Nozen is a crossroads of contemporary jazz, musique actuelle and the musical traditions of Jewish Eastern Europe, contrasting styles giving birth to a deep and spontaneous music.

The duo of Paul Abbot on drum kits, percussion & computer, and Seymour Wright on alto saxophone and feedback, in a massive edge-of-your seat live recording from London's Cafe Oto in 2015, a mix of brutal and beautiful playing with unexpected and surprising twists.

Chester Hawkins' curiosity for Denmark resulted in his renting an apartment in central Kobenhavn, bringing along his electronically modified lapsteel guitar, wind and reed instruments, tabletop noise-boxes, mobile synthesizer apps and a shortwave radio, which he joined with field recordings from the capital region, creating this magnificent loveletter to Denmark.

Issuing on CD the duo album of violinist Samara Lubelski and guitarist Bill Nace, originally released on Nace's Open Mouth label early in 2018, presenting a series of psychedelic textural works, Lubelski creating vibrant and reiterating structures that Nace uses as a foundation for swells and expressive emanations; hypnotic and mesmerizing.

Expanding on Burkhard Stangl colo concert at the 2014 Reheat festival at Kleylehof based on Consuelo Velazquez's song "Besame Mucho", the duo of Stang and Angelica Castello recomposed it, mixing new pieces with old plus home recordings, accidental recordings, live performances, &c, creating a Chesterfield diary of songs, of noise, of longing and of dreaming.

Fourteen pieces for solo guitar from Norwegian composer Johan Lindvall, sparse yet warmly spaced pieces that focus on the individual notes or simple chords in intimate ways, meditative yet warmly evocative; two sections are presented in multiple movements, with "five songs for voice and guitar", Rasten singing words written by Marianne Moore; lovely and refined.

Seeking to extend the guitar trio into new and unique territory, the Quebec trio of Eric Normand on electric bass, Louis Beaudoin-de-la-Sablonniere on electric guitar, and Louis-Vincent Hamel on drums, reference performers like Jim Hall, Sonny Sharrock, John Abercrombie, & Bill Frisell while focusing on harmolodic force and unusual melodic lines.

Three "nonsensical" musical conversations between Malaysian experimental musician and Herbal International label founder Goh Lee Kwang, and Norwegian bass player and Nakama label leader Christian Meeas Svendsen; a first encounter between two different mindsets, nationalities and generations, packaged with a pencil to let you draw your own cover.

Italian-born New York-based percussionist Carlo Costa meets Norwegian guitarist Havard Volden (Moon Relay, Muddersten) for an album of water-themed free improvisations, beautifully developing with thoughtful playing using rich chord patterns and unusual sonic inventiveness in percussive objects to create a set of rich and languorous surges and pools of sound.

Three concerts at Vancouver's Western Front, two from 1978 and one from 1996, from the duo of West Coast free improvising guitarist Henry Kaiser and Vancouver saxophonist John Oswald, early yet mature examples of the profoundly great music each artist has gone on to create using astounding and extreme techniques.

Jean-Marc Foussat recorded the French improvising duo of electric guitairst Marc Ducret and double bassist Joelle Leandre at 19PaulFort in May, 2018, the title drawn from a poem by Edgar Allen Poe, as the two trade acoustic and electric string approaches in a sophisticated dialog of exceptional technique and inventive approaches; superb.

Two Downtown NY guitarists, both masterful players with unique approaches to their instrument, come together to present extraordinary and brilliant interpretations of an eclectic set of standards and compositions, titled for Claude Debussy's 1910 solo piano work, and including pieces by Hoagy Charmichael, Johnny Smith, Willard Robinson, and a number of traditional works.

Caught live at Bar Isshee in Tokyo, Japan in 2017, the duo of Kazuo Imai (nylon string guitar) and Roger Turner (snare drum, tom tom, cymbals, metal & wood) present two distinct sets, each one on a separate CD, the first using open but continuous playing of great control and precision, the second a more unpredictable and assertive set of unorthodox interplay.

Two performers related by Wandelweiser--guitarist Taku Sugimoto and cellist Stefan Thut--met at oslo10 in Switzerland to perform two concerts with one composition from each: Stefan Thut uses chance operations changing the music's direction at the prompt of rolled dice; Sugimoto use sustained notes and ebow in a subtle but effective sound work.

