"Cellist Jay Campbell has been recognized around the world for approaching both old and new works with equally probing curiosity and emotional commitment. His performances have been described as "brilliant and insatiably inquisitive", "electrifying", and "prodigious" by the New York Times, and "gentle, poignant, and deeply moving" by the Washington Post. A recipient of the prestigious Avery Fisher Career Grant, Jay performed with the New York Philharmonic in 2013 and was a curator for the New York Philharmonic's 2016 Biennale. He has soloed in major venues around the globe including Carnegie Hall's Stern Auditorium, Avery Fisher Hall, and Lucerne's KKL and performed recitals in Carnegie's Weill Hall, the Kennedy, Mondavi, and Krannert centers. Dedicated to introducing audiences to the music of our time, Jay has worked closely with some of the most creative minds of the 20th/21st centuries including Pierre Boulez, Elliott Carter, Matthias Pintscher, Kaija Saariaho, and countless others from his own generation. His close association with John Zorn has resulted in over a dozen works written for him including The Aristos, a Pulitzer Prize runner up ­­resulting in the release of Hen to Pan (Tzadik), listed in the New York Times Best Recordings of 2015. Forthcoming discs in '16/17 include George Perle's cello concerto with the Seattle Symphony and Ludovic Morlot, a disc of Beethoven, Debussy, Stravinsky and Pintscher (Victor Elmaleh Collection), and a disc of works commissioned for Jay by David Fulmer (Tzadik). Also beginning in 2017, Jay will be the cellist of a new piano trio with violinist Stefan Jackiw and pianist Conrad Tao. He has been a guest at the Marlboro, Chamber Music Northwest, Moab, Heidelberger­Fruhling, DITTO, and Lincoln Center festivals."

"Ross Karre is a percussionist and temporal artist based in New York City. His primary focus is on combining media, including classical percussion performance, electronics, theater, moving image, visual art, and lighting design. He designs integrated, moving images that emerge from an aesthetic foundation in American experimental music as well as that of the European avant garde. Ross is a percussionist and the co-artistic director for the International Contemporary Ensemble (ICE).

His projection design has been presented in such prestigious venues as the BBC Scotland (Glasgow Concert Halls), The Park Avenue Armory, Miller Theatre (NYC), and the National Gallery of Art (Washington, DC), and the Kennedy Center. As a percussionist, he has worked closely with European masters such as Pierre Boulez, Helmut Lachenmann, Chaya Czernowin, Olga Neuwirth, and Harrison Birtwistle. Karre has been a percussionist and staff member of the International Contemporary Ensemble (ICE) since 2011 and also performs regularly with Third Coast Percussion (Chicago), red fish blue fish, and the National Gallery of Art new music ensemble.

Using his background as a percussionist, production manager, and projection designer, Ross is active as a production coordinator and designer of several intermedia operas and staged works by Ashley Fure, Pauline Oliveros, Suzanne Farrin, and many more. He has collaborated as a producer/designer on the world's largest scale productions at the Park Avenue Armory, Holland Festival, Ojai Festival, and Lincoln Center.

As a teacher, Ross is a regular guest lecturer and clinician on topics ranging from contemporary percussion and media to arts administration and professional development. He has been invited to return to his alma maters of Oberlin Conservatory, UCSD, and Interlochen Arts Academy as well as the Eastman School, Bard College, the Carnegie Hall Professional Training Workshops, and dozens more. Ross has organized several unique university residencies for the International Contemporary Ensemble at RPI, Kent State, MacAlester, the University of Michigan and other institutions in South America and Europe.

As a traveling artist, Ross has presented work at nearly every major festival in Europe and the United States including those in Lucerne, Darmstadt, Holland Festival, Ojai Festival, Mostly Mozart, Aspekte Festival (Austria), Eight Bridges (Cologne), Rotterdam, Reykjavik, Copenhagen, Banff (Canada), Mona Foma (Tasmania), Far North (Greenland), and the Park Avenue Armory.

In 2011, Ross commenced two major archiving projects which seek to document and distribute recorded performances of hundreds of artist-clients all of the world. The rKAD media collective and metafields​.org have become vital parts of the contemporary music scene by preserving and proliferating the important works of emerging and established artists."

"Kevin McFarland is a member of Ensemble Signal and has made guest appearances with Alarm Will Sound, the International Contemporary Ensemble, and the Wordless Music Orchestra. He also composes, with recent performances by mezzo-soprano Abby Fischer as part of her ABSYNTH project and by Hutchins Consort East with whom he also plays the tenor violin. He sometimes distributes electronic music under various monikers which are only quasi-secret. He is also active as a solo artist, both as interpreter of new works for solo cello as well as improviser. He made his solo cello and electronics debut at The Stone in 2014. Kevin holds a Bachelor's Degree from the Eastman School of Music, where he studied cello with Steven Doane and composition with David Liptak, Robert Morris, and Ricardo Zohn-Muldoon. His article "Second-Generation Interpretation of Xenakis' String Quartets" can be found in Performing Xenakis published by Pendragon Press. He currently calls three places home: Brooklyn, NY is his home base; Lancaster, PA is his hometown; and Denver, CO is his home away from home with his partner and two dogs."

