"Kenneth Vincent John Wheeler, OC (14 January 1930 - 18 September 2014) was a Canadian composer and trumpet and flugelhorn player, based in the U.K. from the 1950s onwards.

Most of his performances were rooted in jazz, but he was also active in free improvisation and occasionally contributed to rock music recordings. Wheeler wrote over one hundred compositions and was a skilled arranger for small groups and large ensembles.

Wheeler was the patron of the Royal Academy Junior Jazz course.

Wheeler was born in Toronto, Ontario, on 14 January 1930. Growing up in Toronto, he began playing cornet at age 12, and became interested in jazz in his mid-teens. Wheeler spent a year studying composition at the Royal Conservatory in Toronto in 1950. In 1952 he moved to Britain. He found his way into the London jazz scene of the time, playing in groups led by Tommy Whittle, Tubby Hayes, and Ronnie Scott.

In the late 1950s, he was a member of Buddy Featherstonhaugh's quintet together with Bobby Wellins. Throughout the sixties, he worked with John Dankworth, and also formed part of (Eric Burdon and) the Animals' Big Band that made its only public appearance at the 5th Annual British Jazz & Blues Festival in Richmond (1965) with tenors Stan Robinson, Dick Morrissey and Al Gay, baritone sax Paul Carroll, and fellow trumpets Ian Carr and Greg Brown. In 1968, Wheeler appeared on guitarist Terry Smith's first solo album, Fall Out.

Wheeler performed and recorded his own compositions with large jazz ensembles throughout his career, beginning with the first album under his own name, Windmill Tilter (1969), recorded with the John Dankworth band. A CD was released by BGO Records in September 2010. The big band album Song for Someone (1973) fused Wheeler's characteristic orchestral writing with passages of free improvisation provided by musicians such as Evan Parker and Derek Bailey, and was also named Album of the Year by Melody Maker magazine in 1975. It has subsequently been reissued on CD by Parker's Psi label.

In the mid-1960s, Wheeler became a close participant in the nascent free improvisation movement in London, playing with John Stevens Parker, the Spontaneous Music Ensemble and the Globe Unity Orchestra. Despite the above-noted accomplishments, much of his reputation rests on his work with smaller jazz groups. Wheeler's first small group recordings to gain significant critical attention were Gnu High (1975) and Deer Wan (1977), both for the ECM label (Gnu High is one of the few albums to feature Keith Jarrett as a sideman since his tenure with Charles Lloyd). One exception from the ongoing collaboration with ECM was his rare album on CBC called Ensemble Fusionaire in 1976. This had three other Canadian musicians and was recorded in St. Mary's Church in Toronto for a different character to the sound than on the ECM recordings.

Wheeler was the trumpet player in the Anthony Braxton Quartet from 1971 to 1976, and from 1977 he was also a member of the chamber jazz group Azimuth (with John Taylor and Norma Winstone).Later life

In 1997 Wheeler received widespread critical praise for his album Angel Song, which featured an unusual "drummerless" quartet of Bill Frisell (guitar), Dave Holland (bass) and Lee Konitz (alto sax).

Wheeler died after a short period of frail health at a nursing home in London on 18 September 2014. He was 84 years old."

An Australian-born, UK-based saxophonist and flautist, Ray Warleigh (1938-2015) was a central figure in British modern jazz from the late 1960s onward. Equally fluent on alto saxophone and flute, he worked with artists ranging from Stan Tracey and John Dankworth to contemporary improvisers and studio ensembles, bringing a warm, lyrical tone and refined harmonic sense to both small-group jazz and more exploratory contexts.

"A veteran of the UK jazz scene, Stan Sulzmann has a rich and varied career that has included playing with musicians as diverse as Kenny Wheeler, Larry Grenadier and Gwilym Simcock, as well as a prolific output as bandleader.

Always moving forward, Stan's Neon Quartet sees him amongst some of the UKs most sought-after young musicians, and their latest album "Subjekt" explores Stan's ever-developing musical influences. Stan is also a highly respected composer and arranger; his vibrant big band arrangements have excited and inspired people for the last 25 years, and in 2013 Stan was commissioned to write an original piece for the London Jazz Festival.

Highly in demand as a sideman, Stan has worked with a host of musicians, including: John Taylor, Jim Mullen, Nikki Iles, Mike Gibbs, Marc Copland, Allan Botchinksy, European Jazz Ensemble, Kit Downes, Michael Brecker and Gil Evans."

One of the UK's most versatile guitarists, John Parricelli (b. 1959) has built a career spanning jazz, contemporary classical, film, and pop. A frequent collaborator with ECM artists and British jazz luminaries, he is known for his subtle harmonic palette, textural sensitivity, and ability to move seamlessly between composed and improvised settings, making him a sought-after sideman and ensemble player.

Chris Laurence (b. 1949) is a highly respected British double bassist whose work bridges jazz and chamber music. A longtime collaborator of Kenny Wheeler, John Surman, and Norma Winstone, Laurence is admired for his resonant tone, melodic phrasing, and understated authority. His extensive discography includes numerous ECM recordings and projects that highlight his lyrical, supportive approach to ensemble playing.

"Tony Levin (born 30 January 1940 in Much Wenlock, Shropshire; died 3 February 2011) was an English jazz drummer. Tony played at Ronnie Scotts London club in the 1960's with Joe Harriott Al Cohn, Harry "Sweets" Edison, Zoot Sims, Hank Mobley, Lee Konitz, Eddie Lockjaw Davis, Ron Mathewson, Dave Holland, Toots Thielemanns, Mick Pyne, Clifford Jordan, Joe Henderson, Gary Burton, Kenny Wheeler, Tony Coe, and Ronnie Scott, among others. His first major position came when he joined Tubby Hayes' Quartet (1965-9). He worked with numerous groups and artists, including the Alan Skidmore quintet (1969), Humphrey Lyttelton band (1969), John Taylor's trio, quartet and sextet (1970s), Ian Carr's Nucleus (1970s), Stan Sulzmann quartet, Gordon Beck's Gyroscope, duo with John Surman (1976), European Jazz Ensemble, Third Eye (1979), Rob van den Broeck (1982), Philip Catherine's trio and quartet (1990s), Sophia Domancich Trio (with Paul Rogers, double bass; 1991-2000), Philippe Aerts trio and quartet (2000s).

Since 1980, Levin worked extensively with saxophonist Paul Dunmall, including as a member of the free jazz quartet Mujician, also with Paul Rogers (double bass) and Keith Tippett (piano). In 1994, Levin released his solo album Spiritual Empathy, again with Dunmall on saxophones. In 2006 he played a trio gig with Dunmall & Rogers featuring Ellery Eskelin, Ray Anderson, Tony Malaby as guests at John Zorn's The Stone in NYC. He later recorded again with Paul Dunmall but this time with the addition of his son Miles Levin on drums 'The Golden Lake'. Levin ran his own monthly club in Birmingham, and often performed duets with Paul Dunmall and guest musicians."