Part of Relative Pitch's extraordinary solo series, fascinatingly creative improviser from Bogota, Colombia, multi-reedist Maria Valencia, was inspired by old naturalist manuals, imagining these 16 succinct improvisations where each piece reveals moments of nature in locations between the town of Sutatausa (Colombia) and the mountains of Banff (Canada).
In Stock
Quantity in Basket: None
Log In to use our Wish List
Shipping Weight: 2.00 units
Sample The Album:
Personnel:
Click an artist name above to see in-stock items for that artist.
Descriptions, Reviews, &c.
Maria Valencia-alto sax, Bb clarinet, bass clarinet, toy piano, cymbal, percussion
Click an artist name above to see in-stock items for that artist.
UPC: 5904224871963
Label: Relative Pitch
Catalog ID: RPRSS024
Squidco Product Code: 33978
Format: CD
Condition: New
Released: 2023
Country: USA
Packaging: Cardboard Gatefold
Recorded at Valentine Studio, Banff Centre for Arts and Creativity, in Banff, Canada, in July 2022, by Maria Valencia.
"Compendio de Alofonias Abisales" was imagined between the town of Sutatausa (Colombia) and the mountains of Banff (Canada). Intuitively, it was recorded in July 2022 during an artistic residency at the Banff Centre for Arts and Creativity. Inspired by old naturalist manuals, the pieces that make up this recording are fleeting sound taxonomies that ambiguously reveal the movements of the wind, the play of the martens, the dance of the spiders, the hyperactivity of the kestrels, the incredible floating life of the neustonic communities and the random melodies woven by the Toches (icterus chrysater), small dorsidorated birds that inhabit the Colombian Andes."-Relative Pitch
Artist Biographies
• Show Bio for Maria Valencia "Saxophonist, clarinetist, improviser and composer from Bogota, Colombia. Performer in: Meridian Brothers, MULA, Tortuga Alada, VienTox, Hurakán Orkan, Asdrubal, La Resbalosa, Mirlitorrinco, Trío Lesión and Curruncho, among others. Artist in residence at Périscope (2020) & Banff Centre for Arts and Creativity (2022)." ^ Hide Bio for Maria Valencia
4/24/2024
Have a better biography or biography source? Please Contact Us so that we can update this biography.
Track Listing:
1. Neuston 3:09
2. Marantus Volans 1:33
3. Cernicaloide 1:46
4. Martes Martes 3:31
5. Variaciones De Parientes 5:35
6. Las Aranas Tambien Miden El Viento 1:19
7. Movimientos Del Plancton 3:00
8. Intermedio 1:04
9. Amarillos 3:08
10. Medallas De Copas Arboreas 2:35
11. Strigiforme I 3:05
12. Strigiforme II 2:59
13. Strigiforme III 2:42
14. Strigiforme IV 2:21
15. Piedra Angular Hacia la Montana 4:02
16. Viene Alrededor de Las 4_ Oropendola 7:49
Improvised Music
Jazz
Free Improvisation
Recordings by or featuring Reed & Wind Players
Mexico, Central & South Americas + Islands
Solo Artist Recordings
New in Improvised Music
Search for other titles on the label:
Relative Pitch.
Other Recommended Releases:
Customers Who Bought This Item Also Bought:
 | Wright, Jack What Is What (Relative Pitch) |
| Improviser, influencer and world traveler performing with exceptional players in interesting situations, saxophonist Jack Wright is heard in four solo improvisations that support the description of his wide vocabulary on the horn: "leaping pitches, punchy, precise timing, sharp and intrusive multiphonics, surprising gaps of silence, and obscene animalistic sounds". | |
 | Schouten / Courtois / Doronzo / Janssen VOSTOK: Remote Islands (Relative Pitch) |
| Inspired by Judith Schalansky's book "Atlas of Remote Islands: 50 islands I never set foot in and never will", the debut of the chamber improvising trio of Fie Schouten on clarinet & basset horn, Vincent Courtois on cello and Guus Janssen on piano, organ, harmonium & harpsichord reflect on these pristine and untouched areas of the earth in sublimely sophisticated conversation. | |
 | Alcorn, Susan / Septeto del Sur Canto (Relative Pitch) |
| Recording in Maria Pinto, Chile, steel guitarist Susan Alcorn combines Chilean folk and nueva cancion with free improvisation and contemporary classical in an expansive set of 5 original compositions and a group arrangement of the Victor Jara's "El Derecho de Vivir en Paz", the achingly beautiful themes paying tribute to the victims of Augusto Pinochet's regime. | |
 | Greenstone, Madison Resonance Studies in Ecstatic Consciousness (Relative Pitch) |
| Exploring the resonant properties inside a Bb clarinet caused by overtones, overblowing and other unusual reed techniques, Switch~ Ensemble clarinetist Madison Greenstone generates ten studies of extreme yet tremendously controlled anomalies on the single reed, each piece a masterwork of control in the extremities of unexpected sonic expression. | |
 | Nebbia, Camila Una Ofrenda A La Ausencia (Relative Pitch) |
