The Squid's Ear Magazine


Petit, Philippe : Ear Me In (Bolt)

Composer Petit in an opus dealing with the dynamic of resonance and its incidences: a microphonic exploration of a single sound body made to resonate by means of different types of percussion, building a dramatic story from sampled and processed percussive elements.
 

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product information:

Personnel:



Philippe Petit-composer, performer


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Label: Bolt
Catalog ID: BR 1030
Squidco Product Code: 21103

Format: CD
Condition: New
Released: 2015
Country: Poland
Packaging: Cardboard Gatefold
No recording data listed.

Descriptions, Reviews, &c.

"Ear me in... opens and our perception is broadened by a multitude of sound-creatures, multicolored shadows struggling within the forest of our mind. Back in 2005 when Bernard Parmegiani came in the South of France because one of his major work was spatialized in a festival, I spent some time with him doing an interview for Radio Grenouille and enjoyed learning a lot from our discussions.

Being a huge fan of his compositions, and especially of his magnificent "De Natura Sonorum", I decided to start working on an opus dealing with "Dynamic of the resonance and its incidences": a microphonic exploration of a single sound body made to resonate by means of different types of percussion. A friend percussionist allowed me to spend some time in his studio recording his various instruments and thus I was able to play with Timpani, Tubular Bells, Marimba, Wind Chimes, Castanets, Bass Drums, Gong, Gamelans, Balafon, and some other Hand Drums + my own amplified wood tablet.

After a few days creating a soundbank which would serve as the basis for an album, I started processing, playing with frequencies, pitch, juxtaposing, toying up with tessitures, resonances, paying the utmost attention to details, ambitus and creating dynamics. Processing through Max-MSP patches or GRM Tools mostly relying on the transformation technique of Fourier's harmonic analysis and spectral resynthesis, splitting a soundwave into its component frequencies and phases, manipulating those and then mashing them all back together again. Those electroacoustic behaviors are obviously dealing with minutiae and extreme attention to sound, its interactions and incidences, but still work on sound events creating tension, drama, building up images, a story rather than an acousmatic sound-to-sound approach."-Bolt


Artist Biographies

"I studied Electroacoustic music at the CNRR Conservatory where I specialised in multi-channelled diffusion (Acousmatic spatialisation) and Modular Synthesis. Using Buchla System 200, Serge 73/75 and a modified EMS Synthi A analog Synthesizers to create my "Electronic abstractions" and Plastic sound-objects.​Sculpting sound like a craftsman, without restraint or sometimes "on the tip of the hands", I am interested in the importance of the compositional gesture, to favor the live touch without repetitions, by impulse, in a very corporeal way. VISCERALITY !

also play various instruments or devices, though most notably a Prepared Piano-Soundboard + an Electric Psalterion + Hackbrett Cymbalum + Guitars + turntables as well as Theremin + Soline and Roland Fantom G6 synths and computer to build up electronic layers, process acoustic and field recordings.​On top of those, I like to move various glasses, pieces of wood, stones, or percussive objects, as well as taking advantage of vinyl material to fondle released sounds engraved on unique vinyls in order to manipulate them manually on stage.

Relying on electricity/amplification to produce, manipulate, work on sound-material, but trying my best to explore various genres and make sure that each of my albums differs from the previous one, trying to avoid routine and surprise my listeners.

Not musically trained/educated I lie outside the Classical genre but my scores incorporate traditional classical components in a predominantly unconventional manner which recently allowed me to being asked by Iancu Dumitrescu & Ana Maria Avram to join forces as a soloist in their Hyperion Ensemble + being invited by Jean-Paul Dessy (Musiques Nouvelles ensemble) and Raoul Lay (Ensemble Télémaque) to become in charge of electronics/turntables in their ambitious E. C. O. (European Chamber Orchestra) formation comprising of 33 soloists...

Fortunate enough to work with what people call a dream-team of collaborators: joining Lydia Lunch, Murcof, The European Contemporary Orchestra (E.C.O.), Mark Cunningham (MARS), Cindytalk, Orkest De Ereprijs, Audrey Chen, Mia Zabelka, Iancu Dumitrescu's Hyperion Ensemble, Stephen O'Malley, Yannick Barman, PAS or Faust onstage and-or in studio.

Besides I did some recordings with: Eugene Robinson (Oxbow), Edward Ka-Spel (Legendary Pink Dots), Simon Fisher Turner, Kumo, Scott McCloud (Girls Against Boys), Cosey Fanni Tutti (Throbbing Gristle), My Brightest Diamond, Sybarite, Foetus, Pantaleimon, Graham Lewis (Wire), Barry Adamson, Andy Diagram, Scanner, Machinefabriek, Mira Calix, Kammerflimmer Kollektief, Justin K. Broadrick, James Johnston (Gallon Drunk/Bad Seeds/Faust), ASVA, Jarboe, Jad Fair, Martin Dupont and many more...

I am also the founder (w/ Hervé Vincenti) of the international collective Strings Of Consciousness

A journalist for various magazines and radio DJ since 1983, as well as a musical activist, I have celebrated 35+ years of sharing/transmitting my musical passions.Since the early 2000s I have been introduced as a " musical travel agent " and been performing the world, playing festivals all over Europe, Russia, Poland, Canada, USA, Mexico, Australia & Asia... Feeling lucky to release on several international labels such as Oscillations, Aural Terrains, Opa-Loka, Southern UK, Monotype, Alrealon Musique, Beta Lactam Ring, Sub Rosa, HomeNormal, Important, HelloSquare, Public Eyesore, Utech, Staubgold, etc...(see the section "Friends/Collaborators" above in the Menu bar for a detailed list + links).

I like to perform in galleries or other atypical (non-musical) places and acts like a sonographer. Thus my sound-designs have been heard for various F.R.A.C. in France, and also internationally, most notably in MOMA (New York), MACBA (Barcelone), E_Werk/Transmediale (Berlin), Center for Contemporary Arts (Glasgow), Galerie Moderno (Leeds), Ars Electronica (Linz), Synch Festival (Athèns), Société des Arts Technologiques (Montréal), Recycl'ART (Bruxelles), "Transcultural Mapping" @ RIXC from Riga, "Numeris Causa" Biche de Bere Gallery (Paris), Sintesi (Citta Della Scienza - Naples), Arborescence (Aix-en-Provence), Instituto Cultural Poblano (Puebla - Mexico), Eléctron (Genève), Alfa Art Gallery (New-York), CocART - CSW (Torun - Pologne), M.A.K. (Vienne), Reina Sofia National Museum (Madrid), Borusan Center For Arts (Istanbul), Tranzit Art Gallery (Bucharest), or Art-O-Rama the rendez-vous for Contemporary Art in France...

I am aso the man behind the cult labels Pandemonium Rdz. and BiP_HOp."

-Philippe Petit Website (http://www.philippepetit.info/)
3/13/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.


Track Listing:



1. Ear Me In 21:52

2. Slowly The Door Creaks Open... 22:51

Related Categories of Interest:


Compositional Forms
Electro-Acoustic
Electroacoustic Composition
New in Compositional Music
Percussion & Drums
Acoustmatic Electronic Composition

Search for other titles on the label:
Bolt.


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