A "shug monkey" is a cryptid, a creature that may or may not exist, supposed to have features of a dog and a monkey, an odd but apt reference for the unusual improvisations by Berlin-based saxophonist Simon Rose and guitarist Nicola L. Hein, one of 8 tracks named for unusual creatures and mythological beings, each described in sound through extended techniques and powerful playing.

Two of this generation's most influential and skilled guitarists, Mary Halvorson and Joe Morris bring their distinct styles and jaw-dropping mastery of their instruments into a duo of collective improvisation, neither player using effects but instead impressing by (often high-speed) lyricism, incredibly precise interaction, and the warmth their long association brings to them.

Performing on the Korean gayageum (also known as kayagum), Do Yeon Kim joins Joe Morris performing on guitar for five incredible string improvisations using a diversity of approaches from both players, including pointillistic improv, rich rivers of chords, languid moments of beauty, and moments where it's difficult to discern who is playing what.

Reedist Peter Brotzmann and guitarist Heather Lee has been one of Brotzmann's most current active collaborations, performing together for several years, here recorded beautifully in the studio for a 6-track LP and 10-track CD of sympathetic, emotional and articulate dialog from two musicians with an innate sense of timing and give and take borne from mutual experience.

Acoustic guitar intermeshes with electric guitar as Canadian guitarist Pascal Landry and New York guitarist Mick Barr, both of whom play in heavy rock and free improvisation settings, meet in Queens, NY to record this intense album of free playing using a diverse set of approaches, intertwining their strings in an insectile swarm of notes and timbres.

Submerging the listener into the immediacy of pure perception through the economy of materials and atemporality, Catalan guitarist Ferran Fages presents the 3rd piece of his trilogy for guitar and sinteones, referencing Feldman, Lucier and Szlavnics as he specifies tunings for the guitar accompanied by pure resonating sinetones used as memory vehicles or shadows.

Drummer Weasel Walter turns to his love of furious metallic music in this intimidating album of chaotic, noisy skronk rock in a solo album played on guitars, drums and electronics accompanied by distorted grunts that add a disturbing layer to the madness; aggressively skillful and demanding, intended to be played LOUD, with a take-no-prisoners, no-apology attitude.

The 2nd part of a trilogy for guitar and sinetones composed between 2015-18, alongside "What Might Occur (Rereadings of Triadic Memories by Morton Feldman for guitar and sinewaves)" (2015-17) and "Un Lloc Entre Dos Records" (2017); this work, originally written in 2016, and revised in 2018, is heard in a recording at GMEA, France, with guitarist Benjamin Maumus.

Finnish composer and bassist Teppo Hauta-aho, who works in both classical and improvised music and has recorded albums with Anthony Braxton and Evan Parker, is joined by Finnish experimental guitarist Jukka Kaariainen for an album that brings warmth to the frosty austerity of winter through intricate dialog, from stark reserve to rapid, fascinating flurries.

Sardinian improviser Paolo Angeli in his 8th release on ReR, peforming solo on his augmented Sardinian guitar equipped with motors, pedals, individual string mic'ing, and extra appendages, along side incredible technical skill and a brilliant sense of pacing - highly recommended!

Portuguese guitarist Jose Dias steps away from his quartet and trio, and from the many scores for theatre, contemporary dance and animation film that he's composed, to focus on his solo electric guitar work, in this album that applies subtle affects and a warm, ethereal ambiance to expressive and passionate pieces, each conveying a sense of narrative and purpose.

Recorded in the late 1970's in Canada while improvising rock, jazz, pysch, folk, country & blues guitar madman Doctor Eugene Chadbourne was living there, this is the second of four LPs documenting his work at the time, this album presenting 6 solo pieces of profound playing amidst an unusual experimental nature and a uniquely Chad sense of humor.

Reissuing the 1st CD on UK free improvising guitarist Derek Bailey's Incus label is this 1982 duo with Brazilian percussionist Cyro Baptista, a remarkable dialog that draws percussive qualities from Bailey and lyrical aspects from Baptista, as the two push each other into inventive and exotic exchanges in an exuberant album; an incredible start to the Incus CD series.

An unusual pairing between UK non-idiomatic improvising legend Derek Bailey and clarinetist Tony Coe, best known for his work with Franz Koglmann (heard on Hatology) his work with Tony Oxley, and work in avant classical settings; here they find common ground in a miniature chamber improv approach of both technical virtuosity and atonal lyricism.