"Christopher Otto studied composition at the Eastman School of Music with Martin Bresnick, David Liptak, and Robert Morris. As a violinist, Christopher has premiered many compositions and worked with such composers as Harrison Birtwistle, Pierre Boulez, Helmut Lachenmann, and Steve Reich. Christopher has participated as composer and performer in such contemporary music festivals as the Lucerne Festival Academy, Internationale Musikinstitut Darmstadt, Karlheinz Stockhausen Courses, Institute and Festival for Contemporary Performance at the Mannes College of Music, June in Buffalo, and Festival Internacional de Música Contemporánea de Michoacán."

"Called "wholesome-looking" by the New York Times, violist John Pickford Richards has gained a reputation for performing new and unusual music. Before playing in JACK, he was a founding member of the ensemble Alarm Will Sound, allowing him to work closely with composers such as John Adams, Meredith Monk, and Steve Reich at venues such as Carnegie Hall, Lincoln Center, and the Holland Festival. John has appeared with bands such as the All-American Rejects, Silversun Pickups, and Grizzly Bear and has performed as soloist with the Pasadena Symphony, Armenian Philharmonic, Wordless Music Orchestra, Ossia New Music, and with the Lucerne Festival Academy Orchestra playing the solo part to Luciano Berio's Chemins II under the direction of Pierre Boulez. He holds degrees from the Interlochen Arts Academy and Eastman School of Music where his primary teachers were David Holland and John Graham."

"Wendy Richman has been celebrated internationally for her compelling sound and imaginative interpretations. As a soloist and chamber musician, she has performed at Carnegie Hall, Lincoln Center Festival, Metropolitan Museum of Art, Miller Theater, Mostly Mozart Festival, Park Avenue Armory, Phillips Collection, and international festivals in Berlin, Darmstadt, Helsinki, Hong Kong, Karlsruhe, Morelia, and Vienna. Former violist of The Rhythm Method string quartet, Wendy is a founding member of the New York-based International Contemporary Ensemble (ICE).

Hailed by The New York Times and The Washington Post for her "absorbing," "fresh and idiomatic" performances with "a brawny vitality," Wendy collaborates closely with a wide range of composers. She presented the U.S. premieres of Kaija Saariaho's Vent nocturne, Roberto Sierra's Viola Concerto, and a fully- staged version of Luciano Berio's Naturale. Upon hearing her interpretation of Berio's Sequenza VI, The Baltimore Sun commented that she made "something at once dramatic and poetic out of the aggressive tremolo-like motif of the piece."

Though best known for her interpretations of contemporary music, Wendy enjoys performing a diverse range of repertoire. She regularly performs with NYC's Orpheus Chamber Orchestra and has collaborated with fortepianist Malcolm Bilson, the Claremont and Prometheus Trios, and members of the Cleveland, Juilliard, and Takács Quartets. She has also been a frequent guest with the viola sections of the Atlanta Symphony, Minnesota Orchestra, and St. Louis Symphony.

Wendy is on the string faculty of New York University (NYU Steinhardt), where she teaches viola, chamber music, and a class on extended string techniques. She has also held teaching positions at the University of Tennessee, University of Alabama, and Cornell University, as well as NYU Summer Strings, Walden School Summer Young Musicians Program, Sewanee Summer Music Festival, and Music in the Mountains Conservatory.

Wendy earned degrees from Oberlin Conservatory (BM), New England Conservatory (MM), and Eastman School of Music (DMA). She studied viola with Carol Rodland, Kim Kashkashian, Peter Slowik, Jeffrey Irvine, and Sara Harmelink, and voice with Marlene Ralis Rosen, Judith Kellock, and Mary Galbraith.

Her debut solo album, vox/viola, was released in 2019 on New Focus Recording's TUNDRA imprint."

"Praised for his "dazzling performance" by the New York Times, violinist Ari Streisfeld has quickly established himself as a leader in contemporary classical music. In addition to his work with JACK, he frequently performs with today's leading contemporary music ensembles, including Ensemble Signal and Worldless Music Orchestra. Streisfeld is also a member of Shir Ami, an ensemble dedicated to the performance and preservation of Jewish art music. Hailed as "imaginative" by the Los Angeles Times, Streisfeld's arrangements of madrigals and motets for string quartet by Machaut and Gesualdo have been performed to acclaim both at home and abroad. A recipient of the Morton Gould Young Composer Award, Streisfeld most recently premiered his arrangements for voice and violin at The Stone (New York) and the Cortona Sessions for New Music (Italy) alongside critically acclaimed mezzo-soprano Rachel Calloway. A passionate and committed music educator, Streisfeld serves on the faculty of New York's Special Music School, Face the Music, and the Cortona Sessions for New Music (Italy). As a soloist, he has performed with the Kennett Symphony Orchestra and the Northwestern Philharmonia. Streisfeld performed the Berg Violin Concerto with the Boston University Symphony Orchestra as winner of the 2006 Boston University Concerto Competition. Streisfeld attended the Eastman School of Music (Bachelor of Music), Northwestern University (Master of Music), and Boston University (Doctor of Musical Arts). He has recorded for Mode, Albany, Carrier, Innova, Canteloupe, and New World Records."