The Squid's Ear Magazine
Squidco Used CD sale - save 20%!



Wright, Jack: What Is What (Relative Pitch)

Improviser, influencer and world traveler performing with exceptional players in interesting situations, saxophonist Jack Wright is heard in four solo improvisations that support the description of his wide vocabulary on the horn: "leaping pitches, punchy, precise timing, sharp and intrusive multiphonics, surprising gaps of silence, and obscene animalistic sounds".
 

Price: $13.95



Quantity:

In Stock

Quantity in Basket: None

Log In to use our Wish List
Shipping Weight: 2.00 units

Sample The Album:





product information:

Personnel:



Jack Wright-tenor saxophone, alto saxophone, soprano saxophone


Click an artist name above to see in-stock items for that artist.




UPC: 5904224871697

Label: Relative Pitch
Catalog ID: RPR1162
Squidco Product Code: 34203

Format: CD
Condition: New
Released: 2023
Country: USA
Packaging: Cardboard Gatefold
Recorded in March, 2023, by the artist.

Descriptions, Reviews, &c.

"There is a delicacy and a passionate hardness, stripped bare of cloying sentiment. Its rawness is the exuberance of sound overflowing, basking in its self-created luxury.... It is, every bit of it, composed the same moment you hear it."-Relative Pitch



This album has been reviewed on our magazine:

The Squid
The Squid's Ear!

Artist Biographies

"Jack Wright was born Pittsburgh PA in 1942 and grew up around Philadelphia and Chicago. He began playing saxophone in 1952, with private instruction; also singing in groups large and small through 1964, including a blue grass trio (playing washtub bass), which recorded an album, "Undertaking Bluegrass." After this he ceased playing music. He attended Lafayette College in Easton PA, where he studied European history and literature and graduated 1964; Johns Hopkins University, MA in European history, 1972; taught history at CCNY in NY and then Temple U. 1967-72, after which he left the academic world. In this latter period he was involved in left politics, organizing mainly on a community level, and began to become involved with music again.

Described twenty years ago as an "undergrounder by design," Jack Wright is a veteran saxophone improviser based mainly in Philadelphia. He has played mostly on tour through the US and Europe since the early 80s in search of interesting partners and playing situations. Now at 72 he is still the "Johnny Appleseed of Free Improvisation," as guitarist Davey Williams called him in the 80s, on the road as much as ever. And he continues to inspire players outside music-school careerdom, playing sessions with visiting and resident players old and new. His partners over the years are mostly unknown to the music press, and too numerous to mention. He's said to have the widest vocabulary of any, including leaping pitches, punchy, precise timing, sharp and intrusive multiphonics, surprising gaps of silence, and obscene animalistic sounds. A reviewer for the Washington Post said, "In the rarefied, underground world of experimental free improvisation, saxophonist Jack Wright is king"."

-Jack Wright Website (http://www.springgardenmusic.com/jackbio.html)
4/24/2024

Have a better biography or biography source? Please Contact Us so that we can update this biography.


Track Listing:



1. What Is Soprano 12:25

2. What Is Alto 16:08

3. What Is Tenor 11:55

4. What Is More Soprano 9:06

Related Categories of Interest:


Improvised Music
Free Improvisation
Jazz
NY Downtown & Metropolitan Jazz/Improv
Recordings by or featuring Reed & Wind Players
Solo Artist Recordings
New in Improvised Music

Search for other titles on the label:
Relative Pitch.


