A retrospective of the work of guitarist and one-time Captain Beefheart Magic Band member Gary Lucas, in two CDs, the first devoted to songs recorded with Lucas' psychedelic jazz-rock band Gods and Monsters, the second devoted to solo works, rarities and collaborations, with an incredible list of performers reflecting Lucas' diverse 40-year career.

Killick Hinds plays a custom-made 38 string harp guitar in twelve diverse solo tracks inspired by the pacifist writer Munro Leaf with resonant tones that are at times exciting and others hypnotic.

The third and final CD in composer John Zorn's trilogy inspired by historic figures of Christian mysticism, following works for Francesco d'Assisi and Julian of Norwich, these 10 pieces are conducted by Zorn and written specifically for the acoustic guitar trio of Bill Frisell, Julian Lage and Gyan Riley; an album of breathtaking character and inspired playing.

Working in a Derek Bailey vein of solo guitar improvisation, Portland, Maine improviser E. Jason Gibbs presents 14 performances on the acoustic guitar, cohesive pieces of confident development that reference not only the London improviser, but also shades of Americana and a unique voice and set of strategies uniquely his own.

From the depths of the deepest electroacoustic sea, the duo of Lisa Cameron on berimbauophone, percussion & devices and Sandy Ewen on guitar & devices release the second of their "Sea Creatures" series: two cassettes of dark aquatic audio, one recorded in the studio and the other during their 2019 Texas tour celebrating the release of the first album.

Continuing the collaboration that started in 2013, the duo of drummer Chris Corsano and guitarist Bill Orcutt expand on their free playing during the pandemic, recording remotely, with Orcutt improvising two passes over Corsano's initial drum tracks, creating something that blurs the lines between jazz, rock, folk and something passionately unique to their dialog.

A live recording from a concert presented during the Workers' Festival at the Municipality of Petit Quebec Libre in 1972 by Quebec counter-culture folk singer and documentary film maker Erica Pomerance, know best for her 1968 ESP album You Used To Think, here performing solo on guitar & voice, with previously unpublished songs and pieces from her ESP album.

In 2019 pianist Thollem McDonas toured the US -- 12 months and 25 albums worth of recordings -- joining collaborators from a vast spectrum of improvisers and performers, this album presenting two such recordings: one a duo with drummer/percussionist Alex Cline from a live concert in Santa Monica; the other a duo with guitarist Susan Alcorn recorded in Baltimore.

A modern soundscape in three acts from Italian improvisers, drummer Walter Forestier (Death Roars, Angelo Mastronardi Trio) and guitarist Vito Pesce (Minus Tree, Pastel, Squieti), their 2nd album a dialog shifting between pensive introspection and aggressive evocation, a full range of expression that builds and releases suspense as the two unfold their narrative.

Using guitars, violin, electronics, field recordings, abstract voice, and a "sound knife in the sand", Pierre Gerard recorded this set of 13 works in Liege, Belgium, and Wimereux, France, in 2019, using intuitive approaches to his minimalist electroacoustic compositions as he assembles his elements to convey human gesture and architectural form in sound.

Three connected journeys in drifting tones, unidentifiable and sometimes aberrant intersections and melodically abstract guitar work, composed by guitarist Lance Austin Olsen and performed with guitarist Barry Chabala, using layers of sound like an audio version of a colour field painting, emulating a field of seeds waiting for changing conditions to allow them to emerge.

"Volatile Models", the pairing of Dutch guitarist Henk Zwerver and bassist & percussionist Raoul van der Weide, also on crackle box, creating spontaneously unrestricted, sometimes irascible but always inspired and exuberant free improvisation, from moments of tension to explosive release, as heard in six dialogs performed live at Atelier 5, in Amsterdam in September, 2020.

The first recorded collaboration between guitarist Mark Shippy (U.S. Maple) and improvising violinist Alex Cunningham (Apathist!, Claire Rousay, Cunningham/Cameron/Smith), together taking their instruments into strangely tumultuous and often quickly shifting territory; sometimes ethereal, sometimes cantankerous, always captivating.

The first concentrated duo of two improvisers who have worked together in other groupings since 2006 from guitarist Joe Morris and double bassist Damon Smith, recording a set of five extended and technically stunning conversations, a mesh of texture and motion through charged creative drive, merging their strings among often inexplicable technique to create thrilling dialogs.

