Genre-crossing improvisation with a jazz basis and far-reaching influences from guitarist Luis Lopez and his Berlin Trio of bassist Robert Landfermann and drummer Christian Lillinger.

The guitar and drum duo of Rene Lussier and Pierre Tanguay in the first recording from their project "La vie qui bat", an excellent recording of improvisation.

The duo of Rene Lussier (guitar, daxophone) and Martin Tetreault (synthesizer, electronics, drum machine) find inspiriation from the old school of musique concrete in this excellent release.

Continuing where La vie qui bat: Chevre left off, this is the second installment of the project from the duo of Pierre Tanguay and Rene Lussier where they take a journey though human nature.

Rene Lussier on solo electric guitar in fourteen improvisational pieces that were not overdubbed or processed post-recording.

These compositions are the result of three stories by Rene Lussier that were commissioned for different projects in the form of short films.

Beautiful studio works created by Steve MacLean (Dr. Nerve) using guitar and field recordings from the water's edge of frogs, bugs, birds, and pond ambiance.

Guitarist Luca Mauri (I/O) in a gorgeous record of solo guitar work, semi-ambient drones and effected works of beautiful tonal atmospheres.

Guitarist and string player Jim McAuley's "The Ultimate Frog" is a double album made up of duets with artists Leroy Jenkins, Nels Cline, Ken Filiano, and Alex Cline.

The duo of percussionist Gerry Hemingway and guitarist Terrence McManus in seven absorbing improvisations on rhythm, melody, harmony, and sonic exposition.

Six works recorded in Amsterdam from electric guitarist Enrique Mendoza, performed by himself or saxophonist Boglarka Nagy, or flutist Jos Zwaanenburg, each track featuring live electronics.

A solo electric guitar soundtrack to James Nares' film "Street" performed by Thurston Moore, freely improvising in a dynamic and impressive performance recorded live at the Rubloff Auditorium at the Art Institute of Chicago, Chicago, Illinois.

Live recordings from guitarist Joe Morris, performing solo at Bimhuis in Amsterdam in two Octobers from 2013 to 2014, showing remarkable technical and creative skills while captivating his audience with accessible progressions and story-telling; masterful!

Intense acoustic guitar interactions from frequent collaborators Joe Morris (NY) and Chris Cretella (New Haven, CT) in a remarkable display of free fingerstyle guitar improvisations presented in a limited hand-assembled package.

Percussionist Tatsuya Nakatani in a duo with Ahleuchatistas guitarist Shane Perlowin, who complements Nakatani's intuitive percussive work with arpeggiated grooves and intricate guitar work, to create introspective and ardent works of music and sound.

Jamie Newton works with sound using guitar, keyboards, field recordings, processing, and Kyoto croquet, here in a contemplative set of works merging drone and thick noise with indistinct rhythms and layers of concrete sounds.

Tonewheel organ meditations along with feedback and sound forms using processed guitar, keyboards and field recordings from sound artist Jamie Newton, 2 slowly evolving tonal works sandwiching three more turbulent pieces in a journey of drone, noise and reflection.

Ex guitarist Terrie and drummer/percussionist Paal Nilssen-Love met in the Jottem Studio in Wormerveer, NL, to record these 4 extended and rugged improvisations; rhythm vs strings with a skronky temperament.

Jonathan Webb and Robert Hopps combine processed field recordings with guitar, turntables, electronics, and found sounds in long form drone-oriented improvisations.

A beautifully building release of guitar and percussion, one long track that adds intensity from lovely minimalism to Fripp-ian chords and driving drum work.

Guitarist Joacim Nyberg, also performing on double bass, bell and recorder, in a live performance in Stockholm, Sweden at Fylkingen in 2014, using "Wood, steel, air. Hands, fingers, heart" in an open-ended and ardent exposition of his interpretation of jazz.

Celebrated pianist Matthew Shipp joins Irish guitarist Mark O'Leary to explore the many fields of improvisation each follows, from meditative to intense discourse.