| Working in her native Buenos Aires, Argentina and in Berlin, tenor saxophonist Camila Nebbia (Habitable Records) presents sixteen succint, diverse and authoritative solo recordings captured in the studio in Bueno Aires, a mix of assertive harmonic statements and lyrical, often introspective works, at times narrating over her playing or adding effects. | |
 | Vergara, Benjamin The Impossibility Of A Single Sound (Relative Pitch) |
| A "subterranean homage to trumpet players of the caliber of Don Cherry, Bill Dixon, Miles Davis, Lester Bowie, Tomasz Stanko, Wadada Leo Smith, Jaimie Branch and Chet Baker", in six improvisations of unusual technique and creative concept from Chilean trumpeter Benjamin Vergarda, known for his work with Fred Frith, Keefe Jackson, &c, and director of the Festival of Experimental Music Relincha. | |
 | Jessen, Kyle Primitive (Relative Pitch) |
| An album of cathartic release in five solo saxophone improvisations from Omaha, Nebraska reedist Kyle Jessen, aggressive and angst-filled expositions that reflect anger and isolation, but also powerful statements of technical skill and personal expression, from the brutal "Death Trap" to the more introspective explorations of "Poltergeist"; exactingly purgative. | |
 | Bogacz, Santiago / Emiliano Aires Retrato Anos Despues (Relative Pitch) |
| With nine years of work together, the Uruguayan duo of guitarist Santiago Bogacz, aka Matador, and clarinetist Emiliano Aires have developed a near-telepathic dialog of sharp-edged interactions through technically rapid exchanges and plateaus of anxious reserve; exhilarating work heard here in 9 vehement and creatively urgent improvisations. | |
 | Malfon, Don Mutable (Relative Pitch) |
| Using multiphonics, extended techniques and an intuitive sense of drama and narrative, Barcelona alto and baritone saxophonist Don Malfon takes his listeners on an 8-part journey of "Mutable" solo performances, using every inch of his horn (including inserting resonant objects), his body, tongue and breath to investigate the outer limits of his instruments. | |
 | Abdou, Sakina Goodbye Ground (Relative Pitch) |
| An incredibly well-rounded musician on sax and flute, performing in both improvised and contemporary settings including Dedalus Ensemble and work with Etron Foun drummer Guigou Chenevier, here Sakina Abdou presents a series of solo saxophone improvisations recorded at her home in Lille, France, drawing on all of her influences in eight informed performances. | |
 | Garcia, Violeta FOBIA (Relative Pitch) |
| The second album from Argentinian cellist, composer and improviser Violeta Garcia, exploring the amplified, prepared, expanded and extended violoncello through 15 succinct solo expositions in an album that she describes as a "very hyper-sensitive monster", using unconventional, extended and sometimes terrifying technique amidst powerful creative expression. | |
 | Foster, Michael The Industrious Tongue (Relative Pitch) |
| It's not just the tongue that drives these compellingly irascible and unexpected sounds from the saxophone, augmented at times by samples and oscillators, as NY saxophonist Michael Foster applies technique beyond extended to a tenor and soprano saxophone, in two multi-part works of solo utterance: "Libidinal Fragments" in seven parts, and "Celluloid Nightmares" in two. | |
 | Grimal, Alexandra Refuge (Relative Pitch) |
| Recorded using the natural resonance from the base of a stone double spiral staircase in the Castle of Chambord, France, improvising soprano saxophonist Alexandra Grimal explores her own personal language and the affect the ambience brings to her adept playing, through beautifully melodic lines, long arpeggiations, or short bursts of penetrating utterance. | |
 | Burnett, Aaron Correspondence (Relative Pitch) |
| Known for his ensemble The Big Machine with Peter Evans, Carlos Homs, &c., NYC saxophonist Aaron Burnett steps out for a solo album of intense improvisatory exploration, demonstrating his background in classical saxophone studies that fuels an ardent intensity in personal expression, a tremendous balance between technique and passion. | |
 | Lee, Robbie Prismatist (Relative Pitch) |
| With a history of both improvisation and rock, NY saxophonist and sound artist (Creature Automatic, Love As Laughter) concentrates on the sopranino saxophone in this solo album, performing acoustic feats of impressive technical skill, and on many tracks performing with tuning forks and live electronics, sequenced in a compelling journey of contrasts and wonder. | |
 | Rogers, Erin 2000 Miles (Relative Pitch) |
