Welcome to Squidco!
Edit Your Shopping Cart

   Squidco Home
   About Squidco
   My Account
      Log Out
   Checkout

   Artist List
   Label List
   eMail List
   Rewards
   Staff Picks
   Current Email Update
   Used Albums
   Top Sellers
   Gift Certificates
   The Squidco Blog
   Contact Us

Release Formats    ∇
Featured Genres    ∇
Instrumental Forms    ∇
Orchestration    ∇
Miscellaneous    ∇




The Squid's Ear Magazine

Rogers, Erin

2000 Miles

Rogers, Erin: 2000 Miles (Relative Pitch)

Focusing intently on multiphonics and long-form statements on the saxophone, the second solo album from Canadian-American saxophonist based in New York City, Erin Rogers, is a tour-de-force of unusual language on the instrument, exploring every inch from the reeds to the pads in manners uniquely harrowing, ingenious, awe-filled, unorthodox, and always inspired.
 

Price: $13.95

Quantity:

In Stock
Quantity in Basket: None

Log In to use our Wish List
Shipping Weight: 3.00 units

EU & UK Customers:
Discogs.com can handle your VAT payments
So please order through Discogs

Sample The Album:





Product Information:

Personnel:



Erin Rogers-saxophone

Click an artist name above to see in-stock items for that artist.


UPC: 5902249003826

Label: Relative Pitch
Catalog ID: RPRSS005
Squidco Product Code: 31081

Format: CD
Condition: New
Released: 2021
Country: USA
Packaging: Cardboard Gatefold
Recorded by the artist.
Descriptions, Reviews, &c.

Artist Biographies

"Based in New York City, Erin Rogers is a Canadian-American composer, saxophonist, and performance artist dedicated to new and experimental music. Named a "rising star" (Broadway World), her music has been described as "whimsical, theatrical" (Brooklyn Vegan), "a wild ride" (An Earful), and "so complex, it's primitive." (Pittsburgh Post-Gazette). Her work explores the intersection of chamber music, sound alchemy, and theatre, moving freely between acoustic and electronic worlds, with performances at Lincoln Center, Carnegie Hall, Roulette, The Knockdown Center, MATA Festival,Ecstatic Festival, Prototype Festival, Nief-Norf Summer Festival, wasteLAnd, and internationally, at the Centro Nacional de las Artes (Mexico City), Resonanzraum (Hamburg), Círculo de Bellas Artes (Madrid); NyMusikk Bergen (Norway), Edmonton Fringe Festival (Canada), Splendor (Amsterdam), and the World Saxophone Congress in St. Andrews, Scotland. Crossing genres, from theatre-to-installation-to-silence, through collaborations with Orange Theatre, Panoply Performance Laboratory, Harvestworks, Experiments in Opera, Decoder, and Music for Contemplation, Rogers' music has been featured on the French Quarter Festival (New Orleans), Continuum Music Festival (Memphis), Charlotte New Music Festival, SPLICE Festival (Kalamazoo), Bowling Green New Music Festival, Foro Internacional de Musica Nueva Manuel Enriquez (Mexico City) and the mise-en Festival (NYC). She has performed with the International Contemporary Ensemble, Talea, Copland House, and wildUp, and is co-artistic director of the experimental performance ensembles: thingNY, New Thread Saxophone Quartet, Hypercube, and Popebama."

-Erin Rogers Website (http://www.erinmrogers.com/biography/)
12/9/2025

Have a better biography or biography source? Please Contact Us so that we can update this biography.


Track Listing:
Related Categories of Interest:


Improvised Music
Free Improvisation
Jazz
Recordings by or featuring Reed & Wind Players
Solo Artist Recordings
NY Downtown & Metropolitan Jazz/Improv
Canadian Composition & Improvisation

Search for other titles on the label:
Relative Pitch.