Frond, aka Richard Bultitude, is a UK sound artist who creates rich soundscapes of guitar, synthetics, field recordings and other ethereal elements, the mix of live instrumentation over drone and ambient environments adding warmth and personality to beautifully crafted works, each exuding a sense of inner calm through innately melodic music replete with detail.

"Regering" signifies "Government", the title and track names derived from the works of B. Traven, in the first meeting between sound artist and composer Matrijn Comes and guitarist Lukas Simonis (AA Kismet, Coolhaven), in a dark album of subtle innuendo and detail, running the spectrum from nightmarish environments to hopeful glimmers; an impressive collaboration.

The first part of guitarist, sound artist and multi-instrumentalist Daniel Junnic's Fabula trilogy evokes dynamic and mercurial environments through intuitive approaches, altering and transforming components and source material in acousmatic ways over which acoustic instruments sometimes intone, the results warm and intriguing, implying melody and engaging the listener.

Elliott Sharp's fifth compilation bringing a diverse and global view on modern solo guitar work continues the series on a new record label and with the same exceptional ear for superb musicians, here including Anthony Pirog, David Watson, Liberty Ellman, Matteo Liberatore, Mike Baggetta, Chris Vine, Craig Green, Jerome Harris, Philip L'Epee, Will Bernard, &c.

Chicago guitarist Jeff Parker and cornetist Rob Mazurek have collaborated for more than 20 years in a variety of ensembles, heard here in their first ever duo, condensing their creative use of lyrical, textural and technical skills into this outstanding album.

Both members of the Tokyo band SuperDeluxe, drummer Yoshio Mashida performing on steelpan, gamelan and metal-slit drums, and 5-string banjo player Cal Lyall, performing largely on a tabletop guitar setup augmented with electronics, have developed a lovely and relaxed, compelling language of improvisational forms using structural ideas-based on minimal scalar patterns.

Living true to its album title, electric guitarist Luis Lopes' collective Lisbon Berlin Quartet with Rodrigo Pinheiro on Fender Rhodes, Robert Landfermann on double bass & effects and Christian Lillinger on drums, creates an hypnotic brew of interactive, weaving and layered improvised expression, rapid-paced yet hypnotically sinister in its controlled kinetic flow.

Taking guitar and flute into very strange territory informed by vast experience and technical skill, NY flutist Robert Dick and electric guitarist Nicola L. Hein create truly unique and dramatic sound worlds, sometimes tense, sometimes beautiful, but always fascinating in momentum and expression; unique musical structures that refuse to be easily categorized: extraordinary!

A "travelogue" of Swedish composer and songwriter Adrian Knight's guitar explorations, works originally released on his digital-only and now dormant label Pink Pamphlet, drawing from work recorded in his home studio that developed from sketches and experimentation, along with new recordings including one with saxophonist David Lackner; beautifully moody and elegant music.

Virtuoso guitarist and composer Gyan Riley, son of composer Terry Riley, in his second solo album on the Tzadik label, a brilliant collection of classical guitar works expanded with influences from minimalism, flamenco, bossa nova, and folk, nine pieces recorded during the pandemic lockdown for an album of intricate detail and reflective perseverance.

A series of diverse landscapes in the voluptuaries of guitarist Brandon Seabrook and pianist Simon Nabatov, evoking an imaginary garden of sensual pleasures expressed through dialogs running the gamut from elegant lyricism of lush and languid interaction to quirky runs of playful inventiveness; an elegantly complex and always sophisticated set of exchanges.

A uniquely voiced free improv trio of strings and drums from the New York City trio of violinist Jessica Pavone, guitarist Wendy Eisenberg and drummer Devin Gray, each a distinctive leader in their own right who use their instruments in unusual and technically superb ways, here in a concise set of collective improvisations of an edgy and exploratory style.

Developed over outdoor sessions performed during the summer of 2020 around NYC, this is the first release from the duo of multi-instrumentalist Daniel Carter and acoustic guitarist Jessica Ackerley, their warm collaboration heard in effortless interactions inspired by the dream-like, meditative approach in both improviser's playing; lovely.

Active and informed improvisations on acoustic guitar from Jean Claude "JC" Jones, label leader of the Kadima Collective and also known as a double bassist, though his roots are in the guitar, which he has returned to with vigor since 2016, performing on lap-style prepared acoustic and prepared Spanish guitar, heard here in 13 concise pieces titled by single words.