The trio of guitarist O'Leary, drummer Pasborg and Fender Rhodes player Anderskov, Nordic lyricism juxtaposed with dark neo gothic landscapes in a gorgeous post-ECM flavor.

Recordings from Cork, Ireland (home of O'Leary) and Basel, Switzerland, of subtle, dark and powerful experimental improv from two masters of the form.

Members of Tortoise and Supersilent join the hugely talented guitarist Mark O'Leary in a recording that pushes the boundaries on all levels in exciting post-Miles electronic improvisation.

David Payne (Fossils, Slut Mouth, Middle James Co.) solo offers a wasted take on the acoustic guitar, which is mangled, scraped, rubbed, fingered, bent, and subjected to a variety of preparations.

Michael Pisaro's composition consists of the alternation of sedimentary layers of low percussion samples in slow rotation, and clusters of slowly modulating high sine waves pierced by bowed crotales.

A collection of materials for solo guitarist, written by Michael Pisaro-Liu and here performed by Christian Alvear, presenting the performer with up to 12 fragments which can be played in any order and which allow for various transformations, cuts, extensions and silences.

Beautiful, subtle improvisations from electronic artist Michael Pisaro-Liu and guitarist Taku Sugimoto, who composed & recorded their tracks separately and collaborated on the mixing.

Pisaro's "fields have ears" started as a simple work for solo classical guitar and sine tones, but has developed into this extended work augmented with turntables, radios, records, field recordings, and earlier Pisaro pieces.

An investigation of the sounding properties of pipes and streets interspersed with a duo for bass clarinet and electric guitar in the form of ten three-minute episodes.

The excellent quartet of Gunter Muller on minidiscs, percussion and electronics, Norbert Moslang and Andy Guhl (Voice Crack) on cracked everyday-electronics and Erik M on minidiscs, sampler and fx.

Solo work recorded between 1992 & 2012 from Portugese electric guitarist Nuno Rebelo, using unusual techniques and approaches to render a wide and fascinating palette of sound and captivating playing styles.

Heretical new music for solo guitar conceived as impossible etudes and exercises on a variety of finger busting guitar techniques and performed by Marc Ribot.

Guitarist Ribot in a gorgeous and contemplative album of adaptations of music he has written for films, for classic silent movies, and that he scored for his personal amusement and imagination.

Chris Riggs (Traum/Trauma, Holy Cheever Church, &c.) featuring assemblages of highly abstracted guitar improvisations and silence.

A first meeting of guitar and electronics artist Keith Rowe with computer and string performer Taku Unami at the Amplify 2008: light festival in Tokyo.

Keith Rowe's solo set from the Amplify 2008 festival in Tokyo uses guitars and radio broadcasts; surprisingly this is Rowe's first ever solo set in Tokyo.

Guitarist Sharp's 2nd volume of his "Octal" project realized on a custom Koll 8-string electroacoustic guitarbass; complex solo work with amazing technique and captivating creativity.

An encompassing modern guitar compilation curated by Elliott Sharp with pieces from Henry Kaiser, Nels Cline, Scott Fields, Mary Halvorson, Janet Feder, Kazuhisa Uchihashi, Mick Barr &c. &c.!

The 3rd issue from Elliott Sharp's compiled series of guitar work in the 21st century, demonstrating new sounds, processes, techniques, melodies, riffs and gestures from a who's-who of modern improvising guitarists, a must-have release for all guitar fans and players.

An ongoing compilation organized by Elliott Sharp that is dedicated to solo guitar with 16 original tracks by various artists ranging from acoustic, electro-acoustic, electric, all the way to electronic.

VRIL's 2nd incredible album of tongue-in-cheek lyrical guitar instrumentals, led by Lukas Simonis with Bob Drake and now 3rd guitarist Omer, with Chris Cutler on drums.

Two iconic New York players - saxophonist John Zorn and guitarist Thurston Moore - meet for the first time, presenting seven exhilarating improvisations of great diversity, inventiveness, sonic power, and creative drive.

