"Rachel Calloway brings versatility and compelling insight to stages worldwide. Her work has been praised by the New York Times for "penetrating clarity" and "considerable depth of expression" and by Opera News for her "adept musicianship and dramatic flair."

A dedicated interpreter of new music, Ms. Calloway has premiered hundreds of solo and chamber music works. Recent and upcoming premieres include music by Augusta Read Thomas, John Zorn, Robert Xavier Rodriguez, David Garner, Gabriela Lena Frank, Christopher Cerrone, and Annika Socolofsky. She collaborates with premiere ensembles including Third Coast Percussion, JACK Quartet, the Amernet Quartet, and Ensemble Signal. Ms. Calloway and her husband, violinist Ari Streisfeld, founded Duo Cortona, an ensemble dedicated to the creation and performance of new works for violin and voice.

She has appeared in concert with the Orlando Philharmonic, Los Angeles Philharmonic New Music Series, Charleston Symphony, the New York Philharmonic, Berkeley Symphony, Omaha Symphony, Ojai Festival, San Francisco Girls' Chorus, BAM Next Wave Festival, Bridgehampton Chamber Music Festival, Cal Performances, and Lincoln Center Festival. Ms. Calloway made her European operatic debut as Mrs. Grose in The Turn of the Screw at Opéra de Reims, Athénée Théâtre Louis-Jovet (Paris), and Opéra de Lille. She has performed with the late Lorin Maazel at the Castleton Festival in Virginia, and at Opera Philadelphia, Tulsa Opera, Central City Opera, Gotham Chamber Opera, The PROTOTYPE Festival, and the Glimmerglass Festival. She is also a founding member of Shir Ami, an ensemble dedicated to the performance, discovery and preservation of Jewish music.

Ms. Calloway serves on the faculty of the University of South Carolina as Assistant Professor of Voice and Director of Spark: Music Leadership at Carolina. She joined the faculty of the Cortona Sessions for New Music (Italy) in 2014 and Summer Performing Arts with Juilliard in 2016. Ms. Calloway holds degrees from The Juilliard School (BM) and Manhattan School of Music (MM) and can be heard on Albany Records, Tzadik Records, BCMF Records, and Toccata Classics."

"Mellissa Hughes enjoys a busy career in both contemporary and early music. a versatile, charismatic soprano endowed with brilliant technique and superlative stage instincts...indispensable to New York's new-music ecosystem" A dedicated interpreter of living composers, Hughes has worked closely with Julia Wolfe, Michael Gordon, David Lang, Steve Reich, Neil Rolnick, and has premiered works by David T. Little, Missy Mazzoli, Ted Hearne, Caleb Burhans, Christopher Cerrone, Jacob Cooper, and Frederick Rzewski, among others. In the classical concert hall she has performed Mozart's Vespers and Requiem under the baton of Sir Neville Marriner, Handel's Dixit Dominus with Sir David Willcocks, and the role of Dido under the direction of Andrew Lawrence King. Equally at home in front of a rock band, Hughes has received widespread acclaim in her role as lead vocalist of Newspeak, an amplified alt-classical band, and for her work with Missy Mazzoli's Victoire. In the 2013/14 season, Hughes continues touring with John Zorn for Zorn@60 celebrations, singing his "Madrigals" and "Earthspirit" in Jerusalem, Paris and at Alice Tully Hall in New York (having sung the works last season in Montreal, Ghent, Warsaw, at the Barbican in London, and at the Guggenheim New York.) She also stars in Jonathan Berger's double bill opera, Visitations, in a Beth Morrison Production/HERE production for Protoype 2014 at Roulette, led by Christopher Rountree. Other highlights include a recital with pianist Lisa Moore for Kettle Corn New Music, and Bach cantatas with Julian Wachner and Trinity Wall Street."