The title referencing a Blind Willie McTell entreaty to himself, Elliott Sharp's contemporary blues project Teraplane truly "kicks" in 8 burning pieces of concentrated guitar work from Sharp, solo and in overdub, recording in Studio zOaR while performing on electric guitar, vong co guitar, lap steel guitar, console steel guitars, mandocello, mandola, basses & drum programming.

Known as a percussionist, Bay Area improviser Charles K. Noyes' first part of his Crimes In High Places is performed on electric & resonator guitars plus amplified guqin, expanding on the innovations of Derek Bailey in free-form non-idiomatic playing as he works to create a personal language on the instrument, presenting a dark and creatively foreboding vision.

After the earliest versions of the Euphorium_freakestra toured in Weimar, Leipzig, Dresden, Krakow & Gottingen in 2000, pianist Oliver Schwerdt and guitarist Friedrich Kettlitz came together to develop a suite for grand piano, acoustic guitar and free vocals, a prelude to the album Gay - Saunawirt ten years later, and the start of the professional recording history of the EUPHORIUM ensembles.

An early recording of guitarist Bill Nace performing solo in Bennington, Vermont in 2007, originally released on cassette in 2008 on the Open Mouth label, here re-pressed on LP to re-introduce an earlier, wilder side to Nace's playing through brief pieces of diverse intention using an array of objects to transform his guitar into a tightly honed sonic device.

String player Antonio Bertoni (Leo Records, Astral Sprits) in his solo Ongon project seeks to bring back the shamanic elements of Moroccan Gnawa Music, particularly using the trance-inducing bass instrument guimbri, his hypnotic and exotic music set into a rich weaving of electronics, samples and concrete synthesis built ad hoc by Bertoni himself.

Antonio Bertoni's solo Ongon project, trying to remove the mistreatment that the Moroccan Gnawa Music suffers due to the heavy western productions, as he performs on the trance-inducing bass instrument guimbri, his hypnotic and exotic music set into a rich weaving of electronics, samples and concrete synthesis built ad hoc by Bertoni himself; reference Natural Information Society.

Thirteen succinct improvisations pitting Gordon Grdina's swinging middle-eastern flavors on the oud offset by gritty, experimental guitar work against drummer Jim Black's well-chosen and rock-solid grooves, an engaging album that shifts and explores a tremendous range of ideas and adventurous attitudes that span jazz, rock and experimental genres with ease.

Two side-long tracks of minimal improvisation from NY saxophonist Jeff Tobias (Sunwatchers) and UK guitarist Jack Cooper (Ultimate Painting); "Wicken" and "Debden" are named for and inspired by the tributaries of the River Cam in North Essex, revealing themselves in steady progressions and subtle application of instrumental technique in a beautifully flowing reflection.

A series of collaborative electracoustic improvisations recorded remotely during the pandemic by long-time associates, electric guitarist Charles K. Noyes and multi-instrumentalist Elliott Sharp, here performing on arches h line (a 9-string double neck instrument), violinoid, triple course bass pantar, analog synthesizers, sax & bass clarinet.

The third release in Portuguese guitarist Luís Lopes' Love Song Project is a solo album performed on a nylon-stringed acoustic guitar, six beautifully peaceful and introspective improvisations revealing a calm side to Lopes' often assertive electric guitar work, instead allowing harmonics and notes express his curiosity of life and love of music.

Thirteen succinct improvisations pitting Gordon Grdina's swinging middle-eastern flavors on the oud offset by gritty, experimental guitar work against drummer Jim Black's well-chosen and rock-solid grooves, an engaging album that shifts and explores a tremendous range of ideas and adventurous attitudes that span jazz, rock and experimental genres with ease.

A compilation of improvised steel-string acoustic guitar works framed by pitch and intervallic restrictions, from French composer and guitarist Guillaume Gargaud, 17 succinct pieces that evade standard jazz vocabulary while integrating influences from Messiaen to Webern to Cecil Taylor, paced in contemplative and sophisticated style.

The second duo collaboration of Chicago percussionist Hamid Drake (Fred Anderson, Peter Brotzmann, DKV Trio, &c) and guitarist Dan Phillips (Chicago Edge Ensemble, Quartet Next, Dan Phillips Trio, Dan Phillips Quartet), recording in the studio for 11 improvisations that present a variety of moods and intensity, in textures and melodies from minimal to intricate interplay.