Premiere recordings of two major works from Canadian guitarist Tim Brady: "Desir" in 3 movements, a concerto for electric guitar and large chamber ensemble that showcases Brady's playing; and "Eight Songs about: Symphony # 7" where each song is a character in a fictional, subtle and ironic commentary about Dmitri Shostakovich's Symphony No. 7 premiered on August 9th, 1942.

Canada's songwriting Hobson's Choice has developed into a tightly knit ensemble embracing elements of jazz, chamber, and singer-songwriter traditions, with sound-worlds ranging from midnight deep-woods marimba ballads to sunny cicada-sung anthems.

Calgary's saxophonist Darren Williams, who has worked with Mats Gustafsson, Cody Oliver, Eugene Chadbourne, and Han Bennink, in a solo album of remarkable power using extended techniques in composed and improvised pieces that push Williams into astounding territory.

A live recording of the first encounter between Henry Cow/Radar Favourites/Ex-Wise Heads reed, wind and electronic artist Geoff Leigh and Acid Mother Temple guitarist and solo artist Kawabata Makoto, performing at Urbanguild, in Kyoto, Japan, in 2014 for a set of electronic, psychedelic improvisation of great detail using a vast arsenal of experimental approaches.

Two meticulous works in two parts each using layered collage of acoustic instruments, objects, electronics, field recordings, voices, fragments of past compositions and early classical music samples, with A.F. Jones providing voice narration, from Venezuelan composer/artist Gil Sanson and Canadian-based composer/painter Lance Austin Olsen: "Pra Min" and "Meditations".

The Norwegian guitar trio led by Roland Galewicz on drums, Henrik Sandstad Dalen on double bass, and Havard Nordberg Funderud on guitar, free improvisers with a dark intent captured live at Kafe Haerverk, in Oslo in 2018 as they perform Galewicz's rhythm-heavy three part "Death Machine Suite", Funderud's spacious "Nice Things" and Dalen's searing "Holmenkollekspressen".

Using an electric guitar, preparations, and objects as a tool of reflection, Nicola L. Hein presents an album of philosophical bent, about the question of skepticism in music, or a skeptical form of improvisation, through tumultuous playing of impressive technique caught live at Spectrum in NYC, as each track title presents observations or questions that Hein seeks to resolve.

A duo of Brussels audio explorers, Jean-Jacques Duerinckx on sopranino saxophone and Anatole Damien on tabletop guitar and electronics, contrasting acoustic "dry" and highly effected "wet" sounds, the two develop sonic environments that build and release using unusual reed techniques and mutated string scrabbling in a strangely compelling set of dialogs.

Born out of Eugene Chadbourne's Twins band concepts from the 70s, which included over time saxophonist Bruce Ackley, and guitarists Henry Kaiser, and Fred Frith; fast forward to 2018 as Ackley & Frith return to the concept with Henry Kaiser and saxophonist Aram Shelton to revisit the original approach through pieces by those artists plus Steve Lacy, Eugene Chadbourne, and John Zorn.

Long-time collaborators, guitarists Henry Kaiser and Eugene Chadbourne perform the compositions of trumpeter Wadada Leo Smith, starting with their recording from 1977 of his "Wind Crystals", then improvising over 5 other Smith compositions, ending the album with an updated, 2017 version of "Wind Crystals"; an excellent refresh and retrospective from two incredible improvisers.

With only an electric guitar, Luis Lopes (Humanization 4tet) Love Song presents the mostly composed work "Post-Ruins", recorded live at Teatro Maria Matos, in Lisboa, using notes, intervals and chords chosen with the intention of transmitting the perception of an eternalized moment occupying the space like a sculpture, full of emotions, infinite in itself.

A split LP with each side featuring a 20 minute solo track from both brotherly halves of the acclaimed space guitar improvising band My Cat Is An Alien.

Guitarists Julian Lage and Gyan Riley take on John Zorn's third book of Masada, "The Book Beri'ah", here in the fourth volume performing the rich melodic music in 10 compositions of passionate interplay, from languid passages to rapid interplay, their familiarity lending itself to exceptional extended runs and tight synchronized playing.

Three compositions for solo guitar from Canadian composer Mark Hannesson performed in Saint-Petersburg by Russian guitarist Denis Sorokin and recorded by saxophonist and sound artist Ilia Belorukov; "Each Thing" and "If I Appear Comfortable" using space and a subtle development in extended works; "Triste" using progressions of distorted tones and decay.

