Four text scores composed by Ryoko Akama and performed by himself on VCS3 synthesizer with Bruno Duplant on percussion & tone generator and Dominic Lash on double bass, clarinet & laptop; four beautifully evolving and carefully paced works.

Transcription of Soviet writer Isaac Babel's The Sin of Jesus into music by applying a rule system where words determine melody, letters determine rhythm & harmony, &c.

1949 recording of Bach's "Musical Offering", with conductor Hermann Scherchen leading soloists of the Berlin Radio Symphony in an arrangement written by Swiss organist Roger Vuataz.

Ben Owen (electronics), Barry Chabala (guitar) and Dominic Lash premier Wandelweiser founder Antoine Beuger's work "s'approcher s'eloigner s'absenter" recorded at erstwhile's AMPLIFY 2011 at The Stone, NYC.

Composer Per Bloland blends custom built electronics with instrumental textures to create unique soundscapes, presenting 5 works performed by Ecce Ensemble Chamber Industrial in a release of vigorous electroacoustic and instrumental compositions.

Tim Brady in an extraordinary collaboration mixing his rhythmic, jazz-influenced chamber music with Australia's dynamic and virtuosic Topology ensemble.

Composer and guitarist Tim Brady in an ambitious project for a symphony in 5 movements for solo electric guitar, sampler, live electronics and a virtuoso chamber ensemble of 15 musicians.

7 works by Greek composer Jani Christou performed by the Oakland Symphony Orchestra, Rundfunkorchester Hanover, NDR, Ensemble "musik unserer zeit", and Christou himself.

Composer Clara Maida's compositions performed by Ensemble Resonanz, Kammerensemble Neue Musik Berlin, Ensemble Orchestral Contemporain,Arditti String Quartet, &c.

Chamber compositions from Downtown NY pianist and composer Anthony Coleman performing with his ensemble "Survivors Breakfast", a large group of orchestral and improvisational colors.

An absolutely essential extension to the late Lindsay Cooper's discography, 2 CDs collecting rare works from projects and groups including recordings with Alfred Harth, Phil Minton, Robert Wyatt, David Thomas, Connie Bauer, Fred Frith, Chris Cutler, &c. &c.

Portuguese composer and pianist Simao Costa in an album of solo prepared piano in the style of John Cage, using transducers, speaker & objects, paced like a Morton Feldman composition, balancing tones and percussive sound in exquisite compositions.

Pianist Sylvie Courvoisier and violinist Mark Feldman in a quartet with Gerry Hemingway and Thomas Morgan, brilliant and graceful music blurring the lines between composition and improvisation.

A double CD of UK's experimental music ensemble Apartment House performing 14 chamber pieces composed by and under the supervision of Laurence Crane, beautiful and informed minimal work from a unique voice in modern composition.

Shofar, a ram horn, is the unifying sound in these experimental compositions performed by Alvin Curran, who also uses electronics, in a NY quartet with Arnold Dreyblatt (accordion), William Winant (large tam tam), Michael Riessler (clarinet).

Six compositions for chamber ensembles from composer Giuliano d'Angiolini, performed by Ensemble 2e2m, Quatuor Parisii, Franck Ollu, Pierre Roullier, Monique Bouvet, &c.

Sweden's Skogen returns with a beautiful work for chamber ensemble with Magnus Granberg, Angharad Davies, Toshimaru Nakamura, Ko Ishikawa, Anna Lindal, Henrik Olsson, Petter wastberg and Erik Carlsson, interpreting a piece by Anders Dahl using a 12 tone system.

The Delta Saxophone Quartet presents works by some of UK & Ireland's most original composers: Michael Finnissy, Mike Searby, Stephen Goss, Gerald Barry, and Tim Ewers.

A powerfully dense work, and a quiet and quirky piece for piano from pianist Demmier, whose song titles are quotations from the poem "One Island" by Robert Lax.

Five idiosyncratic compositions by English composer Frank Denyer with performers including The Barton Workshop, Elisabeth Smalt, Juliet Fraser, Kiku Day and Frank Denyer himself, using shakuhachi, voice, muted strings, percussion and an axe striking a block of wood.

