Portuguese violinist Carlos "Zingaro" in a string trio work committed to reinventing chamber music through improvisation that bridges contemporary classical music.

Perhaps the most unique take on the Masada book, 4 female voices interpret eleven songs from Zorn's Book of Angels in beautiful and haunting a cappella.

This installment of Zorn's Filmwork series presents a charming and lyrical score created for renowned Russian animator Dimitri GellerÕs delightful animated parable The Rain Horse.

Twelve bizarre compositional miniatures for the blazing duo of Marc Ribot and Trevor Dunn, combining classical 12-tone lyricism with rock intensity and improvisational madness.

Inspired by the spiritual mythology of William Blake, this is part of Zorn's series of 21st century mystical works, alternately romantic, ominous, ecstatic, driving and meditative.

Revised version of this 2001 chamber work inspired by the remarkable worlds of Henry Darger, Lewis Carroll and Unica Zurn, remastered and resequenced with a new postlude.

2 studio compositions from Zorn: a ritualistic homage to Korean/American writer and conceptual artist Theresa Hak-Kyung Cha; and a mythic psychodrama inspired by the legendary Red Book of Carl Jung.

A beautifully packaged work performed by Sylvie Courvoisier, Iku Mori, Laurie Anderson, Jennifer Choi, Carol Emanuel & Shayna Dunkelman in Zorn's tribute to women in the Arts.

Two very different film scores for two very different movies: one, a French S/M erotica; and two, a documentary about the renovation of the Rijksmuseum in Amsterdam.

Three young virtuoso violinists perform two new major works by John Zorn - "Passagen" and "Ceremonial Magic" (reworked from his Rimbaud release) and a set of 12 miniatures for two violins, "Apophthegms".

An extended work drawing on the life and work of spiritual figure Georges Ivanovitch Gurdjieff in a work with Cyro Baptista's Banquet of the Spirit quartet and vibraphonist Kenny Wollesen.

3 pieces of magic and religious mysticism: a string trio-satanic counterpoint for the Witches' Sabbath written for the ICE Ensemble; a work for Shakespeare's "The Tempest"; and Chicago-based Fifth House Ensemble performing Zorn's mini piano concerto.

John Zorn draws on traditions from plainchant, mediaeval ars nova, Renaissance madrigals, 20th century vocal techniques and minimalism in an album for a cappella voice as performed by The Sapphites vocal quintet.

Zorn's sixth quartet is inspired by the hermetic Angelic actions of John Dee and is replete with the procedures of distillation, calcination, crystallization, sublimation, purification, rotation as well numerology, prayers, canons, contrapuntal complexity, &c.

The second volume documenting John Zorn's astonishing solo organ improvisations recorded in 2013 on the Aeloian Skinner organ at St. Paul's Chapel in New York City.

The second volume from the trio of Bill Frisell (guitar), Carol Emanuel (harp) and Kenny Wollesen (vibraphone, bells) playing Zorn's mystical compositions that leave room for improvisation.

Two new large works beautifully packaged with a thick booklet: "Visions of Dionysus" with Cyro Baptist and Kenny Wollesen; and "Cerebus" with Peter Evans, David Taylor and Marcus Rojas.

Three compositional works from Zorn: 1999's violin concerto "Contes de Faes"; and two intense pieces of "Crowleana", a bizarre and expansive solo piano piece and a work for 3 cellists.

The Ensemble Grizzana (Ryoko Akama, Mira Benjamin, Richard Craig, Emma Richards, Philip Thomas and Seth Woods) performs a series of delicate and beautiful chamber pieces by Swiss composer and clarinetist Jurg Frey, who also performs on clarinet.

Leading contemporary music ensemble Apartment House perform a new piece developing out of James Saunders's long-term modular project '#unassigned'; the new piece, "assigned #15" creates a mesmeric, dense, jungle-like soundworld across its 45 minutes duration.

Werner Dafeldecker and Valerio Tricoli re-interpret John Cage's 1953 compositions for 8 simultaneously played tapes, here examining the relationship between early tape music and current digital production, allowing for a larger work using approximately 2000 different sounds.

Flutist Leah Paul presents two engaging compositions in multiple movements, performed with a chamber ensemble of Chris Speed (reeds), Rob Jost (french horn), Sara Schoenbeck (bassoon), Peter Sachon (cello), Tanya Kalmanovitch (viola), Ben Kono (oboe) and Michel Gentile (flute).

The quartet of Cosottini, Melano, Pisani, Miano (EAQuartet Electroacoustic) in compositions referring to the 4 cardinal map points using graphic scores, games, open readings, &c.