Varying the instrument and proportions of acoustic or electric presentation straddling the foreground/background dynamic for each track, Appalachian Trance Metal guitarist Killick presents his first vinyl LP to extend his vast CD discography; a worthy and curious album of solo guitar, acoustic and electroacoustic work that belongs in any guitar enthusiast's collection.

Inspired by the life and thought of the spiritual figure Saint Francis of Assisi, John Zorn composed these ten guitar trios as a suite to be performed during a residency at the Frick museum in New York City, with guitarists Julian Lage and Gyan Riley, heard on his previous "Midsummer Moons" album, joined by guitarist Bil Frisell; contemplative and lyrical music.

An exhilarating duo between Danish saxophonist Mette Rasmussen on alto sax and French electric guitarist Julien Desprez using a variety of effects, recording in France for seven approach-ably twisted dialogs using spectacular technique and a diversity of approaches, from full force playing to introspective textural work, a marvel of spontaneity.

Downtown NY guitarist Chris Cochrane (No Safety, Curlew) joins up with bassist Stuart Popejoy (Sugarlife, Bassoon, Sarah Bernstein Quartet) for an album of exploratory sonic environments born from improvisation, with rich guitar processing, glitch, heavy riffs, and indescribable sonic environments in a well-balance album of informed experimentation.

Italian sonic explorer Francesco Gregoretti uses his drumkit like a lead instrument, amplifying and modifying its sound through effects, as he pursues his varied "Imploded" bands (Strongly Imploded, Grizzly Imploded) fueled by the mathematics of Chaos Theory, here with guitarist Maurizio Argenziano in an album of dense sound, from near-minimal to highly interactive.

Brooklyn-based composer, bassist, and writer Nick Dunston in his debut album, blending jazz, contemporary, chamber and avant forms, in a uniquely voiced quintet with Louna Dekker on Vargas on flutes & piccolo, Ledah Finck on violin & viola, Tal Yahalom on guitar, and Stephen Boegehold on drums, in a sophisticated album of concisely fascinating compositions.

Minimalist Chilean guitarist Cristian Alvear and Tim Olive first played together in October 2016, doing three concerts in Japan, Alvear returning to Japan in October of 2017 for additional performances in Kyoto and Osaka, then spending a day recording in Kobe; this single improvised piece he result of that day, heard as it was recorded, with a few structural edits.

The third solo venture for Lisbon-based guitarist and visual artist Filipe Felizardo, performing without effects and loops over a lush and spare framework, for a "ghost blues meditation" in 8 movements of focused, beautifully paced and sonically oriented playing.

Swedish bass player Egil Kalman, here on modular syntheizer, joins Norwegian guitarist Fredrik Rasten for a lovely album of drifting electronics and beautifully entwining acoustic guitar, unhurriedly developing environments of warm, slowly evolving chord structures that show influences from players like Catherine Lamb or the Wandelweiser collective.

After his debut on Astral Spirits, Chicago-based guitarist Tim Stine assembled this quartet with Nick Mazzarella on saxophone, Matt Ulery on bass, and Quin Kirchner on drums, all skilled as bandleaders themselves, to realize Stine's avant compositions, precise harmonically and rhthmically interesting works with a Threadgill feel in surprising shifts of direction.

Lapsteel guitarist and electronic artist Mike Cooper and percussionist Mark Wastell, employing a paiste 32" tam tam and a shruti box, pay homage to the large acoustic sound mirrors used in Britain from 1916 to 1930 as an early form or radar, each of their detailed improvisation referencing one of the locations on the British south and northeast coasts.

Norwegian guitarist and composer Ivar Grydeland and US guitarist, improviser and composer Henry Kaiser met in the studio with the goal of working on a soundtrack for a classic Norwegian silent film, "Ellsworths flyveekspedition 1925"; in a single take they recorded this amazingly detailed and beautiful improvisation, from which these 5 astounding tracks were selected.

Filmakers and composers Nicolas Humbert and Marc Parisotto revisit the tapes recorded by Jean Vapeur for the film by Humbert & Werner Penzel, "Step Across the Border" with soundtrack by Fred Frith, extracting more of Vapeur's fascinating field recordings and adding music by Fred Frith with additional music & voice from Tom Cora, Iva Bittova, John Zorn, &c.

Following up "Nove Cantici Per Francesco D'Assisi" with the three acoustic guitars of Bill Frisell, Gyan Riley and Julian Lage, "Virtue" is inspired by Julian of Norwich, one of the founders of Christian mysticism, portrayed through twelve succinct Zorn compositions of beautifully lyrical contrapuntal interplay and transcendental reflection.