Recommended & Related Releases:
Porter, Katie
Conversation No. 1 / Collecting Rocks from the Places We've Been
(Relative Pitch)
A deeply introspective solo endeavor from New York bass clarinetist Katie Porter, blending live playing with layers of previously recorded bass clarinet for a slow-moving, richly textured improvisation; the artist creates an intimate, deep-register conversation that unfolds with emotional subtlety and immersive soundscapes.
Williams, Jamison
The Lesser Key of Solomon-Bael
(Relative Pitch)
Appropriately recorded at Le Sauvage Cathedral in France, the region name dating to the legend of a wild woman who only ate raw meat, had a double row of teeth, lived under a rocky promontory and was buried by a landslide, as baritone saxophonist Jamison Williams darkly burns in an extended improvisation of outside technique while referencing the Lemegeton, a 17th century book of magic.
Baczkowski, Steve
Cheap Fabric
(Relative Pitch)
Recording on a vintage reel-to-reel tape deck in his own warehouse living room during a lunar eclipse, saxophonist Steve Baczkowski (Brandon Lopez Trio, Buffalo Suicide Prevention Unit, Ensemble MIA) captures thirteen explorations on tenor and baritone saxophones, plus a homemade wind instrument, for an intimately challenging album of outrageous technique and overtones.
Rave, Ada
In Search Of A Real World
(Relative Pitch)
A collection of sonic poems & images that are inspired by her search for a 'real world' — more tangible and less virtual — presented by Argentinian saxophonist based in Amsterdam, Ada Rave, performing on tenor, soprano & sopranino saxophones with differing preparations for each improvisation, while also being influenced by the native music of the Mapuche people and Argentinian folk music.
Salvo, Sofia
ROTAROTA
(Relative Pitch)
Berlin-based, Buenos Aires-born saxophonist Sofia Savlo takes listeners on a tour of eight improvisations performed on the low pitched baritone saxophone, using great control & tone augmented by multiphonics and extended techniques, "rotating" through unusual approaches while engaging listeners through expressive narratives, including emulating a drunken revery.
Gibson, Yedo
Conic Tube
(Relative Pitch)
Born in São Paulo, Brazil and working in Amsterdam and Lisbon, and also part of the London Improvisers Orchestra, Yedo Gibson unleashes an album of solo improvisation on the soprano and tenor saxophones, his "conic tubes" which he uses to express the potential to change environment and energy through technically impressive, expressive playing.
Wright, Jack
What Is What
(Relative Pitch)
Improviser, influencer and world traveler performing with exceptional players in interesting situations, saxophonist Jack Wright is heard in four solo improvisations that support the description of his wide vocabulary on the horn: "leaping pitches, punchy, precise timing, sharp and intrusive multiphonics, surprising gaps of silence, and obscene animalistic sounds".
Valencia, Maria
Compendio de Alofonias Abisales
(Relative Pitch)
Part of Relative Pitch's extraordinary solo series, fascinatingly creative improviser from Bogota, Colombia, multi-reedist Maria Valencia, was inspired by old naturalist manuals, imagining these 16 succinct improvisations where each piece reveals moments of nature in locations between the town of Sutatausa (Colombia) and the mountains of Banff (Canada).
Greenstone, Madison
Resonance Studies in Ecstatic Consciousness
(Relative Pitch)
Exploring the resonant properties inside a Bb clarinet caused by overtones, overblowing and other unusual reed techniques, Switch~ Ensemble clarinetist Madison Greenstone generates ten studies of extreme yet tremendously controlled anomalies on the single reed, each piece a masterwork of control in the extremities of unexpected sonic expression.
Nebbia, Camila
Una Ofrenda A La Ausencia
(Relative Pitch)
Working in her native Buenos Aires, Argentina and in Berlin, tenor saxophonist Camila Nebbia (Habitable Records) presents sixteen succint, diverse and authoritative solo recordings captured in the studio in Bueno Aires, a mix of assertive harmonic statements and lyrical, often introspective works, at times narrating over her playing or adding effects.
Vergara, Benjamin
The Impossibility Of A Single Sound
(Relative Pitch)
A "subterranean homage to trumpet players of the caliber of Don Cherry, Bill Dixon, Miles Davis, Lester Bowie, Tomasz Stanko, Wadada Leo Smith, Jaimie Branch and Chet Baker", in six improvisations of unusual technique and creative concept from Chilean trumpeter Benjamin Vergarda, known for his work with Fred Frith, Keefe Jackson, &c, and director of the Festival of Experimental Music Relincha.
Jessen, Kyle
Primitive
(Relative Pitch)
An album of cathartic release in five solo saxophone improvisations from Omaha, Nebraska reedist Kyle Jessen, aggressive and angst-filled expositions that reflect anger and isolation, but also powerful statements of technical skill and personal expression, from the brutal "Death Trap" to the more introspective explorations of "Poltergeist"; exactingly purgative.
Malfon, Don
Mutable
(Relative Pitch)
Using multiphonics, extended techniques and an intuitive sense of drama and narrative, Barcelona alto and baritone saxophonist Don Malfon takes his listeners on an 8-part journey of "Mutable" solo performances, using every inch of his horn (including inserting resonant objects), his body, tongue and breath to investigate the outer limits of his instruments.
Abdou, Sakina
Goodbye Ground