Recommended & Related Releases:
Other Recommended Releases:
Duthoit, Isabelle / Franz Hautzinger
Dans le Morvan
(Relative Pitch)
French free vocalist Isabelle Duthoit and world traveling improviser and Zeitkratzer trumpeter Franz Hautzinger continue their collaborations at GMEA Centre National de Creation Musicale, in Albi, France to record these 11 unusual duos, using outrageous technique and inexplicable intent to create aberrant accompaniments to your most subtle and frightening dreams.
Buck, Tony / Mark Nauseef
Mongrels
(Relative Pitch)
Using a wide assortment of guitars (electric, baritone, arch top acoustic, bass) + monochord, waterphone & zulu bells, Necks drummer and multi-instrumentalist Tony Buck joins with percussionist Mark Nauseef performing on bells and gongs for seven exotic improvisations rich in overtones, microtonal movement, ringing harmonics and hybrid motion.
Schouten / Courtois / Doronzo / Janssen
VOSTOK: Remote Islands
(Relative Pitch)
Inspired by Judith Schalansky's book "Atlas of Remote Islands: 50 islands I never set foot in and never will", the debut of the chamber improvising trio of Fie Schouten on clarinet & basset horn, Vincent Courtois on cello and Guus Janssen on piano, organ, harmonium & harpsichord reflect on these pristine and untouched areas of the earth in sublimely sophisticated conversation.
Valencia, Maria
Compendio de Alofonias Abisales
(Relative Pitch)
Part of Relative Pitch's extraordinary solo series, fascinatingly creative improviser from Bogota, Colombia, multi-reedist Maria Valencia, was inspired by old naturalist manuals, imagining these 16 succinct improvisations where each piece reveals moments of nature in locations between the town of Sutatausa (Colombia) and the mountains of Banff (Canada).
Greenstone, Madison
Resonance Studies in Ecstatic Consciousness
(Relative Pitch)
Exploring the resonant properties inside a Bb clarinet caused by overtones, overblowing and other unusual reed techniques, Switch~ Ensemble clarinetist Madison Greenstone generates ten studies of extreme yet tremendously controlled anomalies on the single reed, each piece a masterwork of control in the extremities of unexpected sonic expression.
Jessen, Kyle
Primitive
(Relative Pitch)
An album of cathartic release in five solo saxophone improvisations from Omaha, Nebraska reedist Kyle Jessen, aggressive and angst-filled expositions that reflect anger and isolation, but also powerful statements of technical skill and personal expression, from the brutal "Death Trap" to the more introspective explorations of "Poltergeist"; exactingly purgative.
Centazzo, Andrea
U.S.A. Concerts [VINYL]
(Ictus)
Five concerts from percussionist and Ictus label leader Andrea Centazzo's 1978 US tour, performing in a duo with percussionist Alex Cline; in a trio with LaDonna Smith (violin) and Davey Williams (guitar); and in a quintet with John Zorn (saxophone), Tom Cora (cello), Toshinori Kondo (trumpet), Eugene Chadbourne (guitar) and Polly Bradfield (violin).
Malfon, Don
Mutable
(Relative Pitch)
Using multiphonics, extended techniques and an intuitive sense of drama and narrative, Barcelona alto and baritone saxophonist Don Malfon takes his listeners on an 8-part journey of "Mutable" solo performances, using every inch of his horn (including inserting resonant objects), his body, tongue and breath to investigate the outer limits of his instruments.
Abdou, Sakina
Goodbye Ground
(Relative Pitch)
An incredibly well-rounded musician on sax and flute, performing in both improvised and contemporary settings including Dedalus Ensemble and work with Etron Foun drummer Guigou Chenevier, here Sakina Abdou presents a series of solo saxophone improvisations recorded at her home in Lille, France, drawing on all of her influences in eight informed performances.
Pitsiokos, Chris
Art of the Alto
(Relative Pitch)
Each of the eight tracks on NY saxophonist Chris Pitsiokos' 2nd solo release for Relative Pitch is named for a type of stone--"Obsidian", "Feldspar", "Anthracite", &c.--each a unique take on its mineral counterpart through incredible technique and concentration, taking the alto saxophone into extreme or reflective territory complementing the nature of each element.
Foster, Michael
The Industrious Tongue
(Relative Pitch)
It's not just the tongue that drives these compellingly irascible and unexpected sounds from the saxophone, augmented at times by samples and oscillators, as NY saxophonist Michael Foster applies technique beyond extended to a tenor and soprano saxophone, in two multi-part works of solo utterance: "Libidinal Fragments" in seven parts, and "Celluloid Nightmares" in two.
Grimal, Alexandra
Refuge
(Relative Pitch)
Recorded using the natural resonance from the base of a stone double spiral staircase in the Castle of Chambord, France, improvising soprano saxophonist Alexandra Grimal explores her own personal language and the affect the ambience brings to her adept playing, through beautifully melodic lines, long arpeggiations, or short bursts of penetrating utterance.
Burnett, Aaron
Correspondence
(Relative Pitch)
Known for his ensemble The Big Machine with Peter Evans, Carlos Homs, &c., NYC saxophonist Aaron Burnett steps out for a solo album of intense improvisatory exploration, demonstrating his background in classical saxophone studies that fuels an ardent intensity in personal expression, a tremendous balance between technique and passion.
Lee, Robbie
Prismatist
(Relative Pitch)
With a history of both improvisation and rock, NY saxophonist and sound artist (Creature Automatic, Love As Laughter) concentrates on the sopranino saxophone in this solo album, performing acoustic feats of impressive technical skill, and on many tracks performing with tuning forks and live electronics, sequenced in a compelling journey of contrasts and wonder.
Rogers, Erin
2000 Miles
(Relative Pitch)
Focusing intently on multiphonics and long-form statements on the saxophone, the second solo album from Canadian-American saxophonist based in New York City, Erin Rogers, is a tour-de-force of unusual language on the instrument, exploring every inch from the reeds to the pads in manners uniquely harrowing, ingenious, awe-filled, unorthodox, and always inspired.
Wright, Jack
As If Anything Can Be The Same
(Relative Pitch)
Acclaimed free improvising saxophonist Jack Wright is joined by his son Ben on double bass for these exceptional duos that balance space and color through extended techniques and an impecable sense of timing.
Morris, Joe
Perpetual Frontier The Properties of Free Music [BOOK]
(Riti Publishing)
Joe Morris wrote this book to discuss aspects of free music, including responses to his questionnaire written by Joe McPhee, William Parker, Jamie Saft, Ken Vandermark, Marilyn Crispell, Nate Wooley, Jack Wright, Matthew Shipp, &c.



