Peter Ablinger's works for three pianos are made up of overlapping sound-layers, repeated octaves, and barely audible sounds made by fingers darting across keys; played by Hildegard Kleeb.

Four text scores composed by Ryoko Akama and performed by himself on VCS3 synthesizer with Bruno Duplant on percussion & tone generator and Dominic Lash on double bass, clarinet & laptop; four beautifully evolving and carefully paced works.

The Ensemble fur Neue Musik Zurich plays seven pieces by Swiss composer Dieter Ammann, each made through a very slow creative process that contrasts the very lively and gestural music.

Cellist and percussionist of Hyperion with regular guests Gustavo Aguilar and Tim Hodgkinson, and local musicians Nina Eidsheim and Phil Curtis.

Four performances of Iancu Dumitrescu & Ana-Maria Avram's iO String Quartet playing their compositions for string quartet & tape live in London, Brussels and Paris.

Electro-acoustic composers Ana-Maria Avram and Iancu Dumitrescu with large groups including the Hyperion Ensemble, plus Tim Hodginkson on clarinet, performing in Conway Hall, London in 2008.

Transcription of Soviet writer Isaac Babel's The Sin of Jesus into music by applying a rule system where words determine melody, letters determine rhythm & harmony, &c.

1949 recording of Bach's "Musical Offering", with conductor Hermann Scherchen leading soloists of the Berlin Radio Symphony in an arrangement written by Swiss organist Roger Vuataz.

In the second volume of their collaboration, Banabila and Van Geel explore further into their neo-classical mix of viola improvisations, ambient textures, minimal compositions, and modular experiments.

A compilation of tracks from the melodic side of string and electronic artist Michel Banabila, with two exclusive tracks, and collecting previous work with artists like Anton Goudsmit, Eric Vloeimans, Michel van Schie, Salar Asid, Anne Bakker, Mete Erker, Mehmet Polat, Yasar Saka, &c.

Composer Clarence Barlow, like Beethoven, builds his own labyrinths, brick by brick, and then searches for an escape by creating conceptual forms to get around the traps of time, tonality, and style.

Remastered ed. of the '93 release of Berio's "Folk Songs" and "Chamber Music", and Edison Denissow's "La Vie en rouge" performed by the Ensemble for New Music Zurich.

Ben Owen (electronics), Barry Chabala (guitar) and Dominic Lash premier Wandelweiser founder Antoine Beuger's work "s'approcher s'eloigner s'absenter" recorded at erstwhile's AMPLIFY 2011 at The Stone, NYC.

Composer Per Bloland blends custom built electronics with instrumental textures to create unique soundscapes, presenting 5 works performed by Ecce Ensemble Chamber Industrial in a release of vigorous electroacoustic and instrumental compositions.

Tim Brady in an extraordinary collaboration mixing his rhythmic, jazz-influenced chamber music with Australia's dynamic and virtuosic Topology ensemble.

Twelve pieces for guitar performed by Tim Brady, including three updated versions of previous pieces, new compositions by Brady, and four pieces composed by other artists.

Composer and guitarist Tim Brady in an ambitious project for a symphony in 5 movements for solo electric guitar, sampler, live electronics and a virtuoso chamber ensemble of 15 musicians.

AIMToronto (Association of Improvising Musicians Toronto) organized this concert for 18 AIMToronto members playing the music of American improv guru Anthony Braxton,

Remastered edition of Earle Brown's conducting debut with the Ensemble Avantgarde in Leipzig, presenting his proportional and graphic score "Event: Synergy II", along with 2 other works of distinctive structure.

A thoroughly modern and bizarre two-act opera about three struggling roommates in Brooklyn performed with Jason Cady, Mary Halvorson, Tomas Fujiwara, Jessica Pavone, Tim Dahl, Ben Holmes, Katie Young, &c.

Pianist Pi-Hsien Chen performs both the playful and quirky sonatas of Domenico Scarlatti juxtaposed to John Cage's I Ching developed compositions, "Music of Changes", which complement each other in unexpected and sublime ways.

21 years after visiting the sparse rock and sand garden Ryoan-ji (Peacful Dragon) in Kyoto he wrote this piece, here in a remastered and redesigned 2nd edition.

John Cage composed these 20 sonatas and "interludes" from 1946-1948, unique and inventive compositions for conventional and prepared piano, which noted Cage interpreter James Tenney recorded in 2002.

A nearly 5-hour long recording of Cornelius Cardew's work based on one of the 4 classic books of Confucian religion, and the first work to be referred to as minimalist, performed at Wigry in Sejny, 2010.

7 works by Greek composer Jani Christou performed by the Oakland Symphony Orchestra, Rundfunkorchester Hanover, NDR, Ensemble "musik unserer zeit", and Christou himself.

Composer Clara Maida's compositions performed by Ensemble Resonanz, Kammerensemble Neue Musik Berlin, Ensemble Orchestral Contemporain,Arditti String Quartet, &c.

Composer Aldo Clement's "Madrigale" performed by the Ives Ensemble in 1996-97.

Chamber compositions from Downtown NY pianist and composer Anthony Coleman performing with his ensemble "Survivors Breakfast", a large group of orchestral and improvisational colors.

An absolutely essential extension to the late Lindsay Cooper's discography, 2 CDs collecting rare works from projects and groups including recordings with Alfred Harth, Phil Minton, Robert Wyatt, David Thomas, Connie Bauer, Fred Frith, Chris Cutler, &c. &c.