25 chamber works composed by Montreal composer, multi-instrumentalist and improviser Jean Derome, presenting pieces from the wealth of projects he's involved in, including Dangereux Zhoms, Ensemble de flutes Alize, duos with Lori Freedmam, Quasar, quatuor de saxophones, &c.

A commissioned piece for Jean Derome by Montreal's O Vertigo dance troupe and their production "The Beast Within" that explores animalistic qualities in a dynamic mix of improvisation and composition.

Live electronic compositions from 1993-2005 by composer Agostino Di Scipio, using acoustic instruments and digital sound processing to create unusual and previously unheard sound worlds.

Composer and guitarist Andre Duchesne creates a soundtrack for the film Le Royaume ou l'Asile, by Jean and Serge Gagne, that brings the listener into a world of illusions.

Bassist and composer Trevor Dunn with found soundtracks to films by Peter Bolte, Cameron Vale and Holly S. Neuberg, with players Chris Speed, Kenny Wollesen, Rob Burger, &c.

Composer Jason Eckardt presents "Subject", a work that confronts "enhanced interrogation" techniques using sound and light, plus other works including a 6 part piece about glossolalia ("Tongues"), performed by JACK, ICE, and the Oberlin Contemporary Music Ensemble.

UK Composer Michael Edwards wrote these quiet compositions using his "slippery chicken" software, originally written as a challenge to pianist Rei Nakamura, in contrast to his technical skills, instead requiring pensive accuracy over a steady line of quiet chords.

The Ensemble Fur Neue Musik Zurich perform the works of modern women composers: Katharina Rosenberger; Ada Gentile; Carmen Maria Carneci; Liza Lim; and Noriko Hisada.

Violinist Del Fabbro (Fanfare Pourpour, Rouge Ciel) present 13 pieces for up to ten players with Jean Derome, Pierre Tanguay in a melting pot of avant-rock & compositional forms.

Guitarist Falaise (Klaxon Gueule, Les Projectionnistes) in pieces that reference Aksak Maboul, Braxton, Beefheart, Donatoni, Les Granules, Nancarrow, Stravinsky, & Wyatt.

"Two Pianos" is one of Morton Feldman's most experimental and radical works, performed here by John Tilbury & Philip Thomas; plus lesser known works including 'Piece for Four Pianos', 'Between Categories', 'False Relationships and the Extended Ending' and 'Two Pieces for Three Pianos'.

The 2nd volume of "Music for Piano and Strings" by Morton Feldman is performed by The Smith Quartet with John Tilbury, presenting "Patterns In a Chromatic Field", and "Piano, violin, Viola, Cello", on DVD audio to allow for the length of these large works.

A series of brief guitar improvisations based on the visual art of Thomas Hornung, who creates chalk artwork that usually takes less than 1 minute to create.

Bass clarinetist Freedman, with help from pianist Brigitte Poulin, interprets the works of modern composers including Giacinto Scelsi, Georges Aperghis, Monique Jean, &c.

Amazing guitar and percussion duo on this first encounter between Frith and Glennie, recorded for the filming of Thomas Riedelsheimer's documentary Touch the Soundabout Scottis.

Classical chamber music from Fred Frith featuring virtuoso cellist Joan Jeanrenaud (Kronos), percussionist William Winant, pianist Stephen Drury, &c.

Three distinct commissions for dance performed by Frith & Carla Kihlstedt; Frith & Carla with Fred Guiliano & Gail Brand; and with Frith, Hande Erdem & Threresa Wong.

The idiosyncratic master of the guitar, this album is pure Fred Frith, playing solo acoustic guitar over a range of styles including classical, blues, folk, gypsy and free improvisation.

A hybrid acoustic tape piece of solo violin on four track tape, and a work for four violins, composed in 1974 by Harley Gaber, delicate pieces that he considered complements to his large work "The Winds Rise in the North".

Composer Harley Gaber wrote this piece for strings as an emotional examination of the questions posed by Taoist philosopher Chuang Tzu, here performed by a quintet including violinist Malcolm Goldstein.