A duo of free and spaciously building exchanges between Dutch drummer George Hadow (Zwerv, The Blue Lines Trio) and Belgian guitarist Dirk Serries (A New Wave of Jazz), in an extended dialog of great technical skills and creative use of their instruments, performing live at the 2021 JazzBlast event held in the chapel Groels Kapel in Bocholt, Belgium.

Merging gritty and angular guitar work with versatile and creative drumming, the duo of Finish guitarist Heikki Ruokangas and North Carolina multi-instrumentalist Landon George show their diverse interests in both technically assertive playing and beautifully misty environments, through eleven concise works including two parts of "Chaos", a "Rainy Day" and a "Rainy Eve".

A series of real-time improvised performances from Athens, Georgia guitarist Killick Hinds, made with strings and occasional computer augmentation, an album he describes as to date his fullest expression of the Appalachian Trance Metal/Piedmont Shaman Rock concept that he has been developing for years, these works inspired by Zaila Avant-garde, Paolo Angeli and Bali.

A joint release between Astral Spirts and Relative Pitch, guitarist Ava Mendoza conjures five assertive and rugged "spells" performed on solo electric guitar, passionate works of raw technical skill and bold power as she improvises over two songs composed by herself, alongside pieces written for her from Devin Hoff, Trevor Dunn and John Dikeman.

A joint release between Astral Spirts and Relative Pitch, guitarist Ava Mendoza conjures five assertive and rugged "spells" performed on solo electric guitar, passionate works of raw technical skill and bold power as she improvises over two songs composed by herself, alongside pieces written for her from Devin Hoff, Trevor Dunn and John Dikeman.

Given the chance to perform in the dark fresco-covered room of the Emmanuel Vigeland Mausoleum and museum in Oslo, Norway, guitarist Ed Petterson brought his 8-string Weissenborn guitar, various keyboards and a modular synth, using the pensive atmosphere of the location to trace spacious and exploratory works through 15 varied and succinct improvisations.

The second collaboration between pianist Sylvie Courvoisier and guitarist Mary Halvorson, six years after Crop Circles and a product of their tours together and the result of their both writing compositions specifically for their duo project, showing a level of communication that allows incredible inventiveness and moments of poignant exchange; exceptional.

The first collaboration between Brooklyn-based experimental improvising drummer Hampus Ohman-Frolund (Apuh!) and guitarist John Lindaman (True Love Always), blurring rock forms and experimental electronics into a hybrid space rock that takes unexpected twists and turns, with the goal to produce compelling psychedelic inspired sound; headphones recommended!

An intensely experimental journey in sound through guitars, electronics and percussion from the Brooklyn-based duo of John Lindaman and Hampus Ohman, a diverse set of pieces improvised using sound sculpting, noise and melodic elements, creating a great balance between darkness and light amidst solid conceptual and technical approaches to their instruments.

In a study of memory and the way we alter or prioritize what we remember, NY guitarist Wendy Eisenberg composed this intimately personal long form text score in four movements to be memorized and then performed using the nonlinear randomness of recollection, recorded in two performances at Firehouse 12 in 2019, once on acoustic guitar and once on banjo.

Originally released in 1977 during an extremely creative period for both UK free improvising guitarist Derek Bailey and Italian percussionist Andrea Centazzo, this 3rd album on the Ictus label finds both players defining each of these extraordinary improvisations through instrumental timbres, dynamics and metronome speeds chosen to suit each piece.

Essential members of the Downtown NY scene since 1981, the collaborations of turntablist Christian Marclay and multi-instrumentalist Elliott Sharp, here on 8 string guitarbass, bass clarinet & electronics, is distilled in this extremely creative electroacoustic/concrete duo, recorded live in convert at the Knitting Factory in December, 1997.

A split 10" vinyl album of two very different works: first French sound artist Jean-Philippe Gross in a sonic assault of garish rhythmic electronic persistence and noise; then the Golden Oriole instrumental rock duo of Kristoffer Riis on guitar and Thore Warland on drums in a compelling work of grooving structure with diverse percussive interaction.

Three chamber works by Calgary, Canadian composer Mark Ellestad composed between 1988 and 1994 and recently retrieved by the composer, including the title track, a graceful solo guitar work performed by Christián Alvear; a meditative piece for pump organ & Hardanger fiddle performed by the composer; and a large work for violin and cello performed by Apartment House.

