting evolving tonalities through Moog, Mellotron, Arp & VCS3 alongside gongs and singing bowls in a meditative and richly textured sonic exploration.

Collaborating with the ensemble Ordinary Affects, Serbian-born composer and pianist Stepančić records two introspective and spacious works that explore sonic stillness, harmonic resonance, and gradual transformation, blending Wandelweiser aesthetics with personal influences from Orthodox choral traditions, New York experimentalism, and theatrical composition.