ZNR, the French trio of Hector Zazou, Joseph Racaille, and Patrick Portella, in a deluxe box set combining both of the official ZNR releases, "Barricades III" and "Traite de Mechanique Populaire" along with 2 CDs of additional released and unreleased material and a book of memories, histories, reflections, photographs, documents, interviews and other memorabilia.

Not ambient nor aggressive, Swiss guitarist Vinz Vonlanthen's latest solo album finds the improviser creating contemplative environments in unhurried ways, allowing bass and upper string to interact, often adding unusual vocal emanations to punctuate or layer with the guitar, creating an eclectic set of succinct works, often ominous, always uniquely fascinating.

Translating to "sketch", the duo of Japanese improvising guitarist Tetuzi Akiyama and French guitarist Hervé Boghossian recorded these sketches in the studio in Marseille, France, seven succinct free improvisations of an open and intuitively lyrical nature performed on acoustic guitars, in a gorgeous album of uniquely spacious interlaced string improvisation.

Recording in Chile at the University Austral in 2018, trumpeter Benjamin Vergara and guitarist Fred Frith take us on two extended journeys through free electroacoustic improvisation, Frith's providing diverse and intense sonic environments over which Vergara's virtuosic and intuitive approach to the trumpet soars; impressive, creative, cathartic.

Originally a clarinetist, UK improviser Alex Ward began exploring the guitar in rock settings, first bringing the instrument to his improv work around the year 2000 with N.E.W. (w/ Steve Noble & John Edwards); this is his 1st solo guitar album, showing a wide range of styles that embrace improv, rock and compositional styles, a remarkable display of skill and creative drive.

An harmonically rich album of spacious guitar interaction from two Argentinian guitarists and composers--Catriel Nievas and Tomas Cabado--who also work in the trio Merce / Cabado / Nievas, a minimal yet satisfying set of 8 pieces that interact through stereo positioning, harmonic disturbance and long decay, the effect mesmerizing and beautifully peaceful.

Five "Soleil Clandestin" soundscapes using abstract voice, guitar, electronics, field recordings & percussion from sound artists Bruno Duplant and Pierre Gerard, on the surface peaceful, minimal and using space and silence, but buried inside are disquieting additions through vocal abstractions placed in unusual position to the sound; curious and captivating.

A shredding session between French improvisational guitarist Guillaume Gargaud and NY free jazz drummer Marc Edwards (Slipstream Time Travel), recorded in Queens, NY in 2017, for 5 rapid-fire displays of pyrotechnics and attentive dialog, as they take themselves to the cliff's edge and back in a dizzying album of dense technical dexterity and harmolodic force.

Twenty miniature compositions for acoustic guitar from French composer and improviser Guillaume Gargaud, each under one and a half minutes, the shortest just 53 seconds, each composed in 12 measures creating a lovely reflective and introspective set of abstract melodies, poetic and evocative music from a player dedicated to solo guitar work.

Returning to their duo work together 17 years after their erstwhile records eh, guitarist Burkhard Stangl and turntablist Dieb13 explore and expand the sonic properties of their work in this new "Garden Of Noises", using electronics and recordings of soundscapes from Paris and Montreuil, recorded live at Instants Chavires in France, 2019.

An album off free improvisations culled from the long-running Minneapolis duo of amplified acoustic guitarist Joseph Damman and multi-instrumentalist Milo fine, recorded in concert at Studio Toile d'Angles in 2018, with Fine performing on percussion, a Bosendorfer imperial piano, B-flat clarinet & marimba, for 8 pieces of explorative and accomplished dialog.

HOLE PUNCHED PROMO COPY

The second album for the duo of Japanese avant percussionist living in New Mexico Tatsuya Nakatani and Asheville, NC guitarist Shane Parish (Ahleuchatistas), recorded live at Static Age Records during Nakatani's extensive 2018 tour, finding both players intensely involved in their dialog, through highly interactive and deeply reflective passages.

Guitarist Barry Chabala merges musique concréte and improvisation, using recordings from painter and visual artist Lance Austin Olsen that Olsen recorded in his workshop while creating a series of large collaged and folded paintings--mutterings, physical sounds and other ephemera--which he sent to Chabala to use as a backdrop for these spaciously meditative guitar improvisations.

The 2nd Aggregat album expands the first release's trio of Elliott Sharp (just on reeds this time), Brad Jones (bass) and Ches Smith (drums) into a quintet with Nate Wooley (trumpet) and Terry L. Green (trombone) for an amazing set of free jazz compositions.