Legendary trumpeter, composer and educator Bill Dixon in a 17 piece orchestra playing original compositions live at the 12th Vision Festival in New York City.

A selection of works by the great musical pioneer Robert Ashley performed by the Dutch Ensemble MAE directed by Yannis Kyriakides, including pieces written for the Ensemble MAE.

Beautiful string work and lovely and unusual vocals from the duo of Mary Halvorson & Jessica Pavone, music of "stark clarity and introspection."

Electronic music theater orchestrated by Yannis Kyriakides in collaboration with the Dutch musical theater group, VeenFabriek, that's centralized around the concepts of Spinoza's texts.

Limited color edition of guitarist Barry Chabala's interpretation of composer Pisaro's piece, instructing the performer on structure and pitch but allowing the precise timing and sound to the player; plus a reworking of Chabala's recording taking advantage of cassette hiss and sine tones.

Guitarist Barry Chabala's interpretation of composer Pisaro's piece, instructing the performer on structure and pitch but allowing the precise timing and sound to the player; plus a reworking of Chabala's recording taking advantage of cassette hiss and sine tones.

Guitarist Barry Chabala's interpretation of composer Pisaro's piece, instructing the performer on structure and pitch but allowing the precise timing and sound to the player; plus a reworking of Chabala's recording taking advantage of cassette hiss and sine tones.

Kare Kolberg was a pioneer of electroacoustic music in Norway, having written the first Norwegian work for computers in 1973; this CD presents works from 1969-2003 written for the Polish Radio Experimentral Studio, blending and expanding on concepts of concrete music.

A series of electroacoustic compositions from composer Slawomir Kupczak, combining the sounds of instruments via electronic means to create new hybrid sounds of alien character, released in carefully building works from near-minimal to unsettling eruptions of sound.

Composer Petit in an opus dealing with the dynamic of resonance and its incidences: a microphonic exploration of a single sound body made to resonate by means of different types of percussion, building a dramatic story from sampled and processed percussive elements.

Seven sonnets from William Shakespeare in a 50-minute song cycle that unfolds as an evocative journey using the perceptive words written in 1609 as a basis for compositions for quartet and countertenor, bringing depth and new appreciation to The Bard's sentiments.

A diverse set of radio compositions by three Warsaw artists from different fields of art -- Martin Masecki, Wojtek Zra ka-Kossakowski and Martin Lenarczyk -- who reconstruct and commemorate the memory of Poland's most famous composer, Frederic Chopin.

Eugeniusz Rudnik composes a tour-de-force of electroacoustic audio in a sound essay based on the soundtrack to Zuzanna Solakiewicz's award-winning movie "15 Corners of the World", reworked to stand alone as a stunning and thought-provoking audio work.

Acoustic hallucinations for violin and piano from the duo of violinist Erkki Veltheim and pianist Anthony Pateras, exploring spectral techniques throughout extended temporal structures to generate unrelenting harmonic waves that create a singular psycho-harmonic texture.

Taking their name from composer Guillaume de Machaut, Quentin Biardeau directs his saxophone quartet as they reinterpret his 1365 polyphonic mass "Messe de Nostre Dame", using the resonance of the the Abbey of Noirlac, France to enhance these beautifully paced compositions.

Five new or recent pieces from composer Jurg Frey, alongside his 1993 work "In Memoriam Cornelius Cardew", all performed by pianist Philip Thomas, presenting slowly unfolding compositions emphasizing the physical space and time within which sounds are situated.

Making extensive use of sampling and computer electronics, composer and guitarist Tim Brady combines a major work for 20 guitars on his debut record for Ambiances Magnetiques.

Jocelyn Robert's first release on Ambiances Magnetiques in a four-disc set that shows off his solo work and highlights the contributions from other artists who have worked with him through the years.

Tzadik's series reinterpreting John Zorn's Masada compositions releases the 24th "Book of Angels", performed by Klezmerson, a Mexico-based ensemble led by violist & composer Benjamin Shwartz, who founded the group in 2003 to integrate music from a Mexican standpoint.

The music of bassist Jason Roebke and his trio of guitarist Matthew Schneider and drummer Marcus Evan is rooted in the leader's solid bass work and the tasteful and informed lyrical freedom of his sidemen, as heard in this live performace Chicago's Hungry Brain.

Clarinetist Jeremiah Cymerman's solo work with clarinet, electronics and amplifier is a dark and aggressive work that mutates the potential of the single reed into a monstrous instrument of surprising properties.

An excellent quartet of 4 female improvisers creating mysterious landscapes, bizarre spaces and surprising topography using dual pianos, flute, melodica, trombone & alphorn.