| Focusing intently on multiphonics and long-form statements on the saxophone, the second solo album from Canadian-American saxophonist based in New York City, Erin Rogers, is a tour-de-force of unusual language on the instrument, exploring every inch from the reeds to the pads in manners uniquely harrowing, ingenious, awe-filled, unorthodox, and always inspired. | |
 | Garcia, Violeta / Chris Pitsiokos Uanmortaim (Relative Pitch) |
| From fractured and fragmented to assertively raw improvisation in the unusual pairing of saxophone and cello from Chris Pitsiokos on alto and Argentinian cellist Violeta Garcia, using intense approaches to their instruments in a reactive set of 11 concise dialogs, a well-matched meeting of innovative improvisers uniquely responding to and clearly enjoying an eccentric conversation. | |
 | Estamos Trio People's Historia (Relative Pitch) |
| Taking song titles from the Arawak language, the Estamos Trio of Thollem McDonas (piano), Milo Tamez (drums) and Carmina Escobar (voice & electronics) brings together artists from the Mexican/U.S. border, creating beautiful creative works. | |
Customers Who Bought This Item Also Bought:
 | Gayle, Phillip Mammoth Flower (Public Eyesore) |
| A psychedelic set of recordings based around the guitar work of Philip Gayle, improvised, recorded, and layered into diverse experiments in sound and performed on banjo, bass, cello, door, guitars, mandolin, percussion, piano, toy piano, voice, ukulele and waterphone, with guests including saxophonist Shogo Ohshima and vocalists Shizka Ueda, Omusubisan and Fuuchan. | |
 | Butcher / Prevost High Laver Levitations Vol 1: Unearthed (Matchless) |
| Long-time collaborators and iconoclastic improvisers, drummer Eddie Prévost and saxophonist John Butcher, met at All Hallows Church, in High Laver, Essex in 2023, using the natural ambience of the space to capture these three improvisations, Prévost playing primarily on a drum kit and both in a more jazz-oriented sax and drum duo, extended by both players' exceptional technique. | |
 | Lamb, Catherine / Kristofer Svensson Translucent Harmonies - two duos for violin and viola, performed by andPlay (Another Timbre) |
| The New York-based andPlay duo of violinist Maya Bennardo and violist Hannah Levinson perform two extended works commissioned for their performance series, Translucent Harmonies: first an acoustic rendering of Catherine Lamb's "Prisma Interius VIII (Melodic Duo)"; then Kristofer Svensson's work of contrasts, surprises, modulations, and transformations. | |
 | Lamb, Catherine Parallaxis Forma (Another Timbre) |
| Two works for voice and chamber orchestra performed by the UK Explore Ensemble under the direction of Nicholas Moroz, and a multi-tracked vocal work by Lotte Betts-Dean, rich and understated works of rich harmonics and atmospheric overtones composed by Catherine Lamb, placing phonetic vocals in space and ambiance, eschewing words for tone, texture and motion; mesmerizing. | |
 | Coleman, Ornette Trio At The Golden Circle Stockholm, Revisited (ezz-thetics by Hat Hut Records Ltd) |
| Reissuing and remastering both volumes from saxophonist, trumpeter and violinist Ornette Coleman's 1966 Blue Note album of his 1965 performance at the Golden Circle in Stockholm, Sweden in a trio with double bassist David Izenzon and drummer Charles Moffett, two days of exceptional concerts and the first example of Ornette's violin playing on any recording. | |
 | McLean, Jackie One Step Beyond To New And Old Gospel, Revisited (ezz-thetics by Hat Hut Records Ltd) |
| Pushed on by new approaches to jazz as the be-bop era ended, alto saxophonist and composer Jackie McLean assembled a new quintet including soon-to-be Miles drummer Tony Williams to record One Step Beyond, here remastered and matched with his 1967 quintet album New and Old Gospel that included Ornette Coleman on trumpet and Coleman drummer Billy Higgins; two exceptional albums "revisited". | |
 | Stoffner, Florian / John Butcher / Chris Corsano Braids (ezz-thetics by Hat Hut Records Ltd) |
| With incredible skill and nuance, using extended and stunning technique, and through intent listening of nearly telepathic communication, the trio of Florian Stoffner on guitar, John Butcher on tenor & soprano saxophones and Chris Corsano on drums & half clarinet, perform seven subtle and detailed improvisations live at Le Singe, in Biel/Bienne, Switzerland in 2022. | |
 | Wastell, Mark Pre-Existing Commitments (Hundred Years Gallery) |
| During cellist and Confront label-leader Mark Wastell's 2022 residency at the East London Hundred Years Gallery he recorded four solo recordings, using his acutely creative approach to the strings in unique ways for each recording, which he then layered in the studio without edits to create this wildly and often psychedelically stochastic orchestral work. | |