Customers Who Bought This Item Also Bought:
ErikM / vrrrbitch
L'Horizon des Evenements
(Tour de Bras)
Like aberrant robots chattering, French sound artist ErikM and Czech multi-instrumentalist Petr Vrba aka vrrrbitch developed these compositions to function like vocal conversations of extreme discourse, set over effected synthetics, disruptions, dark rhythmic pulses and inexplicable sonic digressions, in seven powerfully compulsive quasi-conversations.
Frequency Distasters (Beresford / Magaletti / Martino)
Naize
(Confront)
An expressive piano trio from Steve Beresford on piano, Italian-born, UK-based drummer/percussionist Valentina Magaletti, and Italian Bassist Pierpaolo Martino, Beresford using piano preparations, electronics & toys to expand the palette of their instrumentation, all three bringing a wealth of experience in jazz, free improv and experimental sound to their solid conversations.
Bailey, Derek / Simon H. Fell
At Sound 323 [VINYL 180gm WHITE 2 LPs]
(Confront)
The full performance of legendary improvising guitarist Derek Bailey's 2001 exhilarating duo with bassist Simon H. Fell at Sound 323, originally released as a mini-CD and voted record of the year in 2002 by The Wire, then released on CD and now as a deluxe 2 LP set on 180gm White Vinyl.
Lash, Dominic / Stale Liavik Solberg
Hey Kye
(Confront)
John Butcher mastered this live recording immaculately captured by Alex Ward at the Vortex in London in 2022 between two exceptional free improvisers, Dominic Lash on electric guitar and Ståle Liavik Solberg on drums & percussion, their three-part dialog sliding in and out of jazz, non-idiomatic and experimental modes in quick-witted and masterful exchanges.
New Old Luten Trio (Petrowsky / Pauer / Lillinger)
Trident Juncture
(Euphorium)
The last concert with late German saxophonist and wind-player Ernst-Ludwig Petrowsky, aka Luten Petrowsky, and his decade-long run with the New Old Luten Trio of younger generation improvisers, pianist Elan Pauer (aka Oliver Schwerdt) and drummer/percussionist Christian Lillinger, for a nearly 1-hour energetic performance at naTo, in Leipzig in 2016, "... And A Cutie for Good Bye".
Perelman, Ivo / Nate Wooley / Mat Moran / Matt Maneri / Fred Lonberg-Holm / Joe Morris
Seven Skies Orchestra [2 CDs]
(Listen! Foundation (Fundacja Sluchaj!))
A rare setting for tenor saxophonist Ivo Perelman in a larger ensemble: an exemplary sextet with trumpeter Nate Wooley and vibraphonist Matt Moran over a string section of Fred Lonberg-Holm on cello, Joe Morris on bass and Mat Maneri on viola, recording a ten-part work sans drums or piano, allowing fascinating new orchestral possibilities performed with utmost creative mastery.
Tabbal, Tani Quartet (w/ McPhee / Bisio / Siegel)
Intentional
(Mahakala Music)
Drummer with some of the most significant of free jazz icons--Roscoe Mitchell, David Murray, Henry Threadgill, Anthony Braxton, &c.--Tani Tabbal's own trio with fellow New Yorkers Michael Bisio on bass and Adam Siegel on alto sax are joined by Joe McPhee on tenor sax, with compositions from each of Tabbal, Bisio and Joe McPhee, plus four collective improvisations.
Brice, Olie / Rachel Musson / Mark Sanders
Immense Blue
(West Hill Records)
From the fertile London free improv scene comes this substantial concert recorded at the Vortex Jazz Club in 2022 by the trio of Olie Brice on double bass, Rachel Musson on tenor saxophone and Mark Sanders on drums, three highly compatible players from two generations of improvisers in three extended improvisations of energetic free jazz balanced by contemplative exploration.
Gush (Gustafsson / Sandell / Strid)
Afro Blue
(Trost Records)
Recorded in 1998 but sounding absolutely modern, exuberant and often explosively inspired, this live recording at Jazzclub Fasching in Stockholm brings the then 10-year collaboration of drummer Raymond Strid, pianist Sten Sandel and saxophonist Mats Gustafsson to ecstatic heights, bridging free jazz forms and rendering Coltranes "Afro Blues" with intense passion.



The Squid's Ear Magazine

The Squid's Ear Magazine

© 2002-, Squidco LLC