The quartet of Cosottini, Melano, Pisani, Miano (EAQuartet Electroacoustic) in compositions referring to the 4 cardinal map points using graphic scores, games, open readings, &c.

One part Sonic Youth, one part early Residents, Deluxx is the anomalous output of NY/Boston transplant Mark Peretta, a one-man band of crazy riffs and warped song-spieling.

One part Sonic Youth, one part early Residents, Deluxx is the anomalous output of NY/Boston transplant Mark Peretta, a one-man band of crazy riffs and warped song-spieling.

Avant noise guitarist Haino Keiji and experimental sound artist Masami Akita (Merzbow) in a powerful and varied live set at the Victoriaville, May 2007.

The 1st release from Andy Moor & Colin McLean since they disbanded Dog Faced Hermans 13 years ago, 3 years of live improvisations from Amsterdam's OT 301's Music Dance 301 sessions.

The Ex's guitarist Andy Moor plays solo on 16 tracks of overdubbed and multi-tracked guitar that was recorded between 2003 and 2006.

Limited color edition of guitarist Barry Chabala's interpretation of composer Pisaro's piece, instructing the performer on structure and pitch but allowing the precise timing and sound to the player; plus a reworking of Chabala's recording taking advantage of cassette hiss and sine tones.

Guitarist Barry Chabala's interpretation of composer Pisaro's piece, instructing the performer on structure and pitch but allowing the precise timing and sound to the player; plus a reworking of Chabala's recording taking advantage of cassette hiss and sine tones.

Minimalist guitar collaborations from members of Remora, Aarktica, Lycia, Rivulets, 6P.M., Red Morning Chorus, & Jessica Bailiff.

Guitarist Jason Ward takes the listener on a journey in sound through dark looping structures and hypnotic approach.

Zorn's "The Book of Heads" is performed by guitarist James Moore, heard on CD and seen in a DVD by Stephen Taylor, using prepared guitar to interpret Zorn's hermetic language of meticulously notated sounds inspired by contemporary classical extended techniques.

With soprano saxophone and bass clarinet, Sruti box, electronics, preparations and applied objects, Lucio Cape releases this suite consisting of six structured pieces exploring the possibilities of those reed instruments.

Bay Area trumpeter Darren Johnston meets improvising guitar legend Fred Frith for an incredibly well-paced series of duos, remarkable improv that uses space, skill, extended techniques and unexpected approaches to both instruments in vivid and beautiful discourse.

Guitarist Berthiaume steps away from composition and jazz to record an album of intricate instrumental guitar songs with folk influences, playing solo and in small ensembles.

Tim Brady with Bradyworks and Quatuor Molinari in a CD/DVD release of four synchronized musical, video & theater works, ambitious and fascinating compositional pieces.

Fred Frith's leads a quartet of electric guitars (Rene Lussier, Nick Didkovsky, Mark Stewart) through 10 different journeys that explores the dynamic potential of this unique group composition.

The New York trio of trumpeter Kirk Knuffke, bassist Max Johnson and Ziv Ravitz recording mostly original compositions in the studio, modern improvisation blending melodic and free improvisation in excellent ways.

Magaibutsu drummer Yoshida Tatsuya and Innocence/Altered States guitarist Uchihashi Kazuhisa in a genre-shifting and inspired duo from two of Japan's most active rock improvisers.

NY guitarist Mary Halvorson's solo album, worked out after a tour opening for King Buzzo, has her performing creative interpretations of works from modern composers like Roscoe Mitchell, Ornette Coleman, Oliver Nelson, & Tomas Fujiwara, back to Duke Ellington's "Solitude".

Christian Wolff initiated his "Microexercises" series when the Miniaturist Ensemble asked for a piece with no more than 100 notes in it; he went on to create 21 more pieces, 13 of which are performed here by the South African duo of Beat Keller & Reza Khota on electric guitar.