Succinct interpretations of compositions by New York saxophonist and composer Tim Berne, performed by Berne himself in a duo with guitarist Gregg Belisle-Chi, whose collaborations with Berne and his recent album Koi: Performing the Music of Tim Berne show Belisle-Chi to be the most capably informed player to accompany Berne in these thoughtful renderings.

Formed by double bassist Patrice Grente and drummer Etienne Ziemniak in 2010, the French band Carnalisme, meaning "This fuzzy, troubled and slippery place, which everyone owns and no one can spot", produce a raucous blend of hard rock and free improvisation, here in their 4th release and joined by guitarist Guillaume Gargaud for a profoundly blistering album.

The Little Village Foundation run by keyboardist Jim Pugh assembled this band through Indian blues harmonica player & singer Aki Kumar, who brought drummer June Core and guitarist Rome Yamilov, deciding to make the release a "crazy guitar album" by adding Henry Kaiser; along with vocalist Lisa Leuschnet they hit the mark in an exuberantly diverse set of blues performing the music of J.B. Lenoir.

Putting less focus on the strings and more into sonic environments, French guitarist Pierre Gerard releases a set of eight abstract compositions for voice, guitar, cello, piano, violin, bass clarinet, electronics & field recordings, intended for random playing, employing silence and active sections to catch the passive or background listener off guard.

Barcelona pianist Agustí Fernández and Polish bass guitarist Rafał Mazur correspond through solo tracks recorded in their respective studios, each missive an unusual and impressive free improvisation using extended techniques, inside playing and inexplicable exclamation, in a five-part exchange where each message is alternately addressed "Dear Agusti" and "Dear Rafał".

The third release from the Barcelona-based experimental improvising duo L'Ocell of Chilean acoustic guitarist Fernando Carraso and Spanish double bassist Àlex Reviriego-double bass, here joined by guitarist Ferran Fages (a member of Phicus and Radium with Reviriego), for a set of mysteriously dark improvisations recorded live at Sant Roma de Mianigues church.

Eugene Chadbourne and Kevin Blechdom (aka Kristin Erickson) performing songs from their 2007 Victo performance, warped banjo rock instrumentals and songs.

"Amazingly, it was only the second time the two guitarists had ever played together, and the first time in North America. Both are strongly influenced by the country and folk traditions, and it was a real twisted hoedown that took place...

"Each album or performance by My Cat Is an Alien is an invitation to leave on a cosmic journey, without resorting to the numerous cliche's of the space music genre. Think instead of a synth-less Ash Ra Tempel coming across the quiet impr...

"This weird little album was made by a quartet of improvisers from all ends of the improvisational planet, who came together in 1993 for a recording date. Edited by Oswald in Toronto, the result can be found here. With two guitarists (K...

Experimental electronic studio recording from the duo of Rene Lussier on acoustic and electric guitar and Martin Tetreault on turntables that sits outside all norms.

Four compositions written between 2000-2019 from Joane Hétu: a duo between bassist Nicolas Caloia & bass clarinetist/vocalist Lori Freedman; a work with Hétu & Jean Derome plus the Quaturo Bozzini string and Quasar saxophone quartets; a composition for 20 electric guitars; and one movement from "Préoccupant, c'est Préoccupant performed by Ensemble Supermusique.

Quebecois guitarist Bernard Falaise of Miriodor, Klaxon Gueule, Papa Boa and Les Projectionnistes fame, continues his solo series with the fifth note of the scale, "Sol (G)", reflected in a series of eight inventive guitar improvisations using timbral effects and looping structures to expand his virtual ensemble as does in his live performances.

Two guitarists with unique approaches to their instruments -- Paris-based Julen Depsrez and Lisbon-based Luis Lopes -- in an experimental album of evolving sound through extreme modification of guitar sound and sustain, mysteriously building their interactions from whispering sonics to growling harmonics, tightly controlled but bristling with complex energy.

The 2nd release from Jason Kahn, here on voice and resonator guitar, with Christian Wolfarth on Chinese Cymbal, an antique marching snare and objects, recorded after a series of concerts across Europe in the fall of 2019, Kahn applying a percussionist's perspective to his guitar by playing it as a lap slide, as the two invoke an unusual incantatory spirit from their improvisations.