Classical pianist Joana Gama and live electronic processing artist Luis Fernandes bridge compositional and experimental forms in this lyrical work, where Fernandes transforms, dissects, loops and otherwise mutates the Gama's playing in unexpected and elegant ways.

Seven recent works from UK composer Richard Glover, whose process music is based on the exposition of simple harmonic patterns which transform in deceptive ways, gradually altering the nature of the overall sonority.

A rare release from a pioneer of contemporary cross-platform composition, with Chris Cutler, The Icarus Ensemble, Sira and Boubacar Djebate, Johannes Bauer, Tiziano Popoli, &c. &c.

An album of beautiful and impressionist musical landscapes: 3 large works in several movements drawing on mythology, visual imagery, and a work for Charles Jencks Garden of Cosmic Speculation.

2 CDs of Canadian history put together by Normand Guilbeault that covers original compositions, native chants, gigues, reels, songs of the period, military marches and improvisation.

Ensemble Recherche plays chamber music pieces by Polish composer Roman Haubenstock-Ramati that are dynamically explosive and allow for the free communicating of the musicians.

A series of musical "mobiles" from European composer Roman Haubenstock-Ramati, sonic transformations of the visual experiences of Alexander Calder's dynamic sculptures.

Works from Volker Heyn, an outsider artist interested in acoustic process, tone gestures, friction, discontinuous movements, &c., with recordings by Pellegrini-Quartett, Ausfuhrende: Kammerensemble Neue Musik Berlin, &c.

Composer Martin Iddon in a work of new conceptual modes of music making, with a ritualistic approach building strange sounds and stange actions in dense layers and intense timbres that demand a unique physicality from the player.

Edition Rz's "Parallele" series in a spiral bound catalog and 2 CDs from the 2000 Berliner Festival Neuer Musik with compositions by Francois Donato, Tom Johnson, Christina Kubisch, Alvin Lucier, &c.

Pianist John Tilbury is captured with remarkable clarity by Sebastian Lexer as he performs works by composers Terry Jennings and John Cage (with Lexer on electronics); superb performances!

A compendium of compositions and improvisations from 2009-13 by undersea acoustician and audio engineer A.F. Jones, who uses stringed instruments and analog devices, hand-crafted and found, in works that emphasize structural components such as timbre, tone, or attack over form.

Six dense, mysterious and abstract electronic compositions created over a decade by German sound sculpture artist and composer Rolf Julius.

A studio project from the elusive violinist Eyvind Kang, featuring many of his musical associates as well as several orchestral ensembles from around the world.

2CD set with electronic and software-generated compositions by pioneer G.M. Koenig.

Recordings from the Elektronic Studio at the TU Berlin, the Studio of the Institut International de Musique Electroacoustique de Bourges, and at Patrick Kosk's own studio.

A beautiful 2 picture disc LP and booklet of radio plays (Horspiele) from sound artist and poet Ferdinand Kriwet, presenting 6 works including Hortext (radiotext) I, and Rotoradios I & II.

Austrian composer in a work for flute, viola, percussion, and voice aboout the inner state and flow we perceive when listening and concentrating on a piece of music.

Two compositions by the young Austrian composer/organist Klaus Lang, who currently lives in Berlin, Germany.

A 20-minute improvisation plus realisations of scores by the Wandelweiser composers Eva-Maria Houben & Taylan Susam, including an extraordinary outdoor performance of Houben's Nachtstuck for solo bass.

"The Tempo Machine" is a work written by Robert Marcel Lepage for the ensemble La Nef which explores three music-time paradoxes: passing time, running time, and slipping time.

Composer Liza Lim presents 3 lesser known works: "The Compass" for orchestra with solo parts for flute and didgeridoo; "Pearl, Ochre, Hair String" featuring a cello solo using a guiro bow; and "The Guest" written for recorder soloist Jeremias Schwarzer.

Although she has probably become known as one of Australia's best-known composers, Liza Lim's compositions undermine centuries-old Eurocentrism and are largely inspired by Asian culture.