Bob Drake takes his listeners on a 22 piece instrumental journey through a "Beastley" garden of confident melodic foundation anBob Drake takes his listeners on a 22 piece instrumental journey through a "Beastley" garden of confident melodic foundation and experimental forays, captured by day and night, a tour de force of conception and execution.

The trio of guitarists Patricia Bateira (NATurlich), Jochen Arbeit (Einstürzende Neubauten) and Vitor Rua (Vitor Rua & The Metaphysical Angels) combine to create a new style of long-form electronic music, a richly continuous work seemingly without start or end, incorporating sustain, effects, & field recordings into a beautifully abstract aural environment.

Extremely patient compositions for electronics, cello, guitar and tenor sax from French sound and visual artist Pierre Gerard: "Air" using recordings from his duo partner of tenor saxophonist Bertrand De Lamalle with long sections of silence; "Cavity" employs previously recorded guitar improvisations that interact with Gerard's live electronic improvisations.

Blues with a strong sonic sense in Atlanta, GA guitarist Tyler Higgin's 2nd release on Shhpuma, his trio again featuring drummer Paul Stevens, and here adding bassist Gabriel Monticello, known for symphonic, jazz and rock forms, bringing masterful skill to this album that richly blends blues, gospel, folk, jazz and rock forms with passion and style.

A gorgeous and rich drone composition from New York composer Phill Niblock, intended for maximum volume to bring out shifting and slowly interacting harmonics from a nonet of incredible guitarists — David First, Rafael Toral, Robert Poss, Susan Stenger, Alan Licht, Kevin Drumm, Lee Ranaldo, and Thurston Moore — with Jim O'Rourk engineering the album for optimal warmth.

Portugese tenor saxophonist Rodrigo Amado met Belgian electric & acoustic guitarist Dirk Serries for this live performance at Jazzblazzt in The Netherlands in 2018 for two extended conversations, the first set finding Serries on electric and the 2nd on acoustic, as the two push and pull each other, intertwining or finding complement in their discourse.

Guitarist/composer Guillaume Gargaud of Le Havre, France steps away from his more typical electric guitar work for an album of acoustic guitar improvisations, freely associative playing of rich harmonic and melodic development, from ostensibly meandering fragility to powerful chord work, revealing a strong and confident center through imaginative progressions that captivate his listeners.

A series of improvisations recorded in an afternoon in Melbourne, Australia between bass guitarist Joseph Franklin and saxophonist Sam Gill on alto & soprano, this the debut of their duo work that since 2018 has developed a unique discourse of adept interaction from calmly precise to rapid & disciplined exchanges, connected by textural and exploratory periods.

Acoustic and sublime minimal acoustic improvisation with an emphasis on strings from the Portuguese quintet of Ernesto Rodrigues on viola, Miguel Almeida on acoustic guitar, Andre Lanca on electric guitar, Bernardo Alvares on double bass, and Felice Furioso on percussion, performing live during the Small Format Materials Festival at Galeria Monumental, in Lisbon.

Two extremely compatible guitarists are heard in two live recordings in Tokyo, Japan, at OTOOTO and at Permian, in 2017 & 2018, using unusual tunings, extended techniques and a patient sense of space and momentum that allows each of their contributions to resonate distinctively while maintaining a confident dialog of connected abstraction and exploration.

A uniquely eccentric free improv album by Fred Frith on electric guitar and Lol Coxhill on soprano sax, originally released in 1983 on the French AAA label, the album assembles recordings from the "Musiques de Traverses" Festival 1981, 1978 concerts in Sainte Croix, in Poitiers, and at M.J.C. Aliénor D'Aquitaine in Limoges, plus additional material from 1999 in Munchen & London.

Investigating the continuity of our perceptions through sound--the one sense that flows continuously into our awareness--through a concert at Baza Club in Krakow, Poland in 2018 between alto saxophonist Keir Neuringer and acoustic bass guitarist Rafał Mazur, using magnificent technique as they tentatively then boldy exchanges waves of the past, present and future.

An innovator in integrating pedal steel guitar into modern improvised music, Cleveland-born, Baltimore-based pedal steel guitar player Susan Alcorn's quintet enlists a superb set of New York players--Mark Feldman on violin, Michael Formanek on double bass, Mary Halvorson on guitar, and Ryan Sawyer on drums--taking on a diverse set of Alcorn compositions.