(Relative Pitch)
An incredibly well-rounded musician on sax and flute, performing in both improvised and contemporary settings including Dedalus Ensemble and work with Etron Foun drummer Guigou Chenevier, here Sakina Abdou presents a series of solo saxophone improvisations recorded at her home in Lille, France, drawing on all of her influences in eight informed performances.
Shiraishi, Tamio
Moon
(Relative Pitch)
Known for his resonant solo alto saxophone work, often recording with the New York City subways, this album presents ten unusual duos between Tamio Shiraishi and improvisers on piano, voice, cello, electronics, bass, guitar and sax, with Tim Dahl, Steve Baczkowski, Mico, Mike Sidnam, Austin Sley Julian, Nina Dante, Tara Fenamore, Leila Bordreuil, Chris Libutti, and Ami Yamasaki.
Grimal, Alexandra
Refuge
(Relative Pitch)
Recorded using the natural resonance from the base of a stone double spiral staircase in the Castle of Chambord, France, improvising soprano saxophonist Alexandra Grimal explores her own personal language and the affect the ambience brings to her adept playing, through beautifully melodic lines, long arpeggiations, or short bursts of penetrating utterance.
Burnett, Aaron
Correspondence
(Relative Pitch)
Known for his ensemble The Big Machine with Peter Evans, Carlos Homs, &c., NYC saxophonist Aaron Burnett steps out for a solo album of intense improvisatory exploration, demonstrating his background in classical saxophone studies that fuels an ardent intensity in personal expression, a tremendous balance between technique and passion.
Lee, Robbie
Prismatist
(Relative Pitch)
With a history of both improvisation and rock, NY saxophonist and sound artist (Creature Automatic, Love As Laughter) concentrates on the sopranino saxophone in this solo album, performing acoustic feats of impressive technical skill, and on many tracks performing with tuning forks and live electronics, sequenced in a compelling journey of contrasts and wonder.
Allbee, Liz
Rille
(Relative Pitch)
Berlin trumpeter Liz Allbee's solo work focuses on the interaction of voice, extended approaches to her instruments, which includes her self-designed quadrophonic trumpet, electronics and acoustic homemade instruments, on Rille presenting four enigmatic works of dramatic pacing--environmental and rhythmic--guided by impressionistic spoken words and moments of tonal clarity.
Musicworks
#136 Spring 2020 [MAGAZINE + CD]
(Musicworks)
Spring 2020 issue of Canada's premiere new music magazine covering improvised, composed and experimental music, with reviews of recordings and live events and extensive articles, this issue featuring Anthony Pateras, Xuan Ye, sound artist April Aliermo and composer Lieke van der Voort; with a 15 track CD of work from those and other featured artists.
Shiraishi, Tamio
Sora
(Relative Pitch)
Japanese saxophonist living in NYC Tamio Shiraishi, an associate of Keiji Haino, has a unique approach to his solo work, often playing outdoors in concert with nature, or using the natural resonance of his performance space, recreating the sounds of wind, birds, water, and any other natural "noise" sounds, here in a live performance at Issue Project Room & 6 studio recordings.
Shepard, Craig
Broken Silence
(Music For Contemplation, Inc.)
The music to composer Craig Shepards performance work that presents listeners with text drawn from court testimony in the sex abuse scandal in the Catholic Church, here concentrating on the quiet long tones generated by wind instruments and ebow strings, where pure tones pass between the musicians to build a pulsating chord that then drops away tone by tone.
Pitsiokos, Chris
Speak In Tongues And Hope For The Gift Of Interpretation
(Relative Pitch)
Dedicating his pieces to Charlie Parker, Anthony Braxton, Roscoe Mitchell, Ornette Coleman, Eric Dolphy, and John Zorn, NY alto saxophonist Chris Pitsiokos is heard live at this solo concert in New Haven, CT in 2019, reflecting on the history of jazz through his intense playing style that deploys incredible technique balanced with abstraction and rapid lyricism.
Rogers, Erin
Dawntreader
(Relative Pitch)
Performing on saxophones and cymbal, the debut album from NY-based Canadian-American composer, saxophonist, and performance artist Erin Rogers uses multiphonics, vocalization, circular breathing, and inciting of outer resonance to add layers of complexity to her gripping improvisations, which she describes as "No electronics, no bandmates, no composers... just me + dark room + 2 saxophones".
Flaherty, Paul
Focused & Bewildered
(Relative Pitch)
An expressive and truly unique tour de Force on the tenor and alto saxophones by American free jazz legend Paul Flaherty, recording in the studio for 10 improvisations showing strength, melodic beauty, powerful technique, unusual and idiosyncratic approaches to soloing, and above all, a distinctive and individual voice on the horn.
Braxton, Anthony
Solo (Victoriaville) 2017
(Les Disques Victo)
On the 30th anniversary of the Victo Festival Anthony Braxton took to the stage for a magnificent solo performance on the alto sax, performing 8 spontaneous compositions and an 8+ minute version of "Body and Soul", seamlessly crossing lyrical and complex approaches to the horn using his unique intervallic, trimbral and diagrammatic language, a stunning and embraceable accomplishment.




The Squid's Ear Magazine

The Squid's Ear Magazine

© 2002-, Squidco LLC

New In:
Recent Releases
Improvisation
Electro/Experimental
Compositional
Rock & Related