Sound artist Stephen Cornford performs realtime feedback treatment of pianist Samuel Rodgers, creating tense and spacious sound works, intensifying Rodgers' sparse keyboard work.

Portuguese composer and pianist Simao Costa in an album of solo prepared piano in the style of John Cage, using transducers, speaker & objects, paced like a Morton Feldman composition, balancing tones and percussive sound in exquisite compositions.

Four composers - John Carisi, Eddie Sauter, Christian Wolff, and Stefan Wolpe - create a program of works with a measured balance in the interrelated and contrasting material.

Pianist Sylvie Courvoisier and violinist Mark Feldman in a quartet with Gerry Hemingway and Thomas Morgan, brilliant and graceful music blurring the lines between composition and improvisation.

A double CD of UK's experimental music ensemble Apartment House performing 14 chamber pieces composed by and under the supervision of Laurence Crane, beautiful and informed minimal work from a unique voice in modern composition.

Shofar, a ram horn, is the unifying sound in these experimental compositions performed by Alvin Curran, who also uses electronics, in a NY quartet with Arnold Dreyblatt (accordion), William Winant (large tam tam), Michael Riessler (clarinet).

Six compositions for chamber ensembles from composer Giuliano d'Angiolini, performed by Ensemble 2e2m, Quatuor Parisii, Franck Ollu, Pierre Roullier, Monique Bouvet, &c.

Sweden's Skogen returns with a beautiful work for chamber ensemble with Magnus Granberg, Angharad Davies, Toshimaru Nakamura, Ko Ishikawa, Anna Lindal, Henrik Olsson, Petter wastberg and Erik Carlsson, interpreting a piece by Anders Dahl using a 12 tone system.

The Delta Saxophone Quartet presents works by some of UK & Ireland's most original composers: Michael Finnissy, Mike Searby, Stephen Goss, Gerald Barry, and Tim Ewers.

A powerfully dense work, and a quiet and quirky piece for piano from pianist Demmier, whose song titles are quotations from the poem "One Island" by Robert Lax.

Five idiosyncratic compositions by English composer Frank Denyer with performers including The Barton Workshop, Elisabeth Smalt, Juliet Fraser, Kiku Day and Frank Denyer himself, using shakuhachi, voice, muted strings, percussion and an axe striking a block of wood.

25 chamber works composed by Montreal composer, multi-instrumentalist and improviser Jean Derome, presenting pieces from the wealth of projects he's involved in, including Dangereux Zhoms, Ensemble de flutes Alize, duos with Lori Freedmam, Quasar, quatuor de saxophones, &c.

A commissioned piece for Jean Derome by Montreal's O Vertigo dance troupe and their production "The Beast Within" that explores animalistic qualities in a dynamic mix of improvisation and composition.

Live electronic compositions from 1993-2005 by composer Agostino Di Scipio, using acoustic instruments and digital sound processing to create unusual and previously unheard sound worlds.

Composer and guitarist Andre Duchesne creates a soundtrack for the film Le Royaume ou l'Asile, by Jean and Serge Gagne, that brings the listener into a world of illusions.

New compositions performed by The Hyperion Ensemble, featuring Chris Cutler, Tim Hodgkinson, &c. from Spectrum 2006 and 2007, recorded in Paris, Geneva and Brussels.

Three works from Romanian composer Iancu Dumitrescu, and two from Ana-Maria Avram, recorded at the 6th edition of the Spectrum XXI Festival held in London, Paris, Berlin and Bucharest in 2011, presenting works gravitating around the "Spectral Music" nucleus.

Romanian electroacoustic composer Iancu Dumitrescu & Ana-Maria Avram's performed these 5 works in January, 2011 with their Contemporary Music Ensemble Israel conducted by both composers, with special guest Stephen O'Malley on guitar.

The 2nd CD of Romanian electroacoustic composer Iancu Dumitrescu & Ana-Maria Avram's performance with the Contemporary Music Ensemble Israel conducted by both composers, with special guest Stephen O'Malley on guitar.

Two works each from composers Iancu Dumitrescu and Ana-Maria Avram from a 2009 concert at Jerwood Hall as part of the LSO St Luke's London Festival Spectrum XXI, presenting 4 works, two using computer accompaniment, in ensembles including soloist Rane Moore and Tim Hodgkinson.

Bassist and composer Trevor Dunn with found soundtracks to films by Peter Bolte, Cameron Vale and Holly S. Neuberg, with players Chris Speed, Kenny Wollesen, Rob Burger, &c.

Composer Jason Eckardt presents "Subject", a work that confronts "enhanced interrogation" techniques using sound and light, plus other works including a 6 part piece about glossolalia ("Tongues"), performed by JACK, ICE, and the Oberlin Contemporary Music Ensemble.

UK Composer Michael Edwards wrote these quiet compositions using his "slippery chicken" software, originally written as a challenge to pianist Rei Nakamura, in contrast to his technical skills, instead requiring pensive accuracy over a steady line of quiet chords.

The Ensemble Fur Neue Musik Zurich perform the works of modern women composers: Katharina Rosenberger; Ada Gentile; Carmen Maria Carneci; Liza Lim; and Noriko Hisada.

Violinist Del Fabbro (Fanfare Pourpour, Rouge Ciel) present 13 pieces for up to ten players with Jean Derome, Pierre Tanguay in a melting pot of avant-rock & compositional forms.

Guitarist Falaise (Klaxon Gueule, Les Projectionnistes) in pieces that reference Aksak Maboul, Braxton, Beefheart, Donatoni, Les Granules, Nancarrow, Stravinsky, & Wyatt.