Swedish bass player Egil Kalman, here on modular syntheizer, joins Norwegian guitarist Fredrik Rasten, for a lovely album of drifting electronics and beautifully entwining acoustic guitar, unhurriedly developing environments of warm, slowly evolving chord structures that show influences from players like Catherine Lamb or the Wandelweiser collective.

Solo work from Portuguese guitarist Luis Lopes, showing a different side to his work with Humanization 4tet or his Noise Solo project, instead presenting a gentler and more romantic music marked by seductive playing with an unexpectedly tender appeal.

A live recording of free improvisation recorded at Theater im Viertel, in Saarbrucken, Germany in 2021 from the SteDaJoDa quartet of Daniel Studer on double bass, Stefan Scheib on double bass, Daniel Weber on drums and Johannes Schmitz on guitar, the dark double bass foundation and floating ("Schwebend") percussion work balanced by Schmitz' blues oriented electric.

The soundtrack to the documentary Loving Highsmith about thriller novelist Patricia Highsmith, with music composed by Belgium guitarist Noël Akchoté along with pieces by Cole Porter, Mancini, Johnny Mercer, Frank Sinatra, Hildegard von Bingen, Carl Fischer, &c, presented in two CDs, one each of duets between Akchoté and New York guitarists Mary Halvorson and Bill Frisell.

Destroy All Monsters and Sensorium Saxophone Orchestra guitarist Ben Miller in an album of experimental solo guitar works, augmenting his guitar with effects, synthesizer, bass, tapes and radio to create seven fascinating works that reflect on his rock background through solid rhythmic and melodic hooks, but also captivates through unusual and surprising sonic elements.

Destroy All Monsters and Sensorium Saxophone Orchestra guitarist Ben Miller in an album of experimental solo guitar works, augmenting his guitar with effects, synthesizer, bass, tapes and radio to create seven fascinating works that reflect on his rock background through solid rhythmic and melodic hooks, but also captivates through unusual and suprising sonic elements.

Dedicated to Cor Fuhler, Tasmanian guitarist Nick Ashwood's extended composition is a thoughtfully introspective work of rich sonority, shifting harmonics and abstract tones generated through guitar bowing, recorded live to tape in two continuous recordings, the second overlaying the first as the work unfolds in a meditative and beautifully pensive manner.

Soundscapes, drones, disruptive aberrations, textures and perplexingly absorbing interactions btween French guitarist and sound artist Xavier Mussat and saxophonist Quentin Rollett (Red Krayloa, Nurse with Wound), performing live at Instants Chavires, in Montreuil, France in 2020 for eight diverse and unusual improvisations.

Sometimes frenetic, always exhilarating duo work between Portugese electric guitarist Antonio Chapparreiro and drummer/percussionist Pedro Alcada, succinct tracks, some as short as 36 seconds, where the two spar and unite over angular rhythms and abrupt changes, with a twisted sense of humor and a wealth of adventurous spirit.

Chicago-based guitarist Christopher Rigg, founder of the Holy Cheever Church Records, developed this set of pieces called "extinction bursts", performed with Emily David on drums and George Romaine on piano, a work he refers to as "maximalist harsh free jazz wall", using a lurching and squealing guitar figure over which David and Romaine overlay slow progressions.

Raymond Boni performs on guitar and harmonica, using a fascinating set of approaches, for poems from Spanish poet and playwright Federico Garcia Lorca, chosen from Lorca's "Romancero Gitano" (Gypsy Ballads), and read with substantial depth by actress Violeta Ferrer.

An unusual and gripping album of electronic improvisation on guitar and synthesizer between keyboardist Jean-Marc Foussat and guitarist Simon Henocq, taking alien and abstract landscapes into intense territory over two monumental tracks.

Fraqx, the Netherlands duo of guitarists Jacq Palinckx and Frank Crijns, both on electric guitar and "devices", debut their collaboration with this 7-part journey of rich deformations, from raw visceral energy to subdued experimentation, a diverse set of textures and powerful playing from two players with a long history of unusual improvisation.

Nine improvisations between Italian trombonist and tubes player Carlo Mascolo (Kerlox Dynamic Band) and guitarist Andreas Fulgosi (By-Spiel Project) on baritone guitar, recording in Lisbon in 2017 for calmly developing dialog using unusual techniques and approaches to both instruments.