Harpist Gabriele Emde began performing contemporary music by exceptional 20th century artists in the early 80s; in this collection recorded from 1985 to 1987 she presents one of Cage's "Landscape" pieces, a major work by Hans Otte, and several short pieces by Lou Harrison.

Works from Italian composer Clare Iannotta recorded from 2012 - 2014, including a work for string quartet composed for the DAAD artist-in-Berlin program titled "A Failed Entertainment" commissioned by Quaturo Diotima; plus 6 works for contemporary ensembles.

Tim Brady with Bradyworks and Quatuor Molinari in a CD/DVD release of four synchronized musical, video & theater works, ambitious and fascinating compositional pieces.

Michel F Cote, Bernard Falaise, Alexandre St-Onge, Christof Migone, and Sam Shalabi, all members of the excellent group Klaxon Gueule, in a minimalist release of improv.

Quartetski Does Stravinsky with drummer Isaiah Ceccarelli, guitarist Bernard Falaise, reedist Phillipe Lauzier, viole de gamaba player Pierre-Yves Martel and violinist Joshua Zubot reinterpret Stravinsky's Rite of Spring in honor of its 100th anniversary.

Necks pianist Chris Abrahams teams up with electronic artist and sound poet Alessandro Bosetti for 6 introspective and mysterious tracks that mix Necks-like playing with ambient electronics and curious monologs, plus one waltz.

Steelpan and electronics player and Amorfon label leader Yoshio Machida met the Serbian CINC band for these sophisticated and lovely post-rock pieces recorded in Belgrade, 2006.

Composer John Zorn presents two books of "Madrigals" scored for six acappella female voices, rich and seductive compositions intertwining voices in beautiful, electrifying and riveting ways through 10 works inspired by the 19th century British poetry of Percy Bysshe Shelley.

Antoine Beuger, Burkhard Schlothauer, Chico Mello, Jurg Frey, Kunsu Shim, Michael Pisaro-Liu, and Thomas Stiegler participate in this realization of Christian Wolff's compositions to make sounds or draw sounds out of stones, alone or with other surfaces, acoustically or amplified.

One composition each from Antoine Beuger and John Cage performed on the oboe by Kathryn Gleasman Pisaro; Beuger's work presents tones in regular intervals offset by silence; Cage's piece uses pitch and tone color with microtonal inflections, mutes and harmonic fingerings.

Antoine Beuger's minimalist work for American painter Marcia Hafif, known for her monochrome paintings, in 24 tonal works each 3 minutes long using stationary waves of eight frequencies from a different octave and punctuated by silence.

Edwin Alexander Buchholz performs this beautiful work by John Cage on accordion, originally written for the Japanese sho, where sounds are single tones and chords, up to six part harmonies, or as Cage wrote, "sounds brushed into existence as in oriental calligraphy".

Burkhard Schlothauer presents two works by John Cage written for septet, using indeterminacy in a score where each instrumental part is given twenty time brackets, allowing overlapping sounds which will be shaped depending on choices from each performer.

Composer Jurg Frey's 1988 work "String Quartet" realized by Nadia Francavilla, Clemens Merkel, Stephanie Bozzini and Isabelle Bozzini, exploring ideas of audibility: the moment when sound waves move in space and the air touches the body.

Carl Ludwig Hubsch (tuba); Ole Schmidt (bass clarinet); Chris Weinheimer (bass flute); Robert Schleisiek (piano); and Tom Lorenz (vibraphone) interpret Christian Wolff's composition based on "Union Maid", a song from the 1920's, transforming the work through temporal expansion.

Early compositions from John Cage performed on accordion by Edwin Alexander Buchholz and violin by Joanna Becker, presenting "Dream" (1948); "In a Landscape" (1948); "Six Melodies" (1950); and "Souvenir" (1983).

Jurg Frey on clarinet and Irene Kurka on soprano vocals perform Wandelweiser composer Antoine Beuger's extended composition "Two"; then the duo of Rhodri Davies on harp and Ko Ishikawa on sho are layered on the first recording, creating a refreshingly new take on the piece.

The duo Contour of Stephen Altoff (trumpet) & Lee Forrest Ferguson (percussion) perform Antoine Beuger's "dedekind duos" dedicated to mathematician Julius Wilhelm Richard Dedekind; and Jurg Frey's "22 Sachelchen" or "small things", 22 focused miniature compositions.

John McAlpine performs composer Tom Johnson's beautiful piano cycle "Counting Keys", using mathematical progressions to create the structure of its 5 movements; plus 8 parts from his "Organ and Silence for Piano"; and two other compositions using mathematical processes.